May I help you?

I love the fact that “professional” is the first reason and “platypus” is the second, because this is extremely plausible for Perry.

1.Doofenshmirtz isn’t evil anymore,allowing Perry to date him

2.Romance betweet animal/human isn’t frowned upon in the Dwampyverse

‘‘our boy is all grown up’‘ ‘‘why is he a panda bear’‘

@deenalloh you have to watch milo murphy’s law season 2 to know what’s going on with Doofenshmirtz life.He stopped being evil to commit to his future self: ‘’Professor Time’’ inventor of time-travel and a public figure.

and he is trying to be a good guy now

also there’s 2 more time lines where he ends up good

1.Science teacher

2. O.W.C.A agent (The OWCA Files)

Perry getting trapped isn’t a sign of some intellectual folley - it’s a sign of his incredible problem-solving skills that he can escape them so easily, and a sign of his social intelligence that he knows to politely wait until his nemesis is ready to stop venting and start fighting.

‘’You probably look at Perry the Platypus and me and think it’s a match made in heaven. But it wasn’t always this way. Back in the day, O.W.C.A. assigned agents willy-nilly, with no regard for personality conflicts or basic compatibility issues … like a bad blind date!

Why, when I first met Perry the Platypus, I didn’t even know what kind of an animal he was. Who’s ever heard of a teal platypus?! And I gotta tell you, he got on my last nerve … always staring at me, judging me. You know how he is.

Well, I was ready to call it quits. I even called Major Monogram to see if I could get another nemesis assigned. Something a little less semiaquatic. But thank goodness, Francis said to give it a little more time to see if things could work themselves out. And you know what? They did!

Now I wouldn’t trade my nemesis for anyone in the world. Oh, sure, he still infuriates me and I try to eliminate him on a daily basis, but that’s just what I do.

So, if your first encounter with your mortal foe isn’t perfect, don’t despair! It gets better … usually.’’

(Not pictured: the whole Peter the Panda’s arc)

You can be – you should be – furious with people who voted for Trump, for wilfully trying to sabotage those rights and make them conditional, a privilege for the "deserving", a privilege they can deny the "wrong" kind of people.

And when the MAGA crowd are hit by the consequences of their actions, and denied basic human rights because it turns out their Great Leader doesn't actually include his followers among the privileged, it's tempting to say that they deserve to be denied those rights, because that's what they wanted to do to others.

But if you do that, you don't truly believe that those rights should be universal; you just have a different idea than the MAGA crowd about who should be included among the privileged.

"You are beautiful when you do beautiful things."

"The present tense of regret is indecision."

"We understand so much, but the sky behind those lights-- mostly void, partially stars-- that sky reminds us we don't understand even more."

"Be proud of your place in the Cosmos. It is small and yet it is."

"Believe in yourself. You are an ancient, absent god, discussed only rarely by literary scholars. So if you don't believe, no one will."

"Death is only the end if you assume the story is about you."

“Whisper a dangerous secret to someone you care about. Now they have the power to destroy you, but they won’t. That’s what love is.”

"Are we living a life that is safe from harm? Of course not. We never are. But that’s not the right question. The question is are we living a life that is worth the harm?"

"When we talk about teenagers, we adults often talk with an air of scorn, of expectation for disappointment. And this can make people who are presently teenagers feel very defensive. But what everyone should understand is that none of us are talking to the teenagers that exist now, but talking back to the teenager we ourselves once were – all stupid mistakes and lack of fear, and bodies that hadn’t yet begun to slump into a lasting nothing. Any teenager who exists now is incidental to the potent mix of nostalgia and shame with which we speak to our younger selves."

"We are not history yet. We are happening now. How miraculous is that?"

"Wednesday has been cancelled due to a scheduling error."

"We have nothing to fear except ourselves. We are unholy, awful people."

"A million dollars isn’t cool. You know what’s cool? A basilisk."

