.david lynch on the set of wild at heart 1990
will byers stan first human second
RMH
Peter Solarz

Janaina Medeiros

izzy's playlists!
Cosimo Galluzzi

shark vs the universe
taylor price
we're not kids anymore.
tumblr dot com
noise dept.

ellievsbear
AnasAbdin
Aqua Utopia|海の底で記憶を紡ぐ
🪼

祝日 / Permanent Vacation
hello vonnie
KIROKAZE

Kiana Khansmith
let's talk about Bridgerton tea, my ask is open

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@antidisneyinc
.david lynch on the set of wild at heart 1990

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the wigs this season of iwtv are....
the accent coach must've gotten fired too like damn
I'm not sure it's possible to express how utterly inappropriately lame the songs in IWTV S3 are. It's not just glam rock, there's 00s type folk pop to a gentle acoustic guitar that would sound at home on a Jewel album. Who possibly thought that Lestat would like these, much less for a messy high octane rocks concert? You didn't have to go full heavy metal, we know how embarrassment is catching when you're trying to make vampires cool, but you've made something so lame and ill-fitting that it's mortifying anyway without the saving grace of earnestness
generational abyssmal dogshit coming down the pipe
he's so real tho
Marcello Mastroianni in A Special Day (1977) dir. Ettore Scola

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that pesky Black Arms blood makes it very hard to forget his lineage
(yes I assume black doom's blood is black)
(werner herzog voice) All right wing men are psycho sexually obsessed with the transgender individual
favorite 2000s movies:
"when dealing with aliens, try to be polite, but firm. and always remember that a smile is cheaper than a bullet."
district 9 (2009) dir. neill blomkamp
Vale of Tears Alice: Madness Returns (2011)
OUTLAST (2013) + rain

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VAMPIRE: THE MASQUERADE – BLOODLINES (2004) dev. Troika Games ↳ Ocean House Hotel / The Ghost Haunts at Midnight
Why the fuck are you people watching Euphoria? Do you need help?
EVERYTHING IS GOOD.
cinema + yellow
the green knight (2021) sunshine (2007) 1917 (2019) star wars: the phantom menace (1999) the royal tenenbaums (2001) chungking express (1994) blackkklansman (2018) i want you (1998) the tales of hoffmann (1951) suspiria (1977) blade runner 2049 (2017) ponyo (2008) the taste of tea (2004) dune (2021) the double (2013) snowpiercer (2013) whiplash (2014) life of pi (2012) godzilla vs hedorah (1971) american hustle (2013) amelia (2000) avatar the way of water (2022) alien romulus (2025) the french dispatch (2021) voices in the wind (2020) tinkerbell (2008) at eternity's gate (2018) wicked: for good (2025) the boy who turned yellow (1972) an american in paris (1951)
130 favorite horror movies: (41/130)
"grant me the following in the name of our lord jesus christ. like a leper rotting in flesh, let all avoid me. like a cripple without limbs, let me not move freely. remove my cheeks, that tears may not roll down them. crush my lips and tongue, that i may not sin with them. pull out my nails, that i may not grasp nothing. let my shoulders and back be bent, that I may carry nothing. like a man with tumor in the head let me lack judgment. ravage my body sworn to chastity leave me with no pride, and have me live in shame. let no one pray for me. but only the grace of the lord jesus christ have mercy on me."
-thirst (2009) dir. chan-wook park

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tbh from what I know of The Pitt or Heated Rivalry fandoms I don't necessarily agree that it's crazier than any fandom that's ever existed before. I think 1) social media has become very centralised so now conversations between fans that used to happen on fan specific forums and sites are now happening on mainstream sites because those smaller sites and forums either no longer exist or have become too irrelevant 2) because these fandom activities are happening on more mainstream sites they're more visible to "normies" (for lack of a better word), as well as people who actually work in media which means that 3) not only is this fan culture more visible and therefore more accessible to more ppl who aren't typically involved in fandoms, but it's also the most exploitable it's ever been so it gets mined for content like anything else does which makes the fandom even more hypervisible which makes the fans even more intensive and it becomes a feedback loop that 4) is exacerbated too by the fact that creators are now a log in away from seeing what fans really think of their work unfiltered for free which adds another layer of potential exploitation that fans themselves are aware of in an already fraught fandom ecosystem that 5) was changed fundamentally post-covid lockdowns because that was ground zero for the flesh world and online world becoming synthesised in a way that can't be undone so now people approach all online discussions and discourses, including fandom, the same as flesh world discourses because there is no line between these spheres anymore (which is not me saying that what's said on the internet didn't matter before, it did, just not in the same way). All of this is me trying to say that the technocratic billionaire class have reshaped the world and the internet and social media in such a way that is incredibly hostile to practising fandom as a subculture and newer fandoms ultimately reflect that paradigm shift....and it's a paradigm that makes me sad. More than anything else.
130 favorite horror movies: (33/130)
"the only perversions that can be comfortably condemned are the perversions of others."
-ganja & hess (1973) dir. bill gunn