In 2019 I wrote a short fic called The Story of Us, inspired by a line from the movie Arrival. It was an intriguing idea and good enough story, but it felt incomplete, as if I'd skipped over a lot of the best parts. I had ideas about it.
A few months later, I started writing a story called Palimpsest, but backed away from it when other things took my attention.
At some point, I realised that these two ideas were made for each other. The John from The Story of Us with the Sherlock of Palimpsest might create an interesting dynamic.
In May of 2020 I wrote Sherlock investigating the murder of Vincent Karpaty. He didn't know John yet, but John had already -- well, you'll see.
The Sibylline Book includes some of my favourite things: ancient books, manuscripts written in unknown languages, conlang nerds, cold cases, murders, Chicago, classical scholars feuding over trivial things, first meetings, a John Watson obsessively trying to read a story written eight hundred years ago, and our favourite consulting detective falling in love. Did I say murders?
And Johnlock, for sure đ
I'm aiming for early 2026, but will give you a bit now:
âWhere is his laptop?â
âDidnât see one.â
âReally, Lestrade.â Iâm holding up a power cord, still attached to the wall under the desk. âObviously itâs been taken.â
âOkay, someone broke in and stole his laptop. Killed him when he caught them at it.â
âA rather stupid thief, then, since he left the mobile.â Plucking the cell phone off the floor, I flip it open. âEnabled for email. Maybe itâs here.â
âWhatâs here?â
âThe last message he sent, warning his colleague.â
âColleague?â
âPartner, whatever. Heâs an archaeologist, an unlikely victim of murder, unless he was involved in something more than ancient history. For that, he would need a partner, a collaborator, a confederate. Here it is.â I pause, frowning at the phone.Â
âWhat, like smuggling artefacts? Running drugs?â
Ignoring Lestrade, I continue looking at the email.
Don't go home tonight.
It appears that our victim wasnât warning his colleague; instead, he has received a warning himself. Not the only interesting feature of the case, but certainly worth looking into.Â
âSo, they werenât supposed to kill him? What were they after? And why not take the phone?â
âI donât know yet. Probably thought the laptop had what they wanted. When Iâve studied the message, I might have a better idea.â
âHis last email?â
I raise my hand for a cab. âTrace the sender for me. The nameâs JH Watson.â
Lestrade grimaces. âCommon name. Iâll see what I can do.â
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I've witnessed Sherlock do this on a number of occasions, and the fact is, I'm no stranger to the concept myself.Â
When Iâm writing a blog post, when Iâm in the kitchen making dinner, when Iâm daydreaming about my mad flatmate in the shower, are some examples of me being stuck inside my head. Of course, I donât have a Mind Palace like he has. I donât walk down imagined corridors, into libraries, labs, cellars, and what have you like he does when he leaves for his spacious second home.
Unlike him, Iâm easily roused out of my torpor. Just a touch to my shoulder, my name softly spoken, or the scent of tea, is enough to pull me back to the present.
Iâm not in the habit of losing myself in thoughts for longer periods like Sherlock does. Mostly, only a few minutes have passed before Iâm back to full consciousness. Therefore, itâs utterly fascinating to me that my best friend can stay in his Mind Palace for endless hours.
âHave you ever got lost? Been unable to return?â
Itâs a ridiculous question, of course, but Iâve always wondered. His answer both worries and astounds me.
âI have. Only once. It was unnerving.â
âOh, wow. But⌠um⌠how â â
âMycroft.â
Of course, his brother and mentor â the man who has taught him this memory technique in the first place â would come to his aid when he realised that Sherlock had lost himself in his head.
âHow? When?â
âI donât recall how. It was years before we met. I was⌠high.â
Despite that Iâd suspected this, it hurts to hear him admit it. The stinging sensation in my heart - as if Iâve been stabbed with a stiletto - is as real as the toast on my plate.
âIâm glad he was there,â I say quietly.
âIndeed,â he agrees.
***
For each passing week, it happens more frequently. And it doesnât only apply to when Iâm in the flat. Even at grim crime scenes I lose myself in thoughts of Sherlock.Â
His agility â jumping over fences like an athlete. His large hands â gesturing elegantly. His voice â deep and resonant, speaking to my very core. His lips â lush and breath-taking. His hair â tousled or perfectly coiffed. His coat, his tight trousers, and shirts â making my knees weak.
