i'm gonna slowly retag all my post about tvl because i wanna separate it from iwtv.
#tvl, #tvl amc, #tvl spoilers - just general tags.
#tvl critical - more or less objective critique.
#tvl rant - subjective critique and other shit, the same as #iwtv rant.
iwtv tags will stay the same. i will also delete or turn off reblogs for some of my posts. i need to clean up after the murder.
i'm not gonna post about this show as much as i used to. iwtv will stay my darling and for now i'm too hurt to talk about it, but maybe in a few years i'll rewatch it and you'll see me talking about it again. i made some... okay posts about tvl, so i'm not gonna delete them completely, and louis is still a part of this show, so... but don't expect me to write meta for tvl!
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fields of mistria launched 1.0 version... maybe i should dive in and distract myself. i actually played this game for the first time right when i was watching iwtv for the first time, so it could be a symbolic way to end the cycle lmao. i haven't finished deltarune ch5 though, i really need to do that too.
They had Louis apologize to Armand and then apologize that he was enslaved and then apologize for making him this way by not loving him right which is insane cause his Maker is alive. Armand calls Louis his Claudia only to force Louis to apologize as Marius' proxy. And Marius is still alive. And then to say in the 77 years they were together they never spoke about his past implying Armand's victimhood had to be talked around like Lestat and there was no space for Armand to be a victim in their relationship. This show got more smoke for Louis than Marius. And Marius is alive.
some other thoughts on abuse apologia in tvl. like i said before, in my opinion the writers took abuse-centric stance, either because they find this type of the narrative more "brave" and "interesting" or because they have certain beliefs they wanted to express through the fictional characters without facing much backlash.
i'm trying to connect everything from iwtv and tvl and see the statement they tried to make, and obviously iwtv is a little more careful in that regard, most likely because the writers' room had inner disagreements, and the political/cultural climate was a bit different. tvl has a more straightforward vision. not a great one of course.
tvl says that there are "real victims" and "performative victims". and the distinction they make is not based on any kinda proper research, but what looks like personal opinion festering in minds of older generations probably since early 2000s. basically tvl says that people are way too sensitive and there's some kinda rational truth, while the rest is delusional. it says that "real victims" are those who were physically assaulted without any reason by strangers. "real victims" are those who were used and weren't loved. these people deserve sympathy and support and can talk about their pain in any form they want.
and then there are "performative victims": people who carry partial accountability in relationships with their family members or partners but "blame others" for harm that was done to them. therefore, idea of material power doesn't matter at all: tvl says that you have free will, so you brought that harm on yourself either by provoking someone, by treating them coldly or by staying with someone who could be dangerous to you. and the narrative not only criticizes people who position themselves as the wronged side in such relationships, it holds immense hatred for them.
"you talked about it and it's worse" is basically the main philosophy of tvl. it asks the questions: "if it was our personal relationship and we both did wrong, why you act like you're allowed to talk about harm done to you and i don't? why you think you allowed to kick me out of our shared home?". it reads to me as something very personal and very frustrated.
and obviously in this philosophy we can see some fascinating conclusions tvl makes: lestat is a victim of magnus, but he only becomes victim of gabriella when he realized she used him (otherwise "he didn't mind"). louis is not a victim of lestat and especially armand, because spousal abuse is "always mutual" and he was emotionally distant and mean, so he "deserved it". claudia is bruce's victim, but not louis' victim because she used him and hated him (so louis needs to move on from his guilt, you see). she's potentially lestat's victim, but she retaliated, so they're "even" now. daniel is not armand's victim because armand loved him. and again, what being a "victim" even means in tvl is that these people are allowed to complain and talk about their trauma, but if you aren't "real victim" you should shut up about your feelings and admit how equally selfish and awful you were.
basically, we talked a lot how much this fandom enjoys abuse apologia and victim-blaming and never realized that the biggest enemies are the writers themselves. people who found perfect time and place to voice their personal opinions on so-called modern sensibilities and wrap it up in the show about vampires (because "they're monsters!") so no one cancels them online. all that research they allegedly did on abuse wasted, i guess.
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Another thing about this season is that it is just not sensual. There's sex sure, but that's just sex. And it's so weird for a vampire media to be so lacking in sensuality.
