The Jewellery Box

Flower pendant brooch, c. 1900

Midsummer crown by Maria Nilsdotter

Sterling silver set with rose quartz, amethyst, moonstone, clear quartz & citrine, £4,350.

Neon Scale Fantasy Land brooch by Ying Zhang, 2025

Parrot earrings by Olivia Dar

Hand-embroidered with beads and sequins, $185

Parade brooch by Chaumet, 2019

From the Les Ciels de Chaumet high jewellery collection.

Envol earrings by Chaumet, 2019

From the Les Ciels de Chaumet high jewellery collection.

Human Being: Checkers necklace, Boucheron

From the 2026 Carte Blanche collection.

A houndstooth weave, reminiscent of a garment.

To inscribe the houndstooth pattern into onyx, Boucheron used an incredibly precise technology, the femtosecond laser. By emitting a series of ultra-fast micro-impulses, it removed material from the 163 stones without compromising their integrity.

The aim was to create the illusion of a genuine houndstooth weave draped across the necklace. Extensive CAD modeling was used to create a flawless optical effect that the eye perceives as a single uninterrupted pattern.

1,990 hours of work for the set.

Human Being: Tattoo necklace by Boucheron.

From the 2026 Carte Blanche collection.

'Victorian tattoos, carved into stone.

To create the illusion of a real tattoo, the ancient art of glyptics was used to carve sculptural forms into the reverse side of smoky quartzes, giving a bas-relief effect.

Since this engraving technique doesn’t allow for the use of color to bring out its finer details, these can only be revealed through subtle variations in depth. To achieve perfect symmetry across the repeated motifs, the artisan invented over 200 of their own tools to craft these pieces.

3,740 hours of work for the set.

Human Being: Light necklace by Boucheron.

From the 2026 Carte Blanche collection.

'A light that springs from the depths of the stones.

To bring forth this light, over 1,500 carats of morganites of the exact same color intensity first had to be assembled. Yet it was the mounting that posed the main challenge for Boucheron’s artisans: to avoid any pressure being exerted on the morganites, they fitted and screwed the prongs around each stone.

Adding to the complexity, the design called for the diamonds to be directly set into the morganites; this entailed hollowing out the morganites to accommodate an invisible metal framework, into which the diamonds were then set.