Eartha Kitt as Anna Lucasta in Anna Lucasta (1958)
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Eartha Kitt as Anna Lucasta in Anna Lucasta (1958)

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also having said all that about not supporting retributive justice and not wanting to impose irl punitive frameworks on fictional characters, i also wanna make it clear that i still plan on getting some serious mileage out of the guwutine meme when iwtv s3 rolls around and white french heads literally start rolling onscreen
my bad yall i think i caused the monkey's paw to curl with this one. yeah we got the decapitation of an aristocrat and a billionaire but at what cost
incredibly sorry for the black writers and directors of the previous two seasons who thought they were building something. I am so sorry that your work was not respected and now dismissed by this new season. I am so sorry that the love and care with which you crafted the characters, especially of Louis and Claudia was so resented that the current writers' room chose to dilute all. I am so sorry that you are having to see the anti blackness in full force on a formerly black led show and everything you worked on- your vision- it was all wiped off. I am so sorry to Jacob and Delainey for having to work with those scripts.
Eartha Kitt performing in Las Vegas, Nevada, in 1955
the biggest problem i have with loustat this season is that it lacks passion. desperately so. i'm aspec and i don't care much about romance in fiction, but gothic romance in iwtv was excellent, it made me feel something beyond myself. even outside of what we can consider their "good" times in season 1, the passion and yearning and painful co-dependency was ever-present.
louis was sitting there at the trial watching lestat say the most disgusting shit about him and he still couldnβt stop loving him. and we agreed he was insane for that, and we wanted more. louis couldn't stop loving lestat and longing for him even when he thought lestat wanted to kill him. when he was angry at him. when he was scared of him. but in s3 i simply can't feel anything anymore.
i know more great loustat scenes are coming soon but i really just... i think i'll have troubles in believing the sincerity of it after these 4 episodes. one, two, five great scenes won't replace the ever-present yearning in s1&2 and the devastating nature of it.
right now it feels like s1&2 were written by people who were crushing on lestat along with louis, but s3 is written by someone who doesn't really like louis and doesn't understand what lestat likes about him. just like the most of loustat fanfiction actually lmao. it's just... should i care? will they make me care again? because i don't think it's possible right now... they'd need to compensate so much in the next 3 episodes.
well said and 1000% agreed. i'm almost positive we'll get some great scenes from them in the remaining episodes, but they won't feel earned. for all intents and purposes, the present-day scenes in s3 have done nothing to illuminate lestat's relationships that are core to his personality (sans gabi, which is becoming extremely one-note). not marius (who i fucking hate in the books fwiw, trust me i was happy not to hear a four-episode spiel from him, but SOMETHING more than what we got would've been nice). not nicki, who we got not even a full episode for. not lestat's relationship to paris as a city, to armand.
we keep being told again and again that's intentional. and sure, it is! he's isolated and in a downward spiral and doesn't want to tell daniel about his fucked-up past! i believe you! but i don't need 5 episodes of this kind of stasis and eye-rolling meme references when we only have 7 to tell a story, or at least part of it.
we keep being beaten over the head with gabi in nearly every scene. any references to louis are about how angry lestat is about a book louis didn't even write and didn't consent to get published.
i understood the anger at the start. hell, i still understand it. it's characteristic of lestat. but we've wasted precious airtime on barely-there flashback scenes (and the ones that were there, prior to episode 3 or so, were very cheap-looking), superfluous footage of a band we somehow still barely get to know, and characters telling us exactly what's happened
--(i.e., armand telling daniel he watched over him for 52 years...could we have seen flashes of that, like, sprinkled anywhere in the season? saying "well it's lestat's season, we wouldn't see that" doesn't hold up. we got snippets of daniel's life in the first two seasons that were largely told from louis' POV.)--
and now, at the end of episode 5 when we learn lestat has apparently found his true/honest sound via allowing himself to grieve claudia again (a song i do love btw), we have two episodes left of the season. two episodes left to convince the audience that there's still something there in a relationship that was touted as core to the series. and it was, for the first two seasons. louis' love for lestat, as fucked up as it was, remained a through-line in the first two seasons even when he wasn't around. i've felt none of that from lestat this entire season, which is so out of character for him. and if i'm supposed to feel it next episode, based on interactions that happen offscreen....what am i even watching for, then?
you could say "well, it's because he was angry." but despite that anger louis should've been haunting his ass at every turn. lestat would've welcomed it. why did dream/muse louis only make an appearance in ep 5? why was "big bad wolf" only released now, not even teased prior to the latter half of the season, if it was written out of lestat's anger toward louis at the time the season opens?
i'm not asking for loustat to even get back together. i'm just asking for their interactions to feel earned. the end of season 2, that final scene...that felt earned.
i'm not asking for neat storytelling. i'm not asking for linear storytelling. i am just asking for........any storytelling.

