acquired taste? oh baby you misheard me. i’m a REQUIRED taste. you legally have to like me

blake kathryn

Kiana Khansmith
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trying on a metaphor

titsay

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pixel skylines
Alisa U Zemlji Chuda
Claire Keane
Xuebing Du
Three Goblin Art
Aqua Utopia|海の底で記憶を紡ぐ

❣ Chile in a Photography ❣
KIROKAZE

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occasionally subtle

if i look back, i am lost
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@infinityonhighvevo
acquired taste? oh baby you misheard me. i’m a REQUIRED taste. you legally have to like me

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Me: I'm trans
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We reviewed your post and determined it needed a Community Label.
Literally beyond parody
My memory of The Birdcage (1996) is always that it's more dated and more difficult to watch than it actually is. You hear "drag-themed comedy from the 90s based on a musical from the 80s based on a play from the 70s" and you brace yourself just a little, right? But the film has a strong gay perspective, so the fruity fag jokes mostly come off as warmly affectionate. There is a surprising amount of poignancy in Robin Williams' portrayal of Armand, grudgingly agreeing to his beloved son's request that he go back into the closet for an evening ("do me a favor and don't talk to me for a while"). The drag club's staff attempting to redecorate the apartment with stuff straight people might like (a taxidermy moose head, an enormous crucifix, and Playboy magazine) is extremely funny. Albert's histrionics are a point of tension because he does often come off as a stereotypically pathetic/comic figure, but towards the end of the movie he makes it very clear that he's aware of how people see him, and asserts that trying to copy a stoic masculinity he doesn't possess for the sake of social approval would be more pathetic. In the 1983 musical adaptation, they give "Albert" (Albin) the only good song in the whole show, "I Am What I Am", which Gloria Gaynor covered to the delight of gays everywhere. Apparently Nathan Lane wasn't (publicly) out yet in 1996, which is amazing because it means that at one point in this movie you're watching a gay man playing a straight man playing a gay man playing a straight man, in a movie about how it's important to be yourself, an absurdity that does seem to encapsulate the state of gay America in the 90s.
I'm seeing a couple of posts circulating about the gay 90s and this movie. The above is a very good summary, and I think it's worth adding a few other points.
This movie got made because Robin Williams said yes to it (and it's important that Gene Hackman did as well). Williams in the 90s was a mega-star of a type that's not present in the current media environment (maybe Tom Cruise, but I personally think that's echo from his salad days). Even his flops made money on the back end in the video rental market, which also doesn't exist anymore (streaming is different). Hackman was on the other side of his A-list career but still Hollywood nobility if not full royalty.
Playing gay was considered career suicide in the 90s. There had been a number of actors who put lie to that belief stretching back decades, but this was Williams and Hackman (yes, being on screen next to a gay character was enough to get you blacklisted) saying "screw that" and doing it anyway.
Being gay and out was career suicide in the 90s.
Nathan Lane had a really nice gig going for himself. The Lion King put him into the Disney rep company with people like Williams, Bette Midler, and Whoopie Goldberg (check their IMBD list from the 90s--they were making bank at Disney).
Lane didn't come out until several years later (nice summary: https://deadline.com/2024/06/nathan-lane-robin-williams-advice-coming-out-birdcage-1235975010/).
I don't want to imply that this was a Sorkinized moment where everything changed because of one thing, but this was a very important movie that caused real movement in the needle on queer acceptance.
It also proved that there was a market for films with gay characters, which had the knock-on effect of gay filmmakers being able to find distributors of their gay-themed films. Which meant that more people than ever (queer and non-queer) got to see representation on-screen.
when people are like “he’s not even attractive you could find a guy that looks like him at any gas station” i’m like….. well you see there’s beauty everywhere actually
You can also find a sunset at a gas station
time to break out my favorite photo I ever took

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had to get this out before we collectively move on from coldplay ceo
Hope
I drew this comic in 2017. Now it’s more relevant than ever.
8/5/2020
Hello, Emily. This is Adam Driver. I came across your blog in my free time today and it pained me greatly to find a post you made recently calling me ugly and, I quote, “garbage”. I began to cry, because I have anxiety about my appearance. You have truly hurt an innocent 30 or 40 year old man who wants nothing more than to act and be happy. I hope you consider your actions in the future, as I am still crying because of you. Thank you, and goodbye.
GOUSJCJ DICJ
dude so distraught he forgot his age
do you ever look at a friend and feel soooooo affectionate
i’m glad this is the post of mine to get a degree of notes, fuck yeah friends
is anyone here ready for fat transgender summer can we give it up for fat transgender summer

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slop is in fact nazi slang. it comes from the term goyslop
...Well that's a can of worms, isn't it.
At some point you have to stop and ask where the terms you are using came from and if you should be using them at all, whether that's to avoid using actual Nazi slang or to avoid appropriating vernacular that's not yours to use. 
this fetish stuff is getting out of hand what the fuck is word play
this pride month I'm gonna need everyone to be radically pro transgender and also pro intersex and also pro ace and aro spec peoples thanks
In the Flesh (2013-2014) | Kieren and Jem
"If it's his word against yours, then I choose yours."
these are getting weird

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The Bezalel Haggadah
Maty Grünberg
Yugoslavian, b. 1943
1984