so i read good omens
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@reasonably-tattered
so i read good omens

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in a slight departure from my regularly scheduled bad vibes: happy Pride! to celebrate, I'd like to share something beautiful: SJ Sloat's miraculous HOTEL ALMIGHTY. joy is more than something scavenged, in this meeting of collage and erasure--it's carved in relief. every page consoles, triumphant.
I'll be giving away one copy of HOTEL ALMIGHTY at the end of the month. to enter, just comment "pick me!" (US only, shipping directly from Sarabande Books.)
AIGA 50 Books 50 Covers of 2020 The New York Times Book Review, “New & Noteworthy Poetry, from the Ancient Greeks to Billy Collins” L
not precisely Good Omens related, but in the spirit of our book-loving angel: please do check out HOTEL ALMIGHTY! I'm excited to share a copy of this book with someone, maybe you! :)
a month later, I remembered the waste of time that was the mob boss bit, "you're a loser, Crowley" -- furious all over again!!!!
just cannot get over how hard they had to work to make something that bad!!!
in a slight departure from my regularly scheduled bad vibes: happy Pride! to celebrate, I'd like to share something beautiful: SJ Sloat's miraculous HOTEL ALMIGHTY. joy is more than something scavenged, in this meeting of collage and erasure--it's carved in relief. every page consoles, triumphant.
I'll be giving away one copy of HOTEL ALMIGHTY at the end of the month. to enter, just comment "pick me!" (US only, shipping directly from Sarabande Books.)
AIGA 50 Books 50 Covers of 2020 The New York Times Book Review, “New & Noteworthy Poetry, from the Ancient Greeks to Billy Collins” L
not precisely Good Omens related, but in the spirit of our book-loving angel: please do check out HOTEL ALMIGHTY! I'm excited to share a copy of this book with someone, maybe you! :)
in a slight departure from my regularly scheduled bad vibes: happy Pride! to celebrate, I'd like to share something beautiful: SJ Sloat's miraculous HOTEL ALMIGHTY. joy is more than something scavenged, in this meeting of collage and erasure--it's carved in relief. every page consoles, triumphant.
I'll be giving away one copy of HOTEL ALMIGHTY at the end of the month. to enter, just comment "pick me!" (US only, shipping directly from Sarabande Books.)
AIGA 50 Books 50 Covers of 2020 The New York Times Book Review, “New & Noteworthy Poetry, from the Ancient Greeks to Billy Collins” L

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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a month later, I remembered the waste of time that was the mob boss bit, "you're a loser, Crowley" -- furious all over again!!!!
I know I'm not the only person to find it strange that two woman--one hysterical (Michael), the other simply malevolent (God)--decide to obliterate every living thing in the universe.
knowing NG was at the helm of the finale, in light of his sexual exploitation of women, this feels very sinister indeed. Michael and God are alternately deluded and capricious. they enact the destruction of everything. NG is evil, but he's not stupid. he knew what he was doing, and what it implies: everything goes to shit because some women couldn't leave well enough alone.
what I'm saying is, as an instrument of resentment and reputation, the finale is NG pulling a DARVO.
Exactly. The whole plot reduced to “female hysteria.”
thinking a lot about how over the years, that evil man (NG) has alluded to the fact that he identifies with Crowley. from the novel's description of the character's appearance (looks kind of like Lou Reed, proud of his cheekbones, etc), to his emotional state (Crowley's rush to the burning bookshop in S1 supposedly being representative of NG's desperation to save Terry Pratchett from death), even NG and Terry's wardrobe choices when Good Omens was first published (NG in black, Terry in Aziraphalean white).
to be clear, I don't think that NG (a bad man!) is Crowley, or even all that analagous to him. but his admissions, however coy, are interesting to me given what we now know: despite being revealed as a sexual predator, regardless of the fact that fans were told he'd not be involved in S3, NG fathered the "finale" with the help of his little horror pals. (notably, those very pals protest his innocence in the face of blindingly awful allegations of sexual abuse.)
the significance, for me, is that so much of the finale felt unbalanced. the push-and-pull between Aziraphale and Crowley, the playfulness and pettiness and overwhelming care, are absent. instead, we get an Aziraphale who is cold, removed, cowardly. Crowley, meanwhile, is something of a martyr: disgraced, publicly humiliated, stripped of his powers, yet somehow still the only really noble personality. it turns out, S3 tells us, Crowley wasn't just the Serpent of Eden who shepherded mankind toward knowledge. he was the best angel ever, and he's been right all along, and now he gets to decide what happens with the universe! spoiler alert: he wipes out everything, including himself and Aziraphale--his best friend.
so much here is inconsistent with the established story as to be ridiculous, and at first I attributed this purely to bad and lazy writing. but now I lean toward another reading: NG is using Crowley as proxy.
an author who's spent the last couple of years wallowing in self-pity and resentment, the back alleys of his mind, isn't interested in accountability. he chooses to broadcast how mean everyone has been to our poor hero, how patiently he's borne the scorn of lesser minds. and now, in his final act of creation, he chooses to nuke the known universe. he decides oblivion is preferable to his own abjection, and he won't go alone: he takes custody of his best friend's memory, his very name, with him.
