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Same david, same
Every gay relationship
Yes

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How to draw Afro textured 4c hair - an explanation/Tutorial
For those of you that donât know what 4c hair is, 4c hair is a hair texture type that contains coils to small and tight that the hair appears to be more puffy rather than curly ( like to photo below ) this is in NO WAY to be confused with curly hair. there is a drastic difference.
As a black artist that primarily draws characters with 4c hair, Iâve been asked many times to do a tutorial on 4c hair so here we go~
before we get into 4c hair, lets take a moment to fully understand it by talking about hair texture in a general sense first
letâs take a look at this example of straight hair vs curly hair ( 1 type straight hair vs 3 type curly hair )
If you take a moment to compare the two youâll notice straight hair is flat, it has no texture. Straight hair perfectly hangs down similar to liquid-like silk. Itâs lack of curl pattern is the reason as to why it hangs perfectly flat.
curly hair on the other hand doesnât lie down flat and silky like straight hair, Itâs more thick. Curly hair in itâs raw and unstyled state has a trapezoid like shape this is because the sides of the hair spread more outward.
So why is this? Why is straight hair flat and curly hair thick?
the answer to that question is a thing called piling up. When it comes to hair texture, the shape of the hair strands arenât the only thing that matters, its how the strands coexist with each other, Curly hair strands coexist by piling up on top each other.
moisture also effects hair texture too, different hair types absorbs moisture differently, thus the thickness of each hair type is different.Â
âŚ..soooo, how does this all relate to how to draw 4c hair??Â
Well letâs take a look at the drawing below. Notice how the arrows go outward more as the hair texture gets curlier. As weâve already discussed, this is because hair piles up, The curlier the hair texture, the more it piles up on each other, the bigger it gets, the more outward the arrows go.
Out of any hair texture, 4C hair has the most curls. Because of this, the hair piles up on each other so much that it doesnât lie down flat like straight hair, nor does it make a trapezoid like shape like curly hair, it instead becomes more cloud like.â¤ď¸
This is what you need to take into account when it comes to drawing 4C hair.
Think of it as piling up a bunch of cotton balls on each other. The most cotton on top of top to lead to a bigger patch of cotton. this is 4c hair.
How to not draw 4c hair:
Garnet fanart. Letâs talk about Garnet Fanart. I notice a trend that when artists draw Garnet from Steven universe, her hair texture is usually changed to 3 type curly like texture. This subtle form of White washing has confused me because this is inaccurate.Â
Garnetâs hair is in the shape of a cube. Though 3 type hair piles up on each other, it isnât curly nor thick enough for their hair to stay in the shape of a cube. Curly hair lies down more than 4c hair. So garnetâs hair being in the shape of a cube is a dead giveaway that it is 4C. Why do you think hairstyles like flat tops are usually seen on black men with 4c hair? Itâs because, the 4c hair texture is thick and strong enough to stay in whatever shape you put it in.
please, if youâre drawing a character with 4c hair, avoid drawing it like curly 3 type hair, this is very anti-black and texturist.
So, how do you draw 4c hair?
honestly, its the most easy thing in the world
i wanna clarify that blobby looking 4c drawings ( like the one on the top left ) can work depending on how cartoony your art style is.
Another thing that I want to greatly clarify when it comes to drawing 4C hair is, YOU. DONT. NEED. TO. DRAW. EVERY. HAIR. STRAND!âŚ..like, seriously. Iâve gotten many messages about how 4C hair is hard to draw, and itâs always left me confused; but then I find out that the same people that have trouble drawing 4C hair, attempt to draw every single strand of hair. This is unnecessarily time consuming because itâs merely impossible to get every single detail down, especially when you have a simple cartoon style. 4C hair does not require much effort, all youâre doing is drawing lumps. Itâs that simple, nothing more nor nothing less.
The reason why I greatly advise all of you to avoid drawing every single hair strand is because in real life, when you look at a 4C textured Afro, your eyes donât pick up on each individual hair strand like straight or curly hair. 4C hair, appears to be more undefined and cloud like, so attempting to draw each and every individual strand is unnecessary and will most likely end up looking inaccurate.
Anyways! thatâs it for now! there will be a part 2 to this tutorial that will come out next week! i hope you guys have learned from this and apply it to your black character in your art!~
If youâre not a black person with 4c hairďżź, stop interacting with this post. You can re-blog but ďżźI do not want to read your useless explanation on why you ďżźpersonally donât see it as problematic to turn a black character with 4C hairďżźďżźďżź to curly hair.
I also would prefer not to hear you cry about how Iâm being âharshâďżźďżźďżź for calling out this form of white washing.ďżź I wasnât here to sugarcoat anything for you ďżźđđž ďżź
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Oh my God! đ You dropped this queen đ
To think I thought I knew what ethereal beauty was before now. Laughable.
sheâs so beautiful i had to include a few more photos

