InBabylonTheyWept

Probably, in your journey of self-reproach, you have sought out tips on How To Write Longer Fics. This was a good idea, don’t feel bad about it! But you may have found that the tips you got were not very useful, because they assumed you were a complete noob and that the reason for your generally low wordcounts is the classic noob mistake of massively underwriting the story. So you’ll get told to ‘add feelings’ or ‘make the characters reflect on events’ or ‘describe every single thing in the story in detail’ (that one is terrible advice btw, well done for not following it).

But ‘make the characters reflect on events’ is actually halfway to the answer, it just has it the wrong way round. Your short oneshots probably consist largely of that already, the problem is that there are not many events for them to react to. 

This is the secret that longfic writers have kept from you because they didn’t know it either! You Just Need More Scenes! The chances are that the scenes you do write are good, you just don’t have enough of them to get above 2000 words because you have correctly realised that the story you are telling should be about that length. 

So what you - and I - need is to find a fic idea that needs to have a lot of scenes in it. All those “ha ha I need to write 70k words of context for The One Scene I thought of!” jokes confuse you because you’ve got good at working out how much context the story needs and working out how to fit that into The One Scene. I have come to think of this as expanding the story inwards, and the people making the joke are used to expanding outwards. They try to work out how to fit that scene into the story, you try to work out how to fit the story into the scene. Both are valid approaches to writing, but switching between these modes can be tricky and you need to know that you need to do it in the first place. Which you don’t or you wouldn’t be reading this post.

There’s a shift in mindset needed here. If you want to get this longer fic idea to stay long and become longer you will have to limit your learned instinct to reject extra scenes as soon as you think of them because you know there’s a way to get the same information into The One Scene itself. But what we want for this experiment is to aim for more scenes, so jot down those ideas when they come. What scenes would you put into this story if you weren’t concerned about the relevance and utility of them? (You are going to be concerned about this, but not yet.) What extensions to The One Scene suggest themselves? What happened before it and what happened after, and how would you tell us this if you were not allowed to put that information into The One Scene itself? 

You must allow yourself to expand outwards from the very first step. Later you can start merging scene ideas to stop them feeling too thin and discarding ones that don’t work, but when you’re getting started just brainstorm until you have a list of ideas to work with. 

The Advice They Give To Overwriters

It may surprise you to know that while fandom discussion is full of people asking how to write more words, advice for people aiming to publish a novel is more concerned with cutting wordcounts that have gone well over standard publication limits (70-100k words, to generalise). Telling those people to cut a few words from every sentence is not going to help them, they need to be removing entire characters and subplots.

“Sub-whats?” you say. Yes, that’s the key to all this. Subplots add more scenes, as does including more characters because then you have to tell those stories as well. I would bet cash money that you’ve read a longfic with a pointless subplot or two that you just skipped past because you didn’t care. To get the wordcounts really high you’ll need things happening alongside the main story, and I will trust that you know those should tie into the main plot and not be mere distractions from it. 

Overwriting in the sense of using far too many words also gets targeted in such discussions, because - shock! - it is generally considered best to use as many words as the story needs and not just add extra ones for the hell of it or because you don’t know how to say things concisely. The problem with ‘too many words’ (not to be confused with good prose that’s just wordy) is that words without purpose will pile up and distract the reader from the important stuff in the story and also risks tiring them out on pointless nothingness when you want them to keep going while you feed them the good stuff. 

But good news! You probably don’t need to worry about that! If you can tell a whole story in 2000 words or less it is very unlikely that you don’t understand the importance of staying focussed on the stuff that matters. Remember when someone told you “describe everything” and you thought (again, I would bet money on this) “but most of these things don’t matter to the story, it’d just be annoying”? You were right. Some things in a story deserve your words and some do not, as you already know. 

The Best Plots For Moar Words

So you need a plot, and optionally some subplots if you’re aiming for the very high numbers. The easiest thing to start with is a plot that requires a lot of words, which for me tend to be stories where some amount of unskippable time has to pass between Events before the Conclusion can be reached. You have, most likely, thought of such a plot at some point and instantly discarded it because you “can’t write longfics.” 

But consider: you recognised that as a plot that would need a lot of words. So you know what to look for. Which means you can find another one even if it takes a bit of thinking outside your usual boxes to get it. Stop telling yourself you can’t write those stories and at the very least write the idea down. Have a think about how you could fit it into a number of words you feel comfortable with. It doesn’t matter if you get that estimate wrong, this is about removing the mental barrier of self-doubt and by the time you realise you over- or underestimated by even something huge like 20k words you already have a good chunk of the story written and now you might as well finish it because you know writing this is not as hard as you once feared.