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I was never with you.
David Dorsey - Serene Enigma, 2025 - Oil on canvas
Just because it came up yesterday too, I always thought that the way the fans completely divorced AMCs Claudia from her Blackness was a very insidious form of misogynoir that I admit, was new for me (within a fan space).
Like, everyone "likes" her! But in that very "girl boss girl power" white feminism way where they erase everything about the source of the power out, in order to subsume it. And it's weird because to me, it showed that, just like how they did with Louis, they did not engage with how Claudia's Blackness was another important part of her story. Despite it being quite spoonfed in season 2, tbh.
Think about it. Claudia is 1) Black, 2) female, 3) queer, and 4) trapped in a child's body, forever. This is like, the torment nexus of Lacking Power and Autonomy In Society π Going unheard, that resentment against the world for not taking her and her needs and her desires seriously, from inside the home and on. Of having to build a wall of strength and resilience to protect herself, of always Taking Care of Business because her goof ass brother certainly isn't gonna do it! Of having to grasp power her own way, because it will never be considered for her. Yet, somehow still a threat.
To me, AMCs Claudia is a very beautifully written example of a Black Woman that is Angry, who would be treated like an Angry Black Woman. So many of these fans HATE real world Claudia's! Because I've seen her rage and exhaustion, her fire to fight (Akasha's too), in so many of us. And yet we don't get the girl power, girl boss label- until it's time to Need us. Otherwise, you're just a Bully.
And so it was so bizarre witnessing people just... Water that down for her. To not even bother to notice it, outside of "angry at men". Idk. One of those "your favorites would hate you" situations.
Camp is self aware but what season 3 is doing isnβt camp. If anything itβs become too self aware, too constantly aware of its audience to perform true camp. It hampers itself, second guesses itself, spotlights its own insecurities. Itβs so self conscious, so concerned with the audienceβs reactionβ both in pleasing and disgusting themβ that the performance cannot support its own scaffolding. It buckles under its own weight. The center doesnβt hold. When they write season 4 they need to be locked in a remote cabin with no internet and have their phones confiscated. Itβs simply the only way forward after this
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Hi, i'd love to hear your thoughts on this if you're okay with me asking: what if the racist comment from daniel wasn't actively daniel and rather lestat's imagination of what daniel might have said? lestat did say during louis and daniel's meeting he wouldn't know what was said since he wasn't there in person, so could this not also apply to everything else happening this season as it's all told by lestat (who already minimized or didn't understand racially charged remarks during s1) and the audience is "listening" to his retelling on the vinyls even if other characters speak
It's complicated because on the one hand I can absolutely see Lestat's version of Daniel being a kind of dialed up version of reality, making him extra rude, extra loud mouthed, and also tacking on him being loudly racist and homophobic too. But if that was the case I think they should have made that more overt in Lestat and Daniel's dynamic, even if it was just a throwaway line from Lestat implying that Daniel is probably a racist or something, just something to lay a trail of breadcrumbs to that. It's annoying because I don't want this show to have to hold my hand and explain it's intentions, but they've kind of dug their own grave with this one.
The problem I have is that the show has kind of lost any grace I might have been willing to give it by being so loud and insistent about this season being something entirely new and trying to separate it from the previous two seasons. If this was Interview With The Vampire Season 3, I might have been a lot more willing to let my trust in the writers from their racial storytelling and sensitivity carry forward into this season, but instead they've axed their Black creatives and hailed this as a separate project, something that can be watched without the first two seasons (I do not agree AT ALL that that is the case either), something that an audience who didn't enjoy the first two seasons can love. And I just have to question who exactly this new audience that they're trying to reach is, because unfortunately the more the season goes on the more it looks like they're trying to bring back a white audience who were alienated by a show which centered around a Black man and his racial identity.
I said this when I was talking about the pronouns joke in episode 1 too but I just don't think a room of cis, predominantly white writers should be dropping "jokes" like these because even if there is intention behind it, even if it's going to be examined and called out for what it is later down the line, I don't think casual transphobia and anti-blackness are things that an audience of people who are directly affected by these things should have to just sit with. Gothic horror is all about sowing discomfort in your audience and letting them sit with that discomfort, but it's not the white audience who are having to sit with that discomfort, it's not the cis audience who are having to sit with that discomfort, it's minorities who were already living with that discomfort.
βGothic horror is all about sowing discomfort in your audience and letting them sit with that discomfort, but it's not the white audience who are having to sit with that discomfort, it's not the cis audience who are having to sit with that discomfort, it's minorities who were already living with that discomfort.β
Drew Barrymore at the Ever After premiere 1998
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sheila guyse as julie weston in miracle in harlem (1948) directed by jack kemp.

