terfs, transmeds, pro-incest/pedophilia ("anti-antis"), racists, conservatives, bi/pan/ace/arophobes, get off my blog. these are the hills i will die on.
styofa doing anything
Today's Document

JVL
Game of Thrones Daily
Misplaced Lens Cap
"I'm Dorothy Gale from Kansas"

#extradirty

Andulka

if i look back, i am lost
Lint Roller? I Barely Know Her
One Nice Bug Per Day
wallacepolsom
Peter Solarz

pixel skylines

Kiana Khansmith

⁂

祝日 / Permanent Vacation
Not today Justin
seen from United States

seen from Italy
seen from Poland

seen from Indonesia
seen from Denmark

seen from United States
seen from Malaysia
seen from Denmark
seen from United States

seen from United States
seen from Türkiye

seen from T1
seen from United States
seen from Israel

seen from Ireland

seen from Sweden

seen from Türkiye

seen from Indonesia

seen from Türkiye
seen from Malaysia
@nightlight-dot-exe
terfs, transmeds, pro-incest/pedophilia ("anti-antis"), racists, conservatives, bi/pan/ace/arophobes, get off my blog. these are the hills i will die on.

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that photo of hunter s. thompson shooting his typewriter is such a mood
The most amazing thing to me about Jane Austen is that she staunchly refuses to leave any woman behind. It doesn't matter if a woman is an antagonist, a side character, or what, the reader is assured that they will be okay. This is so different from fiction at the time or even now.
Marianne Dashwood, living a plot perfect for a tragic death by illness to preserve the beauty of her first attachment and disappointment? Nope, she lives and loves with her whole heart again. Maria Rushworth, the fallen woman who cheated on her husband does not die for her crimes or even fall into poverty or prostitution, her father and Aunt Norris will provide for her. She is punished, but she's protected. Lydia Bennet? Her two sisters will provide for her for the rest of her life. Her husband's debt will not destroy her. Miss Bates? There is an entire community around her no matter what happens and her newly rich niece will provide. No woman is even left as a governess, Miss Taylor is Mrs. Weston, Jane Fairfax becomes Mrs. Churchill instead. Mrs. Smith is pulled out of her indigent state by Anne and Wentworth.
The only woman Jane Austen allows to suffer a terrible fate is off-page and dead long before the novel begins: Eliza Brandon. Eliza Williams, her mother's affair baby, is ruined by Willoughby. Colonel Brandon could easily have washed his hands of her and her affair child, but he doesn't. Eliza Williams is going to be okay. Her child will be okay.
Antagonist women never fall into poverty or die for their crimes, most of them are even in loving marriages. Fanny Dashwood is cruel to her mother and sisters-in-law, one could imagine her falling low in karmic retribution, but no, she's fine. Lady Susan, the delightful anti-heroine, marries a baronet at the end of her novel. No punishment looms on the horizon for her promiscuity and deception. Caroline Bingley has a loving family that will never turn her away and an independent fortune. Mary Crawford has a loving sister. Isabella Thorpe may have lost the big prize, but she has her mother. Never is a woman thrown to abuse or poverty, even when they have attacked other women. The only punishment would come from their own conscience or regret for the goodness they have thrown away.
Jane Austen somehow imagines a world where even the worst women are safe.
if you are going to need some kind of sedative for 4th of july fireworks for your pets NOW IS THE TIME TO SCHEDULE THOSE APPOINTMENTS TO ASK FOR THEM
NOT WHEN ITS 2 DAYS AWAY
I feel like to really get this circulating as it should, we need it superimposed over the picture of the turkey going in the fridge. (I can't do it I'm on my phone.)
With the 250th anniversary it's likely to be especially bad this year!
The Black Sun, Bill Mayer, 2017
Gouache, with gold leaf, on watercolor paper