The "Come to me" of IWTV!Lestat was not only the seduction of Louis De Pointe Du Lac- it was a call to seduce us as well. It's the vampire story reeling us in, and we are both mesmerized and horrified on account of Louis. IWTV weaves its sensuality from the very first frame; Daniel Molloy in his own apartment, all alone in a pandemic. We are allowed to see him in an intimate setting. He is watching his own commercial, he is bored, he is listless and then he gets a package and suddenly he is breathing heavily- Daniel is afraid (fear and arousal both are enmeshed in vampiric stories). The way that scene is shot with Daniel going through his things to find the old recorder letting us get a glimpse of the life he has lived, to those tapes being played and the camera staying in on Daniel and letting us stay with Daniel as we hear the voices on the tape before it abruptly cuts off with the shout of a young Danny Molloy; I don't think Eric Bogosian has ever looked so good throughout IWTV/TVL as he did in that first scene. It is also here that for the first time we get to hear Louis! And oh how blessed are our ears to hear Jacob's voice in that cadence. Come to me is what he says to Daniel Molloy basically; I have watched (over) you, your whole life Daniel..Come to me. And off we go following Louis's voice to Dubai and then we are in his penthouse.
Usually it is the vampire who has to be invited in, but in IWTV we are being invited into Louis's coffin itself! ( Where's your coffin?/ You are standing in it). There's something so deliciously vulnerable in being invited into a vampire's "coffin" (where would you run to now?) and lo and behold it is here he wants to tell the journalist his story. It's intimate, vulnerable and yes it is sensuous. There's nowhere to escape, no room to move, they are trapped in the penthouse ( here's the horror, neither of them knows just how trapped they are and who has keys to the door- iPad controlled protective windows). I think we all talk about Louis's beauty but what about his sensuality? Louis is a sensuous being. All those feedings set up across from Daniel at the dinner table, the whole Rashidmand thing-> there always has been a very tangible push and pull between the interviewer and the interviewee. It's what made the Dubai setting come alive. This was what made it interesting. And not only in Dubai. Think about Louis in his red suit with Jonah. Think about Louis with Armand and gang going to hunt together for the first time. Think about him telling Armand " been thinking about you". Think about Louis and Armand's first time together and the shot of Louis in his undershirt with birth of Venus painting in the background ( if I am not mistaken), think about Louis in 1973 meeting Daniel for the first time- there's a lot going on in that convo including hints at Louis being suicidal ( what's in the bag? Is it a gun? are you an assassin? Are you here to kill me?)- but again there's always an underlying sensuality woven into these scenes. Episode 5 of s2 starts with Louis being playful with Daniel; Daniel is embarrassed with his "so we have never..." And Louis giggles out a 'No'. He goes onto tease him about if he wants to do it now since Armand lingers to watch the boats. What I am trying to say is in s1/s2 Louis has been filmed to be both beautiful and sensuous and playful in his sensuality.
I am not going to lie, this series always had a problem of subjecting Black bodies to the most graphic violence, but it also once knew how to show beauty and desire too. I will never not be mad about how Claudia and Madeline never got to kiss onscreen, some stupid decisions were made to have it so I am sure; but even then we knew how desire looks on Claudia. We saw it when the smell of Madeline's blood hits the air. Madeline getting her period and bleeding through leaving little droplets of blood all over the floor. Madeline saying she is leaving behind a trail, like in Hansel and Gretel and Claudia's fangs dropping. It's Claudia's sexual desire intermingling with her deepest wish to attain "womanhood". All of it filmed in a way that's just incredibly hot. What horror is it then that as Louis is draining Madeline, Claudia dives in for a taste? The blurring of lines and boundaries between her and her father-brother who later makes himself throw up the blood.
Vampirism is erotic. The monster has to penetrate the victim to suck out their life force to satiate itself. Think about Sheridan Le Fanu's Carmilla. Think about the ethereal vampire feverishly grabbing onto the hands of the young girl ( Laura) and confessing how she loves her. Carmilla is in parts rapturous in pleasure and in parts manic during her confession, and at night she crawls into Laura's bed to drink blood from her bosom with every intention of draining her dry.
Where is this 'terrific' eroticism in The Vampire Lestat? In IWTV, Lestat massacres the priest to get to Louis. Louis is stumbling and falling and Lestat crawls over to him, hands outstretched offering him a way to be all the beautiful things he is without the world ever hindering him from doing so. Louis accepts and of course not all of it is so simple or straightforward since he is reeling from his brother's death, but when the camera flashes onto Lestat, we see him drunk on Louis's blood. He is drunk on Louis. Again I ask you where is the horror intermingling with the erotic in TVL?
What this season has done, and which I think is another problem is that it's unnecessarily voyeuristic without having any intention to address this voyeurism in any meaningful way. Which is crazy because many interesting things could have been said about the voyueristic use of camera, in reflection of our current times where we don't really know if we will end up on the net because some asshole decided to film us and post it. But for it to be so the documentary style for the season would have had to be treated seriously and Rolin and co, just abandoned it halfway through.