Fanfic plots that lend themselves to this kind of expansion and forced slow-down include: children/pregnancy; slow burn romance; arranged marriages (AKA slow burn strangers-to-lovers); AUs that differ significantly from the canon setting and familiar everyday concepts (fantasy and historical AUs, for instance); quests requiring visits to multiple locations; political situations developing over years or decades. Pick one of those that interests you and see what you come up with. 

The Skills You Already Have

You write shortfic. Let’s assume you’re good at it. This means you are precise, concise, and can spot what aspects of a story to zoom in on. Your lack of descriptive prose (if you worry about that) is likely related to the fact that you know 500 words of description in a 1200 word fic can unbalance it horribly if you’re not extremely careful. You probably do add detail when you know it’s needed, the ‘problem’ is that balance issue and that there just isn’t much to describe when the story’s in one location and centred on one character. 

You’re already experienced with writing in general, you’ve had a chance with those short fics to experiment with POV, tense, style, etc, that people who’ve only written one or two longfics haven’t had yet. You don’t have problems with padding scenes out and losing focus and you’re good at layering your sentences to make them punchy but packed full. Those may in fact be the very reasons you’ve struggled so much trying to turn a 2000 word story into 50,000 word one: you knew that was a 2000 word story so when you tried to add extra words you knew they didn’t belong there and you couldn’t do it. Well done! The people who complain that they can’t write shortfic are going to have to learn to do/not do those things, but you can already do/avoid them!  

The Hidden Problem: Prose

Okay, here’s something I struggle with a lot when writing longer stories: the information density will be different. Being used to stuffing sentences full it is hard to adapt to the more drawn-out pace of information that longer fic demands. It can feel like you’re wasting words or writing weaker lines, but the difference is not bad, it’s just a difference. Bluntly, writing 10,000 words the way you’d write 1000 will kill both you and the reader. You’ll burn out after taking forever to write 4000 words and you’ll make them miss crucial plot details and character insights. “It’s only AO3, nobody is paying me” is as true for readers as it is for writers. Nobody is expecting the casual reader to turn in an essay on that metaphor you used or the clever thing you did with wordplay that you’re convinced implied things strongly enough that you didn’t need to clarify. For 750 words you can ask them to read that closely. If you demand it for 75,000 you’re deluded and cruel. 

You’ll have to repeat some information as the distance from the last explanation increases. You’ll occasionally have to risk a thin scene that you need for pacing reasons or to slip in an idea that just wouldn’t fit into an existing one. This is fine. But actually fine, not like in the This Is Fine meme. A shaky sentence or two stands out so much less when surrounded by hundreds of others that nobody’s going to care even if they spot it. I for one struggle especially with accepting that I just cannot aim for particularly lyrical prose at length and in something plot-driven unless I somehow become a genius overnight – there’s a reason novel-length poems are exceptionally rare. 

You know how “100k packed full of meaning and subtext, a whole meaty meal!” comments made you wonder WTF longfics those people are reading? Probably the same ones you are but they’re not expecting the density of a drabble from a novel-length fic. Neither should you, so don’t beat yourself up when you find out it’s impossible. 

In Conclusion

There’s a good chance your long fic, or at least your first attempts, will end up substantially shorter than some other people’s. You’re concise, it’s not a bad thing. It’s actually a good thing, but fandom’s wordcount obsession has fucked up your ability (and theirs) to recognise that. As a general rule a better writer will need fewer words to tell the same story and for the purpose of this post we’ll assume that includes you and me 😘 Even if it doesn’t, you probably need the confidence boost of knowing that it could. Your low wordcounts are not a problem to be fixed, you simply want to try writing something longer and you’re gonna leverage your shortfic skills to help you get there. 

Basically, you're gonna do the same things you always do but with a plot that demands more of it. You will have to spread information (of all kinds) out a bit but you'll also have room to tell the reader more things and to linger a bit on each idea. It'll be hard at first to stop compactifying and fitting everything into a small space, but you can get used to doing it. I cannot promise you 100k words on your first attempt at this (I've never got above 45k and my average longfic is probably around 20k words) but this is the road that should get you there. I would strongly recommend that you outline your chaptered fic before you start properly writing it, so that you don't get lost or write yourself into a corner.

You already know how to write. You are not bad at it and I am not assuming that you are. This is not about writing better, it's about writing more, and there’s no reason to assume you can’t do that.

I'm sure he can. I settle under my tree and watch the droplets roll down the needles. Awaiting the final judgement of Judge GPS. 