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first 5 faceless emojis are how your summers gonna go
Magnus Archives fan I see
THIS IS SO FUNNY I'M SORRY
Any sci-fi media: the spaceship is a character
Me: OMG THE SPACESHIP IS A CHARACTER
i think long and i think hard and i think OFTEN about how pearl and every iteration of her is always portrayed as a storyteller in some way or form, something to entertain the other three presences that seem to follow her throughout every stage of the song cycle, even at her own expense as she is so often victimized by them. i think about the way that she is almost always portrayed as being in tune with her other selves and just generally kind of being "above it all" in a sense
the camera shop owner telling the photographer the story of her great grandmother, of those two sisters, and all of rose red's sins across every version of herself.
pearl white's starwatching with the astronomer, presumably feeding him stories and observations about the sky just as rose red had.
the soldier telling rose about her service and everything she has lost and so bluntly laying out her wishes after rose tries to weave this poetic net to trap her in.
lady usher and the bedtime stories she reads for roxie out of arabian nights, and the way that the tables turn after the loss of her daughter in usher iii and she can only be soothed by having those same stories read back to her by edgar.
scheherazade and her nightly tales for the shah and for her sister, her thousand and one stories, her knowledge of things that are both real to them and not, of things that have not yet happened. her knowledge of rose and pearl, of the usher family, of the death in the subway, of countless others. the fact that she KNOWS that they are all interwoven, and knows that she too is part of that web.
the tango dancer, the ancient, run dry of all her tales. she is still aware of it all, but she has nothing left to give. no stories. no stardust. not a single piece to spare for rose, not a single piece for the bastard child she takes for her own. just a haunting recounting of things before.
and then in the subway, as the victim— FINALLY, she's given one last story to tell. not an honest story, really, but a narration of her final moments. not to rose. not to the photographer, the starchild bent to do her bidding— but to the audience. rose doesn't need it anymore. she would have no use for it, so the victim shares it instead with someone who will. us.
she is such an interesting piece of the story to pick apart for me. and at the end of it all, when rose can't even get what she had wanted, when she gives up and just drowns pearl with her own hands, she's made into a fiddle.
an instrument.
a tool of entertainment, yet again.
I'm coming to realize how vital it is to keep a running list of shit you did in the past few weeks so that you can participate in small talk. It's literally not anything to do with them being interesting at all it's just having Something to say to give people even the barest thing to hold on to. It's so you don't get into the "what have you been up to" "nothing much what about you" "yeah same" trap. Literally just say something.
What have you been up to? Um well it's getting warmer so I've been having to brush my cat every day.
Like no it's not that interesting of a thing to say. But now they can respond to it. They could say, man yeah it really is heating up, I've been trying to think of things to do inside more often. Or, oh you have a cat? What's their name?
Like. It's Something. All you need is Something. And if you're like me and your brain immediately goes blank upon entering small talk then keeping a list will help you remember things to say.
what a legend
fun fact: these are actual vocal warm ups he would do, and used this as a way to interact with the audience while being able to stretch while performing .
also he was a witch and he used it as a spell like look at that power
This performance at Live Aid literally was unlike anything anyone had seen. No one, and I mean, NO ONE has ever owned a crowd like this.
Other performers have literally said since, “Freddy basically changed live performance forever and left us NOTHING.” (affectionate)
I am convinced he was blessed by the gods. He was a fucking herald for said gods or something. Hell, there’s that vid of the Green Day fans waiting for the concert to begin and fucking singing in perfect fucking harmony to Bohemian Rhapsody! Freddy isn’t even alive and he still fucking commands a crowd!
Full performance:
Igen ❤️
If this passes through making the rounds and I don’t reblog it, I’m dead.
adding THAT video
adding the green day crowd singing bohemian rhapsody video for reasons.