So what we instead have is just an uncomfortable mess where the horror of abuse is not addressed but fetishized. (GabriellA fucking Jarda in the bathroom and we see it and hear it for a long long time), where it empties the well of sensuality and eroticism that IWTV built around Louis, only to brutalize him onscreen in the most horrifying of ways. In its lazy attempt to shock the audience, TVL sacrificed the balance IWTV mantained between the horrific and the erotic. Rolin's "serve more cunt" to Sam Reid ( who mind you had to starve himself to get the physique of TVL Lestat) does nothing to add to Lestat's sensuality and eroticism. Lestat gyrating and thrusting onstage is a crude attempt at 'sexiness' that IWTV!Louis could so easily suffuse Lestat with in his narrative. The thrall of vampirism, that terrifying and yet all encompassing swoon that humans like Daniel Molloy found themselves in, has been destroyed. TVL as a vampire media is a 'Failure'.
the fact is⌠no one would ever love show!lestat if not for louis' perspective of him in iwtv s1&2. that lestat was complex, tragic, romantic, cruel and loving in equal measure. a byronic hero of sort. tvl lestat is darvostat. i don't feel anything toward him other than pure annoyance because he's exactly like every other self-centered abusive man but more flamboyant. like, why would i wanna watch another show about another dude like that in the year 2026. i mean, i guess there are plenty of people who'd fall for any physically attractive white man they can find, but i think that would be an extent of it.
a horrible thought occurred to me... lestat in the show is not treated as book lestat, he's literally treated as vriska. and louis is terezi! another infamous toxic scorpio-libra duo. terezi killed vriska with the sword hidden in her cane. and then spent years suffering from guilt and grief. it's not tvc adaptation, they wrote vrisrezi fanfiction
Not my tweets! Just ones that have been on my mind.
I wanna write TVL off so bad but Iâm struggling not to incorporate TVL!Lestatâs characterization into how I overall interpret Lestat because, unfortunately, I do see a consistent line of characterization. I can see how IWTV!Lestat would also be TVL!Lestat. Itâs just not what I was expecting and Iâm still trying to get my thoughts together about it.
đ¨ Very long post under the cut! đ¨
Mean & Unforgiving
Lestat has always had a mean streak. One of the biggest gripes I have with fanon is the tendency to steer completely away from this. In the same way Louis can be prideful and go below the belt with his words, Lestat can be mean and punitive/spiteful. And both, in their own ways, can be very very selfish. These traits have always existed in the show versions of these characters.
I think, with Lestat though, because there was so much yet-to-be explained in IWTV, I did allow bookstat characterizations to, not overshadow showstat, but fill in the missing pieces. As I think a number of people did.
As someone that has not read the books, from what Iâve heard, bookstat is extremely forgiving, to the point where it can be infuriating. He is also somewhat altruistic, as someone that prefers to only eat evil doers and even took care of his abusive father towards the later stages of his life.
Showstat hasnât really exhibited either of these traits. S1E1 has him killing Lily for the âcrimeâ of not being Louis. The same with the tenor and Tom Anderson and others. He punishes LouClaudia often, with Antoinette, with Charlie, with the train, etc. He is not forgiving by any means.
He retaliates even when the person didnât do anything wrong. Louis wasnât talking to him so Lily has to die so Louis canât talk to anyone? Lestat introduced Claudia to the concept of sex then punishes her desire for it by making her watch Charlie burn? Lestat lashes out, whether he feels heâs been wronged or whether heâs personally upset by something, heâs always taken his frustration out on other people.
But multiple reasonings can exist at once. With Antoinette, Lestat can have been feeling insecure in his relationship with Louis and trying to provoke Louis into eating properly, while at the same time wanting to punish Louis for being depressed and âruiningâ the honeymoon fantasy Lestat had been dreaming for them. These explanations can coexist.
Making Louis Miserable
And so, I can see âI knew youâd figure it out!â Lestat at the end of S2 missing & yearning desperately for Louis, while at the same time being petty and not telling the truth in the first place to intentionally punish Louis for choosing Armand.
Itâs almost similar to 1x02 âYouâre going to find that very difficult.â Lestat allowing Louis to run out and get burnt by the sun, intentionally withholding information, so Louis would have a reason to come running back to Lestat. Also similar to the army house party. Lestat telling Louis he can sleep with others, only for Lestat to humiliate him by filling their house with rowdy soldiers after Louis actually follows through with Jonah.
I distinctly remember fans, myself included, coming up with many many MANY explanations for why Lestat didnât tell Louis the truth about the trial. And while thereâs still more nuance there, Lestat does have a track record of withholding information to keep Louis with him/keep Louis returning to him, and a track record of feeling entitled to Louisâ affection.
