I am a 30-something queer intersex woman from England. Mystic, feminist, Heathen witch & devotee of Wōden, Frīg, the Twelve Handmaidens & the Wild Hunt. Heathenry will be anti-racist, anti-fascist and anti-imperialist or it will be nothing. Always open to questions & conversation.
In the Prose Edda, twelve Goddesses are listed after Frigga as Ásynjur: Fulla, Gefjon, Hlín, Syn, Eir, Sága, Gná, Vár or Vór, Snotra, Vör, Lofn and Sjöfn. Modern Heathens sometimes refer to Them as Frigga's Handmaidens. (This is a piece of shared gnosis, not an historically attested term.) For many of the Twelve, this is all that survives in the way of attestations.
What is the Project?
Gradually over several years, and more intentionally recently, I have been building a devotional cultus around these Goddesses. As part of that, I've been putting together primers on each of the Twelve on my longform blog -- detailing Their surviving attestations, Old English God-names and epithets for Them, my own personal experiences and upg, a prayer, and devotional icon art -- as well as essays and modern myths exploring other aspects of Them and my cultus to Them.
Although I use Old English names for Them and honour Them in a syncretic heathen practice drawing on influences from across the British and Irish Isles, I hope these may be useful and/or interesting for practitioners working in a Norse, Continental, or other context. Or for anyone worshipping and building cultus to lesser-known and lesser-attested Gods!
I will update this post periodically, but if you like you can subscribe to my longform Wordpress blog for updates when I post.
Primers
Fulla
Geofen (Gefjon)
Hlēowen (Hlin)
Ār (Eir)
Saga
Lofen & Siofen (Lofn & Sjöfn)
Snotor (Snotra)
Wearn, or Syn (Syn)
Wær (Vör)
Gnæ (Gnā)
Āþ (Vár)
Essays and other posts
Introduction to the Project
Essay on abundance, ānanda, and Fulla
Essay on Frīg and Her importance to my cosmology
The Wren and her sister: a myth of Frīg feat. Ār and Gnæ
Essay on marriage as initiation, feat. Lofen, Siofen and Āþ
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The Chauvet-Pont-d’Arc Cave, discovered near the Gorges de l’Ardèche (Southern France) in 1994, is now considered by archaeologists to be one of the most significant prehistoric art sites in the world. The figures pictured here are estimated to have been made as many as 32,000 years ago.
the mythic literalism debate really obfuscates the need for historiography imo. I don't believe that x or y god is a rapist or a murderer in any real sense, but individual opinion should not be the main focus here. what's undeniable is that these mythologies, cultural norms, and cultic practices were developed within a highly misogynistic, ableist, and stratified society, and it's irresponsible to overlook or attempt to 'soften' that fact when retelling or reimagining these stories.
someone else's belief or non-belief in the myths doesn't necessarily matter to me; there's bound to be a range of positions today as there was in the ancient world. but what does matter is whether someone is carrying forward harmful practices or ideas because they've simply rewritten a surface-level 'nice' version of the myths in their head, rather than engaging more deeply with the source culture and seeking to understand their meanings in context.
we can and should worship the gods without needing to ignore, absolve, or justify the cruel, oppressive parts of their myths and cultures. instead we need to ask questions like, what do these things tell us about the function of religion, or gender roles, or property rights at the time, in this place? what might this suggest about the god’s worshippers, their role in public worship or household rituals, or their relationship to civil governance, public unrest, marginalized groups, imperial expansion, etc.?
these types of questions can help you to build a theological foundation and create a practice in line with your personal convictions, grounded in historical context, but able to identity and deconstruct the objectionable parts when you see them. the myths are documents, first and foremost, and that's how we need to treat them. anyone who says that it's hubristic or 'offensive' to take this approach does not have your best interests in mind.
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The Road to Hel : A Study of the Conception of the Dead in Old Norse Literature - Hilda Roderick Ellis
1943, Cambridge University Press.
Different edition available for free on Archive.org
★★★★★ (4.5-5/5)
Must-read for serious inquirers into Norse death cosmology: foundational, powerful, concise, and to me also sentimental.
It hurts to give this study a 4.5/5 rather than a full five stars - because really this book I consider far more important to read than any other I've so far reviewed on this blog, and far more substantial at that. But, in being so substantial, I suppose there is more room for there to be flaws. It was my first time reading this book cover to cover after years of referencing it digitally, and I'm very happy to have been able to get my hands on a second-hand copy.
The Road to Hel is one of the most important interdisciplinary works of literature ever written for the study of pre-Christian Scandinavian religion, in my opinion. Ellis was one of the first to combine the study of archaeology with the study of Old Norse-Icelandic literature in the pursuit of thus forming a more complete picture of the Norse conception of death before Christianity. Moreover, she was one of the great inspirers of a more conservative, conversational, comparative approach to the field, such that her own works still are and read as incredibly current. And, indeed, she was a female scholar of religion: a perspective that is still incredibly necessary, but was even more so at the time.
