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I was never with you.

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Just because it came up yesterday too, I always thought that the way the fans completely divorced AMCs Claudia from her Blackness was a very insidious form of misogynoir that I admit, was new for me (within a fan space).
Like, everyone "likes" her! But in that very "girl boss girl power" white feminism way where they erase everything about the source of the power out, in order to subsume it. And it's weird because to me, it showed that, just like how they did with Louis, they did not engage with how Claudia's Blackness was another important part of her story. Despite it being quite spoonfed in season 2, tbh.
Think about it. Claudia is 1) Black, 2) female, 3) queer, and 4) trapped in a child's body, forever. This is like, the torment nexus of Lacking Power and Autonomy In Society 😭 Going unheard, that resentment against the world for not taking her and her needs and her desires seriously, from inside the home and on. Of having to build a wall of strength and resilience to protect herself, of always Taking Care of Business because her goof ass brother certainly isn't gonna do it! Of having to grasp power her own way, because it will never be considered for her. Yet, somehow still a threat.
To me, AMCs Claudia is a very beautifully written example of a Black Woman that is Angry, who would be treated like an Angry Black Woman. So many of these fans HATE real world Claudia's! Because I've seen her rage and exhaustion, her fire to fight (Akasha's too), in so many of us. And yet we don't get the girl power, girl boss label- until it's time to Need us. Otherwise, you're just a Bully.
And so it was so bizarre witnessing people just... Water that down for her. To not even bother to notice it, outside of "angry at men". Idk. One of those "your favorites would hate you" situations.
Camp is self aware but what season 3 is doing isn’t camp. If anything it’s become too self aware, too constantly aware of its audience to perform true camp. It hampers itself, second guesses itself, spotlights its own insecurities. It’s so self conscious, so concerned with the audience’s reaction— both in pleasing and disgusting them— that the performance cannot support its own scaffolding. It buckles under its own weight. The center doesn’t hold. When they write season 4 they need to be locked in a remote cabin with no internet and have their phones confiscated. It’s simply the only way forward after this
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Hi, i'd love to hear your thoughts on this if you're okay with me asking: what if the racist comment from daniel wasn't actively daniel and rather lestat's imagination of what daniel might have said? lestat did say during louis and daniel's meeting he wouldn't know what was said since he wasn't there in person, so could this not also apply to everything else happening this season as it's all told by lestat (who already minimized or didn't understand racially charged remarks during s1) and the audience is "listening" to his retelling on the vinyls even if other characters speak
It's complicated because on the one hand I can absolutely see Lestat's version of Daniel being a kind of dialed up version of reality, making him extra rude, extra loud mouthed, and also tacking on him being loudly racist and homophobic too. But if that was the case I think they should have made that more overt in Lestat and Daniel's dynamic, even if it was just a throwaway line from Lestat implying that Daniel is probably a racist or something, just something to lay a trail of breadcrumbs to that. It's annoying because I don't want this show to have to hold my hand and explain it's intentions, but they've kind of dug their own grave with this one.
The problem I have is that the show has kind of lost any grace I might have been willing to give it by being so loud and insistent about this season being something entirely new and trying to separate it from the previous two seasons. If this was Interview With The Vampire Season 3, I might have been a lot more willing to let my trust in the writers from their racial storytelling and sensitivity carry forward into this season, but instead they've axed their Black creatives and hailed this as a separate project, something that can be watched without the first two seasons (I do not agree AT ALL that that is the case either), something that an audience who didn't enjoy the first two seasons can love. And I just have to question who exactly this new audience that they're trying to reach is, because unfortunately the more the season goes on the more it looks like they're trying to bring back a white audience who were alienated by a show which centered around a Black man and his racial identity.
I said this when I was talking about the pronouns joke in episode 1 too but I just don't think a room of cis, predominantly white writers should be dropping "jokes" like these because even if there is intention behind it, even if it's going to be examined and called out for what it is later down the line, I don't think casual transphobia and anti-blackness are things that an audience of people who are directly affected by these things should have to just sit with. Gothic horror is all about sowing discomfort in your audience and letting them sit with that discomfort, but it's not the white audience who are having to sit with that discomfort, it's not the cis audience who are having to sit with that discomfort, it's minorities who were already living with that discomfort.
“Gothic horror is all about sowing discomfort in your audience and letting them sit with that discomfort, but it's not the white audience who are having to sit with that discomfort, it's not the cis audience who are having to sit with that discomfort, it's minorities who were already living with that discomfort.”
Drew Barrymore at the Ever After premiere 1998
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sheila guyse as julie weston in miracle in harlem (1948) directed by jack kemp.

