bridgerton is so scary. one by one the siblings are fetched away off into "their happy ending" only to turn into non-characters bearing innumerable children in the background of someone elses story. its like a zombie movie
Misplaced Lens Cap

roma★

@theartofmadeline
Cosimo Galluzzi

Kiana Khansmith
2025 on Tumblr: Trends That Defined the Year
Not today Justin
Mike Driver
untitled
d e v o n
KIROKAZE
cherry valley forever
ojovivo
Lint Roller? I Barely Know Her

Stranger Things
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@monsterthalia
bridgerton is so scary. one by one the siblings are fetched away off into "their happy ending" only to turn into non-characters bearing innumerable children in the background of someone elses story. its like a zombie movie

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Wildness Before Something Sublime Leila Chatti
[text id: Take heart—the lilacs are yours as much as anyone’s; you need never audition for spring. end id]
another normal day at the normal things to say factory for assad zaman
The Enshittificator
Digital products and services keep getting worse. In the new report Breaking Free: Pathways to a fair technological future, the Norwegian Consumer Council has delved into enshittification and how to resist it. The report shows how this phenomenon affects both consumers and society at large, but that it is possible to turn the tide. Read more on forbrukerradet.no/breakingfree
this has been plaguing my mind for days

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#a hit with the chismis circle
THE PITT 2.03 – 9:00 A.M.
Something I think ppl who aren't used to it struggle with when it comes to ancient history is that frequently 'we do not and cannot know this' is the only truthful response a historian can give. People severely overestimate how much we actually know about Ancient Rome.
I remember talking to someone at a party once about the debate over Septimius Severus's ethnicity (whole other can of worms) and they asked if genetic testing of his remains was not a way to settle it and I was like oh. Oh okay you are under the impression we have the physical remains of Roman emperors from the second century AD alright then. (We. Do not.)
Can't stress how much of high level study of Ancient History is devoted to trying to make sense of what actually factually happened. When I was at university (10+ years ago now) the discipline was embroiled in the lengthy and ongoing process of trying to unpack not just the biases in ancient sources but the centuries & centuries of biases within the field itself. I don't imagine this process is ever going to Stop. It's not uncommon for historical accounts to be so garbled & contradictory that it's not possible to reconstruct the real events behind them.
Once in an introductory lecture one of my professors was talking about this problem and articulated it very simply as 'we know real things happened between real people, but we aren't sure what they were'. Sums it up really!!
Maybe it's naive of me, but whenever I see portraits like this, with just a father and daughter, it restores my faith in humanity a little. Because people seem to love this idea that fathers never loved their daughters in the past and only saw them as bargaining chips for marriage or whatever, but look at the guy in the first portrait on the left, he loves that little girl! And the dad trying to do his work while his daughter bothers him with an Old Timey Barbie. The man teaching his daughter geography, his expression is so soft! The way the man in the last portrait holds the little girl's hand! And none of these are incidental, these aren't photographs, someone (probably the father) paid good money and sat down for hours so that they could have a painting of themselves and their daughter. Probably because they loved their daughter.
From left to right: 1795 Michał Jerzy Mniszech with his daughter Elżbieta - Marcello Bacciarelli; Christopher Anstey and his daughter Mary Ann by William Hoare 1776; A Musician and His Daughter by Thomas de Keyser 1629; The Geography Lesson (Portrait of Monsieur G. and His Daughter), 1812; Jean-baptiste Isabey And His Daughter; Portrait of a Young Girl and Older Man by William Harrison Scarborough
(this is probably somewhat related to my other favourite genre of painting, Husband With Multiple Kids Making Come Hither Eyes At His Wife)
oh I love those! People being people is one of my favourite kinds of paintings and an important reminder that people in past times were not all that different. There were dads who loved their daughters fiercely. There were fathers who happily looked after their babies too. The German reformer Philip Melanchton for example had a cradle in his office. His wife was busy organising a household for 20 people- she was out and about, he mostly worked in his office, it made sense for him to look after their babies too babies while she dropped by at snack time.
in fact often if it was kind of safe dads had the babies in their workshops for just that reason as we can see in these paintings:
The left is “the busy father” by Theodore Weber, the right one is “At the china repairer’s “ by Wenzel Tornoe. All dads who are actively involved in childcare and a painter who thought it was a cute topic rather than anything ridiculous.
I raise you:
First Lesson by Akseli Gallen-Kallela (1865 - 1931)
Un Coup De Main (The Helping Hand) by Émile Renouf (1845 – 1894)
Italian Winegrower And His Daughter by Francesco Baratta (1590-1666)

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i fucking love the matrix
Sketches for the winter palace outfits <3
We’d like to take a moment to appreciate stunt choreographer Nick Gillard and how his insight shaped not only the entire fight sequence between Anakin and Obi-Wan in Episode III, but Matthew Stover’s words in the movie’s novelization. (x)
“Obi is taking it and taking it, and hoping it’ll lead to a point where Anakin will run out of steam.” - NG
“Anakin followed, constantly attacking; Obi-Wan again gave ground…Mustafar hummed with death behind his back, only a moment away, somewhere out there among the rivers of molten rock. Obi-Wan let Anakin drive him toward it. It was a place, he decided, they should reach together.”
“That toe-to-toe thing shows that they can’t get through each other’s defenses, because they know each other’s moves so intimately. I think it’s something like forty moves, I did the first eight then I let them go with it.” - NG
“Blade-to-blade, they were identical. After thousands of hours in lightsaber sparring, they knew each other better than brothers, more intimately than lovers; they were complementary halves of a single warrior.”
“My take was that Obi is the central character in that duel. He wouldn’t try and kill Anakin.“
"The ruthless look on Hayden’s face - the ‘You can’t beat me, Master’ attitude - said it all. In that fight, Anakin knows that Obi is not going to kill him…” - NG
“In every exchange, Obi-Wan gave ground. It was his way. And he knew that to strike Anakin down would burn his own heart to ash.”
Hello, I work for a large moderately evil corporation and for at least five years now I have to sign a yearly thing to say I will never ever have one of these devices in the same room as me while I work.
My large moderately evil employer takes it for granted that these things are spying on me at all times, and you should too.

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the walking dead, game of thrones, and breaking bad were just superwholock for men
Game of Walking Bad
every time i start to feel cringe for being too deep in the hyperfixation i remember the intense depression i have waded through and have to remind myself that enjoyment is fleeting (so grab it with both hands), and life is for loving (so hold that love close), and if anyone thinks i’m cringe they must not be having a very good time (and i hope they can find a good time soon).
[tags via : @heavenly-havoc]