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Moriarty manages to swap bodies with Sherlock. Now Sherlock has to figure out not only how to get his body back, but also not get shot, blown up, or punched out by John in the process.
This is the first of eight chapters, to be posted weekly!
Tags below the cut - let me know if you want to be added, or taken off.
Anyone have any good fic recs for a BBC Sherlock au where instead of Sherlock being dead for two years and not telling anyone, he takes John with him? Preferably where they fall in love.
Sherlock huffed a silent laugh at the trite fortune cookie paper he held in his hands.
Behind him, he heard a fellow patron snicker as well and he quickly turned around to see what he could deduce.
Read it here on AO3
The year is halfway over and I've managed to make my very first contribution to the 'Fortune Cookie Fic Collection' on ao3! Ahhhhgh!!
Feel free to jump in with your own one-shots, ficlets, or full-fledged stories anytime this year! Mostly just challenging myself to try something outside the box and to just WRITE! haha 🫶💕🥠but I'd love to have friends join me! (Plus who doesn't love a little luck?)
So I had a thought, and this might be the cold medicine, but I wonder whether my addled brain is on to something.
So. This is a bit about Good Omens, but actually about a lot of queer stories with cynical or outright unhappy endings.
I think people like NG(fuck him sideways with a stick) see happy endings as overdone, cliche, old fashioned, predictable. If you want to be subversive, edgy and cool, you need to have a tragic ending, or an ambivalent one, or a cynical one.
But the thing is, if you're writing a queer story, you're writing for an audience that rarely gets a happy ending. The queers rarely get to live happily ever after in a joyful world. That's why we so deeply appreciate stories that celebrate queer joy. Because it's so rare.
So these (mostly) heterosexual (mostly) men write queer stories for queer audiences and don't realise that for us, we expect the tragedy, the ambivalence, the cynicism. For us, if you want to be subversive, write that happy ending, that hopeful ending, that affirmative ending. We won't expect it. I promise. You can be an edgelord by subverting the queers have to suffer trope. We will all be impressed by your audacity. I promise.
Nothing is more edgy and subversive than queer joy. Try it out sometime.
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It would have been so easy to get a proper "sacrifice-themed" finale. Instead of asking for a new universe, they ask for the old one back, but with a little tweak: no more heaven, hell, god, ineffable plan. A proper secular universe, with billions of years left to go. And retroactively-real dinosaurs fossils. Since the 6000 years Great Plan went down the drain, a second chance for humanity is only due.
God is intrigued, and asks if they know what it'd mean: they could no longer exist in this universe. They know. And they make the sacrifice.
Fade to black.
The world is back. Nothing has really changed, except that free will is now completely free, and humanity is free from the system.
And by some slip of the hand, or of the pen, the universe was tweaked a little more than was strictly necessary. Now, a very human Aziraphale and a very human Crowley are still alive, at the perfect age for a human retirement arc. They couldn't exist as an angel and a demon, but no one said anything about their human corporations, the home they've been inhabiting for millennia.
This would have been a humanist ending. This could easily have been a little trick that a certain author would have loved to insert into one of his books, as an ode to his characters and his love for humanity.
Absolutely this. This sounds like an ending Terry Pratchett would have at least approved of, if not necessarily written.
I think Terry would have given the angels and demons their own world. They don't deserve to be destroyed either, they deserve to be free. And he would have given Aziraphale and Crowley a choice. Go with the angels and demons. Or stay on Earth as humans, mortal, but together, and free.
What we got is the most anti Pratchett ending I can imagine. Every Pratchett novel I've ever read is so hopeful about people's ability to change for the better. To do the right thing, even though it's never easy or clean or simple. Terry's respect and reverence towards every single human life is all over the Discworld novels. He would never.
characters who crave affection but at the same time have no idea how to respond to actually receiving it due to the fact theyve rarely ever experienced it are my absolute favourite
“Hi, I'm Becci and I've been making up stories since I could hold a pen. The first dated record I have of a fanfiction goes back to 2005, which is usually the point I count as my beginning. That means I was the tender age of nine when I started my temporarily toxic, on-off relationship with fanfic - marked by embarrassing first steps, year-long hiatuses and hyper-productive phases.
2019 - the year I was introduced to the Marvel universe - marks the point where I started considering myself an author, rather than just a writer. That's when I began producing stories that were actually readable (and fairly enjoyable, too, if I dare say so).