A few minutes later, it provides: 

Turns out my dad forgot to record the location of the car this morning. The GPS remembers where we parked yesterday, but by luck my dad knows how to get from there to our car. Downside is that it's a nine mile walk just to get to yesterday's position, then another five miles to backtrack. That's fourteen miles total. 

I'm only thirteen. 

Think you can make it? my dad asks. And it's a kindness that he's worried, but it's not like there's an alternative. What else would I do, sit down in the murk and cross my fingers he finds me again? Ask him to carry me 14 miles? 

I'll be pretty jelly legged, I say. But yeah. I'll make it. 

Attaboy, he says. He fishes a bag of poptarts out and offers me one as - I think - a peace offering. A, sorry you're gonna have to walk 14 miles in the rain because I goofed kind of gift. 

I take a bite and, despite being individually wrapped, it still manages to taste like diesel fumes. We start hiking our incredibly long distance in terrible weather for foolish reasons, and I joke to my dad that the only way to make this day any more mormon would be by pushing handcarts. 

He laughs. Neither of us laugh again until 11 pm, when we stumble like drunkards into camp. My grandpa has stayed up late to make sure we weren’t lost, but he only stays up long enough to see us arrive. We try to eat a dinner of sweet potato stew, but after falling asleep in the middle twice, we agree to just go to bed. 

I sleep in well past nine and wake up to nobody in camp but my grandpa. My dad left with my sister to keep hunting around 5 am. I know that everyone assumes that their dad is invincible when they're 13, but I'm 28 now and part of me still thinks he's gonna live forever. That God made exactly one perpetual motion machine, and it raised me in the desert. 

---

Around noon my grandpa suggests hunting again. If it was my dad, I'd probably tune him out, but I like my grandpa's style of hunting. My dad hikes and hikes and hikes until the elk get tired and just let him shoot them. My grandpa finds the sleepiest, sunniest, coziest field and takes a nap there, figuring if the elk have any decent taste they'll come there at some point.

Man's got a knack for knowing what elk like - he's right more often than not. I think he might've been an elk in a previous life. 

I go with him, and much as I hate to admit it, the hike is good for me. I start off walking like a pirate on two peg legs, so stiff I might as well not have knees, but by the end of the mile and a half walk I'm almost normal. We make it to the edge of the clearing, and my grandpa finds a patch of grass taller and softer than the beds inside the trailer, and he curls up to sleep there. I look across the grass and I watch the comings and goings of critters through the field. Sometimes I use the scope to get a magnified view, but I never do so with my hand on the trigger. The thought of accidentally looking a person through that glass is something that sends a chill up my spine. 

Some deer wander through the glen, but it'd take a fool to mistake one of them for an elk. A few hours later, my grandpa wakes up and asks if I want to wander around a little. It's a lovely day. Rain comes in bursts in Arizona, and the day after is almost always clear as can be. And for a short while, all the desert browns turn green and lush. Hard mosses turn squishy and cacti swell up like fresh baked muffins and for a while you can get why people settled in these god forsaken wastes. 

So I go with him, and we walk on, me with my gun, him just taking in the forest. He looks so peaceful that I get a little jealous, but it's not until my grandpa stops and looks at me that I even notice it myself. Takes a mirror, sometimes, to know yourself.

Being near my grandpa is always a strange thing for me. He's quiet, and he doesn't talk much, and I don't ever get the feeling that he's particularly emotionally intelligent - but it's like he's interacting with a reality more raw and real than mine. Like I'm watching symbols on a screen and he's counting atoms. And sometimes, just being near him gives me access to that raw matter. Just something about how he is breaks the illusions of the world.

He looks at the gun like a foreign object, like he doesn't recognize it, then he looks at me. He speaks and he doesn't mince words. 

What would you do if an elk came across the path and you shot it right now? he asks. 

Well, I'd start cleaning it, I say, and he waves the words away like cobwebs in his face. 

But would you celebrate? he presses.

And I look at him, and I don't actually see any judgement staring back. He knows the answer, and he's at peace with it. He’s asking so I can see it too. He’s being a mirror so I can see my own face.

I think I might actually cry, I admit. And he nods along in agreement before reaching forward to take the gun off my shoulder. 

Lets just walk today, he says. No chance of killing anything. No worrying about that. 

Right, I say. 

He pops the chamber open and tosses me back my bullet. I catch it, and the relief I feel is palpable. 

Can I change my mind? I ask, and he shrugs.

Whenever you want. Hunt or don’t. It’s not the hunting that I’m worried about. It’s seeing you ignore your conscience.

And for a moment, I'm there in the real world with him, and my gloves are off, and reality is a metal cube in my hand: Sharp and cold and heavy.