"There's nothing under your bed. There's nothing in your closet. Nothing waits in every darkness. Nothing is the most terrifying thing of all."

"The night sky is ten miles wide, eight miles deep, and floats three miles up. Its favourite food is grape jelly. It wants to be a drummer."

"Look to the sky. You will not find answers there, but you will certainly see what everyone is screaming about."

"Ignorance might not actually be bliss, but it is certainly less work."

"And now, a special report. Crocodiles: Can they eat your children? *YES.*"

"Lie down and look up at the ceiling and breathe with those curiously fragile lungs of yours and remind yourself: Don’t worry. Don’t worry. All is as it was meant to be. It was meant to be lonely and terrifying and unfair and fleeting. Don’t worry."

"As long as I’m reminding myself things, I’m a good person, worthy of love – both from myself and others."

"Guns don't kill people! It's impossible to be killed by a gun. We are all invincible to bullets and it's a miracle!"

"Everything is exciting! Particularly existence. Existence is the most thrilling fact of all."

"There is a monster under your bed. A monster at your window. A monster any place you imagine one. You project your monsters on the world."

"You miss 100% of the bank robberies you don't commit."

"I like my coffee like I like my nights. Dark, endless, and impossible to sleep through. "

"A friendly desert community where the sun is hot, the moon is beautiful, and mysterious lights pass overhead while we all pretend to sleep. Welcome to Night Vale."

"And now, the weather."

I discovered this podcast at the beginning of high school, and let me tell you, it rewired my synapses.

Not only was it my first experience with positive LGBT representation, it was the show I clung to when everything else went to shit. Whatever was going on in my life, I knew I had this show in my corner, making me laugh, making me cry, making me feel okay about my place in the universe.

Hey maybe you guys should stop writing for the Addams family cause you don't get them at all.

And when she's given good material to work with I love Catherine Zeta Jones as Morticia

Part of that is being the opposite of the shitty sitcom family where the wife is a nag, the husband is an idiot, the mother-in-law sucks, and no one seems to like each other very much. The Addamses actually love each other. There's no 'take my wife' bs. If Gomez calls Morticia a battle-axe or the ol' ball and chain he means it to be highly complimentary. There's none of the nonsense like in the pics OP posted. Gomez or Morticia lives with their mother in law (it depends on which version whose mother she is) who is literally a witch (geddit, 'my mother-in-law is such a witch...') and get on great. They genuinely and openly support, love, and care for each other through thick and thin.

But the biggest problem that Netflix's Wednesday has is that to make a really good Addams show rn would mean scrapping the Sabrina the Darksided Witch/boarding school Monster High concept, going back to basics, and having them live next to an upper-middle class, conservative values, MAGA family and letting their differences fuel the plot.

A really good Addams Family show would have Morticia fighting against book bans at the school and having hilarious misunderstandings about what her neighbour means about "Liberal witch hunts." It would celebrate queerness, and gender (and species) non-conformity because the Addamses are queer and gender non-conforming, and not always definitely human (Cousin Itt, for example). You know Fester's gender identity is probably something like 'an abomination.' If one of them gets asked, "What are you?" the answer is a prompt, "An Addams."

They would be fighting for co-ed sports so Wednesday can trounce a boy at fencing, and would find out her chromosomes are just 'spooky' or something.

There'd be an episode about immigration and being targeted by ICE. OFC several Addamses come from somewhere weird and arrived in the USA via broomstick, or tunneling from some underground community of cryptids, or other hilarious misadventure. Gomez would desperately want to be blackbagged and treated like a dangerous animal (cue a major flirting moment between him and Morticia). They would permanently scare ICE out of the town.