To me, the best part of the Good Omens fandom (apart from the people, of course) is the plethora of versions of our favourite hereditary enemies. My highest achievement as an author is when someone revisits the source material and can never get through a scene again without thinking about one of my stories. Good Omens, by definition, offers an incredibly wide range for canon-adjacent storytelling. Since they've lived through literally all of human history, there are endless gaps to fill. (Yes, those gaps, too. Especially those gaps. I see you, horny fandom.) Plus, I'm a sucker for the enemies-to-lovers trope and who embodies that better than an angel and a demon falling in love?
Also this is the spiciest fandom I've been in so far and I'm having a fucking blast providing y'all with smut 😁 ”
Oooh we love every morsel of it too, Becci😏😁
If you are a first-time reader of Becci's work, or are looking for some recommended reads, here’s some suggestions from the author:
Not A One-Night Stand: Remember what I said about intertwining canon with fanon? This is exactly that. It's an ongoing series about them fucking while pining for 6000 years. We start with Job's cellar and go all the way until season 3. Six parts are currently up, lots more to come. All canon-compliant, highly explicit, and I promise you, you'll never watch the show the same way again 🙂
The Very First Page: A Crowley-centric one-shot set before Creation. It's almost Crowley-exclusive which probably explains why it never got as much traction. But if you're into evocative prose, angel!Crowley and star-maker imagery, I consider this one of my strongest pieces.
You can find these and all of Becci’s other works on AO3
Submit any questions you have for our Spotlight Author by Sunday, June 14. We will then share all of the exciting answers on Sunday, June 21.
Please fill in your questions for the author here:
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It is extremely disturbing. He can’t recall the last time he lost himself in here. In his own Mind Palace, no less. How did this happen? And where is the exit sign? The one reading: 221B Baker Street.
He finds many signs on his walk through the corridors but they’re all wrong. They are pointing at the rooms, the nooks, the cabinets, the books, the floorboards; in short, everything. But not the exit to his physical home.
Sherlock is rarely frightened. Not anymore. Not since John moved into his flat. The feeling of fear courses through his body now, though. His claustrophobia – the mania he hasn’t felt in years – has made a dramatic appearance, making his skin crawl uncomfortably.
“I need to find the exit,” he mutters to himself over and over, like a mantra.
Sherlock almost weeps with relief when Mind Palace John magically appears in the hallway outside the library.
“John,” he whispers reverently.
“Fancy meeting you here,” John quips, mirth visible in all his features.
Sherlock wants to kiss him but that’s not allowed. John is his friend, nothing else. He is as heterosexual as Sherlock is homosexual. Not a great match, that.
When Sherlock decides to ask John for the way out, John has vanished. The space he recently occupied still radiates a warm glow.
***
Sherlock wonders how long he’s been trapped. He can’t even recall why he entered in the first place. Was it to search for something, or was it to escape his own living room? He never leaves - at least unnecessarily - to his Mind Palace if John is present, but perhaps he went out on a date again. If Sherlock isn't playing the violin or performing an experiment to stave off the tedium of John's absence, he tends to walk through this place for a while. The fact that he can’t remember the reason for coming here, is unsettling.
Mycroft has of course taught him everything about the comings and goings, but Sherlock can’t remember if he ever mentioned how to escape his own head if he got stuck. Most likely, it didn’t occur to his brother that it was an option. Mycroft has always had better control of his emotions than Sherlock. He will obviously deny this to his dying day, but inside his mind he can afford to be gracious.
“Are you still here? I’m waiting for you, you know. There’s tea and biscuits.”
John has returned, but he disappears faster than Sherlock can respond.
***
At the end of the corridor is a green sign, which Sherlock supposes is the one he’s been searching for, but when he walks toward it, the sign transforms into a painting.
The Reichenbach Falls.
It had been a gift from… a client? Or was it some politician? An insignificant detail at this point, obviously.
The painting gives him the shills; an expression John would use. It is ominous and if he concentrates, he can hear the sound of the grand waterfall.
“John? Where are you?”
Why hasn’t he thought of calling out for the man earlier?
Sherlock contemplates that he might be drugged. Perhaps he isn’t –
“You called,” John says calmly, suddenly standing beside him.
“I did. Thank you for coming. I… I can’t…”
Sherlock is slightly embarrassed to admit that he’s adrift in his own head.
“Lost, are you?”
“Yes,” Sherlock whispers.
To his horror, he feels a burning sensation in his eyes.
A warm hand slides into his, and the words “come on” are uttered.
Is John holding his hand?
Sherlock looks down and sees that they are indeed holding hands. However, this is Mind Palace John, a fictional version of his friend, not the real one.
“Here we are,” John says softly.