âOut with it!â
Iâm so startled, I nearly topple over. A large hand grabs my elbow gently, and Sherlockâs baritone scolds someone called George for being rude.
âCome on, John. We have a killer to catch!â
And without further ado, Iâm running after my mad and gorgeous detective, while my phone buzzes in my jacket pocket.
Later - the killer is behind bars, and Sherlock delights in my adoring praise of his flawless deductions â I get a chance to check my mobile.
Are you ok? You lost yourself in your head again today. Like Sherlock does. Whatâs going on, John? Out with it!
âWhat does Gavin want?â Sherlock drawls from his chair.
âNothing,â I say.
My blush is competing with the flames in the hearth, and Iâm one hundred percent sure Sherlock knows Iâm lying. He always does.
***
One of the many perks of Sherlock retreating to his Mind Palace, is that I get to observe him undisturbed. I only let my gaze linger when his eyes are shut. Granted, Iâve tried to wave my hand in front of his face when they are open; he doesnât even blink, so I know itâs safe. Nevertheless, I donât want to push my luck.Â
What will he think if he saw me drinking him in like a man finally reaching an oasis in a dry desert? It doesnât bear thinking about.
At the moment, Sherlockâs eyes are closed, so itâs safe to ogle his lithe frame, his steepled hands, his slightly parted lips. I let my eyes wander and linger wherever they desire. My tongue darts out to lick my chapped lips, and to my horror I realise that Iâm drooling slightly. Christ.
When I have swiped the moist away, Sherlockâs eyes are open, meeting mine with an unexpected fondness. I find myself unable to look away. Maybe itâs time to stop this pretence and just dive into the unknown.
âSo, this is what Gerald meant,â he murmurs.
âWhat?â
âHis remark, and I quote: âOut with it.ââ
Shit. He heard that. Obviously. His hearing is â
âJohn, donât. Please.â
Please, what? I canât comprehend what the familiar voice asks.
When something warm registers on my face, I open my eyes to find Sherlock kneeling in front of my chair, his delicate hands cupping my face.
âYou need to stop doing that,â he whispers, âit feels like youâre leaving me.â
âI would never do that to you, Sherlock,â I say softly, and lift my own hands to caress his precious head.
âGood.â
We are both properly present when our lips meet for the first time. After all, this isnât something any of us would want to miss.
the oldest reblogs for this post that i can find are from january 2nd of 2013. this can has been getting kicked around tumblr for almost 13½ years now
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âHe gave no explanations and I asked for none. By long experience I had learned the wisdom of obedience. But when I had left his room I walked down Baker Street, revolving in my head how on earth I was to carry out so strange an order.â
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My back is up against the wall like never before. I just had to spend two full days and nights living in my car. While I was able to spend daytime hours at various locations like McDonald's and Dunkin (the Library being closed, so it wasn't an option), the nights were pure hell. No sleep from being crammed into the driver seat because my car holds all my worldly possessions.
I ended up so badly dehydrated that I've finally only been able to urinate in the last 15 hours; fear of not having overnight access to a restroom kept me from drinking enough fluids to function properly. My AFIB was triggered, making my heart race badly and pushing me to the edge of passing out from light-headedness. That happened when I was turning in redeemable bottles for the deposit money to buy food; I literally laid down on a bench waiting for it to pass, when the grocery store manager got an ambulance and I spent eight hours in the ER. When all my vitals returned to normal (and having gone that whole time without fluids of any kind until I asked for water at hour six), they released me to go "home" to my car. Two hoours later, my heart was back to racing again. After a single night in a room (last night), I'm just starting to recover, though my legs still ache very badly. I have no place to turn to as my short-term disability payments still haven't been approved. In two days, with temperatures in the 90's F, I'll be back in my car.
It's like a slow death, and if I could be unconscious throughout it, I'd choose that, but my body won't allow me to sleep. At this point, I'm begging for a single night at a motel at a time. $70 gets me that, even though the weekly rate is cheaper ($56/night). For the first time in this journey, I am out of both strength and hope. I never conceived of sinking this low. I have less than 48 hours to raise funds for the next night. I don't want to live through this again.
