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@timeforanedventure

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KICK THE CAN!
Let’s play the biggest game of kick the can on the internet.
To kick the can, reblog it. I wanna see how long this can go on for.
the oldest reblogs for this post that i can find are from january 2nd of 2013. this can has been getting kicked around tumblr for almost 13½ years now
And yet somehow this is my first time kicking it!
I wish I could make white people(and not just white Americans) understand how diverse the pre-columbian Americas were. The history, religion, culture, politics was at least as complex as Europe's. There was the full gamut of religions, from monotheists to animists to ancestral religions. There were city building empires, village farmers, nomadic traders, and so many other ways to live. This is all just based on what we know, the fragments left behind and the stories of survivors of an apocalyptic plague. All this before the most extended campaign of genocide in history was waged in an attempt to wipe out those survivors.
Over 500 years spent trying to cut down a whole trunk of human culture.
Do you understand how much poorer our whole species is because of it? Can you imagine where art, religion, and science would be if we still had these vast bodies of knowledge? The stain of the colonial project will never be fully washed clean. We owe more than just the land to those we stole from. We owe them a whole future, a future that could have been brighter for all of us. If only greed and fear weren't allowed to rule this land.
weird take about fiction: sometimes, actions that would be abusive in real life, hit different in a story. and sometimes i see people react very very strongly to those actions, and i totally get it, because like, that can be extremely triggering and ymmv on whether its handled well or not, but it always makes me a bit. hm.
like, i think the most obvious one is slapping/hitting. in real life, there is basically no situation where that is acceptable, unless you're actively defending yourself/someone else. but fiction is inherently larger than life, its about how it feels, subjectively, over what actually happens, literally. sometimes a character who has never before been violent will hit someone, and it's intended as like, an indicator of how fucked up everything is. that shit is going down. or, a character will trash a room, throwing things and destroying everything in their path. and then its never mentioned again, everything just continues as if they HADNT destroyed their own and other people's property in a frankly terrifying display, because it was just a cathartic moment to represent the storm of emotions the person was feeling. and when i see people like 'this character is an abuser, the story needs to address this,' i think maybe its actually okay for fictional characters to do shitty things and not have it framed as shitty, by the story itself or even on any sort of meta level, with the intended audience reaction. sometimes the point is just to resonate with your emotions, not to dissect the literal sequence of events.
like obviously ive been on the 'you can portray whatever you want in fiction, its all a pretend game' train forever. but i think the important thing to me here is that, you can also defend bad things in fiction. not just 'they did everything wrong and i love that,' but even 'they were 100% justified when they did [thing that would be extremely bad irl].' cause its like, ok, they did do that, but like it was the only way to tell the story well. dont worry about it.
mozzarella and parmesan is kind of like the age gap yuri of cheese

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Link to the gay porn library of Alexandria.
Happy pride.
This is actually super cool from a media preservation stand point!!
my general opinion on what people should be "allowed" to portray and what topics they should be "allowed" to explore in fiction is that you can make whatever art with whatever themes you want but i'm also allowed to think the way you handled it was tasteless and should've been done differently. my negative opinion on your handling of sensitive topics is the price of admission for publicly showcasing your work. this is not a pro-censorship stance because i am not The Government
this is getting really popular so i’d like to add the important caveat that your criticism of a work is no more unassailable than the work itself. just as one is entitled to be critical of something someone else is entitled to disagree with that criticism. i add this because some of you pretend to give a fuck about thoughtful analysis and then when someone points out flaws in your argument you declare that all criticisms are valid. this is untrue. the status of a hater is no more sacred than that of a liker. get off your high horse and engage in the thoughtful discussion you pretend to believe in or perish by my blade
Babe wake up, new all time great image just dropped
feels like a real step back that with all the sexual freedom available to us we moved to Hookup Culture instead of Having Sex With Friends Culture
Kiss the homies. Hold the homies. Make love to the homies. Then play smash.
*nods sagely* smash bros and then Smash Bros
#hell yeah #I’ll show you a good time and then kick your ass with Luigi #come at/on me bro
was in the car with family pointing out all the empty lawn spaces around homes businesses churches etc that are used for nothing and could be replaced with wildflowers or vegetable garden or some other important ecologically functional and enjoyable thing easily
Once you see it, it's impossible to stop seeing it, and it will drive you crazy

