greetings dead ones

can you hear the lambs clarice??

Something about the bastardization of the story time and time again proves that nobody in power really cares about the people who would resonate with King’s Carrie White. A girl so ugly and repulsive she’s been removed from her own story. The societal need for women and girls to be constantly perceived as attractive is what fuels a fair amount of her torment in the book, but that person isn’t even allowed to exist on the screen. We cannot empathize with her; it isn’t allowed. It’s fascinating to me.

this is a renaissance painting

everyone loves to hate terfs until they realise that it actually entails rejecting bioessentialism entirely and then suddenly you’re “taking things too seriously” and you “don’t have a sense of humour” like i’m sorry but saying protect the dolls doesn’t make you immune to terfism it has seeped into every corner of mainstream feminism and unless you’re actively searching it out and checking your own biases you will always be at risk of sharing a space with terfs

go white boy! get stupid!

lost in the sauce

Happy Wet Beast Wednesday

i have been noticing recently that people younger than me are too sensitive, while people older than me are not sensitive enough. which, if i'm correct, should be taken as a sign that the total reality penetration vortex is operating as intended -- within as few as five or six generations we may very well be producing babies who can directly perceive the wound at the heart of the world

I think if I heard I Gotta Feeling by The Black Eyed Peas in the correct circumstances it could move me to tears. It's like the promise of a brighter future that never came to pass