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If staff reformed the ban system to stop banning trans women and used the resulting good will to re-introduce pornography, this site would become a juggernaut. It would swallow Twitter whole.

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judgement
Every time Sean Astin makes a statement on whether or not Sam and Frodo were indeed gay for each other in lord of the rings he’s always like “well we have to acknowledge that attitudes around sexuality have changed dramatically over the past several decades and since authorial intent is only up to speculation, the story is open to multiple readings, some of which might have different significances for different groups of people also they kiss on the lips because I said so”
at the rose city comic con panel this month a fan asked them (sean and elijah) if sam and frodo were in love and they said
Sean: .....yes. absolutely
Elijah: 100 percent.
Sean: dont tell rosie
Rosie: "This is my husband Sam, and that's his husband, Frodo. Frodo is my husband-in-law. I'm not into him, he's he's a bit too 'elfy' for my taste, but Sam likes him, and that's fine with me. As far as I know, Frodo can't give Sam children, but Frodo looks after ours all the same, so I don't mind sharing Sam if it means another pair of eyes on the wee ones. In all honesty, our family tree is right simple compared to some hobbits. Yes, I'm referrin' to you Lobelia, over there pretendin' you ain't eavesdroppin'. Still bitter you ain't got either of my boys or their house, eh?"
Tbh it's canon that Frodo invited Sam and Rosie to move in to Bag End after their wedding and they all lived there for a couple of years until Frodo went to Valinor, so yeah. Running with it.
And once Rosie dies, Sam says his goodbyes and disappears after him.
what’s funny is people assuming that rosie would somehow be too dim or naive to KNOW that sam loved frodo, instead of looking at a guy who would loyally follow a beloved friend to hell and then help carry him home again, and not be like ‘oh i can’t not fuck that.’
Polyamory, specifically polyandry, would be an interesting solution to the oddball population of the Shire.
The Shire is excellent farming country, with consistently good weather, and only one tough winter in living memory; hobbits like to produce large families; they’re resistant to disease, rarely violent, and encounter few dangers. It is usual for hobbits to produce many children, so that (for example) Bilbo and Frodo are unusual in both being only children, with no siblings, and not having children of their own. All of this should point to a population that increases every generation if not doubling outright. Young people (and their ideologies!) should rapidly outnumber the old with an ever-increasing effect and impact on society. However, the Shire has a surprisingly stable history; it never seems to increase or decrease greatly in population, and the bell curve of age seems… demographically balanced? There certainly isn’t a conflict from rising young bloods challenging the middle-aged reactionaries; there’s no unemployment; there are no housing crises or waves of emigration, or even a tendency for young people leaving home to marry. Meanwhile, not only does the Shire not suffer from internal pressures, but it remains obscure and hardly noticed in global politics.
What makes sense here is that adult hobbits form a loose group. Four parents in a polycule, between them all, may produce four children. All four parents claim to have four children. An outsider would assume this meant the adults had eight children.
Hobbits therefore are not especially fertile or fecund. They simply have large families. Much of their interest in genealogy is due to the complex relationships of blood-kin, hearth-kin, love-kin and pledge-kin, who must all be carefully tracked and measured - not just because you need to make sure that you don’t climb into bed with an un-permitted degree of blood-kin, but to track family alliances and carefully quantify the precise level of thoughtfulness to put into the proper present to gift your father’s lover’s lover (too much implies a degree of intimacy that might upset the polycule.)
Thus, while a hobbit matron may tell a startled dwarf that she has seven sons, she might only have borne five of them herself, and have one hearth-son by her wife, and a pledge-son of her first husband’s. There are between three and four fathers involved at various stages of production, from conception to pledge-duty, but there is debate about the precise number of fathers, as one child was festival-conceived and therefore provisionally pledged to the Brandybucks until more distinctive paternal traits should materialise. It’s expected that four of the sons will be uninterested in women, and their contribution to family life will be in raising hearth-children and pledge-duty. However, this level of detail is normally negotiated later in conversation, as a mutual overture of friendship. So she’s just clear and simple: yes, certainly, she has seven sons. Yes, they’re all hers. Yes, that’s fairly normal - yes, hobbits like big families. How big? That’s really hard to say! Well, about thirteen hobbits live in her house… er, she has forty-three nieces and nephews. Yes! She has nine siblings, that’s correct, but some of them are still babies themselves..
