Sade Olutola
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Aqua Utopia|海の底で記憶を紡ぐ

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@twiddledee-fuckoff

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‘beyond the scope of this paper’ is a dear friend to me. I Am Not Fucking Talking About That
functionally suicidal character saying “I would die for you” to their significant other and its like. I get the sentiment, honey, but if a hot dog vendor told me he’d sell hot dogs for me, I wouldn’t feel very moved now would I
Now a functionally suicidal character saying “I will live for you”. Now that’s a dynamic I can sink my teeth into.
now how about a functionally suicidal character saying "I will sell hot dogs for you"
Hotdog vender lays down their life to protect their suicidal partner, who then takes over the hotdog stand to carry on their memory...
if an archaeologist says an artifact was probably for “ritual purposes” it means “i have no fuckin clue”
but if they say it was for “fertility rituals” they mean “i know exactly what it was for but i dont want to say ‘ancient dildo’”
Back in the day I worked at a certain very famous and very high caste art museum in the US as a junior curator. Part of my job was to catalog the objects in the museum database. This includes details like provenance, measurements, and a visual description of what the object looked like.
Like I said, the museum was a pretty snotty institution. It’s got a LOT of objects it’s way famous for possessing, but nobody knew about the absolutely massive collection of Moche erotic pottery it had because the curators were totally embarrassed by this stuff.
Some examples:
Pretty hot shit, right? They never, ever put any of this stuff on public view or published it in any catalogues but - we legit had like several hundred pieces of Moche ceramics in the “dirty pots” category. Anyway, I was left alone to just do my job with regard to the database for several years, ok? And I figured, well, these’re accessioned objects in the museum’s collection - better get down to bidness.
I catalogued every goddamn bestiality, necrophiliac, cocksucking, buttfucking, detached penis, and giant vulva drinking cup in that collection. I’d be like,
A drinking vessel in form of a standing man wearing a tunic and cap. He holds an oversized erection in his hands and stares into the distance (note I did not say “like he’s hella-constipated”). The vessel has a hole at both the tip of the penis as well as around the rim of the figure’s head, thus forcing the drinker to drink only from the penis or risk spilling wine all over themselves from the top of the vessel. Red and orange slip covers the surface of the piece.
Pretty straightforward, right? Apparently the deep seated fear of these objects that the curators exhibited was meant to spread to me as well, but - no one ever gave me that memo, because I guess Midwesterners reproduce asexually. When the curators understood that I had catalogued all of these objects in addition to the other, non-sexy pieces in the collection, they were apparently livid, but knew they had no legs to stand on in terms of getting pissed at me for it.
I visited the museum’s online public access database a few years back and - every single description I wrote of these pieces has been totally neutered to say something like Male figural vase.
Long story short? Just call a dildo a fucking dildo. It’s all gonna be ok, I swear.
This is absolutely the MOST unusual reblog I have ever tagged with what is probably my second-favorite tag, “talk to me about your work.”
Plus it’s hilarious.
I love ancient art history !!!!!
@lowercasetrashwriter
Museums should have sections dedicated to artifacts like these with a warning that says “There’s a lot of private parts in here but we’re dedicated to displaying history so we won’t censor these. Enter at your own risk” or something. It’s prudish to deliberately hide history because of some ding dongs.
Fucking Puritanism.
Unpopular opinion: Sex exists. Making body parts taboo is both psychologically bad for us and kinda stupid.
no one follows the trees warning
You know the parable about how the foolish man built his house upon sand and the wise man built his house upon rock and it’s always about having a sturdy foundation well there is also the fact of location which is that the sand probably used to be rock except it’s been eroded to sediment because it’s a FUCKING FLOODPLAIN
flood Plain perfec t size for put town in to b\uild! inside very Soft and Comfort town safe happy put town in Floodplain. Put Town In Floodplain. no problems ever in flloodplain because good Shape and Support for town roads weak of big town citizens. Afloodplain yes a place for a town put town in floodplain can trust floodplain for giveing good place for town. friend flood

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Meow
Oh to be a little orange cat curled up safely in a dragons tail.