And I just, keep thinking about how many explanations and theories I came up with (so manyâŚ) for why Lestat didnât tell Louis the truth about the trial. But him being roundabout vengeful, wanting to make Louis miserable, and ensure that Louis may return to him later if nothing else then to question him, does also fall in line with the Lestat we saw in Season 1.
Itâs cruel, but multiple sides to Lestat can exist. In the early days of their relationship, Lestat can have been omitting information out of a desire to be âpureâ and begin a new life with Louis like he says in TVL Ep 6. Why he didnât tell Louis about his mother or tell Claudia about Paris. But he has also withheld for manipulative reasons, like with the sun, like with not telling Antoinette about her finger. Many things can be true at once.
Just as Lestat can be aware the trial was messed up and acknowledge Louis as a victim, while still feeling entitled to Louisâ affection and feeling wronged when denied.
It goes into how Lestat objectifies Louis. Heâs always behaved as though Louis is his. Like a toy. His to love, his to hurt. He described his condition after the drop as becoming a âbroken thing.â
So I can see Lestat saving Louis during the trial, feeling slighted when Louis thinks it was Armand, then becoming more frustrated when Louis devotes himself to Armand. The trial was an attack against LouClaudia, but this is âan attackâ against Lestat himself (as he believes) and so he retaliates.
Itâs messed up. I am not justifying it. I just can better see the straight line of how a person could come to that conclusion.
Initially, I did think Lestat was lying when he confessed to this in TVL. That no way would he want to intentionally make Louis miserable. Surely he knew the trial was horrible and wouldnât want Louis to suffer more than he already had! But no, Lestat would and has done so several times just in Season 1 alone. Lily, the sun, Antoinette, poisoning Claudia.
Going to the Trial
In regards to his participation in the trial itself, while I do still struggle to see Lestat wanting to genuinely murder Louis, I did always believe he went to Paris willingly. I thought he went to save Louis, but I can also see this perspective that he mightâve went to humiliate LouClaudia.
Lestat has used spectacle to humiliate. He intentionally embarrasses himself at the Azalea by playing the piano like a cornball. He intentionally embarrasses Louis with the âwelcome home cheater!â soldier ambush in their house. He intentionally provokes disgust with his performance by eating a fake baby on the Mardi Gras float. Even in 1x07 when he was going to make Louis watch Antoinette poison Claudia. That entire sequence was punishment for both Louis & Claudia, Claudia the victim and Louis the forced witness. He uses spectacle.
So just like the Azalea clientele, just like the soldiers, just like the Mardi Gras attendees, etc., I can see Lestat going to the trial with a desire to publicly humiliate LouClaudia for leaving him.
In the same nuanced way Louis was terrified of seeing Lestat while also being overwhelmingly glad to be seeing him, Lestat can have missed and wanted to see LouClaudia, while also being majorly pissed and wanting to take the reigns of their lives and portray it in a performance that selfishly makes him feel better. Humiliating LouClaudia as punishment, while also utilizing the forced proximity to be with and talk to them again (even if they arenât at all interested.)
And he is fine with forced proximity. We see this after the drop with him refusing to buy his own coffin, sharing with Louis, and making Claudia move hers to be in the same room.
So I can see him going there, not with the intention to kill them because I truly canât see that, but to humiliate them.
Similar to what yusiyomogi talked about in this post, Lestat has somewhat of a child-like way of looking at the world. The way he objectifies Louis as though heâs a toy. The way he lashes out sometimes resembling a tantrum. The way he takes many things as a personal offense even when theyâre not.
Lestat feels like a Peter Pan-esque figure. In that he can bring joy, charm, and a euphoric sense of freedom to those around him, but he can also be destructively self centered and treat others like objects, angered when they donât behave in ways he wants them to. Emotional development and maturity in tatters from having been abused by his entire family since he was a child.
(BTW this does not detract from his patriarchal & spousal abuse. They all go hand in hand because while Lestat may have a child-like worldview, he is still a grown man.)
So while I did believe Lestat went to the trial to save Louis, I can also see the characterization that he went to humiliate them. That he rehearsed that play and saw those props and interpreted the whole thing as a game. That it was simply âhis turnâ to be in control again and âtheir turn to hurt.â Only for the play to actually start, for LouClaudia to come in looking chewed up and stomped on, and only then does he understand this shit is real.
Before, I couldnât imagine anyone entering TDV and seeing those sketches of LouClaudia as racist caricatures and hearing Samâs script write them as such, and not see how drenched in antiblackness it all was. While Lestatâs never once been an activist, I didnât want to imagine him being this indifferent to such obviously harmful portrayals.
