Vampire girl explaining that vampires don’t necessarily have to kill someone to drink their blood, but she did kind of kill a lot of people back when she was all depressed pre-transition: “when I was an egg I ate four dozen lads”

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@unrrepenting
Vampire girl explaining that vampires don’t necessarily have to kill someone to drink their blood, but she did kind of kill a lot of people back when she was all depressed pre-transition: “when I was an egg I ate four dozen lads”

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im realizing very fast that people do not in fact know that sometimes things in stories suck on purpose and it sucking is the point
"this story is misogynistic!!"
>looks inside
>about the pressures of societal misogyny and how its bad
"get him pregnant" well thats not my thing but to each their own
"get her pregnant" *takes up my sword and shield* i wont let you do that to her. ......................
free use is kind of a funny kink bc it relies on the idea that everybody wants to touch you and have sex with you but what if they don't. what if you tell everybody at the party you're free use but they all ignore you and mind their own business
taking notes
The decision to shoot in Moroccan-occupied Western Sahara, where the Indigenous people can’t tell their stories without fear of imprisonment
The simple act of holding a camera in my homeland of Western Sahara can be a crime. When Sahrawi film-makers and journalists attempt to document everyday life under Moroccan occupation, they can often end up in prison cells. For the Moroccan regime, a camera in the hands of a Sahrawi threatens its official narrative that Western Sahara is part of Morocco. In contrast, when celebrated international names in the film industry wish to capture an ideal picture for an epic journey, and decide that our land is exotic enough to shoot the desired scenes, they are welcomed, escorted and granted access by the same authorities that usually deny us that right. [...] Nolan’s choice to film in an occupied territory highlights the extractivist practices embedded in the western film industry. Western cinema has often been complicit in mining stories and immaterial culture from the global south at a scale no smaller than the material resources mined by the western colonial industrial complex. International film crews parachute in, shoot our faces, clothing, dunes and material culture, then fly off. For them, it seems we are simply decorative elements for their sets and back in New York, London or Paris, they gain prestige, box-office returns and awards. For Nolan’s Dakhla shoot, he appears to have neither sought our consent nor considered the ethics of in effect helping to prop up and legitimise Morocco’s occupation, thus making the space even more unsafe for Sahrawis living under it. He is actively participating in a state-sponsored PR campaign designed to legitimise an illegal occupation.
2026/07/16

