āhow long have you been on tumblr?ā i remember the term ānightbloggingā
Noah Kahan
cherry valley forever
let's talk about Bridgerton tea, my ask is open
RMH
Aqua Utopiaļ½ęµ·ć®åŗć§čØę¶ćē“”ć
d e v o n

Discoholic šŖ©

Kiana Khansmith

Product Placement
Sade Olutola
Cosmic Funnies
Sweet Seals For You, Always
Cookie Run:Kingdom Official!
Fai_Ryy
Show & Tell

@theartofmadeline

Game Changer & Make Some Noise

ellievsbear
occasionally subtle
seen from Colombia

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@spruceoutoffive
āhow long have you been on tumblr?ā i remember the term ānightbloggingā

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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This is one of the strongest solar storms in ages. View from ISS is incredible.
lesbian scifi is so easy. hereās a woman in cargo pants and a tank top on a spaceship. are you with me
maybe itās not even cargo pants. maybe itās coveralls rolled to + tied around the waist. maybe she even has fuckoff boots
last thing you see before she gets you
i was talking to friends who's main view of tumblr is that everything is sexualized on here. and when i said i do see that i also know that the most vocal groups of asexuals are on tumblr. eventually i realized how much of tumblr was de-sexualizing sex. like just saw a post of a gifset of a sexy lady smoking and tying up hands with the reblog text "me putting the little tag back on the bread bag" and so many posts are like that. just saying or talking about some sex shit in a completely neutral non-sexual manner. I was going in loops around my head trying to figure out why it was like this, something about being so used to nudity and sex and that's not shocking or even sexy anymore, until circling back to the fact that tumblr is full of asexuals and maybe the most respectful place of them. it was then a saw a poll (a post I CANNOT find again for the life of me but it was some type of sexuality poll or something) and was shocked by just how many people answering it were asexual, until I remembered this and went. oh. so yes everything on tumblr is sexualized but not even for sexualization's sake or for sexual satisfaction. its for the bit
uptopia in the making sporting my aspec siblings

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So excited to share this illustrations I had the pleasure of creating for Bloomberg Businessweek for the article āThe Steamy, Magical and Now Very Lucrative Romantasy Businessā by Hannah Miller and Madison Muller.
Such a fun one to work on!
Art direction by Chandra Illick.
Tracery: A Symphony in Bronze by Timothy Cleary
My single contribution to the PHM fandom
genuinely iconic behaviour i fear

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No because this is how every Howl/Sophie interaction plays out in the book
I love both the book and movie dearly but Howl's Moving Castle is one of my favorite books so I'm a little biased and I'm Normal about the things that I like
ok thereās been enough reblogs from enough people on enough various posts of mine that now i need to stand up for the bitches who donāt fuck of the world. people arenāt writing bad smut because of a lack of having sex. they are writing it because a lot of people have very poor visualization skills and forget halfway through what position characters are supposed to be in, or donāt understand what makes a word a good or bad choice, or canāt create compelling dynamics. i promise that even the sexually inactive, by virtue of also existing within the human form, would know that if youāre behind someone you canāt lick their nipple. and i promise that the frequently sexually active are equally prone to using the word āmewled.ā i can pretty much guarantee that having a lot of sex and writing good sex scenes are unrelated. do you think your favorite horror authors are cutting people up in their basements. do you think your favorite food critics are michelin chefs. do you think the people blocking cool combat scenes in movies are routinely getting into cage fights. no they just understand how to utilize tone, pacing, momentum, and the tools of film direction, while keeping action tied to character. like believe it or not this is simply a skill like everything else. idk i always think that that point of view shows a lack of understanding of what makes a sex scene work. it removes the craft of it in a way i find short-sighted. i think people are confused about the reason teenagers are writing bad sex scenes. itās not because theyāre not fucking, itās because they are young and havenāt had the years to hone their writing craft the way someone older has.
New favorite comedic duo.
THE VAMPIRE LESTAT | 3.01 | āDetroitā
Never getting over how differently howl's moving castle book and movie treat the scarecrow

