Putting the Man in Necromancer

I get in theory why people complain about het ships or whatever, I get wanting to watch queer media I really do, but I guess where y’all lose me is like. I saw some asshole on a post about Sinners complaining it was “hetslop”—this person was specifically doing so while also claiming Remmick was a queer character and thus they were justified in caring more about him than the Black protagonists. which is a whole other disgusting can of worms that has been well addressed by others at this point. but even in the absence of that part of the argument, like, no, i actually don’t think that a hunger for queer stories is an especially good excuse to deride and dismiss a piece of landmark Black filmmaking, especially as a non-Black person. I have a post that’s been going around encouraging folks to engage with more Native stories and characters, and I had someone come onto that post saying in the tags that they’d need these stories to be queer in order to care. and I just think that, you know, sucks! like obviously as a queer Native I also want to see more of those stories too. but idk how else to put it other than to say that Black people and people of color shouldn’t have to be like you in order for you to care about our narratives and experiences. and I think some of y’all are using this disdain for heterosexuality as a cover for your unexamined racial biases. it’s not okay to be racist to people just because those people happen to be straight, and you continue to be white before you are queer.

on an even more basic level than that, also, I simply just think some of y’all NEED to learn how to interact with media and storytelling without ships and fandom in mind. like if not being able to write fic about two men kissing is genuinely going to be a dealbreaker for you I think that’s actually something you need to work on within yourself because at that point I think you’re no longer really interacting with art and themes and narrative so much as just kind of playing with toys. which is, like, fine I guess. have fun. but it wouldn’t kill you to disengage from that from time to time. especially if would allow you to actually appreciate rich and deeply moving cultural stories from communities of color that you desperately need to learn how to see as human

i want freedom i want freedom i want freedom *is granted freedom* noooooo my attachments

ironically enough, bringing a plushie to a public setting as an adult requires a tremendous level of emotional development, and attempting to shame an adult for having a plushie in public requires a significant amount of immaturity. this applies to a surprising number of things.

Please put on your N95s. The same ones used for covid will filter particulate pollution. I lived in a city with yearly winter pollution levels like this. If you can pay for it, you might as well get an indoor air filter to sleep in.

surprisingly forward-thinking of jim henson and co. to make a female character in the 70's that's allowed to be loud-mouthed and violent and kind of overwhelmingly romantic and even a huge bitch at times and not have a moment where any character asks her to change

going through all the muppet movies in a row made me realize that like. miss piggy was made in the 70's. and it's so rare even today to have a character like her. she's loud, she's selfish, she's funny, she's extremely vain, she's obsessed with romance, she's violent, she's kind of annoying, and there's not a single moment in any of these films where she's asked to tone down any of these personality traits. i am not joking when i say that miss piggy might be one of the best treated female characters ever written

Reblogs r back on so BEHAVE.