in a way john watson is a fantasy (what if you had this brilliant enigmatic friend and what if he liked you in particular and what if he offered you the excitement of youth and adventures and a way out of boring society life and all without having to actually give up your status as a gentleman so you could have the best of both worlds) and in a way sherlock holmes is a fantasy (what if someone never got tired of you despite your various strange habits and mood swings and instead of simply tolerating you they genuinely liked you and what if you didn’t have to live alone forever and what if you never had to give up doing the things you love) and of course there’s the most fantastical part of it all (what if you could afford london housing prices)
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Love how tumblr has its own folk stories. Yeah the God of Arepo we’ve all heard the story and we all still cry about it. Yeah that one about the woman locked up for centuries finally getting free. That one about the witch who would marry anyone who could get her house key from her cat and it’s revealed she IS the cat after the narrator befriends the cat.
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“I want you to do this with me for one month. One month. Write 10 observations a week and by the end of four weeks, you will have an answer. Because when someone writes about the rustic gutter and the water pouring through it onto the muddy grass, the real pours into the room. And it’s thrilling. We’re all enlivened by it. We don’t have to find more than the rustic gutter and the muddy grass and the pouring cold water.”
— Marie Howe, Boston University’s 2016 Theopoetics Conference (via mothersofmyheart)
I ask my students every week to write 10 observations of the actual world. It’s very hard for them.
Ms. Tippett:
Really?
Ms. Howe:
They really find it hard.
Ms. Tippett:
What do you mean? What is the assignment? 10 observations of their actual world?
Ms. Howe:
Just tell me what you saw this morning like in two lines. I saw a water glass on a brown tablecloth, and the light came through it in three places. No metaphor. And to resist metaphor is very difficult because you have to actually endure the thing itself, which hurts us for some reason.
Ms. Tippett:
It does.
Ms. Howe:
It hurts us.
Ms. Tippett:
You naming something.
Ms. Howe:
We want to say, “It was like this; it was like that.” We want to look away. And to be with a glass of water or to be with anything — and then they say, “Well, there’s nothing important enough.” And that’s whole thing. It’s the point.
Ms. Howe:
It’s the this, right?
Ms. Howe:
Right, the this, whatever. And then they say, “Oh, I saw a lot of people who really want” — and, “No, no, no. No abstractions, no interpretations.” But then this amazing thing happens, Krista. The fourth week or so, they come in and clinkety, clank, clank, clank, onto the table pours all this stuff. And it so thrilling. I mean, it is thrilling. Everybody can feel it. Everyone is just like, “Wow.” The slice of apple, and then that gleam of the knife, and the sound of the trashcan closing, and the maple tree outside, and the blue jay. I mean, it almost comes clanking into the room. And it’s just amazing.
Ms. Tippett:
In some basic level, what they’ve done is just engage with their senses.
Ms. Howe:
Yeah, and have been present out of their minds and just noticing what’s around them, which is — we don’t do. And again, not to compare it to anything. They’re not allowed. And that’s very hard for them. And then on the fifth or sixth week, I say, “OK, use metaphors.” And they don’t want to. They don’t know how. They’re like, “Why would I? Why would I compare that to anything when it’s itself?” Exactly. Good question.
So then you think, why the necessity of a metaphor? Why do you have to use a metaphor now? Not just to do it to avoid it, but to do it to make it more there. And it’s very interesting.
The words and silences we live by. The rituals that sustain us. The poetry of ordinary time.
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In Copenhagen you can visit The Round Tower. It used to be an astronomical observatory until light pollution and the vibrations from increased traffic in the streets made it useless for its original purpose.
Today it’s mostly famous for what it looks like on the inside.
It has an equestrian staircase though it’s so smooth it’s really just a gentle slope more than a staircase. It was build like that so our lazy bum king could ride his horse all the way to the top (king not in photo)
And naturally people have also driven cars up the tower
And held a bike race
For a while it was just sort of abandoned by the authorities and became a sloping marketplace
But today it has been restored and become a tourist spot as well as a popular destination for school trips. And yes, you can still watch the cosmos at the top.
If you aren't following what The Onion is doing to InfoWars, and if you could use a story about good things happening, please please go listen to the episode of Kill the Computer called "InfoPeace ft. Ben Collins." You deserve it ilu
the thing is, im always interested in The Paperwork. whenever The Characters moan and groan about The Paperwork and whenever it's left unspecified what The Paperwork entails i go aw... The Paperwork... u dont deserve this attitude, The Paperwork... im sure you're very interesting and important... this is because i like my job at The Paperwork factory and because i like homework and it's also because The Characters often hold positions of power attained through superhuman abilities and enforced with violence and i know that The Paperwork is there, aspirationally, to document their actions and protect people. from institutional neglect and from The Characters. when The Characters ignore The Paperwork to fuck each other on The Desk i think less of them for it. i do.
i made this post offhandedly, but resentment/dismissal of The Paperwork is a trope from procedural fiction and commercial sff that is really really common in fanworks bc it makes for an easy shorthand when u don't want to research or invent the details of a job, and i do seriously want to ask everyone to get skeptical of it. it's part of a broader narrative type of the ultra-talented Maverick, usually law enforcement or pseudo law enforcement (e.g. a monster hunter, a status-quo-enforcing time traveler, a man in black, a moral mercenary, etc.), whose ability to police the boundaries of Civilization ("normal," defined by hegemony, Flawed But Worth Preserving!) and protect a homogenous Public (white, heteronormative, bourgeois, documented, "law-abiding," "innocent," helpless!!) is limited not by his energy or ability, but by forces (small-minded, foolish, persnickety, overcautious, sexless, dull, effeminate!!!) of Overhead, from whence comes... The Paperwork.
The Paperwork might be generated by administrators, journalists, lawyers, judges, civilian oversight committees, the village elders or the intergalactic legislature, depending on the story. and who benefits from us telling each other stories that belittle & villainize those professions while lionizing The Maverick? "if only The Maverick were given unlimited resources, unlimited access, unlimited privacy in his operations, and unlimited use of excessive force, he would be able to protect The Public (and find love! maybe on The Desk)." you see it, right? this is how copaganda will get in your head.
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Studies show that engaging in ritualized behavior significantly improves outcomes on measures of grief and feelings of control, even when the person participating in the ritual has little or no belief in the ritual’s power. Just a reminder for no one in particular.
Research has revealed that, while rituals are universal across human cultures, the content and actions of those rituals vary widely even when they have the same intended purpose. This suggests that it is not the actions that matter, but that you are taking any action at all and naming it ritual. It can be an elaborate ritual with dozens of moving parts and participants, or it can be as simple as lighting a candle alone with the intent to remember someone.