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itās simple: when I like an adaptation, everyone complaining about changes to the text is a whiny baby who needs to get over themselves and accept that sometimes you have to change the story to enrich the experience/work within the medium. when I donāt like an adaptation, itās because nobody else understands the core themes of the original work and would be better off just creating a story independent of what theyāre trying to adapt.
forgot to say that, without Howl chasing girls and Sophie resenting him for it, the film completely erases part of the point of Sophie being old. Ā Wynne Jones is using an idea that Beauvoir talked about - that being an old woman is both tragic (as we lose male attention/attractiveness) and freeing (as we are freed from the male gaze). Ā the idea is that with being old comes liberation, and the true meaning of what it is to be a woman, as society no longer forces gender norms on us.
Sophie is free from Howlās attentions and therefore safe from harm (a big part of the book is the fact that Sophie believes he eats womenās hearts, and him chasing girls proves this to her). Ā she takes solace in the fact that sheās old, and finds it freeing. Ā when she learns more about Howl (notably: that he doesnāt eat hearts and that heās not evil), she starts to curse her age and resent him chasing girls. Ā BUT she remains old OF HER OWN VOLITION - Howl notes that sheās perpetuating the spell by wishing to remain āin disguiseā. Ā there are SO many layers to this, and lots to do with gender politics - if sheās still old Sophie canāt get hurt, she likes the freedom, etc. Ā but of course on a personal level being old is her denying her feelings for Howl, and also a representation of her low self esteem - being old is a defence mechanism and protection, both on a gender level and a personal one.
and the film kinda⦠loses this? Ā the only thing that remains is being old = low self esteem. Ā which really sucks. Ā because thereās SO MUCH MORE to Sophie being old in the book (perspective I already mentioned), and a HUGE amount of this is gender politics. Ā that the film just erases.
Also thereās the subversion of that in the book. Sophieās belief that sheās safe from Howl, isnāt quite true because he fell in love with her while she was under the spell (and in the book, thereās no switching between looking young and old. Sophie is looking ninety the entire time, and Howl falls in love anyway.)
Also, her belief that being old means she canāt go to her stepmother or her sisters, that theyād fail to recognize her or reject her, is also unfounded. Fanny almost immediately recognizes her at the end of the book, and hugs her and cries over her and asks why Sophie disappeared. Sophieās belief that the love of her family, friends and even her romantic interests is somehow conditional on her appearance is shown to be completely false at the end, which I think is absolutely beautiful.
Like, thereās definitely gender politics and commentary going on about beauty and youth and age and the male gaze and male violence going on, but thereās also this message about how love, real love, transcends all of that.
I actually adore the movie on its own merits, but I think it absolutely did a disservice to Sophie as a character. When I was doing a reread last month, what hit me was that Sophie is every bit as much of a volatile emotional disaster as Howl is, and thatās pretty heckinā great.Ā
Howl is a pissy, dramatic asshole even when heās at his best. He dissolves into green slime when his hair looks wrong. He deals with his problems by getting falling-over drunk and makes the walls shake every time he sneezes just so everyone will take pity on him. Heās a self-proclaimed coward who has to trick himself into taking responsibility for anything.
Movie Sophie deals with this as well as she can. She learns to look past his drama and sees his tender heart and noble intentions. She becomes the mature one in the castle, fixing everyoneās problems, essentially taking up a motherly role to all the other characters.
Book Sophie does the same⦠but she does it while dealing out as good as she takes. Howl is chasing after every woman except Sophie? Sophie meticulously cuts up his suit into triangles. Howl floods the room with green slime? Sophie hate-magics weed killer strong enough to melt concrete, and chucks it at Howlās head. Howl canāt stop avoiding his problems? Meet the queen of avoidance, who clung to her curse to avoid confronting her feelings for Howl. Howl has to basically trick himself into taking action? I would like you to meet Sophie, who was too scared to leave her home her whole life, but the moment sheās under a curse is likeĀ āWELP, GUESS IāD BETTER LEAVE HOME RIGHT THIS MOMENT AND NEVER COME BACK.ā
The moment of Howl and Sophie getting together in the book isnāt āSophie fixes everything through her inherent goodness.ā Itās āSophie realizes that Howl has been secretly scheming to fix all her problems exactly the same way that she has been secretly scheming to fix all his problems because neither of them is a normal functioning adult, and they both look forward to yelling at each other for the rest of their wonderful lives.ā And losing that, losing all of Sophieās flaws and ridiculous moments as well as Howlās efforts to fix her life as much as sheās trying to fix his, means that weāre left with a typical romance trope of a woman having to fix all of a manās problems and be the perfect, mature one in the relationship, while he can coast purely on charm. The revelation that half of Howlās antics were actually schemes to break Sophieās curse or even just make her happy is important because for once it goes both ways. Not just āwoman fixes man with her love,ā but āpeople fix each other with their love, sort of, except for all the parts that will never change and thatās okay because flaws can be just as attractive as virtues, and if he laughs when you throw weed killer at him then he might be the one.ā