But that was back when I assumed he knew the trial was serious and that LouClaudia were literally going to die. And while Lestat is ignorant as fuck when it comes to antiblackness, he also has seen severe racism and completely dismissed it before. So yes, him seeing those caricatures and not giving a damn is perfectly in character.
1x03 ends in a race riot with white supremacists going around burning down black businesses and harassing black families, and Lestat jokes about making it their anniversary. Lestat weaponizes Antoinette against Louis, and while they have their musical talents in common, itâs not a coincidence that Antoinette, a white woman who he can flirt and feel up on in public, is the kind of person he chooses to antagonize Louis with. The same could not be accomplished having chosen another man or chosen a black woman because of the societal prejudices that would limit his ability to flaunt them. To feel âfreerâ and have âmore funâ with them.
So while I hadnât wanted to imagine Lestat seeing LouClaudia portrayed as racist caricatures during those rehearsals and him just shrugging about it, I can now see that too. In his privilege, as an untouchable vampire but especially as a wealthy white man, Lestat has mocked, dismissed, and weaponized racism in the past.
Overall, after sitting and thinking more on Lestat, specifically showstat, I can see him going to that trial with the intention to humiliate LouClaudia, rehearsing that script and thinking absently of those racist props and depictions, having an âoh shitâ moment once he actually locks eyes with Louis and switching to save him, only to then turn back around and let Louis suffer in retaliation for actually being upset about it all and choosing to go home with someone else.
Abusing Unreliable Narration
While I do think some of my confusion / mixed feelings came from using bookstat interpretations to fill in the blanks for showstat, and my tendency to steer towards positive characterizations before negative ones, I think the cast & crew played a part too.
Because, yes! It is going to cause division if some of the actors (the main interviews fans look to) say something completely different. Sam said there is no world in which heâd let Louis die. Even point blank saying: âIt not realistic for [Lestat] to be like, "I'm going to go and kill Louis."â So I donât fault fans who went with this interpretation, and I donât fault their shock when Rolin implies the opposite.
Then you have Sam saying Lestat knew how badly he messed up with Louis and could somewhat understand why Louis would assume the worst of him. Why Louis would try to punish him by being with someone else. Only for showstat to debunk that understanding and clarify he didnât reveal the truth about the trial specifically to torture Armand & make Louis miserable. As though Louis was being âunfair.â
The show, overall, can do unreliable narrator well. But it gets to a point where open ended interpretation distorts into confusing characterization. In my opinion, one of the best examples of unreliable narration was pristine Lestat vs bloodied Lestat during and after the drop.
It makes perfect sense that LouClaudia (mainly Claudia) would recall Lestat appearing like an untouched, indestructible god after just having dropped Louis from the heavens. While it also makes perfect sense that Lestat would remember feeling wounded and panicked and less like a god, but more like a rabid beast. Neither memories, in my opinion, are wrong. Theyâre about how the person recalling it felt about the moment, not which objectively happened.
This was one of my favorite uses of unreliable narrator in the show because itâs about two different sources recalling their experiences from their own POV. Itâs not a showrunner/writer having a completely different interpretation than how the actor portrayed the character. Sam said he left the trial ambiguous in case they revisited it, while Rolinâs saying they made it uber clear. These contrasting readings are not good! Sam is the actor, he goes based off the writing and how heâs directed. How on earth could they come away with two different intentions behind pivotal scenes?
The show uses subjective storytelling so well at times then so horribly at others. Lestat and Gabriella perceiving their relationship differently makes sense. They are different characters with their own unique ways of thinking. But Sam and Jennifer are working together to tell one single story, so them as actors having wildly different perspectives does not make sense.
What do you mean Jen believed Gabistat was a mutually desired, erotic relationship while Sam interpreted it as sexual assault and abuse? At some point this stops being âWow they know their characters so wellâ and becomes âwth is going on behind the scenes that even the actors canât agree on what theyâre actually doing?â
This lack of clarity will lead to vastly different interpretations, and while conceptually not a bad thing, how far is this going to go? To where you now have actors in the same frame portraying different kinds of scenes, actors and writers telling different stories, and fans across the board all having watched the same-but-different show and picking & choosing which of the iterations they prefer to go with. Subjective storytelling is great when done well, horrible when not!
Differences & Complexity
Because Samstat seemed to have the least alterations from his book counterpart, it was assumed his backstory and personality would have the least alterations too. But thatâs not the case and expecting bookstat to fill in the gaps of showstat was a mistake on my part.