Wednesday would fiercely support Landback. Pugsley would get redpilled and learn a lesson real quick. Gomez would get into (and out of) Crypto, and Morticia would have run-ins with MLM 'huns.' They would advocate for freedom of religion. Granny would rally alongside Evangelicals to have religion in school, only to reveal she meant witchcraft. They would support UBI, and be anti-landlord. Easy episode idea: Gomez is a landlord and goes on a spiral about it ("But, Gomez, you love leeches and scum" "Not this kind! Morticia, they've painted everything white, in my name!!!" "No!") and they wind up in a battle with the town because he wants to unburden himself of this shame and the town wants to stop free community-owned housing.

The point is that Netflix isn't going to touch any of that with a ten foot pole. They don't want to; that's way too political for them. Instead, they made this wildly unrelated supernatural teen drama that has nothing to do with the original concept or world that the Addams Family exists in (they're outsiders in the real world, that's the point).

And, worse, Netflix's Wednesday actively goes against the original themes by being vaguely conservative in its values.

Netflix's Wednesday fails the assignment so bad I'd laugh, if it wasn't so disappointing and enraging. Just take a look at what the Mary Sue had to say about the whole "werewolf conversion camp" debacle for a microcosm of the many things wrong with this show.

"It wants to use hot-button topics like conversion therapy and colonization but it doesn’t understand how to work them into the metaphor. In fact, it barely knows how to work with the basic metaphor of “monsters” and how they function in the horror genre in general. In storytelling, the monster or the freak has always been the stand-in for the societal outcast. For the person who can’t be controlled by the dictates of polite society. They are the subtext for the outcast. But Wednesday makes the subtext text by literally splitting the characters into “outcasts” and “normies.” And yet the outcasts, the monsters and freaks who live on the fringe, are also the privileged and elite."

Based on what I've read, the idea was never to make an Addams Family show. The series was always intended to be a spin off focusing on Wednesday at Goth Magic School (because if there's one thing needed for a character who stands out in contrast to the "normal" world we know, its to remove them from that world completely and stick them in the world where their strangeness becomes the new normal, right?).

Miles Millar and Alfred Gough developed the concept and then brought Tim Burton in, at which point Netflix gave a series order. And clearly, all of these people like the aesthetic trappings of the Addams Family, the dark and spooky "weirdos" concept, but they don't actually get how their story functions.

And as those above me mentioned, the function of their story is JUXTAPOSITION. Its holding up a mirror to our world and asking "what is weird, what is normal?"

Because they SEEM so odd and terrifying and strange (and they are) but Morticia and Gomez are also kind and loving parents. They're friendly and welcoming to everyone and they dont judge. They love each other, they never have a bad work to say about anyone.

Even when Wednesday was given her iconic "dark" personality in the Barry Sonnefield movies, she's never needlessly cruel. Snarky, yes, but she clearly loves her family. She's suspicious of uncle festers return because she's worried hes a fake who is taking advantage of them. Same deal with Debbie, and she's right in both instances.

(Attempts to kill her brothers dont count thats just how the Addams children play).

In Addams Family values she leads a revolt against the privileged elites of her camp, championing the others who have been stuffed behind the scenes for being "not right." The weird kids, the nerds, the ones who dont fit. She also rejects their celebration of thanksgiving, correctly pointing out the genocide and atrocities that their "fun play" is based on.

They are not the weirdos and monsters and their true function is to point out the way WE are.

If they didnt want to make an Addams Family show, Wednesday could still work on her own. But she should have been at a regular boarding school, a fancy uppercrust one that would point out how these normal, rich elites are the real monsters.

some games that my co-GM and I are planning to run this year:

Dread

Queer Coven

Fiasco

I'm Sorry Did You Say Street Magic

The Quiet Year

Raccoon Sky Pirates

Lasers and Feelings or one of its many hacks

It's TIME! The @steddiebbang 2025 anon ban has been lifted and we can officially announce our teams! I'm so excited to be working with my artist, @riddle-me-sphinx (riddletalks on Twitter) and beta, passthesteddie (same username on Twitter & AO3!) for this fic!

The (WIP) Summary*

*subject to change as the plot progresses