Or maybe that’s just the bullet.

---

We make it back to camp a bit later than my dad. We get there and he’s waiting for us. If he's tired, he doesn't show it. 

How'd it go? he asks. My grandpa looks at me, and I don't know how to respond. I don't know how to explain it, and I am scared. 

Great, he replies. It's a shame Babs only has a doe tag. We saw a five-point out there. Close enough to hit with a football. 

No, my dad says. If his grin was a half inch wider, both ends of his mouth would meet in the back of his head and everything above his tongue would slide off.

Tell him Babs, grandpa says. And, not for the first time, and especially not the last, I try my hand at spinning a yarn. 

now, i’d seen her work up the nerve to do things like this before – it could take quite a while. and knowing it was about to happen made the waiting immediately unbearable. 

so i said hey. 

and she looked at me, very startled, and said hey back real small. like she’d been caught. and in a way, i suppose she had. 

and i said it’s okay. you can just say it. i’ll be okay.

i’m always okay. 

and she said: i’m really sorry. 

i loved her, you know? it was highschool, but teenagers are capable of love. the way people love changes over time just as much as the way they stand, or the way they talk, but things don’t stop existing just because they're different. opposite really – a thing only stops changing when it's fully gone.

and i said, nothing to be sorry for, and i meant it. she looked a little relived, and i was happy to give her that peace. then she left. i watched her make it through the front door, because that was just habit at that point, and then i sat there a while afterwards, checking how i felt. and the answer was not good, but good enough to make it home. good enough to limp on. 

so i put my car in reverse, took my last look goodbye, and immediately backed into her neighbor’s car. 

crunch. 

air bags didn't go off, which was good. i left a decent dent in the bumper of the other car. genuinely couldn’t tell if i did anything to my car – anything wrong with it just kind of blended together into the general ecosystem of hand mottled, sun cracked, chickenshit spackle. 

i checked my glove box, and my car insurance info was, of course, out of date. my phone was dead too. as a teenager, my phone was less my lifeline to my friends, and more my tether to my parents, so i wasn’t particularly conscious of keeping it charged. both my fault.

i sat there a few minutes, trying to think of the best way to handle things, and there was only one answer i could think of, and i hated that answer, so i spent a few more minutes trying and failing to think of a better one, and then a few more coming to peace with what had to be done. 

then i went back to knock on my now ex’s front door. 

her dad opened, which i was very relieved over, even if he seemed less than thrilled. he looked me over, and in a firm, but slightly apologetic way said: she does not want to see you right now. 

(i think he assumed i was going to try and talk her out of the break up?)

and i said not here for her. i just backed into your neighbor’s car, and i need to call my dad, but my phone’s dead. could i borrow yours?

and he looked at me, then back at his neighbors car, which sure enough was dented, then he looked at the chickenshitmobile, and if there was something wrong with it, it just kind of blended into the general Wrongness of the car, then back to me, and i could see him imagining the last ten minutes from my pov: getting broken up with, backing into a car, having to walk up to your exes door and borrow a phone, calling my dad to tell him that i just reversed into someone.  

and his expression shifted from stern and apologetic to truly sad, which felt more kind that i deserved. things only got here because i kept fucking up - forgot to look behind me, forgot to replace the insurance forms, forgot to charge my phone. it was my mess, but his sympathy meant the world to me. i probably would’ve cried if he said sorry, or patted me on the back or called me sport, but instead he said

stay out here – i’ll bring you a phone.

and then he left.  

i found a nice spot on the lawn in the shade under a sycamore, then settled into his grass.i was trying not to freak out, and was doing an okay job. he came out a minute or so later, not just with a phone, but a juicebox and a jar of green olives, which really threw a wrench in the whole try not to cry thing. soon as i saw those, a few tears squoze out. i was still hoping i could pass them off as Manly Tears but then he told me that he’d gotten the olives a few weeks before and had been meaning to hand them off to me, and that this was his last chance for that. then i made a sound like a horse drowning in a bog, and he patted my back pretty rough, four solid thumps, like he wasn't sure if i was crying or choking on an olive, and was trying to cover both bases at once.

then he went back inside, and i made a few more bog horse noises while finishing off the rest of the entire jar of green olives, and then i called my dad.

he was about ten minutes away that day, and luckily was home. he drove over, and we went to the neighbor’s house, and from there things actually went quite nice. the neighbor was a retired man who actually said he could fix the dent himself, no need for insurance. he said he appreciated that i didn't just drive off, and i said i was really sorry about his car, and he said he was really sorry about my car, and then he gestured to the chickenshitmobile and i laughed because it really was a disaster on wheels.

then we left.

i thought we were going to head straight home, but instead we went to a gas station, and we both got several slim jims that we folded into thick enough coils that we could put them on a hotdog bun because the growing up mormon equivalent of having a sad brewski with your dad is just choosing to make bad decisions sober. then he took me to the canals and we watched the sun turn all orange and pink, and he looked over at me and said:

brains are good at remembering bad days. so you gotta make sure that a bad day has a good part in in, so you can remember that too. remember that when you have a kid. try to do a good job on days like that - they're going to be a big part of how they remember you.

and then he gave me a big hug and said he was never going to eat another slim jim again.