Those comments about him and Crowley are news to me, but this doesn't surprise me.
I've not watched the finale, and I don't intend to. But based on everything I've read about it, how it played out, and what we know of Gaiman, his crimes, and his known history of stealing other authors' work and playing up his importance to Good Omens and his connection to Pratchett, this is very much what I suspect, and why it is far, far worse than just a rushed edit or some sloppy and out of character writing chocies.
That it is, in fact, nothing more or less than a serial r*pist hijacking a beloved franchise and paving over his beloved co-author's memory in a multimillion dollar exercise in spite and self-aggrandizement.
Fuck Neil Gaiman.
i hate pointless side plots and i hate wasted villains and i hate ignoring the emotional core of the story and i hate human au’s and i hate when characters we love are replaced with different people who we’re still supposed to care about and i hate fated soulmates and i hate they will find each other in every universe and i hate making decisions on behalf of everyone in the universe and i hate endings that reject the message of free will and carving your own path against the systems that seek to restrict you that was built up throughout the story while pretending to embrace it and i hate martyrdom and i hate self sacrifice for the greater good and i hate not being able to live to see the future you helped create when you deserve it and i hate the idea that you can’t live a happy or worthwhile life in a world with oppressive systems and you should just give up
"i hate the idea that you can’t live a happy or worthwhile life in a world with oppressive systems and you should just give up"
all of the above, but most especially this, in a story with queer protagonists and a queer fanbase
why does NG's narrative take it for granted that fighting for an imperfect world--a broken system, if you like--is a fool's errand? because evil men don't want things mended. they recommend despair because things as they are suit their purposes.
when a bunch of women come forward and say "this man is a sexual predator; he hurt me," they're not just making noise. they are disrupting a system that benefits abusers. and by speaking the truth, they make a better world possible--one where justice overcomes secrecy and privilege.
I will forever hold that NG should have been barred from the writing process in S3. (and indeed, Prime was happy to let fans believe he would be!) but my concern isn't really about good or bad writing--it's about the power he was given, he retained, to send a message: to fans, to survivors, to everyone victimized by him directly and those who've had to bear witness to the aftermath.
who benefits from nihilism? from the stripping of identity and unfulfilled hope--from being made to feel foolish for believing that everyone matters, and anyone can make a difference?
NG and every miserable creep like him. and I promise, he is lying to you.
It is up to us, as the fandom -- who actually LOVE the world of GO, and our two sweet, silly, good-hearted, enough-of-bastard-to-be-worth-knowing/liking, person-shaped celestial beings -- to save it all, prove the world really is worth saving, and so are our Ineffables, and reject the notion that we need new, shiny characters or places. We quite like the old ones, just as they are.
It's up to *us* to tell the story the *right*. After all, at least *we* can answer simple questions about specific plot beats in our fics without having to resort to *inventing* answers. 🙄
Let's drown out the abusive, rapist-driven annihilation plot with everything that makes GO beautiful: community, humanity, and above all, *love.*
To OUR World, my lovelies.
ok would you lot like to see some of my antique and rare books? I only have a few, but they are very special to me :)
yay!! will update soon :)
righto, recent illness has set me back a good bit, but I still plan on sharing the deets on some of my favorite bits and bobs :)

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i hate pointless side plots and i hate wasted villains and i hate ignoring the emotional core of the story and i hate human au’s and i hate when characters we love are replaced with different people who we’re still supposed to care about and i hate fated soulmates and i hate they will find each other in every universe and i hate making decisions on behalf of everyone in the universe and i hate endings that reject the message of free will and carving your own path against the systems that seek to restrict you that was built up throughout the story while pretending to embrace it and i hate martyrdom and i hate self sacrifice for the greater good and i hate not being able to live to see the future you helped create when you deserve it and i hate the idea that you can’t live a happy or worthwhile life in a world with oppressive systems and you should just give up
"i hate the idea that you can’t live a happy or worthwhile life in a world with oppressive systems and you should just give up"
all of the above, but most especially this, in a story with queer protagonists and a queer fanbase
why does NG's narrative take it for granted that fighting for an imperfect world--a broken system, if you like--is a fool's errand? because evil men don't want things mended. they recommend despair because things as they are suit their purposes.
when a bunch of women come forward and say "this man is a sexual predator; he hurt me," they're not just making noise. they are disrupting a system that benefits abusers. and by speaking the truth, they make a better world possible--one where justice overcomes secrecy and privilege.
I will forever hold that NG should have been barred from the writing process in S3. (and indeed, Prime was happy to let fans believe he would be!) but my concern isn't really about good or bad writing--it's about the power he was given, he retained, to send a message: to fans, to survivors, to everyone victimized by him directly and those who've had to bear witness to the aftermath.
who benefits from nihilism? from the stripping of identity and unfulfilled hope--from being made to feel foolish for believing that everyone matters, and anyone can make a difference?
