im fuckin crine he DID IT!!!! đ
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@laropasucia
im fuckin crine he DID IT!!!! đ

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These pescatarian birds are directly exposed to PFAS contamination due to the island's position near the St. Lawrence Seaway.
Over fifty years of data show a peak in PFAS (also known as "forever chemicals") content in seabird eggs in the 90s, followed by a decrease as regulations went into effect. The most recent findings show a 70% decrease of most common PFAS.
While continued vigilance a regulation is needed, this data indicates that regulations are working to reduce PFAS concentrations in marine ecosystems.
Yes!!!! I did a review of literature on PFASs in human drinking water about half a year ago, and there is a lot of really good progress! Please celebrate this, please don't let this solution be forgotten (at least so quickly) as the ozone layer or acid rain.
We are making genuine progress! Producers are dramatically altering how much they use PFAS and how much gets released in effluent, but also there's a lot better understanding of how to remove PFAS from the environment!
Environmental problems CAN BE SOLVED.
8/11/2026
Just wanted to remind you all that SM64 - Watch for Rolling Rocks - 0.5x A Presses (Commentated) is the best video of all time
They are even better đ
Hero of Time

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"Learn the fundamentals first" seems like really sound universal advice, and as a former classical musician, I can vouch for it. You will have a more solid foundation for increasing complexity if you put in the time to study in a structured way. If you don't, you'll have a lot of shit to fix later.
As a former music teacher, I can also say that "learn the fundamentals first" is the death knell for a vast percentage of beginners, especially adult learners.
I've run into this with drawing several times, where some well-meaning artist has lectured me on needing to study anatomy properly or not use shortcuts like CSP brushes. And oh, believe me, I know. I know exactly how to learn an artistic discipline in a structured way. I just...don't want to!
The thing is, I'm not aiming to be a professional artist. I want to draw my gay little anime guys. I would undoubtedly improve at art much faster if I approached every gay little anime guy drawing as a study exercise. But I would also have quit drawing a decade ago if I couldn't just let myself enjoy drawing imperfect fucked-up little guys with whatever shortcuts I needed to body myself across the finish line.
With my adult piano students, my approach was always "What's your goal?" If their goal was to learn exactly one Elton John songbook to play at parties, then...that's what we did. We'd put tape on the keys to label the notes, and just fuckin go for it. Learning exactly one Elton John songbook is a good and noble musical goal, full stop.
Some of my students needed and enjoyed a more structured approach to learning; if they wanted to be able to play classical music, then yes, scales were going to have to enter the equation at some point. And yet others would learn the Elton John songbook, catch their white whale, and realize they wanted to explore more of the ocean. The scales were still there for them to learn!
Often the choice isn't between "learn art well" and "learn art imperfectly" - the choice is between "learn art imperfectly" and "don't do art at all." To which I say, learn imperfectly! Or, what the hell, don't 'learn' art. Just do, and enjoy the doing of it.
You have official permission from your local pretentious classical music snob: fuck the fundamentals. You can always unfuck them later (but only if you want to).
i was about to say this is at the Toronto airport and then suddenly it definitely. Was. Not.
Thatâs just the Toronto Bannana Boa
JĂśrmungandr is trying to catch a plane they are late for ragnarok
This is wild. Nexpoâ a Youtuber normally focused on creepy internet mysteries and ARGsâ dug into a supposedly-AI Youtube account that's gone viral and stumbled upon a crazy rabbit hole. Turns out this viral account is linked to a Ukrainian doomsday cult called ALLATRA with a history of organized sexual assault and a few ties to Trump world. ALLATRA has conducted a massive smear campaign across social media to make people think that a journalist who criticized them is a child predator, going so far as to create multiple documentaries about him and to send a Trump-linked pastor to a foreign embassy in order to spread the allegations.