---

the year after that i went to college, which kicked my butt in new and exciting ways. and on a lot of those bad days, after a test that went sour, or a faux paus that was particularly embarrassing, or some other hardship of my new adult life, i’d stop by the gas station and pick up leathery, half jerkied hotdog before heading to the canals to watch the sun set. i’d take a bite and imagine my dad next to me, grimacing through the slim-jim wad, asking what good thing i was going use that time to remember. 

and in my head, i’d say you, dad. 

Her guest was not half dead. He was, to be technical, less than a quarter dead, but that was only if you measured things in years.

He was young. His face certainly seemed less lined than her own. There wasn’t much else she could judge age from - the lines of her form folded into wings and furs and claws at the same point that his folded into silks and beads.

He’d prepared for the meeting by bringing a wealth of spices. It was a trick common to royal travelers: If sweat couldn’t be prevented, it could at least be masked. She could still pick traces of it up under the sandalwood and myrrh, but it was pleasant. Salty and metallic and sharp, underneath all the soft wisps of smoke.

He’d brought her gifts. When she told him that the gifts were not acceptable as passage, he said that wasn’t how gifts worked. Gifts weren’t given in exchanges - they were given for the joy of giving. And it brought him joy to share with her.

She didn’t know how to respond to that, so she simply asked if he intended to cross through her duat.

“Maybe,” he replied. “What’s your price?”

“A riddle,” she’d said. “If you get it right, you can pass. But if you get it wrong, I will devour even your bones.”

He grinned and it wasn’t false bravado. He’d known the cost before she said it.

“I love riddles. I accept.”

She loved this part. She loved the tension of it, that singular moment of truth where she wasn’t just a mind or a monster, but something straddling both worlds.

She spoke.

“I can survive beyond death, but can be broken without force. I can summon without breath but-”

“A promise.”

She looked at him wide-eyed. It wasn’t her best riddle, but it was one she’d made herself. It wasn’t supposed to be this easy.

She let him pass but she did - to her great shame - sulk. To his credit, he only lingered an hour or so in the shade of the oasis. There was a longing to him that she couldn’t describe. It unsettled her, but it went away when he took his camels and continued past, traveling on into the deep duat.

She forgot about his gifts until long after he’d passed the horizon. She’d expected human trinkets - gold and gems. Useless baubles. The pelts that had been carefully rolled up and placed inside the chest were strangely thoughtful.

She carried them back to her cave, and laid them flat across the floor. That night she slept better than she had in many, many years. In the morning, she woke up and smelled myrrh, and was almost happy to imagine the prince coming back. If she was disappointed to realize that the smell was coming from the scents soaked into the furs, that was a secret she could keep even from herself.

𓐭 𓐮 𓁐 𓁑 𓁒 𓁓 𓁔 𓁕 𓁖 𓁗𓐭 𓐮 𓁐 𓁑 𓁒 𓁓 𓁔 𓁖 𓁗 𓐭 𓐮 𓁐 𓁑 𓁒 𓁓 𓁔 𓁕 𓁖 𓁗𓐭 𓐮 𓁐 𓁑 𓐭

It was a week before he came back.

She recognized his outline on the horizon. She had a good memory, and beyond that, he’d made quite an impression on his first meeting with her.

He’d begun to run low on his spices, and his clothes were looking far more rumpled than they had at the start. That travel was beginning to wear him down should’ve meant nothing to her. Now, she felt odd. Would she still feel victorious if he failed her riddle? Or would it haunt her, knowing she could only catch him at his worst?

(Did she want to catch him?)

She waited for him to make it to her oasis again. It seemed to be part of the ritual, to sit and watch the speck on the horizon grow to the size of a man. They didn’t exchange pleasantries when he arrived. Instead he gave a small nod to acknowledge her before climbing down from atop his camel. She hadn’t demanded it prior because she knew all too well how easy it was to catch a camel, but there was still something respectful in the gesture. Here was a prince willing to die with dignity. Here was a man who lived and died by rules.

Could she be blamed for admiring that?