NG and every miserable creep like him. and I promise, he is lying to you.
i hate pointless side plots and i hate wasted villains and i hate ignoring the emotional core of the story and i hate human au’s and i hate when characters we love are replaced with different people who we’re still supposed to care about and i hate fated soulmates and i hate they will find each other in every universe and i hate making decisions on behalf of everyone in the universe and i hate endings that reject the message of free will and carving your own path against the systems that seek to restrict you that was built up throughout the story while pretending to embrace it and i hate martyrdom and i hate self sacrifice for the greater good and i hate not being able to live to see the future you helped create when you deserve it and i hate the idea that you can’t live a happy or worthwhile life in a world with oppressive systems and you should just give up
"i hate the idea that you can’t live a happy or worthwhile life in a world with oppressive systems and you should just give up"
all of the above, but most especially this, in a story with queer protagonists and a queer fanbase
i hate pointless side plots and i hate wasted villains and i hate ignoring the emotional core of the story and i hate human au’s and i hate when characters we love are replaced with different people who we’re still supposed to care about and i hate fated soulmates and i hate they will find each other in every universe and i hate making decisions on behalf of everyone in the universe and i hate endings that reject the message of free will and carving your own path against the systems that seek to restrict you that was built up throughout the story while pretending to embrace it and i hate martyrdom and i hate self sacrifice for the greater good and i hate not being able to live to see the future you helped create when you deserve it and i hate the idea that you can’t live a happy or worthwhile life in a world with oppressive systems and you should just give up
it really is just so funny in a terrible way that in the lead up to this absolute slopfest of a finale, certain players kept feeding this narrative that it was [sparkle noise] for the fans. but didn’t stop to consider that a script written by NG and his two sycophantic buddies was perhaps not the best gift and was instead the storytelling equivalent of chucking a grenade into a crowded room and locking the door behind them
"It doesn't have to be happy to be good"
How about "it doesn't have to be tragic to be good"
Or "it doesn't have to be bittersweet to be meaningful"
OR "It doesn't have to end on some vague idea of souls and reincarnation for the characters' love to be deep and valid"
"The trouble is that we have a bad habit, encouraged by pedants and sophisticates, of considering happiness as something rather stupid. Only pain is intellectual, only evil interesting. This is the treason of the artist: a refusal to admit the banality of evil and the terrible boredom of pain. If you can’t lick ‘em, join ‘em. If it hurts, repeat it. But to praise despair is to condemn delight, to embrace violence is to lose hold of everything else. We have almost lost hold; we can no longer describe a happy man, nor make any celebration of joy."
Ursula K LeGuin (the queen of fiction)
This rang true for me — as so many things Ursula LeGuin said and wrote do — and it makes me sad that this lazy tv trope probably did influence our ending. Giving us complicated joy that isn’t implied or hidden as an ending would have a been a bold and wonderful choice!

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once again, if you are rude in my replies / reblogs, I will have to block!!!
if you choose to engage with my posts, please be respectful of others in replies. if you don't vibe with my blog for whatever reason, that's fine--protect your peace! feel free to block! but I simply will not play host to meanness directed at myself or others in my house, so to speak.
also, I am so sorry if I miss replies or messages on here!!! I am very bad at my phone!!!
remember how Terry Pratchett used to write little New Year's resolutions for Aziraphale?? does anyone have these?? 😭
incidentally, the notion of an ageless immortal being committing to something like New Year's resolutions so perfectly encapsulates what Good Omens is all about. what could be flimsier, more subjective, more human than accounting for who you are now--and who you might become in one trip-round-the-sun?
Good Omens is about the ephemera of being human: lignin-infested shelves and James Bond memorabilia, filigreed snuffboxes alongside stickers and potting soil and whatever pomade the barber recommended last Tuesday. it's a story that understands that all life happens in the incidentals; that stuff becomes something more for being cherished.
Crowley and Aziraphale are doggedly, determinedly materialistic. that's not a bad thing! and it's not just a part they're playing, like Gabriel in his off-the-rack suits. they're able to understand each other--to love each other--because they love the world: selfishly, joyously, materially.
glory, victory, all that jazz? they're abstracts. but love is a thing made of atoms.
this is something the S3 writers, headed by that evil man, don't acknowledge: love doesn't cave in the universe. it stores up every trifle, because those vacant wine glasses (still streaky with a long-legged red) and half-emptied teacups (tannins softened into something algal)--they're the things we share to build a life, a world, an us.
the idea of an ageless immortal being devising little nitpicky changes for himself!!! the ritual of marking time by choosing what you'll do with it!!! (and failing! and trying again! and forgetting about it all entirely until next year, when you try again!!!)
I guess what I'm trying to say is, remembering how Terry saw these characters--how he set them loose in the world--makes me so happy. it reminds me that part of why I love Good Omens is that it makes me want to be a better person--a hopeful person.
this blue marble is the best of all possible worlds for being ours. there's so much I want to do; not all of it will come to pass, and not all of it should. but isn't it wonderful, getting to try?