Having been written for Ellis' PhD between 1940 and 1942, The Road to Hel does have its dated aspects. In particular, though worth reading, the first chapter covering the archaeological evidence has been called outdated and misinterpreted. Archaeology isn't my personal strength, however, so I can't much speak on it beyond warning potential readers that its contents do not hold up very well aside from painting a picture of how archaeology was performed and interpreted at the time. The field of archaeology has undergone major developments since the second world war and I highly recommend reading more current authors and works to learn about Viking age and Vendel period funerary customs.
Other highly dated aspects are fewer, and also mostly contained to the first chapter. In particular I want to point out those old-fashioned notions of primitivism that show up in literature of this time: it is assumed that the natural tendency of humans is to become more intelligent and more 'developed' the more their society resembles highly organized and urbanized "civilization." In her first chapter Ellis briefly questions the 'mentality' of heathens, and suggests that "there is possible contact with other peoples at different mental stages to be considered," a habit very typical of Folklore Society fellows (of which Ellis was one), and explains the fixation on and often baseless comparison of Northern European religion with Egyptian and Greek religion, as well as the assumption that ancient heathens can reasonably be compared to, for example, indigenous SEAsians, seemingly purely on grounds of being 'primitive'. Similarly and not unrelatedly there is also the consistent emphasis on 'fertility' even in seemingly inappropriate contexts, though Ellis herself seems to take a step back from that very thing later in the book, and the acceptance of such things as a 'sun cult' as undeniable truths without much question.
As is common for studies of the time, Ellis also tends to paint quite a linear and flat image of Old Norse religion, in the sense that it is always assumed that one belief system necessarily evolves from the other, and two different types of religion (e.g. a fertility cult and a death cult) could not have co-evolved and co-existed. I tend to blame this on the fact that authors at the time did not have much of an appreciation for the animistic nature of pre-Christian religion yet, and relied heavily on Christo-secular structures through which to interpret and organize religion, leading to one-dimensional, linear narratives. An ecological approach to and perspective on pre-Christian European religion is still well outside of the scope of historians at this time.
But, for all those flaws, the rest of the book is invaluable even for a modern reader. The language used is very accessible for how old it is and still easy to comprehend, so the book reads away fairly easily. The entire thing is very concise, the actual body of the work being exactly 200 pages and no more, and Ellis crams all the pertinent information into those pages without making it overwhelming. The chapters are structured well, the introduction and conclusion both are helpful and waste no words. Her approach to the entire subject is deeply refreshing, and must have been even more so when the work was current: she makes no effort to dismiss other theories in favor of putting forth her own originals, but rather compares previous scholarship, elaborates upon it, and aims to close her study with open-ended suggestions, rather than conclusive statements. The broad outlines of said suggestions are still well-received and accepted by scholars today and will presumably continue to hold up and be built from for quite some time.
In between examining funerary customs and afterlife conceptions, she bridges the gaps between these subjects by also covering such related subjects as soul cosmology, necromancy, death cultus, ancestor and rebirth conceptions, cross-cultural exchange and comparative religion, and, as the title suggests, the journey to the realm of the dead. In doing so she provides a very complete image of exactly what evidence the sagas, eddas, and archaeological material provide us with, and wraps it up satisfactorily. It feels very easy to jump from this book to any other given text on related subjects, and as any good textbook ought to do it's made me want to reread some of my other books with the context that reading this cover to cover has provided. I would say, even, that this has proven a better sitdown read than it has a reference work, but that's certainly not to understate its value as a reference work.
Ellis' perspective as a female author is very welcome, especially in comparison to her male contemporaries. Her approach to the field in general was quite revolutionary and very inspiring, but she also includes footnotes and commentary on the literature that male authors might not think to or want to, such as her thinly veiled distaste toward Ibn Fadlan's fascination with sexual assault - which she proposes may in fact be a creative liberty on his part, with her reasoning to explain why.
Though my criticisms of the book have taken up the most room in this review, I cannot stress enough that the contents are mostly very good and hold up to this day. It just, as any other studying does, requires an active and critical reader. Ellis' discussion of the sagas, the eddas, their overlap and implications, is all incredibly valuable and has enriched my understanding of what I am reading in them immensely. Future readers can expect very sound and lucid speculation on all manner of inter-related aspects of Old Norse death conceptions that were far ahead of their time, and that influence modern scholars even to this day. Its value is not strictly in learning about Scandinavian religion, though, but also in getting an idea of how the field has evolved and improved over time, which in turn can inspire modern readers on what reforms and re-evaluations we need now, as we continue to strive for a decolonized, respectful, accurate means of inquiring into our pagan past.