Only when he was fully settled in to listen did she begin her riddle.

“Toothless maw that eats all these:

Raw flesh, dung, fresh air, and trees.

At night I’m bright, in day I’m black,

I die, I’m gone, but always back.”

She was on the third line when she saw his face light up. He waited to answer this time, more focused on being polite than showing off how clever he was. She liked that. She knew he was clever, but now she knew he could be patient too.

“A campfire.”

It was one of her favorite riddles, and the joy she got was twofold. She was happy for the prince, happy that he would survive another day, and happy for herself too. It was infinitely preferable to lose with skill than to win through circumstance. She would feel robbed, if she had to eat the prince on a bad day. If he lost, he needed to lose at his best. He needed to lose in a way that mattered.

He went through the oasis again, but lingered far longer. They spoke in moments about each other’s lives - her memories of the time before even Ramses, and his experience as the seventh in line to the throne. He was trusted to act as an emissary specifically because he was so far from inheriting the throne.

“Not that I’d want it anyway,” he said. “A camel is a better throne than any silly golden chair. The seat in the palace only lets me see the bald spot on the high priest’s head. The saddle on this camel lets me see all the beauty in the world.”

His head wasn’t turned towards her when he said that, but she could see his eyes glance over her.

It was easy to pretend she didn’t notice, and he did nothing to press it further. She showed him the best trees for picking dates, the best ponds for catching fish, and the first cave she’d set her lair up in - back before even Ramses. Back when she was much, much smaller.

She slept in the next morning. The sunlight made a soft beam through the cave, over the pelts, before landing across her face. Any other day it would’ve been a wonderful way to wake up, but the realization that she’d missed her chance to say goodbye made her scramble. She made a short flight over the waters to see if he was gone, and got her answer before even landing - there was no camel tied to the palms.

Still, he’d left her a gift. The boar roasting over glowing coals had clearly been caught the night before, and the fact that it was unspiced meant it was for her.

It was also another oddly thoughtful gesture. How many humans would realize that unseasoned meat was a sphinx’s preference? How many would research that far?

She landed near the meal and approached. Down on the ground, there was so much more detail to see. The tracks of the camel, the care taken to not leave a mess. The simple note left besides the firepit.

She reached out and read.

I’m sure you don’t depend on travelers for your meals

But I do feel bad, having deprived you twice.

Enjoy the boar. I will be back in two weeks.

She hadn’t taken a bite yet, but she could pretend the warmth in her stomach was the meal. Two bites was all it took to make the illusion complete.

𓐭 𓐮 𓁐 𓁑 𓁒 𓁓 𓁔 𓁕 𓁖 𓁗𓐭 𓐮 𓁐 𓁑 𓁒 𓁓 𓁔 𓁕 𓁖 𓁗 𓐭 𓐮 𓁑 𓁒 𓁓 𓁔 𓁕 𓁖 𓁗 𓐮 𓁐 𓁑 𓁒

She waited until the fifteenth day before flying.

She wasn’t sure what she’d expected - a sandstorm, perhaps, or a heatstruck camel. Instead, it was only a few minutes flight before the smell of blood caught in the back of her throat.

It was hard to describe what happened after that. Sometimes, she was more mind than monster. Sometimes, she was more monster than mind. That day was a monster day.

He’d lost a lot of blood by the time she found him. A frankly terrifying amount of blood. She could carry him back to the oasis, but that’d only delay the inevitable.

But sphinx knew many things that humans did not.

She carried him, and he was light in her claws. Light in the way that humans were, but some small, scared part of her brain was worried that the blood loss made him lighter still. Like a date left in the sun.

She followed the trail through the desert until she found the thieves that did this. They had his gifts and his spices. They’d have taken the clothes off his corpse if they’d been able to catch his camel.

They’d have taken his life. The one human life she’d valued in one-thousand years, and they’d have taken his life.

It was hard to hate humans. They were so small and short lived that taking them personally felt childish. But this day, she hated, and it made killing easy. Five of the six bandits were extraneous. The last, thankfully, had blood that smelled like the prince.

(He was much less thankful about this than she was).

She took them both back, the prince held gently in her front talons, the bandit half crushed in the back. The transfer spell took exactly as much as it needed. It would’ve been crueler to let the bandit suffer the same fate he’d intended to inflict on the prince - to struggle on with too little blood, until his body failed. It was tempting, but she felt a sick gratitude that he had what she’d needed when she needed it, so she made the end quick. Or, quick enough.

Thirty seconds isn’t long, but it’s an eternity when falling.