In this way, a bewildered dwarf might assume that hobbits are absurdly fertile, producing an average of seven children per couple, at an absurd pace.
When in fact, with about half of hobbits never bearing biological children, the population of hobbits is pretty much always the same.
Tl:dr, hobbit population works perfectly well, both internally and in the perceptions of outsiders, if the majority of the Shire is gay, they’re all polyamorous, and they all firmly claim to be parents of high numbers of children. Of course Frodo fathered Sam’s kids - he named them! They were pledge-kin but not hearth-kin, as Frodo needed a lot of quiet and stability in the home.
No outsider ever parses hobbit genealogy well enough to understand this except for Gandalf, who never explains anything either.
are you kidding? Gandalf would WEAPONIZE his knowledge of Hobbit genealogy against outsiders
Since “pledge” kinships are multidimensional and can occur in different directions, hobbits can form - and formalise - family bonds simply because they choose to. Gandalf doesn’t tell anyone that the formation of Thorin’s Company, the Fellowship of the Ring, and Belladonna Took’s Accidental Troop of Mercenaries* are legal formations of pledge-siblings, a hobbit family structure usually claimed to increase social class and prestige (as high numbers of pledge-kin confer distinction on a hobbit, being a sort of popularity vote/endorsement that adds greatly to their social power. Incidentally, this is partly why Bilbo was both controversial and successful in his pledge-claim of Frodo; outsiders mistook his “bachelor” status as someone living outside of heteronormativity, while the Shire was bewildered and increasingly annoyed by his rejection of pledge and hearth commitments. By rights Bilbo had too few pledge-kin, and too little parenting experience, to claim rights to an orphan, especially one from Brandybuck hearth; but conversely, his social status was high enough that his belated bid for his very first pledge-son couldn’t reasonably be denied by anybody.)
In short, all of the hobbits enjoyed achieving even larger families on their adventures, legally and without argument or debate. It’s free real estate. If nobody else is going to sibling these losers, we will. (The condensation of so many entanglements at once also legally made Pippin his own father-in-law.)
Gandalf never explained.
* see the post about the Old Took’s “enchanted diamond cufflinks” that obeyed the wearer’s commands; which were probably, given the general state of things, two lost silmarils recovered by his Remarkable Daughters and gifted to him because things stay small and safe in the shire
@elodieunderglass wouldn't that make pippin both denethor's pledge-son-in-law, and (as pledge-brother to the king) probably outrank him?
Only through Boromir while Boromir was alive! Pippin’s familial claim through Boromir technically dissolved on Boromir’s death, as Denethor hadn’t been privy to it, and those bonds rarely stretch to a stranger when the person in the middle has died before introducing them; although Pippin, who was well-brought-up, perfectly and politely rectified the problem at once by simply swearing himself as Denethor’s pledge-son. but through his blood-cousinship to Frodo, who was older than Boromir, his status as the Took double-primarc (don’t ask) and the proximity-enhanced status-doubling effects of having a five-way cousin in Merry, Pippin was demonstrably higher status as a pledge-sibling and was also his own father-in-law and approved of himself. As such, he would have significantly raised Boromir’s social status and marital prospects in the Shire.
Inheritance follows parent-child pledge as the primary consideration, with matrilineal descent as the secondary. Pippin would have been bewildered to gradually understand that Denethor held his two sons in such odd and different standing :-/ hobbits don’t recognise kingship so it would’ve been very upsetting and disappointing to Pippin to understand how Denethor stood in position of sworn-father to a whole city of people without even being slightly fair to his younger hearth-son. Aragorn is demonstrably much better dad-material and therefore had Pippin’s vote. Pippin, by virtue of being an excellent father-in-law to a spectacularly promising young son-in-law, also considered himself a better candidate for king of Gondor than Denethor, by outranking him in Dad Competence - but was too busy by the time he realized this to point this out .
Ironically, the events in which Pippin realized this made Faramir his own hearth-son - so Pippin won in the end and took a great interest in ceremonially approving of Eowyn. Gandalf never explained
I will buy that for a dollar, yup.