i am banned from eating my herring inside. they make me eat it on the smoking area by the loading dock, under the theory that it already smells bad there. but it was raining today which was preventing my breakfast, so i was feeling sad and hungry and then i realized that there was a large cardboard box in the dumpster from a previous delivery. like a fridge sized box. so i fished it out of the dumpster, then tipped it on its side and had a nice little cardboard cave to watch the rain and eat my fish in. which was a great experience. very soothing. very zen. at least until the security guard from the day before stepped outside to smoke. then i tried hiding from him by crawling deeper in the box, which unfortunately did not work. instead he saw a sort of damp sniveling pale hairless creature eating fish in a box, and delivered the verbal killshot of "good morning, mr. smeagol." which is how my day was ruined before 8 am.
Congratulations on the cat
do u think omegaverse acknowledges covid-19 and the generation of people who permanently lost their sense of smell like how are they all scenting each other now is the omegaverse economy in shambles
actually pheromone sensing works differently from normal olfaction, since humans in our world don’t have a functioning vomeronasal organ (VNO), we don’t have any data on how covid-19 would affect a functioning VNO in omegaverse AUs
Actually there is evidence that covid probably would affect the VNO and it stands to reason would accordingly impair its function. Briefly:
SARS-CoV-2, the virus that causes covid, can only infect cells expressing a certain protein called ACE2
ACE2 is expressed widely in nasal cavity epithelial cells but not in olfactory sensory neurons.
Seo et al. (2021) studied potential nasal targets for SARS-CoV-2 using golden hamsters as a model organism (commonly used as a proxy for humans in virology studies)
They found ACE2 expression in the main olfactory bulb epithelium (MOE, your “normal” nose organ) as well as the vomeronasal organ (VNO)
Several cell types in the VNO were able to be infected and they also found significant inflammatory activity (macrophage activation, apoptotic cells, etc)
The specifics of how covid actually causes dysosmia are not known for sure but epithelial damage by local inflammatory immune responses likely plays a role, especially because sensory neurons themselves are not affected (Bilinska, & Butowt, 2020). Therefore I would suggest a potential similar effect of VNO dysfunction as we see in the main olfactory bulb
From Seo et al.: “Considering the function of the VNO, infection and subsequent pathologic changes may affect the behavior of Syrian hamsters”
If it stands to reason that omegaverse individuals have functioning VNOs similar to members of the animal kingdom, then it is more than reasonable to conclude that covid may cause them to lose not only their main olfactory function, but also their VNO function as well
References: (1) (2)
In conclusion the omegaverse economy IS in shambles.
OP this is very well-written but im still hung up on how you came onstage dressed as a clown only to tear off the costume and reveal yourself as a biologist
Here's a painting I made for the ImagineFX art challenge "Mystical Meets Machines".
The theme was too intriguing to pass by - especially after I got the idea of some unicorns grazing by the remnants of an ancient, mechanical dragon. Someone in the past were keen on acquiring the great powers of a dragon for themselves, leading to a bitter end. Now it has rested peacefully for centuries, becoming part of the landscape.
Lots of fun painting this one, especially all that moss!
Photoshop, April 2024. And as always, no AI used.
Holy shit the tree growing around its claws.

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look at this wonderful gif of scallops getting scared and scattering like a flock pigeons
whatever. go my scallops
last night I had the experience of "referencing a tumblr post that you think is widely known but turns out to not be as widely known as you thought it was" last night and it was this post. whatever. go my scallops
Ohhhohoho, I just had a Thought.
Let's assume that sword spirits in SVSSS are something like Bleach. Ideally, you get a perfectly blank sword out of the sword wall, and it'll be a perfect match for your current physically abilities, but also grow with you to stay in that "perfect for you" range. At the same time, it starts off with a spirit inside that's little more than a blank paper doll, but as you work with it and grow and really make the sword your own, it starts to- for lack of better words- become you. Or, maybe become like you? For example, when a disciple finally takes on a sword, they'd eventually see it come to adopt a similar physical appearance to themselves. At the same time, the thing in that disciple's heart that they hold most important and dear becomes that Swords defining feature- owner values family, sword values family. Owner values strength, sword values strength.