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sometimes i have strong opinions but they're also so inane that halfway through writing a post i'll be like "yeah, this is Absolutely not worth the energy it's taking" and delete everything. but then the opinion is still in my head. and i still want to share it. so within five minutes i go "you know, i bet i can phrase it more succinctly this time" and anyway. you all see where this is going. sometimes i do this four times in a row before i give up on the specific inane opinion and instead write a vague post about the concept of opinions as if that'll satisfy the urge to post the entirety of my inner monologue online. may or may not be relevant to what you're reading right now. and now all our lives have been enriched. you're welcome
you have to preface things like this with disclaimers that you are not pro-ai for people incapable of critical thinking but: its so awesome how much people post about AI having no soul and lacking humanity and merely mimicking some sort of innate Humanness while failing to address or contend with the fact that a lot of people are seemingly making work indistinguishable from the statistical average spit up by a computer.
ppl could ABSOLUTELY churn out bland slop that's trying very hard to scan as though it's legit way before AI showed up, and i stopped trying to tell if things were AI generated and started just...thinking more about whatever i was looking at. exploring citations rather than just looking at them, thinking about what's being said and if disparate thoughts connect to each other, trying to engage with the substance of the work. if there was little to no substance, then i could move on, and i'm sure a significant chunk of that was AI, but more importantly, it wasn't worth my time.
i genuinely and unironically hope that this is an unintended but positive outcome in a post-AI world. that people abandon attempts to determine if something is AI or not and are instead forced to think "what is there to like about this and why do i like it?"
Just rediscovered this slide from the first Deviant Scaffolds talk I gave at UCSC
Link to the article
We regret to inform you that the sunshine and friendship app is actually a children killing app.
Just started reading this:
https://www.sup.org/books/asian-american-studies/contraceptive-diplomacy
“A transpacific history of clashing imperial ambitions, Contraceptive Diplomacy turns to the history of the birth control movement in the United States and Japan to interpret the struggle for hegemony in the Pacific through the lens of transnational feminism. As the birth control movement spread beyond national and racial borders, it shed its radical bearings and was pressed into the service of larger ideological debates around fertility rates and overpopulation, global competitiveness, and eugenics. By the time of the Cold War, a transnational coalition for women's sexual liberation had been handed over to imperial machinations, enabling state-sponsored population control projects that effectively disempowered women and deprived them of reproductive freedom.
In this book, Aiko Takeuchi-Demirci follows the relationship between two iconic birth control activists, Margaret Sanger in the United States and Ishimoto Shizue in Japan, as well as other intellectuals and policymakers in both countries who supported their campaigns, to make sense of the complex transnational exchanges occurring around contraception. The birth control movement facilitated U.S. expansionism, exceptionalism, and anti-communist policy and was welcomed in Japan as a hallmark of modernity. By telling the story of reproductive politics in a transnational context, Takeuchi-Demirci draws connections between birth control activism and the history of eugenics, racism, and imperialism.”

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HOW WAS I TODAY YEARS OLD WHEN I FIRST HEARD “THE DAY THE NAZI DIED”
For those like me who had not heard this highly excellent and validating anti-fascist song:
Lyrics:
We're told that after the war the Nazis vanished without a trace
But battalions of fascists still dream of a master race
The history books, they tell of their defeat in '45
But they all came out of the woodwork on the day the Nazi died
They say the prisoner at Spandau was a symbol of defeat
Whilst Hess remained imprisoned and the fascists, they were beat
So the promise of an Aryan world would never materialize
So why did they all come out of the woodwork on the day the Nazi died?
The world is riddled with maggots; the maggots are getting fat
They're making a tasty meal of all the bosses and bureaucrats
They're taking over the boardrooms, and they're fat and full of pride
And they all came out of the woodwork on the day the Nazi died
So if you meet with these historians, I'll tell you what to say
Tell them that the Nazis never really went away
They're out there burning houses down and peddling racist lies
And we'll never rest again until every Nazi dies
just because someone can articulate their point better doesn’t make them right, it makes them articulated.
and you aren’t stupid for having trouble articulating yourself.