Showstat is older than bookstat when he became a vampire. He has a different relationship with his mother than bookstat did. He spent longer with Magnus, longer with Akasha. Similar to Louis, Claudia, Armand, and Daniel, it was wrong to assume showstat wouldnât also have significant differences from his book version.
The cast & crew interviews having drastically different interpretations on the same exact scenes & characters is just unhinged though. Iâd really like to hear what Jamlainey think about some of the things Rolin air dropped before fleeing. But even if we do hear their responses, it still keeps the characters in this perpetual state of âhe said, she saidâ that I no longer find as endearing as I used to.
But you know what? Whatever. Whatever! We move. At this point thatâs all we can do.
Anyway, Lestat has always had a mean streak and could be retaliatory, so I donât think these traits still presenting themselves in TVL is poor writing. Itâs actually consistent when looking at showstatâs behavior in S1.
And this isnât to discredit the âLestat is always performingâ characterization either. He is always performing. He performs arrogance while massively hating himself. He performs being larger-than-life while at the same time finding obvious comfort in traditional dynamics.
He is a very progressive vampire who often breaks vampire social conventions and regulations, while also being a very conservative man with quite regressive views on women, poc, disability, and gender identity. Lestat can be a vampire revolutionary that destroys a coven with his ideals, while at the same time a conservative white man that spews anti-vax logic to children.
Lestat is a very complex character, and I donât think the many sides to him cancel each other out. I think his wide eyed curiosity and joviality when taking care of Akasha can coexist with his pettiness and self centeredness. I think him desperate to do whatever he can to make his abusive mother happy can coexist with her not wanting to be entrapped by his possessiveness. And I think a Lestat that mightâve wanted to intentionally make Louis miserable can coexist with a Lestat that yearned desperately for him.
The Problem
The biggest problem with these reveals, and why I think they fall apart, is that itâs like. Okay, now what?
Okay TVL, youâve now clarified some of Lestatâs traits and actions. Not the routes I thought you were going to take, but I can see the logic. So now what are you going to do with these clarifications? And the show responds⌠nothing.
THIS IS MY ISSUE. This is the whole issue! The show reveals these things, but does nothing with them.
Lestat reveals he didnât tell Louis the truth to deliberately hurt him. Does Lestat feel guilt over this? Does he understand this was a terrible thing to do? I guess I can assume so based on the 2x08 reunion scene, but in TVL heâs right back to slut shaming Louis for being with Armand when heâs the one who fanned the flames of that relationship in the first place.
Itâs reinforced that Lestat went to the trial cooperatively. This is one of the worst things Lestat has ever done. But does he think so? We know there is some guilt based on his horror at Claudiaâs death in 2x07 and during 2x08 reunion. In TVL, we can choose to believe he was running from his guilt over Claudia all season⌠but is this actually depicted or is this another âLestat was clearly covered in bruises while on stage in Parisâ that people will later look like clowns for believing?
Sam says Lestat will forever be haunted by Claudiaâs death. âHe will forever carry that shame. You donât want him to come to terms with it either, or have closure on it like Louis does. It is one of those things that is going to continue to send him insane.â And yet, thereâs not an inkling of his relationship with Claudia until Ep 5 after he sees Regina, then the show has ghost!Claudia compliment him on killing her before he moves on from the seance swiftly after. Where is this massive shame and insanity? Or am I supposed to just assume itâs there like everything else?!
And what about Louis? While Louis would undoubtedly forgive Lestat, does Lestat feel any guilt for nearly getting Louis killed? Does he feel guilt for âbanishmentâ and the rocks still being in Louisâ ankles? If given another chance, would he tell Louis the truth after the trial and not âgive himâ to Armand? Or, if Louis hadnât tried to kill himself in 1973, would Lestat not even actually regret it?
Like it says in the tweets, I donât mind showstat being ârevealedâ or I guess confirmed to be a bit crueler than I expected. There could be a really interesting arc in there and, like most of the adapted characters, showstat being very different from his book counterpart isnât necessarily a bad thing.
But thereâs no actual development
The season just has adult!Lestat being spiteful and self centered and thatâs it. Thereâs no attempt to do anything with these traits or explore the weight of his actions.
Like okay, Lestat wanted to âpunishâ Louis and kept his mouth shut about the trial. Does Louis know this? How would this information affect their relationship? Is this another reason why Lestat becomes pained (to the point his stutter comes back) when talking about 1973, because he succeeded in fueling Louisâ depression to the point Louis tried committing suicide, and feels extreme guilt for it? Or does Lestat still believe he has the authority to âpunishâ Louis this severely if something like this were to happen again? What do Louis & Lestat learn from this experience? How does it affect them?