*Wikipedia-d!*
âOn June 24, 2025, a Russian court designated AllatRa as an extremist organization, it alleged that its members received "instructions from their Ukrainian supervisors" and that AllatRa members were "forcing Russian citizens to commit extremist crimes".â
âIn November 2023, the Security Service (SBU) and National Police of Ukraine conducted raids and searches across multiple regions, blocking over 20 centers of the AllatRa accused of collaborating with Russian special services, spreading pro-Kremlin propaganda to justify Russia's aggression in the Russo-Ukrainian war, and promoting a "union of Slavic peoples" under Moscow's leadership.â
I guess itâs like Nazis. Everyone would rather associate them with the other guy.
drives me nuts when ppl act like its somehow feminist to be a huge asshole to people because 'men are allowed to behave that way,' or whatever. ok. well i dont think men should be treating people like that either. and if they talk to me like you are talking to me, i will judge and avoid them as well.
One of the biggest lies I see paraded around by queer filmmakers and authors is that we are inundated with saccharine, It Gets Better trans narratives in media. And like, I get it, we all want to make "My Barely Concealed Memoir About Sexual Abuse And Transition But With Sci Fi Body Horror" and "A Harmony Korine Film But with Trannies," and the way you pitch those kinds of film is by loudly announcing that we are awash in mindless positivity and hopeful pablum and need you, our brave creative auteur, to come in and show the grime, grit, and tears of our lives. But it becomes kinda silly when like
In context this isnt about racial diversity, its about not depicting the messy and sometimes awful reality of trans lives. Like ok Louise Weard is a fucking sweetheart and I have no ill will toward her at all but like, whomst??? Who are the tranny directors out rn who are making feel good stories?? Hell, name me one tgirl creative like that?
Idk can we all admit to ourselves that the reason we wanna make weird stuff isn't some like, principled effort to fight back against the whitewashing of trans narratives and is instead bc all of us are kinda fucked up and weird and we like making stuff that is about abuse and death and trauma?
We are all Trent Reznor from this meme
These belong in the post because you are 100% correct @butch-king-frankenstein

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Do you ever see something that makes you laugh so hard that you have to buy it
One of the biggest lies I see paraded around by queer filmmakers and authors is that we are inundated with saccharine, It Gets Better trans narratives in media. And like, I get it, we all want to make "My Barely Concealed Memoir About Sexual Abuse And Transition But With Sci Fi Body Horror" and "A Harmony Korine Film But with Trannies," and the way you pitch those kinds of film is by loudly announcing that we are awash in mindless positivity and hopeful pablum and need you, our brave creative auteur, to come in and show the grime, grit, and tears of our lives. But it becomes kinda silly when like
In context this isnt about racial diversity, its about not depicting the messy and sometimes awful reality of trans lives. Like ok Louise Weard is a fucking sweetheart and I have no ill will toward her at all but like, whomst??? Who are the tranny directors out rn who are making feel good stories?? Hell, name me one tgirl creative like that?
Idk can we all admit to ourselves that the reason we wanna make weird stuff isn't some like, principled effort to fight back against the whitewashing of trans narratives and is instead bc all of us are kinda fucked up and weird and we like making stuff that is about abuse and death and trauma?
We are all Trent Reznor from this meme
This made me laugh out loud
Reblogging in honor of the first day of baseball season.
The pitcher that exploded the bird is a photographer now, this is his logo
Two months ago, General Dynamics made an announcement that conjured a sense of dĂŠjĂ vu. To fix the problems at the factory, the company would team up with yet another unheard-of partner promising technological innovation. The solution this time? Artificial intelligence. A news release from General Dynamics and the new company, Deterrence, was filled with techno-business jargon. âAI-enabled capabilitiesâ and âintelligence and connectivityâ would be added at Mesquite and other General Dynamics factories, the companies wrote. âAI transforms production facilities into strategic assets,â Deterrenceâs CEO said in the release. âWeâre building autonomous manufacturing systems that learn, adapt, and scale in real time.â These pronouncements have baffled former Mesquite workers. âWhat are they talking about? Thereâs nothing to learn or adapt or scale,â one said. âItâs all broken.â General Dynamics is doing this even as it replaces most of the Repkon equipment with traditional machines like those used in Scranton. How AI will wrest miracles from decades-old technology is unclear. But General Dynamics told investors it expects to be in production next year, and the Army told the inspector general thatâll amount to 20,000 shells a month.