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I still think the writers are following a Tale of the Body Thief-style arc this season, which is narratively interesting, sure, but...inadvisable in a weekly release format.
We've got:
- Amicable but distant Louis and Lestat at the start, shifting into a Lestat feeling let down by Louis.
- Lestat's DARVO mindset regarding his treatment of Louis (Deny, Attack, Reverse Victim and Offender).
- A recurring hallucination of Claudia that needles Lestat into begrudging self-reflection and partial accountability.
- (Doylist racism that the writers(s) are oblivious to 🫠)
Which I think is all leading to:
- Lestat realising that he has not broken the cycles of his abusive behaviour, despite his regrets, because it gets him the people he wants, and he knows that he will ultimately be forgiven enough to keep them in his life (hopefully a more Louis-focused execution in the show).
Which is all very chewy, BUT.
I was so pissed and disillusioned at times reading TOTBT that I nearly put the series down. Louis was only in a few scenes, but after each one I thought "What was the point of book one? Why does the author expect me to ignore everything bad Lestat did and coddle his hurt feelings?" (And I don't even like book-Louis! Show-Louis is such an incredible character and so different to the book version)
The TOTBT ending low-key blew my mind and retroactively changed how I felt about the entire book, but AGAIN, I nearly didn't get to the ending.
And it's worse with the show, both from a weekly-release perspective and also because the abuse that Lestat inflicted on Louis and Claudia was much more pronounced and racially charged in the show, so it continuing to go unaddressed (or seemingly forgiven) is understandably upsetting and even infuriating to many fans.
No mic-drop ending can fix trust with the show if they prolong this past a viewer's breaking point...which I've seen happen with multiple people I follow.
Combine that with the earned (!) lack of trust engendered by aforementioned Doylist racism, and we have...a messy situation.
And that's if I'm right and there is a best-case-scenario ending on the horizon...
This Fandom and Selective Empathy
The same people who spent years insisting that Louis should not be sanitized because it would erase his complexity, arguing that he is a monster just like the rest of them, are now asking people to see Lestat's actions through the lens of his trauma. Suddenly, Lestat's suffering becomes essential context. His anger is understandable. His cruelty is a product of abuse. His actions are examined with empathy. Meanwhile, that same grace is rarely extended to Louis. That's double standard.
Louis was never afforded the benefit of the doubt by large portions of the fandom. If he described abuse, he was lying. If he remembered events differently, he was an unreliable narrator, Armand must have manipulated him. Every flaw, every mistake, every harmful action became proof of how monstrous he was. Yet when it comes to Lestat, his worst actions are endlessly contextualized, justified, minimized, or explained away through trauma. To be clear, I have no problem with people criticizing Louis. I've criticized Louis myself especially during season one (which put me on many block lists). My issue is the lack of consistency. If we're going to hold Louis accountable, then we should keep that same energy for Lestat. For example, Louis being a pimp in 1910 has become one of the defining traits of his character in fandom discussions. It is constantly brought up as evidence of his exploitation of women. Fair enough. But Lestat was emptying coffers to buy women in that same time period. He killed Miss Lily. Yet people rarely frame him as someone who exploits women. They never call him a john. Instead, the discussion quickly shifts back to how abused and tragic he is. Similarly, some fans write essays about how others have exploited Lestat's body while refusing to acknowledge the ways he has exploited others.
The abuse Louis and Claudia suffered at the hands of Lestat is endlessly debated or denied. People claim Louis lied. They claim Armand altered the narrative. They argue it wasn't really Lestat. They search for every possible explanation except the obvious one: that Lestat was capable of being abusive. The same pattern appears elsewhere. Lestat's affair (and abuse) with Antoinette is recontexualized or ignored. His affair with Armand while involved with Nicki is denied by the fandom. His admission that he let Louis leave with Armand despite knowing Armand orchestrated the trial gets interpreted as a lie from him. Even Lestat dropping Louis from the sky is attributed to an external influence rather than his own agency. Fans criticize Louis for reading Claudia's diaries, yet conveniently forget that Lestat did the exact same thing in season one. Or was that a lie too? Another fabrication? At some point, the excuses become more revealing than the actions themselves. Lestat is a predator in every sense of the word. He is also a victim of abuse , sexual, physical. and emotional. Those two truths can coexist. Being abused does not erase the harm he causes, just as Louis' suffering does not erase the harm he causes. Interview with the Vampire is a story about monsters. Complex, tragic, fascinating monsters. The problem is that some fans seem unwilling to let Lestat be one. They watch a show about monsters but want their monster to be a saint. They want him to be a monster one the surface while being virtous at his core. They want plausible deniability for every wrongdoing and an explanation for every cruelty. But complexity does not require innocence. If trauma can be used to understand Lestat, then it should also be used to understand Louis. If Louis can be held accountable despite his suffering, then Lestat should be held accountable despite his.
with the way the writing for louis is going, s4 is gonna have a plot point where louis buys these puppies (*buys* not adopts. you must remember he is a capitalist. yes this is what louis would name puppies) to cheer lestat up after lestat got kidnapped by akasha
I don’t understand the flattening out of Louis’ character. Surely if it’s due to a pov shift that makes it even worse. The redeeming factor of lestat and louis’ relationship was that lestat saw all these beautiful things in him and didn’t want him to conform to roles. Now we have lestat pov dumbing down Louis’ vocabulary and making his prevailing trait “business” to the extent that we don’t see him reading, storytelling, designing, pondering art and artistic movements, taking photographs, making literary criticism, dancing, enjoying music, experimenting with fashion, philosophising, poeticising, crying at opera, romanticising or any of those things, just being fucked up about grief and making money. Is the idea that Louis is once more trapped inside the racialised/gendered/heteronormative roles that he played when lestat first met him? Or has the series abandoned Louis’ complexity in favour of creating a redeemable lestat. The irony is that despite lestat’s inability to see the ways that race and sexuality factored into Louis’ difficulty with being authentic, lestat’s redeeming feature in s1 was his attention and care to the multifaceted dimensions of Louis’ personality. Louis fell for him because he felt seen. Why does tvl lestat not see Louis?
Camp is self aware but what season 3 is doing isn’t camp. If anything it’s become too self aware, too constantly aware of its audience to perform true camp. It hampers itself, second guesses itself, spotlights its own insecurities. It’s so self conscious, so concerned with the audience’s reaction— both in pleasing and disgusting them— that the performance cannot support its own scaffolding. It buckles under its own weight. The center doesn’t hold. When they write season 4 they need to be locked in a remote cabin with no internet and have their phones confiscated. It’s simply the only way forward after this

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Silsila (1981)
The person who tweeted “y’all can’t even boycott Chick-fil-A” was right then and continues to be proven right now