𓐭 𓐮 𓁐 𓁑 𓁒 𓁓 𓁔 𓁕 𓁖 𓁗 𓐭 𓐮 𓁐 𓁑 𓁓 𓁔 𓁕 𓁖 𓁗 𓐭 𓐮 𓁐 𓁑 𓁒 𓁓 𓁔 𓁕 𓁖 𓁗 𓐭 𓐮 𓁐 𓁑 𓁒

The prince recovered enough to speak after three days. He asked her to tell him riddles, and if she was as jealous of her domain as she pretended, she’d have said no. But good riddles were the tool she used to rid herself of unwanted guests, and this guest was… wanted.

So she read riddles to him for days at a time. Read all the ones she’d hoarded from scholars. Read ones she wrote herself, just for fun. She started with her best riddles because she loved his praise, but moved on to her earlier ones because what they lacked in cleverness, they made up for by being earnest.

He loved those riddles the most.

One week stretched into two. He spent his days swimming after fish, chasing after boars with spears made of stone (she hadn’t seen that in a very long time) and scurrying up the trees to pick dates. And his nights, he spent imagining riddles around a campfire.

She knew it wasn’t going to be permanent, but that didn’t mean it couldn’t be beautiful. She’d outlived so many things in this world - seen rivers change courses and lakes run dry. If impermanence was a poison, then it was a poison she couldn’t avoid. There was no wall she could build to keep death at bay. She could only share her home with it and hope that one, one wonderful, far away day, that even death would die.

But that day would not be soon.

The king’s men found the oasis after a month of searching. There were no riddles this time. The prince left willingly, and the men with bronze blades stayed respectfully far from her part of the duat. It went as good as it could have gone, all things considered. If some part of her felt empty afterwards, well, maybe she just needed to eat.

Regular gifts did find her way to the duat, as thanks after that. Herds of goats were released near her borders, to hunt at her own leisure. Soft pelts from the northern lands were delivered in chests, and she luxuriated in their fluff.

Most importantly, a regular shipment of blank vellum began to make its way to the duat. She was told was explicitly that it was for her to write more riddles. And also, if she had a spare moment, she could send letters back with the vendor. The prince always made sure to send at least one out to her, and she always made sure to send one back.

Always.

𓐭 𓐮 𓁐 𓁑 𓁒 𓁓 𓁔 𓁕 𓁖 𓐭 𓐮 𓁐 𓁑 𓁒 𓁓 𓁔 𓁗 𓁖 𓁗 𓐭 𓐮 𓁐 𓁑 𓁒 𓁓 𓁔 𓁕 𓁖 𓁗 𓐭 𓐮 𓁐 𓁑𓁗

It had been decades.

She just-

She couldn’t see how humans were like this. She’d written with him six months ago! He’d been sharp as ever. Sharper, even. Time had winnowed him into a razor’s edge, and she'd been so amazed to see him change. And then he’d gotten busy, and they’d stopped writing letters for just a month, and then it was two months, and then three and now-

Now he wasn’t well.

The last letter she’d received hadn’t even been from him. It had been from his eldest brother, the reigning pharaoh. And it had broken her heart.

He was forgetting… everything. His mind was breaking. Decades of brilliance, and now he was falling apart at the seams. Some days, he didn’t even know who he was. But on the days that he did, the only thing he could talk about was going to the oasis one last time.

And his brother who had kept him close, who had been so protective of him after his near death with the bandits, had finally agreed.

He was going to be arriving any day now. The note had a sort of helpless plea attached - that he didn’t know what to do at this point, but that whatever it cost her to keep him comfortable, he would repay tenfold.

She sent a letter back saying it was a gift. She was the queen of the duat, and it pleased her to give this to her neighboring kingdom. Nevermind that her kingdom had no subjects, nevermind that she had no armies at her disposal. What she had, she could give, and this was… easy.

It made her happy to write the letter. It remind her of the first words the prince had spoken to her, all those years ago.

𓐭 𓐮 𓁐 𓁑 𓁒 𓁓 𓁔 𓁕 𓁖 𓁗 𓐭 𓐮 𓁐 𓁑 𓁒 𓁓 𓁔 𓁕 𓁖 𓁗 𓐮 𓁐 𓁑 𓁒 𓁓 𓁔 𓁕 𓁖 𓐭 𓐮 𓁐 𓁑 𓁒 𓁗

He arrived a few days later, escorted by fifty soldiers. She was grateful that he was in one of his lucid moments. She couldn’t imagine how it would be, to be seen and not known.

She didn’t wait for them to make it all the way to her oasis. She flew over to meet them, and then carried him back. The traditional wait was from when she thought she had time. Before she'd realized that there were ways for even an immortal to find themselves in a hurry.