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Gotta tell you guys something wild in the Chinese fan sphere
So some fanartist drew a âsexyâ (read: booby) version of a (cartoon) character who is traditionally very non-sexualised. Fans of the character got mad about it because itâs kind of groundbreaking how that character is written and portrayed and this art totally ignores the entire point of the character. They demanded the art be deleted. In response to that other people said, well what the fanartist did may be distateful but they have every right to draw what theyâre into. The two sides fight for days and each starts a harassment campaign and even report their âopponentsââ accounts.
So far so typical. But things eventually come to a head and they decide that this will be settled by votes - not through a poll. Through donations to a childrenâs education charity via each sideâs portal. Whoever can get the highest amount of donation wins.
And that is how this charity received over 1 million in donations in three days lol. Oh btw the âfreedom of expressionâ side won by a landslide (960k to 40k)
In 2019 I wrote a short fic called The Story of Us, inspired by a line from the movie Arrival. It was an intriguing idea and good enough story, but it felt incomplete, as if I'd skipped over a lot of the best parts. I had ideas about it.
A few months later, I started writing a story called Palimpsest, but backed away from it when other things took my attention.
At some point, I realised that these two ideas were made for each other. The John from The Story of Us with the Sherlock of Palimpsest might create an interesting dynamic.
In May of 2020 I wrote Sherlock investigating the murder of Vincent Karpaty. He didn't know John yet, but John had already -- well, you'll see.
The Sibylline Book includes some of my favourite things: ancient books, manuscripts written in unknown languages, conlang nerds, cold cases, murders, Chicago, classical scholars feuding over trivial things, first meetings, a John Watson obsessively trying to read a story written eight hundred years ago, and our favourite consulting detective falling in love. Did I say murders?
And Johnlock, for sure đ
I'm aiming for early 2026, but will give you a bit now:
âWhere is his laptop?â
âDidnât see one.â
âReally, Lestrade.â Iâm holding up a power cord, still attached to the wall under the desk. âObviously itâs been taken.â
âOkay, someone broke in and stole his laptop. Killed him when he caught them at it.â
âA rather stupid thief, then, since he left the mobile.â Plucking the cell phone off the floor, I flip it open. âEnabled for email. Maybe itâs here.â
âWhatâs here?â
âThe last message he sent, warning his colleague.â
âColleague?â
âPartner, whatever. Heâs an archaeologist, an unlikely victim of murder, unless he was involved in something more than ancient history. For that, he would need a partner, a collaborator, a confederate. Here it is.â I pause, frowning at the phone.Â
âWhat, like smuggling artefacts? Running drugs?â
Ignoring Lestrade, I continue looking at the email.
Don't go home tonight.
It appears that our victim wasnât warning his colleague; instead, he has received a warning himself. Not the only interesting feature of the case, but certainly worth looking into.Â
âSo, they werenât supposed to kill him? What were they after? And why not take the phone?â
âI donât know yet. Probably thought the laptop had what they wanted. When Iâve studied the message, I might have a better idea.â
âHis last email?â
I raise my hand for a cab. âTrace the sender for me. The nameâs JH Watson.â
Lestrade grimaces. âCommon name. Iâll see what I can do.â
âIâd like to make a confession,â the old man said. âNot because Iâm religious, but because in everyone there is something that wants unburdening. There are things I have kept to myself which I would like you to know. As you are one of the youngest men Scotland Yard has promoted to Inspector, I think you might benefit from my experience. And I would ask you not to reveal what I say to anyone else.â
âOf course,â said his companion. âYou can trust me.â
âThank you,â he said, and began his tale. âWhen I was a young man, I went into the priesthood, not because I wanted to give my life to God. In fact, I was quite certain that God did not exist. For me, however, there seemed to be no place in lifeâ no calling which let me exercise my deductive talents. From a manâs fingers and boots and the knees of his trousers I could tell his profession and see how life had disappointed him. From a womanâs shoes and shirtsleeves and jewellery I could tell what she did to earn money and whether or not she loved someone. If anyone had asked me how I knew this, I could have explained the observations that led me there. Most people, however, regarded my deductions as impertinent and a bit mad. So I became a priest and looked into menâs souls, uncertain whether I had a soul or not.Â
âOne night a man came to me for confession, and his voice told me that he was a murderer. It had been a long time since he had killed, but now he was dying and wished to confess what he had done.Â
âHe had committed the perfect murder, he said, and knew it was perfect because heâd never been caught. His cancer was a slow form that would give him another few years. He did not reveal any details of his crime, but said that no one had even realised that the death was a murder. He chose a person he had never met, and had no reason for killing them other than to see if anyone would notice. The victim was too young to have died of natural causes. Nevertheless, a natural cause was assumed. The family accepted this unsatisfactory reasoning and let it go. Â
âThat is what the dying man confessed to me. He gave me no name, no date, no explanation of his method. Though I had many questions, I mumbled the words of absolution, and he left.