Their personalities, however, can sometimes widely range. Say the disciple in the example is a calm, pleasant person, but they (and their sword) values...idk, perfection. Their sword could also be perfectly calm, but pleasant might be out the window in favor of demanding, well, perfection. Mastery without flaws, even in themselves. In this way, Swords can sometimes be exactly like their wielders, or sometimes completely different.
(For a more close to home example, in PIDW, Ning Yingying’s sword could be described as her greatest critic; often frustrated and angry when spoken to. Ning Yingying’s naivety and constant accidental trouble making for the people around her likely greatly irritated her sword, who could plainly see in a third party view where things were going wrong, but could not get Yingying to listen or change- and in PIDW their relationship either likely never improved, or did so too late.)
In PIDW, Shen Yuan noted that, once Luo Binghe received Zhang Yang, the sword very quickly took on both Binghe's personality and appearance. He theorized this was because Binghe, despite everything, was blatantly himself, never once losing sight of the things he valued even as everyone else treated him terribly, and since Binghe and his sword both appreciated kindness and were never cruel to each other, they quickly forged a strong bond. (Shen Yuan would later quote a scene often in the comment section about how, when Zhang Yang was confronted with his owner's mixed heritage, the sword didn't so much as flinch, saying that his wielder was his wielder to Binghe's face, and that he would have no other. Shen Yuan would cite it as one of Airplane's best written moments, finally giving Binghe someone who loves and cares for him genuinely. When Zhang Yang is taken from him, Shen Yuan probably screams. Like, outloud.)
Shen Yuan would also note that, from what little hints they were given throughout the narrative, this was maybe not the case for Shen Qingqiu and Xiu Ya. Details were scarce, but theories abound that even Xiu Ya couldn't stand that man's ass.
When Shen Yuan Becomes Shen Qingqiu, this theory is thrown out the window. The reality of the matter is, when Shen Jiu pulled Xiu Ya from the sword wall, his values were simple: Survive.
In PIDW, it was often noted that in moments Xiu Ya was mentioned, it was often just a short sentence that read, "Xiu Ya rattled in its sheath." Well, it turns out Xiu Ya was rattling because it was constantly trying to get Shen Jiu to stop sabotaging himself! And now, here in this world, Shen Yuan has to deal with an angry, depressed sword who's just lost its original owner forever.
Even Shen Yuan's weird divorce from reality can't withstand the power of a sentient Sword's grief. It leads to changes- specifically, changes in how Shen Yuan sees the world. Gone is that brief mindset of everything being a book! Now there is only the terrible bleak reality that he, Shen Yuan, is now in charge of so many children and the fate of the world, basically.
Also a traumatized sword who demands he take care of things proactively and NOT die at the hands of system, thank you very much.
(Oh yeah, Xiu Ya knows about the system. Kinda hard not to. They get into arguments all the time. Shen Yuan would laugh, but considering they often argue about things that would lead to his eventual, painful pickle pot death- well. It's less funny.)
Even to System, it's a bit surprising how quickly Xiu Ya latches onto Shen Yuan. For a sword confronted with a whole new person replacing his original wielder, Xiu Ya gets over his anger rather quickly. Shen Yuan knows Xiu Ya would well be in its rights to resent him and simply seal itself in its sheath forever, but instead, it switches over to hyperviligence very soon after the Skinner Mission.
What Shen Yuan doesn't know is that, despite how outwardly different they are, Shen Yuan and Shen Jiu are remarkably similar in Xiu Ya's eyes. Both are intelligent, both are constantly afraid, and most importantly, both want to survive. The only difference it sees is that of Flight vs Fight, and their odd attitude towards one half-demon child.
This is it's second chance. Xiu Ya will not lose another wielder.
After the IAC and the Endless Abyss, Shen Yuan gathers up Zhang Yang's shards and has it reforged. He plans to make a sword mound, but...he just can't help himself. Xiu Ya calls him foolishly sentimental, but he has to know. He has to see if Zhang Yang- and thus the last of his white lotus- is really gone. He sends out a thread of qi into the blade.
