Mars and Venus
François Lagrenée
1770
taylor price
Game of Thrones Daily
Cosmic Funnies
tumblr dot com

shark vs the universe
Sweet Seals For You, Always
todays bird

❣ Chile in a Photography ❣
noise dept.

Kaledo Art

Andulka
I'd rather be in outer space 🛸
Peter Solarz

JVL

@theartofmadeline
$LAYYYTER

JBB: An Artblog!
One Nice Bug Per Day

Janaina Medeiros
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@lyrasoxford
Mars and Venus
François Lagrenée
1770

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They are the blueprint I love them so much
You love watching us all fight for your attention.
Lurker (2025) dir. Alex Russell
January 25, 2026 - Lima, Peru
how come they make you reinvent the concept of dinner every evening. I have to make dinner come true every evening like some kind of unpaid genie intern

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Anyway conflating "nonbinary" and "not medically transitioning" is a huge misstep for basically everyone.
Did you know a big political cause for trans activism in Norway is that the Oslo University Hospital gender clinic refuses to provide gender-affirming care to nonbinary people?
Gender-affirming care that is needed by those nonbinary people, because nonbinary does not mean your gender affirmation needs can be met by a haircut, it means you have a gender identity outside of the binary.
Nonbinary people can and do take hormones and get surgeries. They are particularly impacted by gatekept gender clinics that insist on an all-or-nothing approach to transition, or require a specific order for treatments such as demanding a specific amount of time on hormones before offering surgery.
if there’s one thing 90s scifi loves it’s bdsm-coding its villains
the intention: being a sex freak is a marker of evilness and moral perversion
the effect: millions now want to be abducted and sexually tortured by hot leather-clad aliens
though to be fair to 90s scifi writers i think a lot of them also wanted to be abducted and sexually tortured by hot leather-clad aliens because scifi writers in general are massive perverts. two things can be true at once etc etc
David Duchovny as Fox Mulder
The X- Files – 5.12: Bad Blood
NOSFERATU THE VAMPYRE (1979) dir. Werner Herzog

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In Red Rooms (2023), Kelly-Anne’s AI personal assistant uses a photograph of Alice Liddell as St. Agnes, a Christian martyr who was killed at age 13 like Ludovic Chevalier’s final victim Camille Beaulieu in the film. Agnes is the subject of a poem by Tennyson, and the film alludes to his poem “The Lady of Shalott” as well.
remmick and the vampires present a false dichotomy
Hogwood (the man who sold the twins the mill) and the KKK are very obviously bad, they are outright malicious bigotry, they use the n-word and plan to lynch the moore's and their community, they are so blatantly racist and hateful it's unavoidably obvious
remmick and the vampires however say that they believe in equality, say that they want to create a community, and yet remmick's goal throught the movie is to both metaphorically and literally steal sammie's ability for his own goal of reconnecting with his irish ancestors, a white man wants to harm a young and upcoming black man and use talents for his own goals without giving any regard to said black man's autonomy or agency
when sammie sings 'I lied to you' in the juke joint and calls forth the spirits from the past and future, it's a blend of cultures; west african, east asian, native american, and african american song and dance blend together across time and space to tell the stories of blues; where it takes its inspiration from, the music genres it then inspired, the complex history of black american culture and its intersections with other peoples of colour in the USA
when remmick and the vampires kill and turn the people in the juke joint, and then perform rocky road to dublin, only remmick's irish culture is on display, there is no influence from the black and asian people he has forcibly assimilated into his song, it's juxtaposition with the earlier scene is blatant, remmick is more than happy to assimilate people of colour into his 'community' of 'equals', and yet its only whiteness that is celebrated, that is normative
remmick claims that he's doing people a favour by turning them immortal, conviently ignoring that he literally has to suck the life out of them to do so, trapping their spirits on earth, he claims that he's the good guy, that the KKK were gonna come and lynch everyone at the joint in the morning anyways, conviently ignoring that he's doing the exact same thing; a white man leading a mob to kill a bunch of black people
in the final confrontation with sammie remmick repeatedly dunks him into the river, a forceful baptism. both the celtic irish and enslaved west africans had their religions suppressed and destroyed by colonialsm, had christianity forced upon them by the british empire, and in that scene we see remmick repeating that cycle, using christianity to inflict harm, and sammie reclaiming christianity, despite all the complex emotions he has arround it, as many colonised peoples have and still do, when he recites the lord's prayer
remmick and the vampires are no less racist than hogwood and the KKK, are no less predatory or evil, they're just less blantant about their bigotry, they represent the system, the normalised white supremacy that is seeped into the very foundation of culture in america, the point isnt that remmick would call any of the black characters in the movie the n-word, i dont think he would, the point is that his exploitation and desacration and inserting-himself-into-when-he-wasn't-invited of the juke joint is a microcosm of what white people have done to black american arts and culture since ever since there have been black and white people in america, and even before that
theres a reason vultures are shown early on in this movie
EMMA NOLAN THE PITT 2.03 "9:00 AM"
January 8 to 9, 1913 Letters to Felice by Franz Kafka First published : 1973
werewolf yuri

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SCREAM — 1996, dir. Wes Craven
Daniel Arthur aka Daniel Arthury (Brazilian, b. Anápolis, Goiás, Brazil, based Loures, Portugal) - Toilet Paper Tuxedo, 2025, Paintings: Oil