âThis event changed my life. I began to look at unsolved murders, mysterious deaths of past years. I devoted my life to solving as many as I could, and was remarkably successfulâ so successful that I left the priesthood and became a detective. At first I worked with Scotland Yard, solving cold cases. Eventually, word of my successes spread, and I took on clients as a private detective. Solving crimes, finding murderers, restoring justice for victimsâ to these I have devoted my life.â
âIt has been a remarkable life,â said his companion. âYou truly found your calling, I believe. Did you ever solve the case that started you off, the perfect murder, as you called it?â
âI donât know,â he replied. âI solved many murders in my career, unlocked many mysteries that no one else noticed. Perhaps I did solve it. There really is no way to know, is there?
âBut here is what I wish to confess to you, my boy. I became obsessed, wondering whether there truly could be an unsolvable crime. It must obviously be a murder, but without any suspects, no weapon, and no opportunity for it to have happened. For many years I planned it, and at last I believed Iâd invented the perfect crime. And so it was.â
âYouâ murdered a man? Just to see if you would be caught?â
âI was unsatisfied, not knowing whether the man who confessed to me was telling the truth. Since I did not know if Iâd solved the murder he committed, I had to try it myself. As far as I can tell, I have succeeded.â
âWhy are you telling me this?â asked the younger man, distraught. âI am no priest!â
âI am telling you because you have a mind that seeks answers. Just as I did, you will try to find this murder and solve it. The idea of it will haunt you, as it haunted me. Is there a perfect murder? Is there a way to snatch a soul while life goes on around the deed, oblivious? My own death, which will happen eventually, will be so much more gratifying, knowing that another carries on after I am gone. This is my legacy to you.â
âBut, Mr Holmesâ surely, you canât mean that youâve killed a man for nothing! Youâve spent your life working for justiceââ The young man struggled for words, then fell silent under the keen gaze of the old man.
âSo kind of you to visit me in my retirement,â the detective said. âThank you, Mr Hopkins. I wish you a long, successful career.â
Once the inspector was gone, Holmes chuckled. âYou have a great gift of silence, Watson. I had expected to you give the game away before I had my tale told.â
Watson puffed on his pipe for a moment. âMy dear man, even after knowing you for so many years, your ability to tell a boldfaced lie still astonishes me. Why did you tell young Hopkins all that balderdash?â
âHeâs a good policeman, and has potential to be the best, but heâs not very skeptical. If he now looks at every case as the perfect murder, he will be more attentive and less inclined to accept easy answers.â
âArenât you worried that he may decide to try his own hand at murder?â
âThat boy? Not at all! Lestrade says he almost became a priest.â
Watson laughed. âAnd so did you, according to the tale you just told.â
âOh, that part was true,â Holmes returned. âI went to seminary before I studied chemistry at Cambridge.â
Watson sat up, leaned forward. âHolmes, please donât tell me you murdered someone just to see if you couldââ
âMy dear Watson, you know meâ do you really believe me a murderer?â
âOf course not. Though if you had turned your talents in that direction, I believe you could have gotten away with it. Thank heavens you did not! But tell me, did you ever find out the identity of the man who confessed that night?â
âHere is the truth, Watson: it was not to me that he confessed. I was a student, remember, not an ordained priest. The priest who heard the confession was so unnerved that he told me, in confidence. He also told me the name of the man. I had already decided to leave the priesthood at that point, and knowing my talent for deduction, he said that I must look into the manâs history.â
âAnd you did, I presume.â
âIndeed. He survived cancer and went on to have a long and deadly criminal career.â
âYou eventually caught him, I presume.â
Holmes lit his pipe again and puffed until a cloud of blue-grey smoke surrounded his head. âWe caught one another, Watson, at Reichenbach.â
He waited, watching his friendâs face to see this fact settle.Â
Watson nodded. âAh, yes. Moriarty.âÂ
âBut you already knew that part,â Holmes added. âAnd now you know the rest of the story.â
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Once when I was in undergrad, someone described something as âproblematicâ in class and our professor was like, âThatâs cool, but âproblematicâ doesnât really mean anything. It means that the thing youâre describing has a problem, and in and of itself thatâs not bad. Art, especially, should always have problems, or else itâs not interesting and not art, either. It sounds like youâre trying to say that this is bad, but you donât want to say âbad.â Is that right?â
So from then on whenever one of us called something problematic, he would make us talk it out until we could name the âbadâ thing we were hinting at. In this particular class, 7/10 it was some type of oppression, and the remainder was like, âIâm uncomfortable because this is very new/confusing/pushing boundaries that made me feel safe.â
Once we stopped calling things âproblematicâ and stopping at that, class got way more interesting and... we all had to say, like, âthatâs racistâ or âthatâs misogynisticâ or âew capitalism grossâ out loud, which a lot of us had never done in a classroom before. Or we had to be like, âUhhh... Iâm not sure whatâs so bad?â and confront our own beliefs and that was maybe even more useful.