...
......
He sighs and pulls away. It was a long shot anyway- but Xiu Ya stops him. Tells him to try again. He argues that it's pointless, but Xiu Ya is insistent.
He tries again.
...
......
.........
"Like I said, there's nothing-"
There! A response!
He nearly drops the blade. Xiu Ya is smug in its sheath. Zhang Yang- it's not gone!
The next year is dedicated to the younger blade's care. It grows back it's strength slowly, and though Xiu Ya is standoffish at first, it soon becomes just as involved in the other blade's care as Shen Yuan himself. (Perhaps Xiu Ya was adapting too well to him.)
Zhang Yang-
Well. There comes a point where Zhang Yang becomes aware again. At first it refuses to speak directly to Shen Yuan, not out of malice or anger, but out of propriety. Swords do not speak through words, they speak through qi connections; and since forging that connection is deeply personal, speaking to Shen Yuan directly....well.
That changes once it realizes Binghe is gone. Or, perhaps more correctly stated, *Xiu Ya* changes that once Zheng Yang realizes Binghe is gone.
It's not entirely unusual for a cultivator to take up two sword spirits and their corresponding blades at once. There is, in fact, precident for it, despite what Shen Yuan may think. Xiu Ya just neglects to tell him that such things are usually the result of a cultivator losing someone close to them; usually close family, but more tragically, a dear person most beloved. Like, say, oh, I don't know...a lover? [Smug sword emoji]
Why did Xiu Ya encourage this? Because over the year of helping care for it, Xiu Ya gained a soft spot for Zheng Yang. It could sympathize with the younger blade's plight, and if anyone could understand the ache of a bond broken, it's Xiu Ya. So, why not take out two birds with one stone? Zhang Yang needs a new wielder, and Shen Yuan desperately needs his white lotus to keep him going. (Besides, unlike PIDW Zhang Yang, this version of the sword was made from Binghe's love for his Shizun. If Shen Yuan can't be his new wielder, then who else could possibly take Binghe's place? No one. No one at all.)
Shen Yuan thinks this is a terrible idea, but once they all meet in a dreamscape and he sees Zhang Yang's pleading eyes in person, he caves. Those are Binghe's eyes, after all.
Still, he can't help himself. He asks Zheng Yang if it really wants to bond with a man who threw his disciple into the Abyss; but Zhang Yang is no fool. Xiu Ya has told it of System, has spoken of Shen Yuan's true identity and his plight, and his terrible regret and guilt for not being able to stop it. Zhang Yang is also Binghe in all but name, formed from Luo Binghe’s determination and dedication to this very man. Shen Yuan can try to sabotage himself all he wants, but Zhang Yang will not allow this beloved, silly man to deny himself what they both want.
Thus, Shen Yuan becomes known as the Dual Wielding Widow of Qing Jing Peak.
Dude. DUDE. HUMPTY DUMPTY JUST FELL. YOU NEED TO SEE THIS ALL THE KINGS MEN ARE THERE TRYING TO GET HIM BACK TOGETHER. THIS IS SO FUCKED DUDE. IM SO SCARED. HE'S DEAD
🖐️ stand aside. only the court necromancer can save him now. we must pray his body isn’t too broken…
WTF are the horses doing
i don't fucking know i tried my best but i think we made it worse with our big hooves
WHY WERE YOU INVOLVED AT ALL ??
i don't knowwww *kicks in frustration and hits humpty dumpty again* fuckkkkkkk
STOP
Is that a dad archetype???? Is this a dad subclass I was previous unaware of????
here you go prev (moot)

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True Statement: "When you have a hammer, everything looks like a nail."
Truer Statement: "When you mixed too much two-part epoxy that's rapidly setting and you have 300 blank pin backs burning a hole in your craft drawer, everything in your house looks like it might make a cool pin."
What I Set Out to Make:
What I Made Once I Had Elected Myself Mayor of Glue York City:
polipond
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