Folks the US is never replenishing it's weapons stocks.

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Truncated text of tweet from MrPitBull, Mar 11, 2026:
She kept finding women in laboratory photographs from the 1800s. Then she read the published papersâand every single woman had vanished. Someone had erased them from history.
Yale University, 1969.
Margaret Rossiter was a graduate student studying the history of science. She was one of very few women in her program.
Every Friday afternoon, students and faculty gathered for beers and informal conversation. One week, Margaret asked a simple question: "Were there ever any women scientists?"
The faculty answered firmly: No.
Someone mentioned Marie Curie. The group dismissed itâher husband Pierre really deserved the credit.
Margaret didn't argue. But she also didn't believe them.
So she started looking.
She found a reference book called "American Men of Science"âessentially a Who's Who of scientific achievement. Despite the title, she was shocked to discover it contained entries about women. Botanists trained at Wellesley. Geologists from Vermont.
There were names. There were credentials. There were careers.
The professors had been wrong.
But Margaret's discovery was just the beginning. Because as she dug deeper into archives across the country, she found something far more disturbing.
Photograph after photograph showed women standing at laboratory benches, working with equipment, listed on research teams.
But when she read the published papers, the award citations, the official historiesâthose same women had disappeared. Their names were missing. Their contributions erased.
It wasn't random. It was systematic.
Women who designed experiments watched male colleagues publish results without giving them credit. Women whose discoveries were assigned to supervisors. Women listed in acknowledgments instead of as authors. Women passed over for awards that went to male collaborators who contributed far less.
Margaret realized she was witnessing a pattern that stretched across centuries.
Women had always been present in science. The record had simply pushed them aside.
She needed a name for what she was documenting.
In the early 1990s, she found it in the work of Matilda Joslyn Gageâa 19th-century suffragist who had written about this exact phenomenon in 1870.
In 1993, Margaret published a paper formally naming it: The Matilda Effect.
The term captured something that had been hidden in plain sight for generations. Once you knew the term, you saw it everywhere.
Her dissertation became a lifelong mission.
For more than 30 years, Margaret researched and wrote her landmark three-volume series: Women Scientists in America. She examined letters, institutional policies, individual careers. She gathered undeniable evidence that women in science had been consistently under-credited and structurally excluded.
Her work faced resistance. Many dismissed women's history as political rather than academic. Others insisted she was exaggerating.
Margaret didn't argue emotionally. She presented data. Documented cases. Patterns repeated across decades and institutions.
Eventually, the evidence became undeniable.
Her research helped restore recognition to scientists who had been erased:
Rosalind Franklin, whose X-ray work revealed DNA's structureâcredit went to Watson and Crick.
Lise Meitner, who explained nuclear fissionâomitted from the Nobel Prize.
Nettie Stevens, who discovered sex chromosomesâreceived little credit.
Cecilia Payne-Gaposchkin, who discovered stars are made of hydrogenâinitially dismissed.
And countless others whose names had nearly vanished.
Margaret changed the narrative. Science was no longer just the story of solitary male geniuses. It became a story of collaboration that included women who had been written out.
The Matilda Effect became standard terminology. Scholars used it to examine how credit is assigned, how authors are listed, who receives awards, who gets left out.
This is an important concept, but the piece is written by AI.
There are a number of tells, but this is an excellent example to talk about em-dashes, which people often either take as permanent AI tells or run the other way and say "humans use em-dashes and that's why AI does, too! they're not tells!" Both are kind of right and both are kind of wrong.
What you'll see if you look closely at this text is that it ONLY uses em-dashes. Every time it needs to put in some kind of break or set off some text, it goes for the em-dash. There are no phrases in parentheses. There are commas, but only in places where the absolute rule is to use a comma (like in a series, for instance). There is one colon, again placed where the absolute rule is to use at (at the top of a list). Whenever there's an option, where a human writer would be actively making a choice about what punctuation to use, the AI defaults to an em-dash.