Anyway. Whenever I see the word problematic, I canât help but think of this professor being like, âGood starting point, now letâs get specific.â I think when we have to commit to saying âthatâs ___â it requires a lot more careful thought about the truth and impact and complexities of whatever weâre claiming. Sometimes there really is some bullshit afoot, and also sometimes itâs art, and it should be full of problems, because thatâs what art is.
It is extremely disturbing. He canât recall the last time he lost himself in here. In his own Mind Palace, no less. How did this happen? And where is the exit sign? The one reading: 221B Baker Street.
He finds many signs on his walk through the corridors but theyâre all wrong. They are pointing at the rooms, the nooks, the cabinets, the books, the floorboards; in short, everything. But not the exit to his physical home.
Sherlock is rarely frightened. Not anymore. Not since John moved into his flat. The feeling of fear courses through his body now, though. His claustrophobia â the mania he hasnât felt in years â has made a dramatic appearance, making his skin crawl uncomfortably.
âI need to find the exit,â he mutters to himself over and over, like a mantra.
Sherlock almost weeps with relief when Mind Palace John magically appears in the hallway outside the library.
âJohn,â he whispers reverently.
âFancy meeting you here,â John quips, mirth visible in all his features.
Sherlock wants to kiss him but thatâs not allowed. John is his friend, nothing else. He is as heterosexual as Sherlock is homosexual. Not a great match, that.
When Sherlock decides to ask John for the way out, John has vanished. The space he recently occupied still radiates a warm glow.
***
Sherlock wonders how long heâs been trapped. He canât even recall why he entered in the first place. Was it to search for something, or was it to escape his own living room? He never leaves - at least unnecessarily - to his Mind Palace if John is present, but perhaps he went out on a date again. If Sherlock isn't playing the violin or performing an experiment to stave off the tedium of John's absence, he tends to walk through this place for a while. The fact that he canât remember the reason for coming here, is unsettling.
Mycroft has of course taught him everything about the comings and goings, but Sherlock canât remember if he ever mentioned how to escape his own head if he got stuck. Most likely, it didnât occur to his brother that it was an option. Mycroft has always had better control of his emotions than Sherlock. He will obviously deny this to his dying day, but inside his mind he can afford to be gracious.
âAre you still here? Iâm waiting for you, you know. Thereâs tea and biscuits.â
John has returned, but he disappears faster than Sherlock can respond.
***
At the end of the corridor is a green sign, which Sherlock supposes is the one heâs been searching for, but when he walks toward it, the sign transforms into a painting.Â
The Reichenbach Falls.
It had been a gift from⌠a client? Or was it some politician? An insignificant detail at this point, obviously.Â
The painting gives him the shills; an expression John would use. It is ominous and if he concentrates, he can hear the sound of the grand waterfall.
âJohn? Where are you?â
Why hasnât he thought of calling out for the man earlier?
Sherlock contemplates that he might be drugged. Perhaps he isnât â
âYou called,â John says calmly, suddenly standing beside him.
âI did. Thank you for coming. I⌠I canâtâŚâ
Sherlock is slightly embarrassed to admit that heâs adrift in his own head.Â
âLost, are you?â
âYes,â Sherlock whispers.