Silence.
The show tries to tell you that Lestat is, somewhat, a self aware person. He can admit when his songs suck, he can admit that his low self esteem is why they only perform in small venues, he can even admit when heâs being performative like he says in the finale. Lestat knows heâs an asshole. He knows heâs a monster, and he knows his love is oftentimes grotesque.
Now what?
âLestat sucks and knows itâ is not a storyline, nor a character arc.
IWTV had Louis undergoing multiple arcs across the 2 seasons. Louis in 1x07 is different from who he was in 1x01, and 2x08 Louis is remarkably different from 2x01. Even TVL finale!Louis is drastically different than who he was in TVL Ep 2. Louis changes and changes and changes all the time. He is always developing as a character, in both the positive and the negative. But how different is Lestat from TVL Ep 7 to who he was in TVL Ep 1?
No Consequences
Mardi Gras was a response to his abuse in NOLA, but what repercussions did he face from participating in the trial? What, Louis not wanting to be with him? Thatâs not a real consequence when you have Lestat steering the results in his favor so Louis would be miserable and return to him later anyway.
What repercussions does Lestat face from objectifying many of the people around him? Them thinking heâs kindve a dick? What does that matter when they all do what he wants anyway? When the band (sans Larry who no one really likes) just continues performing with him, when Armand comes to him puppy eyed and desperate to apologize, when Louis lets Lestat back in no matter what he does every single time?
Daniel cuts off his head but that doesnât feel like a true consequence because the show has to butcher everyoneâs characters in order for it to make any sense. Even then, the beheadings are more about Louis. Being punished (as always) for realizing the extent of Armandâs abuse and not wanting to be abused anymore. It had little to nothing to do with Lestat.
What repercussions does Lestat face from disturbing Claudiaâs ghost in the afterlife? Her complimenting his involvement in her murder and praising his blood? While she goes on to insult Louis in every way imaginable?
Does Lestat grow from anything? Where is the guilt from his actions? Is there any attempt to do better? The show can have this more spiteful and self centered Lestat. But it doesnât do anything with it. Itâs not saying anything with this adaptational choice.
Lestat is not Louis so I donât expect him to handle grief, shame, and guilt the same way Louis does. But he hardly seems to feel them at all. Dream!Claudia shouldâve been haunting his ass the entire season, yet she seems to barely be on his mind. To the point he doesnât even choose to imagine what her final words to him could be while he dies. (Dream!Claudia âchoosingâ not to be there is so stupid, Iâm sorry. They are all figments of Lestatâs imagination. Theyâre not âchoosingâ anything.)
Lestat hasnât shown any growth since their actual relationship, so what is there to root for when Loustat touch pinkies in Ep 6 and touch neck scars in Ep 7? By TVL finale, Louis has undergone a million and one character arcs ever since IWTV pilot. Why would I want him with a Lestat whoâs barely changed?
End
Lestat being crueler than I expected for TVL to reveal, while surprising, isnât necessarily bad. The show just handled it really fucking poorly with no consequences or attempt to grow. Ep 6 Lestat says he needs to work on himself, then spends the following episode dismissing Claudia, insulting Louis, cheering for Antoinette, and envisioning Dee as nothing but his waiter.
Thereâs sprinkles of what couldâve been a good character arc (my thoughts on them here) but theyâre only layered in the finale when they shouldâve been the premise of the entire season.
Overall, thereâs no excuse for many of the ways the writers went about this season. It drowns in racism, misogyny, transphobia, etc.
The point of this post is just me wrapping my head around Lestat as a character. If he was written as crazily and bizarrely as Daniel, Armand, and Claudia, then Iâd be able to easily sever TVL!Lestat from IWTV!Lestat.
But I can see a consistent personality and psyche from IWTV!Lestat that could lead into TVL!Lestat. So him as a character is kindve becoming muddled in my head because if I go rewatch IWTV now, I already know Iâm going to have TVL!Lestat coloring my interpretations. Because TVL!Lestat is not completely nonsensical.
But Iâm not saying TVL!Lestat is well written either.
The show couldâve juxtaposed his spite about the book and the performative rage in his songs, with Dream!Lou continuously haunting him and representing his actual yearning, love, and guilt over Louis. The show couldâve contrasted his attempt to ignore the elephant in the room, his complicity in Claudiaâs murder, with her either haunting him or him spiraling worse than ever anytime she does get mentioned and especially after the seance.