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I still think the writers are following a Tale of the Body Thief-style arc this season, which is narratively interesting, sure, but...inadvisable in a weekly release format.
We've got:
- Amicable but distant Louis and Lestat at the start, shifting into a Lestat feeling let down by Louis.
- Lestat's DARVO mindset regarding his treatment of Louis (Deny, Attack, Reverse Victim and Offender).
- A recurring hallucination of Claudia that needles Lestat into begrudging self-reflection and partial accountability.
- (Doylist racism that the writers(s) are oblivious to π« )
Which I think is all leading to:
- Lestat realising that he has not broken the cycles of his abusive behaviour, despite his regrets, because it gets him the people he wants, and he knows that he will ultimately be forgiven enough to keep them in his life (hopefully a more Louis-focused execution in the show).
Which is all very chewy, BUT.
I was so pissed and disillusioned at times reading TOTBT that I nearly put the series down. Louis was only in a few scenes, but after each one I thought "What was the point of book one? Why does the author expect me to ignore everything bad Lestat did and coddle his hurt feelings?" (And I don't even like book-Louis! Show-Louis is such an incredible character and so different to the book version)
The TOTBT ending low-key blew my mind and retroactively changed how I felt about the entire book, but AGAIN, I nearly didn't get to the ending.
And it's worse with the show, both from a weekly-release perspective and also because the abuse that Lestat inflicted on Louis and Claudia was much more pronounced and racially charged in the show, so it continuing to go unaddressed (or seemingly forgiven) is understandably upsetting and even infuriating to many fans.
No mic-drop ending can fix trust with the show if they prolong this past a viewer's breaking point...which I've seen happen with multiple people I follow.
Combine that with the earned (!) lack of trust engendered by aforementioned Doylist racism, and we have...a messy situation.
And that's if I'm right and there is a best-case-scenario ending on the horizon...
This Fandom and Selective Empathy
The same people who spent years insisting that Louis should not be sanitized because it would erase his complexity, arguing that he is a monster just like the rest of them, are now asking people to see Lestat's actions through the lens of his trauma. Suddenly, Lestat's suffering becomes essential context. His anger is understandable. His cruelty is a product of abuse. His actions are examined with empathy. Meanwhile, that same grace is rarely extended to Louis. That's double standard.
Louis was never afforded the benefit of the doubt by large portions of the fandom. If he described abuse, he was lying. If he remembered events differently, he was an unreliable narrator, Armand must have manipulated him. Every flaw, every mistake, every harmful action became proof of how monstrous he was. Yet when it comes to Lestat, his worst actions are endlessly contextualized, justified, minimized, or explained away through trauma. To be clear, I have no problem with people criticizing Louis. I've criticized Louis myself especially during season one (which put me on many block lists). My issue is the lack of consistency. If we're going to hold Louis accountable, then we should keep that same energy for Lestat. For example, Louis being a pimp in 1910 has become one of the defining traits of his character in fandom discussions. It is constantly brought up as evidence of his exploitation of women. Fair enough. But Lestat was emptying coffers to buy women in that same time period. He killed Miss Lily. Yet people rarely frame him as someone who exploits women. They never call him a john. Instead, the discussion quickly shifts back to how abused and tragic he is. Similarly, some fans write essays about how others have exploited Lestat's body while refusing to acknowledge the ways he has exploited others.
The abuse Louis and Claudia suffered at the hands of Lestat is endlessly debated or denied. People claim Louis lied. They claim Armand altered the narrative. They argue it wasn't really Lestat. They search for every possible explanation except the obvious one: that Lestat was capable of being abusive. The same pattern appears elsewhere. Lestat's affair (and abuse) with Antoinette is recontexualized or ignored. His affair with Armand while involved with Nicki is denied by the fandom. His admission that he let Louis leave with Armand despite knowing Armand orchestrated the trial gets interpreted as a lie from him. Even Lestat dropping Louis from the sky is attributed to an external influence rather than his own agency. Fans criticize Louis for reading Claudia's diaries, yet conveniently forget that Lestat did the exact same thing in season one. Or was that a lie too? Another fabrication? At some point, the excuses become more revealing than the actions themselves. Lestat is a predator in every sense of the word. He is also a victim of abuse , sexual, physical. and emotional. Those two truths can coexist. Being abused does not erase the harm he causes, just as Louis' suffering does not erase the harm he causes. Interview with the Vampire is a story about monsters. Complex, tragic, fascinating monsters. The problem is that some fans seem unwilling to let Lestat be one. They watch a show about monsters but want their monster to be a saint. They want him to be a monster one the surface while being virtous at his core. They want plausible deniability for every wrongdoing and an explanation for every cruelty. But complexity does not require innocence. If trauma can be used to understand Lestat, then it should also be used to understand Louis. If Louis can be held accountable despite his suffering, then Lestat should be held accountable despite his.