To his horror, he feels a burning sensation in his eyes.
A warm hand slides into his, and the words âcome onâ are uttered.Â
Is John holding his hand?Â
Sherlock looks down and sees that they are indeed holding hands. However, this is Mind Palace John, a fictional version of his friend, not the real one.
âHere we are,â John says softly.
They stand before a door which opens a crack. Scents of tea, gingernuts, leather, books, and dust invade Sherlockâs nostrils. Thereâs also the unmistakable and unique smell that belongs to the man whoâs sitting in his chair sipping tea from his RAMC mug â John. The real John. His John.
***
âYouâre back,â John says with evident relief and warmth.
Sherlock blinks and nods; his voice seems to be out of order at the moment.
âCome sit. Thereâs tea and your favourite biscuits,â John coaxes.
Sherlock stands from the sofa and walks over to his chair.
âDid you finish cataloguing?â John asks.
The look on his face is different somehow. More open, fond, and⌠something else Sherlock is unable to deduce.
Tea first, then âÂ
âYou donât remember, do you?â
Johnâs voice is sad all of a sudden.
âWhat?â
âWhy you retreated to your Mind Palace,â John explains.
His voice is still âÂ
âOh!â
Images of John cupping his face, kissing him softly on the lips, telling Sherlock that he⌠loves him.
âOh,â he repeats.
âRight,â John sighs, âthat didnât go according to plan, I see.â
âJohn.â
His words elude him, and John seems unable to decipher what Sherlock is trying to convey.Â
Action, Holmes.
He steps closer to Johnâs chair, pries the mug out of his hands, and curls up in Johnâs lap, mirroring the army doctorâs ministrations from earlier.
âI love you too,â Sherlock whispers after glorious minutes of kissing.
âThank God! I thought Iâd scared you away,â John exclaims, so relieved it nearly breaks Sherlockâs heart.
âNever!â Sherlock says emphatically.
âWhat took you so long, then?â
âI couldnât find the correct sign, but then I called out for you. The other you, and he led me back.â
âClever guy that one.â
âMost definitely no idiot.â
âHigh praise, love.â
Sherlock hides his blushing face in the crook of Johnâs neck and wonders if he will ever get used to being called âloveâ.Â
He doesnât say it out loud, but apparently John knows him too well.
âI will repeat it until you believe it, but I will never stop,â John assures him, and that is the best answer Sherlock has ever got in his life.
with as much gentle encouragement as possible: fandom is a verb. if you want people to engage with you / your art, engage with theirs too. reblogging fanworks is a large part of that on tumblr. and above all itâs fun
Hi! Itâs been really exciting to see all the takes on proper beta reader etiquette- I feel like beta readers have fallen out of fashion recently and itâs good to know that people are still interested.
I was wondering if itâs possible to be a beta reader without being a published fic author. I love reading fanfic and editing peopleâs writing (mostly grammar, sentence structure, etc.) but I havenât published anything myself. Iâm sure most people looking for a beta reader would prefer to read something that the reader has written to make sure styles and such align, but would any writers be open to a beta reader with no published works?
Of course you can beta read without being a writer yourself! You still have thoughts and opinions that can be shared. And as we've discussed, there are many types of betas:
grammar and spelling checkers
canon compliance checkers
characterization checkers
localization and translation help
consistency and logical flow help
reading for sensitivity to marginalized or underrepresented groups
assisting with AO3 tags and summary
cheer reading (being an enthusiastic reader to motivate the author to keep going)
Betas are often a rare resource in fandom - especially now when they aren't talked about as much. Putting yourself out there as a volunteer would be appreciated. I'm sure of it!
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noliarus: If youâre still taking requests, would it be too much to ask for Sherlock confronting John about how heâs made of kittens? ; u ;
and sherlock never solved another case
he was too busy buying milk and making tiny jumpers for cat watsons
comedymakestheworldturn: please draw Sherlock being followed and fussed over by loads of cats! I donât know why, but I always imagine Sherlock being oddly attractive to catsâŚ
the post where john watson is a collective consciousness of cats = OVER FOREVER
Captain John Watson stumbles into an arrangement with Major James Sholto. In a warzone, it canât mean anything.
There are rules.
John learns them.
He becomes exemplary.