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How did you get so good at writing??? Did you take classes? I feel like you should get paid all the money for this! (I subscribe to your website!)
after i dropped out of high school i found a torrent of like 5GB of OCRd romance novels and i read like 3 romance novels a day for a while
read enough romance novels and you will realize that they live or die entirely on technical skill. if you are new to romance novels then even bad ones can dazzle you with novelty but by the time you are on your 30th historical fake engagement between a bluestocking and a rakish duke you can grade them and you know when they've failed. when two books have what should be the same main characters hitting the same plot beats, but one of those books is delightful and the other fucking sucks, you learn some things. some books are bad and still delightful. other books are good but they just don't hit. you start to see the seams in the bad ones. 'oh, this is a weird out of character moment because she wanted to have the kabedon moment and didn't know how to get there'. 'she didn't want the ust to end but couldn't think of a better reason than this deus ex cockblock.' that kind of thing.
you could probably do this with other genres but i like romance because the plot is two people fall in love. that's it. everything else is set dressing. if you can figure out how to make that work you can carry it over into whatever other genre you feel like. mysteries would give you a different skillset around plotting that i don't have.
anyway after that i wrote a lot.
i said it in my original tags but i want to talk out of my ass and say that one place that a lot of current romantasy falls short for me is that it ends up being written by people who mostly read other romantasy without going back to the original genres of romance and fantasy. it's like a 'learn the rules before you can break them' kind of thing. you have all these magical macguffins to hit the tropes but can you make me believe that these characters have chemistry without that? is there chemistry, or did you tell me they're fated mates and now i'm supposed to assume this fight is sexy? does the fantasy aspect exist for anything aside from the magical macguffins? i'm not going to throw stones from inside my house made of worldbuilding designed to make all my fetishes happen, but the really fun part is when the lore spins out of control and you end up really going in depth on linguistic anthropology things that aren't relevant to the makeouts.
and the other thing is that you can't really sub in fanfic for this. plenty of fanfic takes characters from other genres and plops them into romance, but it's not the same. a good romance novel says, "here are two characters. you may know their archetypes, but you don't know them. you are going to get to know them, and you are going to love them, and you are going to want them to love each other, and when they love each other you are going to be happy for them". i love a rakish duke. when a man who's never had to do his own laundry is slutty as fuck that's my shit. but you still have to make me like him. you can take that archetype and make a guy who fucking sucks. most fanfic will not impart to you any knowledge about how to make a reader like a guy from scratch. you already know that guy. that's the whole point. fanfic with as much character building as an original work is the exception, not the rule.
the whole reason i get catty about fics that just make a different guy is that... you've made a different guy. i don't know who this guy is and i don't like him, and you haven't bothered trying to make me like him, because you slapped another guy's nametag on him like a cheat code. it's cool if you did make me like this new guy, but why is he wearing that other guy's nametag if no other aspect of him is present?
read the genres you want to write, obviously, but there's a reason the shitty comphet romantic subplot is a cliche. it's because romance is its own skillset, and if you try to fit romance in your thriller when you only read thrillers it's probably going to be the weakest part. if you want an ensemble cast then chemistry between characters is important regardless of whether they're going to fuck about it.
#this is also what i call the Star Wars Problem (although: wide category lol)#but i mean specifically the thing where george lucas watched a BUNCH of westerns and samurai films and ww2 flying ace films#and then made a space movie ABOUT high points in those other story forms#because he knew those pulp genres inside out and knew what bits he needed to hit in RAF Dambusters pulp when he added laser swords#or in western saloon showdowns when he added spaceships#but then you fast-forward a few decades and people are making star wars movies ABOUT other star wars movies#and like not many of those scenes are going to hit that way - they just wont have the chance#they’ll be a copy of a copy and the emotion is going to degrade like the worlds crustiest reformatted ocr PDF#or a xerox of a xerox of a xerox#they’ve ceased to be about the feeling generated by the Form and have become simply the Form in isolation (via harrietvane)
I think more historical fantasies and alt histories that have gay marriage be allowed should mess around with the societal implications of this. If your aristocracy allows gay marriage, why? As a release valve for inheritance problems, like monasticism was in parts of medieval Europe? As a way of removing your failchild from the line of succession by legally binding them to the failchild of your political ally, ensuring any offspring they both have will be illegitimate? How about a society where the lower classes are allowed to be gay but the nobility aren’t? Idk there’s just a lot of options that are more interesting than “homophobia just doesn’t real”
you have to stay alive. you're going to be such a beautiful middle aged freak. young freaks will see you in the street and know that things can be okay.
I was 22 when I got my first bookstore job, and at the time my entire experience of "old people" was my grandparents, none of whom had been particularly healthy, and none of whom I was close with. To my young eyes, all they did was sit around and be old. That was life after 60.
The owner of the bookstore was this grand old dame of 76 who had been in the business for 40 years. She'd had three kids with a husband who was extremely gay, and as soon as those were old enough, they split up. She read on an epic scale, was an avid follower of the opera, sang in several choirs, and scheduled arts programming for a private club. She had gentleman callers (so they styled themselves) at the store continuously the entire fifteen years I worked there--yah, into her NINETIES. She never took up seriously with any of them, because they couldn't keep up. She was impeccably dressed and put together every single day of her life, drank regularly, and said they would pry her estrogen supplements out of her cold, dead hands. She had a gang of elderly single lady friends, though, and they went out every night of the week. They knew everything and everyone, collectively. She got her first smart phone in her mid-80s and became extremely Online. I bet she's on Tumblr now. She is 96.
This blew my mind. Life didn't have to be over...ever.
We worship youth in our culture. Only the young have futures, and the aged exist to enable the lives of the young. We act as if by the time you hit forty, you've had your chance. You are now expected to step aside and scede life to others.
FUCK THAT. I have a lot of life ahead of me. I have places to go and books to read and people to fuck and food to eat and music to dance to and emotions to feel and nazis to punch and stories to tell and hearts to break and ventures to capitalize and empires to conquer. I am going to be doing this for the next fifty years, minimum.
Life has so much in it. Do it all, forever.
wrote a song about how i much i hate executives of media companies
god this is such a satisfying feeling. out of the 95 words in this, 71 of them are completely unique.
this bitch knows sooooo many good words.
yes, thank you for noticing

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when i say deltarune is alive in a creepypasta way i’m referring to how there’s a variable in the code that makes a number go up every time you back out of deleting a save file at the last second and this variable is called “threat”
giggles nervously
it’s probably more of a reverse creepypasta thing now that i think about it. it’s not “the game is alive and threatening you,” it’s “the game is alive and YOU are threatening IT”
free my girl she did all that and that’s what makes her such a compellingly complex character. that’s her essence