(and death I think is no paranthesis)

BITCH

NOT TO MENTION the fact that the prohibition against direct images in Islam was actually the reason for the development of the incredible advances in higher mathematics of the Islamic Golden Age because they were required to create these structures. The Islamic World basically took the ban on images as a “hold my beer” thing and created an entire artistic culture based on mathematics and architecture where art and science fed into and glorified each other, 700 years before the Italian Renaissance.

In conclusion

But why are Finns celebrating like we won?

We are celebrating because for the first time in ages THE WHOLE WORLD sees us as our own and not the shadow of Sweden. Käärijä made the world acknowledge us! Point us on the map! And that’s something that rarely happens. 

Sweden is acting like the bitter big brother who doesn’t accept that someone is paying attention to little brother Finland instead of them.

"baptise me in hot dog water"

Hot dog water - there's a Tumblr post out there I've seen saying hot dog water is the opposite of holy water, due to the fact that a single drop of it will contaminate what it touches. I assume this was partly inspired by this allusion but who knows for sure.

Also the the idea of holy water as inhuman and cleaning vs hot dog water as the remains of feeding someone - often a child - and entirely human. It may be dirty and I do not want it on me but God hot dog water has some memories. You will not wash away my sins. They're mine. Also, anyone can make hot dog water but holy water is refined, restricted (yes anyone can make it in an emergency but lay people are restricted from it)

"you and I both know"

Unlike baptism for babies, this one is done between two people who are both aware of what is happening. The one receiving the baptism gives the orders about what they want to happen. The giver and receiver are portrayed as equals. They are equally aware of their humanity.

"the holy stuff won't take"

Ooof heartbreaking, amazing line. Raises so many questions. What does it mean when the water "takes"? What has the receiver done that makes them unfit for holy water? Or, what has the holy water done that makes it to weak to help, to be a part of your life?

Meter

There are two readings of the poem's meter that I immediately identify, the first is how I'd want to read it, and the second is how a normal person would probably read it, but both make the same point.

In my interpretation (left), the first line is four wholely irregular feet: an iamb into a dibrach into two trochees; The second line is two trouches into a hanging stressed syllable; And the third line is three iambs.

In the more normal interpretation(right), the first line and second line are six trochees all together plus that hanging syllable in 'knowing' which transitions the poem to iambic trimeter.

And look at the interesting result of that laid bare:

In English poetry there's a tradition, all other things being equal, that iambs are considered the sophisticated foot with trochees often being contrasted as the vulgar or common foot.

The vulgar in specificity "hot dog water" is put in trochee, while the respectably vague "the holy stuff" is afforded iambs. Without the poet having thought of the stress things the pattern actively, this incapulation of the English poetic tradition is astounding. Especially when you consider the

Chiasmus

Chiasmus is a figure of rhetorical construction, in which two pairs of ideas are laid across each other, A B B A. It's one of the more popular figures of rhetoric and if you're looking for it you'll see it everywhere.

In the most literal sense, it's about repetition; but, you can apply it more liberally to ideas, thoughts, or in this case, parts of speech:

The nouns and verb pairs in the first and third lines crossover each other. They are in chiasmus. Structurally, the inversion makes the poem feel more solid, while still furthering emphasizing the contrast between the idea of hot dog water and the holy stuff.

Conclusion: We can basically hold televisions across Europe hostage for 3 minutes and do what the fuck we like. Let some random security guy sing, elected 30 seconds before going on stage. Classical opera sung after breathing helium. Slightly sing-songy stand up comedy. Sneak in Die Ärzte under fake names and do whatever. A speed caricaturist drawing the competition while doing some half-hearted whistling. Host a drunk ballet performance.

(From NHS website)

I had an experience in my last work place where I fainted, but because it looks so different to how it’s shown in film and TV my managers had no idea what had happened. Here’s a comparison of usual media vs my actual fainting that they were all confused by-

Films, TV shows, plays etc:

1) Person goes “oh goodness” or something similar whilst holding hand to chest

2) eyes roll back, gracefully falls to the floor

3) nearby people see the poor fainted person, pick them up, put them on a bed or sofa

4) person comes to hours or even days later with no idea what happened and everyone else is just like “oh good you’ve woken up 🙂”

My usual fainting experience:

1) Everything starts spinning. Incapable of making words as my sole focus is on trying to get myself to the ground ASAP

2) Stumble to floor/chair/ anything I can lean against

3) Quick violent slump as actual faint occurs. There is no dainty falling- the whole body has hit shut down. Usually smack my head on the floor if I haven’t managed to get myself somewhere soft

4) Aware of surroundings almost immediately, but takes a few seconds to fully come back round