They stand before a door which opens a crack. Scents of tea, gingernuts, leather, books, and dust invade Sherlock’s nostrils. There’s also the unmistakable and unique smell that belongs to the man who’s sitting in his chair sipping tea from his RAMC mug – John. The real John. His John.
***
“You’re back,” John says with evident relief and warmth.
Sherlock blinks and nods; his voice seems to be out of order at the moment.
“Come sit. There’s tea and your favourite biscuits,” John coaxes.
Sherlock stands from the sofa and walks over to his chair.
“Did you finish cataloguing?” John asks.
The look on his face is different somehow. More open, fond, and… something else Sherlock is unable to deduce.
Tea first, then –
“You don’t remember, do you?”
John’s voice is sad all of a sudden.
“What?”
“Why you retreated to your Mind Palace,” John explains.
His voice is still –
“Oh!”
Images of John cupping his face, kissing him softly on the lips, telling Sherlock that he… loves him.
“Oh,” he repeats.
“Right,” John sighs, “that didn’t go according to plan, I see.”
“John.”
His words elude him, and John seems unable to decipher what Sherlock is trying to convey.
Action, Holmes.
He steps closer to John’s chair, pries the mug out of his hands, and curls up in John’s lap, mirroring the army doctor’s ministrations from earlier.
“I love you too,” Sherlock whispers after glorious minutes of kissing.
“Thank God! I thought I’d scared you away,” John exclaims, so relieved it nearly breaks Sherlock’s heart.
“Never!” Sherlock says emphatically.
“What took you so long, then?”
“I couldn’t find the correct sign, but then I called out for you. The other you, and he led me back.”
“Clever guy that one.”
“Most definitely no idiot.”
“High praise, love.”
Sherlock hides his blushing face in the crook of John’s neck and wonders if he will ever get used to being called ‘love’.
He doesn’t say it out loud, but apparently John knows him too well.
“I will repeat it until you believe it, but I will never stop,” John assures him, and that is the best answer Sherlock has ever got in his life.
Inspired by the fabulous @dragonnan's Blood and Romance (included by permission)
*
Too old for this: my first half-thought as I flail and thrash my way back to consciousness. I’m underwater, aching to breathe, but I’ll die if I do; but it isn’t cold enough, I’m not wet, where the hell I hurt all over and something’s wrong, it’s dark where is Sherlock
If I’m not under water, I can breathe; I open my lips a hair and no water floods in, so I take a careful breath and it’s air. Not sweet, God no, tastes like mould and sewage, but definitely air, and shakily I suck it in.
I blink and try to focus but can’t see anything. Where the hell am I, and where is Sherlock? There—a second complete thought, even if it’s just the ragged scraps from before stringing together into sense, that’s got to be a good sign.
Okay. Okay. Stop, where am I. Listen.
In a silence so loud, a darkness so complete, I can hear my racing heartbeat even over my ragged panting—but nothing else, not close by. I can’t breathe through my nose at all. I try to shift to generate some sound, get some idea at least of what kind of surface I’m near or on. Take stock: everything hurts but I can’t tell from what, I can’t gather any sensory data to extrapolate anything from. (Sherlock would say, deduce. I’m not Sherlock. He’d know what to do to get some clarity here; I’m just starting to panic.)
finish reading on AO3
*
A Thousand Words: A picture's proverbially worth a thousand words and often inspires them, though the words may be many more or many fewer, as the Muse decides. Each chapter is a one-shot, inspired (so far) by @kettykika78, @justanobsessedpan, @stephdrawsjohnlock, @bluebellofbakerstreet, @petite-madame, and now dragonnan: more to come.
Thank you to all the artists who do fanworks: you are a constant inspiration. And to the betas (@copperplatebeech for this ficlet) you are a godsend. And to the readers: we wouldn't be posting our stories without you.
Thanks for reblogging! Let me know whether to tag or untag you.
Seeing as we still have one room available, the registration deadline for the European Fic Writers' Retreat, which takes place in Germany 13-16 August, will be extended until 15 June.
Click here for all further info and registration link.
There's another bedroom upstairs!
Please send a chat message if you have any questions!
Tagging some people below the cut, please help signal boost!
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Seeing as we still have one room available, the registration deadline for the European Fic Writers' Retreat, which takes place in Germany 13-16 August, will be extended until 15 June.
Click here for all further info and registration link.
There's another bedroom upstairs!
Please send a chat message if you have any questions!
Tagging some people below the cut, please help signal boost!
snowghoul
dededos
areudirty
pixelskylines
