ἄνδρα μοι ἔννεπε, μοῦσα...

Gwendoline Christie in Giles Deacon, homage to The Viscountess of Poilloue of Saint-Perier by John Singer Sargent

Luke Evans in Alejandro Gómez Palomo, homage to the works of Tom of Finland

Amy Sherald in Thom Browne, homage to Miss Everything by Amy Sherald

Venus Williams in Swarovski, homage to Venus Williams, Double Portrait by Robert Pruitt

Hunter Schafer in Prada, homage to Mada Primavesi by Gustav Klimt

Gracie Abrams in Chanel, homage to Portrait of Adele Bloch-Bauer I by Gustav Klimt

Yu-Chi Lyra Kuo in Jean Paul Gaultier, homage to Winged Victory of Samothrace

Angela Bassett in Prabal Gurung, homage to Girl in a Pink Dress by Laura Wheeler Waring

Rachel Zegler in Prabal Gurung, homage to The Execution of Lady Jane Grey by Paul Delaroche

thought about this because it's so frustrating when people argue that 'dying in childbirth' is a historical sort of event that doesn't happen nowadays (false) and therefore is irrelevant to the legal status of abortion, since it's not a real danger.

except it super is, and i think a lot of people haven't noticed that this argument in addition to simply being incorrect is basically the same as when people say we don't need vaccines for deadly diseases because no one gets those now anyway.

body image and dysphoria. does this character voluntarily throw their clothes off, do they have to be coaxed, do they enjoy looking in the mirror, are there any areas they refuse to acknowledge? scars? tattoos? what does this say about their past?

what role do they take in the bedroom, and what relationship does it have to the role they take in day to day life?

social/communication skills. how good are they at eye contact, asking their bedmate what they want, are they about verbal communication or body language? what is their body language, is it open or closed off? are they nervously chatty, are their words short and clipped, are they nervously quiet?

touch starvation. how do they react to touch? when's the last time they were touched intimately? how does this touch remind them of their previous encounters with touch, or is this their first time?

glimpses of their education, sexual and otherwise, and the ways this influences their view of the world. what is their understanding of consent? where did they get it from? what do they think of kink vs vanilla? what is their relationship to both?

self esteem. do they take on a role of service in the bedroom because they want to, or because they feel like they have to in order to be worthy, no matter what they really want? how good are they at expressing these thoughts? do they freeze up when their bedmate asks them what they want? do they even know what they want?

how much attention do they want on themselves vs how much are they comfortable with? would they rather the attention was just on their bedmate?

how much guilt, shame, or repression do they have about sex in general? does it feel like a performance, is it true for them? how do they do with being vulnerable with another person, clothes on or off?

how do they feel about submission/domination, about penetration? do they want marks to be left, or do they insist on no trace left behind?

how do they treat their bedmate? loving, rough, tender, gentle, harsh, sadistic, deferring, no matter the scene/dynamic?

what about aftercare? for themself, for their bedmate? do they do it, do they know what it is, how do they do it? do they value it or do they do it just because you're supposed to?

me: Okay!

The textile book: Clothes separate the vulnerable human body from the conditions of the outside world, and in doing so absorb the sweat and debris of human existence, accumulating wear and tear according to the lives we live. In this way, various lifestyles and professions are represented by clothing, and the clothing of a loved one retains the imprint of their physical body and their life being lived, as though the clothes absorb part of the wearer's soul

Me: ...oh

The textile book: The process of weaving a garment and the process of a child being formed in its mother's womb are often referred to using the same language. Likewise, when a baby is born, a blanket or other textile material is the first material object it encounters and protects it. Textiles can create the idea of two things being inextricable, as with being "woven together," or can create the sense of separateness, as with a curtain or veil that separates two rooms or spaces, even separating the living from the dead, or separating two realities, such as a performance ending when the curtain falls

Me: ...oh God

The textile book: Odysseus's wife Penelope undid her weaving in secret every night to delay the advances of her suitors. In this way she was able to turn back the passage of time to allow her husband to come home. Likewise the Lakota tell a story of an old woman embroidering time by embroidering a robe with porcupine quills. If she finishes the embroidery, the world will come to an end, but her faithful dog pulls out the quills whenever her back is turned, turning back the clock and allowing existence to continue.

me: ...is...is...is that why we refer to the fabric of space and time?

The textile book: The technological revolution of textile making is sadly underappreciated. The textile arts are possibly the most fundamental human technology, as once people created string and rope, they could create nets for catching fish and small animals, and bags and baskets for carrying food. In the earliest prehistoric times, the first string or cord perhaps came from sinew, found in the body of an animal. Because of this perhaps the body of a living being could be understood as made of a textile material. Indeed textiles have the function of preserving life, as with a surgeon stitching back together the human body or bandages being placed on a wound. Textile technologies are being used to create life-changing implants to restore function to injured parts of the body, as though a muscle or tendon can be woven and made in this way. Cloth can be used to create a parachute that will save a human's life as they plummet out of the sky. Ultimately, the textile technologies are used to enter new parts of the universe. [Photo of an astronaut and details explaining the astronaut's suit]

Like, fiberglass ANYTHING can be considered a textile! Paper? Textile! Chain link fence? Textile!

And more than ever now when I see something like fabric on a couch or mosquito netting I wonder just how much work it would have taken if it was non-factory made. How many people have still had their hands in making it now. 

I never understood why so many cultures placed such importance on textile gifts as ritual, like many native americans gifting blankets. I get it now.

Tons of other stuff too and it's all the time!

And I'm only halfway through!

Anyways OP thank you for bringing this into my life it's literally reshaping the way I think in a way I'm constantly in awe of <3

It functions as a digital library, so you have to sign in and wait your turn. I'm not sure why you have to do that with a digital book, but it's free so i don't care.

Remember when Lil Nas X beautifully explored his sexuality, seduced and killed the devil to the banger of all time, and instead of cheering on this openly gay and proud Black artist for his artistry and fighting back against respectability politics, suddenly said respectability politics was all the Queerest Place on the Internet cared about? Hm. Wonder what happened there.