Chinaza Agbor, Why Are They Looking At Me, 2022
Claire Keane
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Janaina Medeiros
he wasn't even looking at me and he found me
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Chinaza Agbor, Why Are They Looking At Me, 2022

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Lebohang Kganyeâs Ke Lefa Laka: Her-Story, a series of digital photomontages where she has inserted herself into old photographs of her mother who has passed
i feel like it was cowardly (and indicative of the thematic problems with this season and how racist the writing is) for the show not to adapt gabrielle's canonical antiblackness and portray her as having more generic captain-planet-villain megalomania instead. but i'm choosing to engage with that aspect of her character anyway so...
...y'all think the "brute" louis sensed in madagascar was gabriella
im not kidding if you put that "you're still louis the pimp" gifset on my dash i'm blocking you

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doechii and megan could literally kill a man in broad daylight and i'd be on here defending them
color slides of the perkins family (circa 1939-1941) by carl van vechten.
source: blackarchives
you wished for this.
on the topic. can we talk about how megan's music videos have cornered the market on the genre of like, absurdist erotic horror.
Thot Shit is the most obvious, its essentially a short film in which a powerful white man politician who enacts misogyny to women like megan while getting off to their bodies, is forced to go about his life unable to escape black women shaking ass in a hostile manner, and the video ends with a shot of the man having had his mouth surgically turned into a realistic sfx vulva. similarly, BOA is a short film clearly parodying creepypasta about haunted video games; three teens play a clearly haunted copy of "Curse of the Serpent Woman," and meg kills each of them, including killing a guy by literally crushing his face with her ass.
in Mamushi (probably the least absurdist), she's a shape-shifting serpent woman who seduces men at a sauna, kills them, and then her partner turns them into an undead army (in a scene inspired by a story from Akira Kurosawa's film Dreams). Roc Steady is a direct reference to Jennifer's Body, and it shows Meg being a quirky cheerleader who graphically kills and dismembers men. most recently Whenever is a music video that is literally set in a Salvador Dali painting (The Persistence of Memory), & while its less horror it is very absurdist in a specifically erotic way, with megan and her eroticism being associated with the strange, shifting room the music video takes place in, and is contrasted with a older woman who watches everything in quiet confusion. and that is accompanied by the repetition of "it's whatever, bitch," brushing off the need to make sense to other people.
commonality in all of these is how she blends horror, absurdity, and eroticism. her being sexy in these videos is not incidental to the horror or absurdism, and the horror isn't softened by her being sexy. the final shot of Thot Shit is genuinely unsettling; its a man with a vulva for a mouth, done with very realistic sfx makeup, clearly in horror himself. in BOA the deaths are depicted in a cartoony but still visceral way - the guy's face literally crushed by megan's ass, the girl's head blown up by being constricted by a snake. in Mamushi, megan swims through the water of the sauna, using her arched back to imitate a snake's movement in water. but when she turns into a giant snake, its just a Fucking Giant Snake. its huge and scary and a snake and it kills the guy who was admiring megan's beautiful human body. and then her victims are depicted as helpless bodies dragged away and repurposed, made into an undead thing for megan to order around.
erotic art isn't taken seriously as art. and incidentally, neither is/was horror and comedy for the most part. because all of these genres seek to create and explore certain felt experiences (desire, dread, humor) and historically art that "appeals to the base senses" is associated with the lower classes and "low culture" while art that "appeals to the mind" is associated with "high culture" (& there's plenty more to be said about all of that). megan's art specifically as a Black woman whose art is very Black and very erotic is often seen as shallow and "base." when people can't deny her obvious lyrical and performance skill, they try to separate her ability to write hard as fuck bars and deliver incredible flows from her identity as a freak bitch. so i find it really interesting how her music videos explore eroticism through horror and horror through eroticism and unites those two forces through absurdity, playing in the face of those who don't take her art seriously by actively making it a mindfuck that serves her own artistic purposes.
Jayme Lawson as Pearline in Sinners

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two hour study - NåømĂ ĂpĂĄjøk Lueth wearing Tamara Ralph
a couple folks have asked me if/when i'm gonna write meta again for iwtvl and i will, i'm just waiting for s3 to finish airing bc there's usually something speculative about my meta and i don't wanna give away something by writing with the context of the story through s3ep6- i also feel like it would be weird/unfair to "speculate" like i haven't seen most of the season. but i have a lot of notes/drafts on the show, some things i like and a lot of critique wrt the antiblackness, and i think i'll start getting into it after s3ep6 (which is the episode i have the most issues with)
Mitski singing Stay Soft while visuals from Dracula play in the background
MY BEAUTIFUL BESTIES

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Donna Summer performing âI Feel Love,â 1977.
im gonna hold some of yalls hand with a napkin in between when i say this but......a complete lack of black writers is what's to blame for a lot of what's wrong with this season