On top of that, look at the content. The AI bot people are obsessed with feminism, ironically. I suspect it's because very basic feminist narratives about women pushing back against barriers or doing something heroic are popular and gets shared widely. So, first of all, you should be on your guard when you see a "what this woman did CHANGED HISTORY!" kind of piece. (I wonder if the twitter/tumblr trend of BUCKLE UP history posts has affected the AI ...) And then you should check out the specific claims.
She kept finding women in laboratory photographs from the 1800s. Then she read the published papersâand every single woman had vanished. Someone had erased them from history.
I can't find this anywhere else. The paper "The Matthew Matilda Effect in Science" doesn't talk about photos! The Wikipedia page doesn't talk about photos! This Smithsonian article doesn't talk about photos! Her piece on her career in Writing and Revising the Disciplines (2002) (good read) DOES mention photos, in that she got the Mount Holyoke archivist to send her a few from the 1880s showing women doing scientific work as a nice illustration that "epitomized" what she was already aware of.
Rossiter started with textual primary sources that documented women as named individuals contributing to scientific discoveries. The idea of her being confused by photos is a hallucination.
Despite the title, she was shocked to discover it contained entries about women. Botanists trained at Wellesley. Geologists from Vermont.
There's definitely something to be said about the framing of this bit as shocking!!! but since I'm talking about facts and sources, it's clear to me that the AI recognized the botany-Wellesley connection from the paper but could not parse that the reference was to a female botanist who taught at Wellesley. There is also nothing in the paper about Vermont geologists, so I have no idea where the AI got that; I would suspect it's another hallucination attempting to create a pattern from the first reference.
But Margaret's discovery was just the beginning. Because as she dug deeper into archives across the country, she found something far more disturbing. Photograph after photograph showed women standing at laboratory benches, working with equipment, listed on research teams. But when she read the published papers, the award citations, the official historiesâthose same women had disappeared. Their names were missing. Their contributions erased.
Again, back to the mysterious photographs. But the rest of this text is an issue as well: what Rossiter describes in the paper is not a complete absence of these women in any official documentation, but that these women were amply documented and known to be working within the scientific community and yet did not receive public credit or awards. It's not a complete smothering out, but a sort of complacent back-burnering, which is too nuanced for the AI to be able to handle when told to "write a post about the Matilda effect that will get engagement on social media". She didn't prove that discoveries attributed to male authorship actually had women involved and only she knew their names: she collected many stories that people already knew of overlooked/underplayed female scientists and put them together to say, "This is a pattern and we should have a name for it." Some of her examples were even recent enough (1970s-80s) that she was able to point to a feminist backlash.
And again ironically, the AI itself engages in the Matilda Effect by presenting this whole thing as utter silence -> Rossiter gets curious -> the case is blown open. Rossiter actually refers to the work of other female historians and social scientists! In fact, she started this line of research after noticing the female biographies in American Men of Science when her housemate, Cynthia Thompson, recommended that she keep track of them.
Her research helped restore recognition to scientists who had been erased: Rosalind Franklin, whose X-ray work revealed DNA's structureâcredit went to Watson and Crick. Lise Meitner, who explained nuclear fissionâomitted from the Nobel Prize. Nettie Stevens, who discovered sex chromosomesâreceived little credit. Cecilia Payne-Gaposchkin, who discovered stars are made of hydrogenâinitially dismissed. And countless others whose names had nearly vanished.
Rossiter did not claim to be rediscovering these women. She refers to Franklin and Meitner as having been famously denied credit, in fact! Meitner specifically is "one of the best-known examples of the phenomenon". Stevens she uses as one in the list of examples in the paper, and Payne-Gaposchkin actually just gets a reference at the end that's doesn't even tell you the specific field of scientific study. (To be fair, there may be more about them in her other publications.) This was not about Badass Historian of Science Tells the Establishment What's What. Everybody knew about the concept of female scientists being publicly ignored as collaborators by 1993 â and women's history as a field had been around for 15-20 years. She was not working in a vacuum where nobody else thought that it was important to study these topics until she forced them to see the light.
Please, please, everyone, be on the lookout for bad feminist history written by AI. If you're not with me on the tells and hallucinations here, then at least be on the lookout for bad "feminist" history regardless of the source. If it sounds like it's sensationalizing, it probably is.