A prayer I wrote some time ago but felt compelled to share. I've been focusing a lot on love lately--for friends, partners, family, community, and myself. It's been subtle, but I've felt her inspiration and guidance and it makes me incredibly grateful.
--
Hail the divine Princess, Daughter, and Survivor. Hail Gullveig.
With open hearts and open minds, we welcome you.
Taken from your land, taken from your people,
You persevered through unthinkable woe.
We offer you peace, respect, and comfort.
Hail the divine Lady, Lover, and Warrior. Hail Freyja.
With open hearts and open arms, we welcome you.
Chooser of the fallen and defender of your kin,
You act with justice, honor, and might.
We offer you thanks, reverence, and loyalty.
Hail the divine Queen, Mother, and Seeress. Hail Frigg.
With open hearts and open eyes, we welcome you.
Mourning your husband and grieving your son,
You carry on through unspeakable sorrow.
We offer you warmth, rejuvenation, and love.
Hail the divine Amber Goddess.
With utmost devotion, we welcome you.
Perceiving the secrets weaved within the Wyrd,
You fight to defend those you hold dear.
We offer you exaltation.
It just like... look. If your religion has an explicit instruction of belief that it needs to take every other religion out there in the world, wipe them out, and replace them with itself, that religion is xenophobic. And the people who engage in the fulfillment of that process are xenophobic.
It might not be as explicitly nasty a xenophobia as ethnic genocide, but it's still an instruction to commit cultural genocide.
The number of people who have added this comment or others to the same effect...
Yeah.
You're no better than the missionaries who want to wipe out other cultures and replace them with Jesus. You say that you "hate all religions equally"? Fine--that means you hate exactly the same number of religions that they do, plus one. From the perspective of those facing the hate, it really makes no difference.
If I say "I'm Jewish and I hate the ideas of missionaries because historically they created pogroms and ghettoes and started genocides multiple times," and your response is "I hate all religions equally," which INCLUDES Judaism, what you're actually saying is "those people were bad but they should have succeeded."
These missionaries/missions have actually contributed to ethnic genocide. “Kill the Indian to save the man.” Was literally the line of thought for putting Indigenous American children into residential schools and how many mass graves have we found? How many are still waiting to be discovered? How many human beings are in unmarked graves, still separated from their culture, having found no peace even in death. And this is but one example.
Gtfo with “I hate all religions equally”. If you believe this you’re equally racist as the people you claim to hate.
Those residential school mass graves were the original instigation for this post... and yet there were people who, in the immediate aftermath of their discovery, argued on this post that they were acceptable.
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Now in the northern hemisphere we get a brief period of summer fullness and then in a few weeks we’ll start seeing things like a red leaf here and there and other small hints of autumn. The height of summer is such a short time before everything starts its slow tumble down.
it took me a long time to figure out how to pray, but these things help immensely.
i need to make wayy more, but anyway: to make one, i focus on the deity it's for, and if they're norse i go look up their kennings and choose the ones most meaningful to me personally. i can also use modern spg kennings or make up my own, but the traditional ones are a good starting point where they exist. i decide on what sentence or words i want the long part to say, then i choose a color scheme and bead up the whole thing. i start with the deities name three times in a little loop that i can later hold it with. if they have multiple names i can also mix it up. then at the end, i add a fitting charm. to pray, i stand at the open window and read the words out loud (or in my mind), starting at the name repeats. then i wrap it around my hand and can hold on to it and fidget while i talk. having a start to a prayer like that really helps me get into the right mindspace for praying rather than overthinking and not knowing what to say, and having something to hold that also signifies a connection has proven very beneficial. maybe this can help someone else!
i also wanted to share which words i chose and how they look because they are very beautiful, so let me type out the words.
saga, saga, saga - seer and storyteller on the sunken bank. (colors: black, white, silver and blue. charm: sanddollar and key.)
loki, loki, loki - cunning-wise loki, father of monsters, the bound god. (colors: black, white, red, green, purple, gold. charm: some sort of knot.)
idunn, idunn, idunn - ancient aesirs lady, keeper of the orchard, with wisdom of the earth. (colors: black, white, yellow, gold. charm: apple.)
freyr, yngvi, freyr - god of seasons, peaceful king. (colors: black, green, orange, yellow, gold. charm: crown.)
for storage i put the loop on a removable chain in the lid of a wooden box, the long tails go in the box. since the names are on the loops, they are easy to find that way.
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there's so many times when I want to write at length and in detail about an experience I've had within my practice, but the things I felt or intuited in those moments are often so transcendent, fleeting, and overwhelming that I struggle to articulate them, and every turn of phrase seems inadequate so I just default to "wow I love the gods" and call it a day. I'm trying to improve upon this bc I want to keep a better/more consistent personal written record, especially now that I'm on a pretty regular schedule wrt offerings & getting more seriously into trancework, katadesmoi, and ritual preparation, but man it can sure be hard to find the words!