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nonblack lesbians arent studs
Look at this. Read it. Then read it again.
Ok actually Iâmma add something, as there are people confused in the tags about what this means. âStudâ (in the context of lesbianism) is a black identity identity akin to what butch would be considered. Itâs a unique role and identity that originated from black lesbian communities (same as AG/aggressive(s) girls/stem/boi). There has been a problem with white lesbians in particular putting themselves in the stud tag and plastering their faces all other spaces/media made for STUDS (a specific group of GNC black lesbians). Itâs really annoying and tiring because most of these white self pro claimed âstudsâ end up emulating masculine coded behaviour that is found in black (Specifically African American) culture, which literally makes yâall look like fools. Black identities and cultural mannerisms are not for your consumption or appropriation.
You can find your polling location at:
https://berniesanders.com/vote/Â
Make sure you get out there and vote!
This is Adam Erickson, pastor at the Clackamas United Church of Christ in Milwaukee, Oregon!
Oh finally. A real Christian.
Now THIS manâs read the book
Hallelujah!
Paintings of black women (cis-gender, trans, and gender fluid) in love, from Africa, the Caribbean, and the United States, and across 100 years in time. Because love is love. You can find them all as prints in my Etsy shop. Just click on the link here.
Pure bliss

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shawty cum thru
Because the statement was so vague and could be twisted to mean anything, I researched it to find a more transparent statistic⌠this is from 2 different sources from 2017 and 2018. In short- itâs worse
Happy Pride!
Lena Waithe out here serving the truth:
Mad Max told a story about sexual violence and survivorship without relying on rape scenes to impress upon the audience how *serious* things were.
instead of watching the abuse on screen, we hear about it through the interactions between the wives. they tell us what happened, and in that way they take control of their own narrative.
rather than being voyeurs witnessing the wivesâ trauma played out onscreen, we were an audience listening to their story.
and that makes a world of difference.
THIS THIS THIS.
So instead of showcasing the specific treatment we were told of it, which is the contrary philosophy of most filmmaking (show, donât tell)
or they made the decision to not sensationalize and fetishize the rape and brutalization of women. and in doing so spared the feelings of thousands of trauma survivors in their audience.
but whatever, film theory 101.
âShow donât tellâ is for FUCKING AMATEURS.Â
This statement:
âSo instead of showcasing the specific treatment we were told of it, which is the contrary philosophy of most filmmaking (show, donât tell)â
demonstrates a fundamental misunderstanding of the idea behind âshow, donât tell.â I would argue that Mad Max: Fury Road DOES show us how the Wives were treated by Immortan Joe. However, it chooses not to do so in the obvious way (which would be showing the abuse), but rather by showing us in other ways.
Weâre shown the message the Wives leave behind: âWe are not things,â from which we can infer thatâs exactly how theyâve been treated for God knows how long.
Weâre shown that they wear flimsy white fabric that leaves their bodies on display, unlike pretty much everybody else in the film.
Weâre shown them using boltcutters to rid themselves of chastity belts, devices which pretty much exist solely to remove a womanâs ability to choose her sexual partners.
Weâre shown rage from the Dag when, even though time is of the essence, she takes the time to run back and kick one of the discarded belts as hard as she can before running back to join the others at the War Rig.
Weâre shown Angharad using her pregnant body to shield Max and Furiosa from Immortan Joe, because she knows beyond a shadow of a doubt he wonât shoot her or her unborn child because he still views her as his property.
We hear Furiosaâs âRemember me?â before she kills Joe, and thereâs so much fury and anger in those two words that you know she was a Wife before she was an Imperator.
We ARE shown what happened to the Wives. The issue lies in thinking that the only way to show that they were abused is to show the abuse itself. And as MM:FR demonstrates, that isnât the case.

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transgender day of visibility