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Now that everyone is discussing Nolan's Odyssey movie, I feel like it's a good time to let non-Italians know that the production dumped plastic props into the Italian sea. Weirdly enough I could not find any article in English about it but it's a fucking problem nonetheless.
I might translate this article later today. This one was the most complete one, even in Italian news it's not talked about that much.
Non è la prima volta che la produzione solleva un vespaio in Sicilia. A Lipari una squadra di sub sarebbe però già impegnata a bonificare i
They dumped plastic skeletons in environmentally protected areas, against the literal contracts they had to sign to get the permits to film in environmentally protected areas. Like they not only did a bad ecological thing that freaked out some divers, they literally broke environmental protection laws and their contract with the Italian government
Concerns about prop disposal as filming on new Nolan film comes to a close | www.italianinsider.it
Here’s one in English.
not to be a dirty commie or anything but i don't think any one person should have enough money to solve world hunger and then get to decide not to
context according to instagram:
original image from the magazine:
Found a scan of this issue on the Internet Archive (it's the back cover). This scan is 4000x6000 for all your high resolution needs!
La Domenica Del Corriere v60 n29 July 20 1958, Milan, Italy, 36 pages, 40 lira.Front and rear covers by Walter Molino.
The caption reads: "Defeated by roses. Near Turin's Lingotto station, along a lonely path, Miss Guida Concetta Rinino, 28 years old, who was bringing a nice bunch of roses to a relative, was accosted by an unknown young man. The young woman, rather than losing heart, defended herself with extraordinary energy, using the bunch of flowers as a weapon. So it was that the scoundrel, his face all scratched up, had to flee. (Drawing by Walter Molino.)"
Incredible. At a distance I understand how the woman might appear to be the abuser and the man the sympathetic victim, but the second you zoom into the man’s face the pink-cheeked rage- not remorse, or rejection, or embarrassment- not heartbreak or despair- but RAGE- the deeper story speaks itself into your suspicions.
And the bit where they’re HER roses? Almost a relief, but also sadder, as she will arrive at whatever event without them, or with them destroyed.
Do you think when the righteous anger and anxiety and annoyance fade, when she arrives at her destination- will her loved ones applaud her? Will she be proud? Will her hands shake? Will she walk home with company from then out, and for how long?
In this moment, she is provoked into anger. Anger is good- it appears strong. But look at his face. Would you put it past him to linger there after dark, in case she returns alone?
What story will HE tell, of ‘I was perfectly polite, but she didn’t even give me a chance- women like that, they’d swoon for a jerk in a heartbeat, but kind and flattering men like me?…”
I love this piece. It paints both stories while illustrating the power dynamics and struggles at play. This should be shown in art classes
pick up that non-fiction book
not all of us can live in fantasy 100% the time like i see some people on here do and it's refreshing to learn something new. its been philosophy, essays, and history for me and i feel much more at home on planet Earth for it knowing that people have been struggling and wishing similarly for millenia.
its not that fiction doesnt have its place, its important and healthy to exercise the imagination, but non-fiction can do so much to boost and supplement that. if not for yourself, for your art or for the people you're around
"representation matters!" but you wont read or engage with non-fiction works about any demographic outside your own
this version of the post doesnt seem to be getting much traction but this is arguably the most important reason why we should be reading nonfiction in addition to fiction
Stamp of approval
oh! the Black lead is annoying and insufferable and u want him to die? but you like the other two (white) leads just fine? oh the Black woman who's made morally questionable or evil decisions is irredeemable and no matter what new information you learn there's just "something off about her"? but the white woman who's made morally questionable or evil decisions is understandable or even just yass evil girl boss moment slay? three page essay due on my desk monday explaining why. with citations. the rest of the class and i are dying to hear your analysis.
‼️ THIS POST IS NOT ABOUT SHIPPING DISCOURSE ‼️ THIS POST IS ABOUT ANTIBLACKNESS IN FANDOM AND PEOPLES' UNEXAMINED BIASES AGAINST BLACK CHARACTERS ‼️

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The juxtaposition of these tweets...
Sorry we really went from free the nipple, take back the night, slut walks, and ending gender/sex segregation in sports being fucking milquetoast feminism 101 concepts to fucking girl dinner and "I just worry about fairness if we let trans girls play against cis ones" and "it was right of that woman to call the cops on a black man for existing near here in public during the day time because men are all violent monsters" and "radical feminism isn't transphobic we just need to kill all men including trans ones those oppressive traitors" and I will legit never be able to be normal about it. What the FUCK happened. I'd say I wonder what the feminists of my youth would say about this but I'm one and lemme tell ya I want to throw up. Go fucking read bell hooks or do something else useful please because all of this learned helplessness, gender essentialism, and transphobia dressed up as feminism is actively holding us back.
i wish we were able to talk about women's rights without someone mentioning how much they do or don't want to have sex with them. i don't care if you're a lesbian Stop finding worth in women purely from their perceived attractiveness
"I think women should not be expected to shave for societal respect / to avoid discrimination" "yeah🤤 i love bush" ok well that's not what we're talking about is it.
i hate how many posts about trans women deserving respect always devolve into "I love girldick" or "trans rights but I don't want to date a trans person" because that's entirely unrelated to the topic at hand. you should not respond to feminism with "YESSS I loveeee you because I see you as nothing but a sex object" you people sound like other men I get stuck talking with that end up saying "free the nipple so I can see boobies in public" and thinking they're feminists. why can't we just respect women regardless of your attraction to them or not. why does it need to be brought up in every conversation regarding their rights
hope it's alright to screenshot and add your examples <3 very well worded
The Amazing Digital Lack of Consequences for Banning Trans Women from Existing on this Website
how it feels to be stressed out almost 100% of the time

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People are unfazed if you hate women but if you dislike dogs they assume you're a bad person
Tumblr users will read a post complaining about normalized misogyny and hyperfocus on your claim that it's ok to dislike dogs
we are never going to be free until it literally doesnt matter whether a person is ugly or not