And even with this meaner, more avoidant Lestat, this doesnât have to erase the positive qualities we have seen him display. Louis often insults himself, where is the Lestat who never let Louis do so without combating with compliments? âYouâre a challenge every sunset Saint Louis, and Iâd have it no other wayâ in S1, only for TVL!Lestat to not say a thing the multiple times Louis degrades himself? Just letting the insults sink and fester? Where is the Lestat who was the first person to ever see Louis as he truly was and think all of him was beautiful? Who thinks so many things are beautiful?
Where is the duality? The Lestat who can be petty and angry, but can also be loving and doting? The Lestat who wants to run from his guilt over Claudia, but also âcanât get her out of his mindâ as in 2x08? The Lestat who often antagonizes Louis, but also feels âconnected by a cord that you cannot seeâ and wants them happy and together regardless of it all?
Where is the duality? The development? How do you spend a whole season diving into Lestat as a character, and somehow flatten him to be more one-dimensional than before?
The show just couldâve and shouldâve did so many things differently, but instead destroyed itself entirely.
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we can talk around it a lot, but the reality right now is that tvl writers have chosen abuser-centric narrative as the most important/true/interesting one. and this is not a watsonian critique.
iwtv is the story told from the povs of victims. and it was amazing and well-written, but looking back at it now we can highlight some very important things: 1) the story is put under scrutiny of an in-universe journalist 2) the narrative constantly emphasizes the idea that victims weren't "perfect", that they fought back and there were a lot of complexity in the relationship dynamics 3) the narrative focuses on accountability of the victims, making them acknowledge moments where they made mistakes and did things they later regretted.
which sounds fine on paper, right? this is gothic fiction, that's what we do here, we look at uncomfortable things and recognize that abusers are not one-note caricatures, that things are complex and humanity is kinda fucked up.
except then they wrote tvl. and things are not looking good from the doylist pov.
here the writers made another set of decisions that played into very specific narrative. now that the season is told from pov of someone who abused main characters from the previous seasons, we see some interesting changes: 1) the story is not questioned or challenged by anyone in the narrative 2) the accountability is downplayed, the abuser suddenly has a lot of reasons "to act like that" framed in sympathetic light 3) people who abused the abuser are depicted as one-note caricatures 4) the victims of the main character are framed as selfish liars, cruel and shallow in their actions.
and here you could say "wait, maybe they're going full meta..." but we have another surprise: the writers didn't waste any time to confirm that their intention was indeed to punish the victims from iwtv, that these characters played their "victim cards" and that they were assholes for not being loving and caring enough to their abusers too.
all this paint not-so-great picture. this is not complexity, this is abuser-centric storytelling, and the writers think it's far more interesting and "brave" than anything else. generally speaking, i believe that fiction can be anything, but it's important to be careful with the message the story provides, especially in the context of current-day culture and politics. we all need to be smarter etc etc. fiction can be and has been very harmful in the past. but going beyond that and saying things rolin and hannah said behind the screen... well, it's not even about fiction anymore.
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saw people laughing at the idea that rolin could be resentful/jealous that the character he wrote is loved and popular. well, here's the thing... 1) he didn't write that character by himself 2) a huge number of people love that character because of jacob's acting, not just the writing 3) that character is supposed to oppose the core ideas of what rolin wanted this show to be ("mutually" toxic relationship, "they're all monsters", "love cancels out abuse" approach) 4) he really wanted to write for lestat but was basically forced by amc to make another season of louis.
it's very important to understand that rolin always wanted to use louis as a narrative device to prop up lestat, ever since he "created" him. pretty much what he said himself! while he most likely tried to empathize with louis during writing for s1&2 (it'd be very difficult to make these seasons otherwise), i don't think he really wanted to make louis a powerful character beyond lestat. the most obvious answer to why he did everything to "humble" louis and break him down in tvl was because they didn't like that louis in the end of s2 managed to start growing away from his trauma cycle without lestat. it's a very similar mindset to when a man wants his wife to be successful, but doesn't want her to earn more money and/or be independent from him.
the writers are dissatisfied with their own writing all the time, especially when they have to share the writers' room with other people and make compromises they don't wanna make. and obviously it's not always a good thing that they have opportunity to realize their vision. some writers need to be stopped. in tvl there are plenty of moments you can see rolin forcing his own vision ("two lies" line...) because the team was much weaker this time around.
Another ldpdl fan fest is here! And itâs in honor of Louisâ birthday, this upcoming October. I am once again so excited to host another event centered around Louis de Pointe du Lac, and I hope everyone that participated this May comes back again with friends:)
I will post the prompts soon, so be on the lookout for that! So happy to see what everyone has in store for our favorite vampire this coming Autumn:)))
Art credit for this flyer: the talented and wonderful @fruitgravies