2025 on Tumblr: Trends That Defined the Year
Sade Olutola
Peter Solarz
tannertan36
oozey mess
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blake kathryn
dirt enthusiast
noise dept.
Mike Driver
DEAR READER
wallacepolsom
roma★
shark vs the universe
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Aqua Utopia｜海の底で記憶を紡ぐ
taylor price
@theartofmadeline
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@sky-scouting
gnome scientists have discovered how to split the atomberry
The invention of bombasticly berry flavors, and their death toll, based on this break through, ended up becoming gnome physicist Alberry Tinystein’s biggest regret in life.
upon hearing the term, “mushroom cloud,” many gnomes ran outside laughing and giggling with glee, only to be caught in the blast
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superb tags
i'm so fucking over it
Oh so you'd rather use eugenics on animals and abuse them instead? 🙄
i was about to get violent then i saw the handle im crying
That video of Alex Hirsch reading S&P notes for Gravity Falls conveys a few things to me:
1) the U.S. entertainment industry (especially animation) is run by older conservative types who make up offensive terms and get really mad about them.
2) the people who run Disney would be the first to fall in line with a fascist regime.
3) most of the media we consume is tailor-made and watered-down to appeal to the tastes of older, deeply religious conservative audiences.
4) conservatism, not the left, is and always has been the biggest voice of censorship in American culture.
J. Michael Straczynski, creator of Babylon 5, was before that a producer and writer for a number of cartoons in the late ‘80s/early ‘90s (The Real Ghostbusters and the original She-Ra, most notably). After a few years of dealing with the censors and their obsession with finding Satanism (or at least looking for Satanism to further political agendas) he wrote an article about the whole corrupt and bullshit system.
And published it in Penthouse, to force those same censors to buy a skin mag. The editor there asked, why Penthouse?
That one is from his autobiography, Becoming Superman. See also:
(As he goes on to say, he’s never worked in animation again–he’s effectively been blacklisted by the cartoon industry.)
Every time something like this comes up, I remember two stories about making media. The first is about movies, and comes from Quentin “Feet Man” Tarantino.
When he was making Pulp Fiction, he was worried that the MPAA would object to the high level of violence in the film, so he shot a bunch of extra-gory stuff that he didn’t actually want in the film, and added it in before submitting it to the MPAA. Predictibly, they asked him to cut most of it (without even commenting on some of the things that had him worried, like the bits of Marvin’s skull that lodge in Samuel L. Jackson’s hairpiece). The resultant cuts were actually more permissive than he’d expected, so he cut a little more and submitted it, and it got passed with an R.
The second story is about that artist on Morrowind whose name escapes me (I’m not a big ES fan tbh) who figured out that if he made two creature designs, one weird and what he wanted, and one even weirder, he could get Todd Howard to agree to just about anything by showing him the whopper first, then going back and “working” for another few hours on a second, “toned-down” version, and it worked every time.
The reason I bring these up is that the thing that drives censors isn’t some extant physical rubrick of what is and isn’t acceptable, it’s the idea that they can have absolute power over someone else’s creative work. It’s about the social dominance of the interaction.
There is nothing so innocent, so clean, that a censor will not find some fault with it. Because they must find something wrong with it to justify their existence, and because it makes them feel powerful.
This is true of all censorship.
you can post on tumblr even when you're trying to take a break from social media it literally doesn't count. it's like pepsi max, or pescatarianism
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slowly creating a moodboard for knowing and perceiving gay characters
Okay that’s real… and so the web weaving continues
funniest shit I’ve seen all day
well the thing is that's an extremely reasonable concern
i didn’t know perez hilton was a stage name that he purposefully modelled after paris hilton’s real name i thought she just organically had an evil gay wario or something
The woman in her thirties being referenced:
she is just like me fr
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I'd say this is an anomaly but seriously roos are sometimes nosy and just need to be in your business, OR they will fight you if you look at them funny. I love them, they're great, but they make little sense.
The fucking horror I felt in my soul of the 3 seconds it took to try to and work out what the fuck this animal was
i feel like we don't appreciate these days how much the twin towers sucked, like, design-wise
they were contemporarily hated for just being these giant grey monoliths
like there probably could've been an easier way to get rid of them, but they probably needed to go either way
crying at this. the curb is brutalist. the sidewalk is brutalist. house made of concrete bricks is brutalist. lmao??
you know. i must say that this is true for me as well
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I see how it is. Rihanna can wear a shiny, completely transparent dress in public and everyone loves it, but when I did it, I was “wasting saran wrap” and “ruining Easter, Daniel.”
This post is transmisogynistic. Literally you could have just left out the name and it would have been a harmless joke but, alas, man in a dress punchline, hilarious
ten years on I’m finally comfortable publicly making fun of this person who called me transmisogynistic for using my own name to refer to myself in a joke post, because they thought the joke was that I was a man wearing women’s clothing, and not that I showed up to a religious holiday with my dick fully visible. Happy easter, everyone!
Clip of Lucy Dacus on the Las Culturistas podcast.