It crossed my dash again! The Hobbit Polyamory Post!
X-ray of a statue of the Virgin Mary.
Väinö Blomstedt ( 1871 - 1947 ) Finnish painter
"Lake in the Wilderness" oil on canvas 103 x 64 cm, 1895
Finnish National Gallery

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You know what they shoulda left Yao saying “I won’t have anyone on my crew who doesn’t want to be there” in the movie. I think it’s integral to the themes. Yknow, there’s always someone in your corner when you least expect it. People are willing to defend those they know relatively little. Love is a powerful force etc etc
Like having dictator of the world tell u ur fucking going to space whether u like it or not is scary and then thinking god fucking Christ no one will even protest this bc they too must all think I’m a coward is even scarier but no. One guy did protest it. Stratt even directly addressed that the amnesia wasn’t even just for graces sake but to prevent Yao and Ilyukhina’s anger at that act from disrupting the mission. Okay bye
PANIC! AT THE FISHCO
Who spoke the summoning rite? Who’s up for fresh calamari tonight?
enough of asking "would you still love me if i was a worm?" would you still love me if i was a pit in your stomach eating away at you from the inside? would you still love me if i was a distant memory you could do nothing but grieve? would you still love me if i haunted you for the rest of your life?
I remember when I was younger, anytime I watched a movie where the characters have to kill a scary monster/alien, I always thought the act of killing it was intended to be part of the horror. Like there’s this amazing creature that we’ve never seen before, and maybe under different circumstances we could’ve coexisted with it, but it’s trying to attack you and you have to defend yourself, but by destroying it you also destroy the ability to ever understand it and that’s sad and is supposed to make you feel conflicted.
It was not until well into my adulthood that I realized most people do not have complicated feelings about movies where people have to kill a scary alien monster, nor is that necessarily meant to be part of the narrative (unless it very obviously is). They just want the scary thing to die because it’s scary. I don’t have a real conclusion to this I just started thinking about it for some reason.
I always felt I couldn't possibly be upset about dying to an alien monster because proof of otherwordly life is exactly what it'd take for me to die happy

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Just for clarification:
Laika - sent into the stars on a suicide mission, never meant to survive, by a group of scientists she trusted.
Felicette - survived her journey, "did what she was told," and was euthanized afterwards anyway.
Anyway, I am very normal about the movies Project Hail Mary and Iron Lung.
They taught us in physics that an object in motion stays in motion unless something acts on it and i didn't care at the time but as a writer i think about this constantly. your character cannot just stop. something has to stop them. something external, something internal, something that costs them. a person doesn't change direction for no reason. a story doesn't either. newton was writing craft advice and nobody told him.
I know that you waited for me like a dog
So. Uh. You guys know Hachiko, the dog that waited for its owner for ten years? And. You know how I use a lot of train station metaphors? And how Grace has a dog parallel with Laika?
Yeah. I’m not done with this idea.
grace and laika who were sent into space against their will, never to see home again.
stratt and hachiko who both waited years for someone who was never coming back.
I’m sorry, the train looks fucked up. You’d think that I’d be able to draw one accurately by now but apparently not.
I know that you waited for me like a dog
So. Uh. You guys know Hachiko, the dog that waited for its owner for ten years? And. You know how I use a lot of train station metaphors? And how Grace has a dog parallel with Laika?
Yeah. I’m not done with this idea.
grace and laika who were sent into space against their will, never to see home again.
stratt and hachiko who both waited years for someone who was never coming back.
I’m sorry, the train looks fucked up. You’d think that I’d be able to draw one accurately by now but apparently not.
grace viewed as a religious figure in different ways to the eridians and the people of earth.
to the eridians, he's a saint. an angel who saved their planet, brought one of their own home. a figure that they can't quite quantify or label beyond a gift from the heavens and whatever god they might have above.
and earth, who views him as a hero - of course - but as the sacrificial lamb to a higher power. a tragedy, with his fate given up to god. the weight of humanity on his shoulders, sent to the void.
a gift from god or a gift to god, depending on who you ask.

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I cried watching Project Hail Mary btw