He spent his first day back chasing fish, the same way he did before. The boars he left be - seventy, he insisted, was far too old to be messing with boars. And when the evening came, they gathered by a campfire to share riddles.

They went back and forth, laughing at each other's crafts. It was only after an hour of reminiscing that she actually asked him her favorite riddle, the riddle that she had permanently written in as His riddle. The one with toothless maws and meat and light in the dark, and he stared at her - not blankly, but worse, confused, because he recognized the riddle, but could no longer answer it.

She could see the distress growing in him, and it broke her heart. He hemmed and hawed, but right when he looked on the brink of giving up, he looked at the fire and started in relief.

“A campfire!” he said, and they laughed, and if he could pretend his tears were mirth and not mourning she could pretend that hers were the same.

𓐭 𓐮 𓁐 𓁑 𓁒 𓁓 𓁔 𓁕 𓁖 𓁗𓐭 𓐮 𓁐 𓁑 𓁒 𓁓 𓁔 𓁕 𓁖 𓁗 𓐮 𓁐 𓁑 𓁒 𓁓 𓁔 𓁕 𓁖 𓁗𓐭 𓐮 𓁐 𓁑 𓁒

He was not well the next day.

He knew who he was, thankfully, but he didn’t remember getting there. He stumbled around almost dazed until he saw her. Then he sighed in relief.

“This is my favorite dream,” he confided in her. “I’d like to get back here for real one day - but this dream is lovely. Can you read me some more riddles? Just like last time. I've never forgotten.”

She didn’t even touch her later works. She went to her earliest ones, the easy ones, and the way he pondered minutes at a time made her stomach clench.

𓐭 𓐮 𓁐 𓁑 𓁒 𓁓 𓁔 𓁕 𓁖 𓁗𓐭 𓐮 𓁐 𓁑 𓁒 𓁓 𓁔 𓁕 𓁖 𓐭 𓐮 𓁐 𓁑 𓁒 𓁓 𓁔 𓁕 𓁖 𓁗𓐭 𓐮 𓁐 𓁑 𓁒

She did not sleep that night.

She had spent literally her entire life trying to make harder and harder riddles, and now-

They needed to be easy. They needed to be simple. They needed to rhyme, and feel like riddles, but they needed to be solvable by someone that -

She had to stop writing for a few moments to compose herself. She couldn’t afford to cry on the vellum. A new shipment wouldn’t arrive in time.

She was immortal, but she was still running out of time.

𓐭 𓐮 𓁐 𓁑 𓁒 𓁓 𓁔 𓁕 𓁖 𓁗𓐭 𓐮 𓁐 𓁑 𓁒 𓁓 𓁔 𓁕 𓁖 𓐭 𓐮 𓁐 𓁑 𓁒 𓁓 𓁔 𓁕 𓁖 𓁗𓐭 𓐮 𓁐 𓁑 𓁒

He woke up the next morning completely confused. She’d prepared her first riddle as

“Who sits in the sand

Beside my lair

Who swims through fish

With thin white hair

Who braved the desert and survived

Then returned home alive and thrived?”

But after several seconds of silence she couldn’t take it anymore.

“It’s you,” she said.

“Oh!” he replied, surprised.

“What do you know about this place?”, she asked, after several more long seconds of quiet.

“…Not a lot,” he admitted. “But I know I love you.”

“I love you too,” she said.

That was the only riddle she had for the day. He fell asleep in the midmorning, and she took the time to go catch a goat for them. He was still asleep when she returned and remained that way the rest of the day. She stayed awake long after sunset, watching the gentle rise and fall of his chest and praying it would never stop. She wasn’t sure when she fell asleep - she just knew that when she woke up, her prayer had gone unanswered.

𓐮 𓁐 𓁑 𓁒 𓁓 𓁔 𓁕 𓁖 𓁗 𓐭 𓐮 𓁐 𓁑 𓁒 𓁓 𓁔 𓁕 𓁖 𓁗 𓐭 𓐮 𓁐 𓁑 𓁒 𓁓 𓁔 𓁕 𓁖 𓁗 𓐭 𓐮 𓁐 𓁑 𓁗

The vellum vendor arrived at the start of the deep duat only to find the oasis empty. He looked for hours, but there was only a single vellum left behind in the cave. He grabbed it and read the half finished riddle.

​ What hungers and is never full?

What is complete but never whole?

What pierces armor, shields, and hearts?

What ends before it even starts?

What force can make a monster thrall

What talon and what dreadful claw

Can heal the slice it makes each day?

What pain can make the godless pray?

It was all he could take back to the pharaoh.