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asoiaf ŕ±· disco elysium ŕ±· ben 10
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some tags for navigating this blog:
greenbloods.txt
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After the death of god and the decline of the institution of the church, traditional esotericism also fell in popularity; it's hard to keep a counterculture going when the thing you're rebelling against is no longer so popular. The rise of technology and its various fetishistic cults--the epicenter being in Silicon Valley, though disperse throughout the world--consequently means that techno-esotericism is on the rise. Common and comprehensive technologies become objects of mystical significance. AI becomes a new god; the blockchain is not a tool, but a harbinger of the Age-Yet-To-Come.
The inevitable telos of technological progress in the eyes of techno-esotericists is one of two potential outcome, a heaven and a hell if you will: 1) total sublimation of humanity to the will of the Elites Controlling it All (esotericism and conspiracism have always been bedfellows in the best of times), or 2) the creation of Heaven-On-Earth, guided by the soothsayers and the tech startup CEOs, with the Singularity and AGI being instruments that will bring about this Rapture where unbelievers will see their doubts finally cast aside.
Techno-esotericism is just gnosticism with nowhere else to go.
hello can aonyone hearm e
we have our fun talking about targaryen fascism but we're on the same page that it's not real right? like fascism is just not possible in a medieval feudal mode of production because the economic conditions required for fascism simply are not there in a pre-industrial, pre-radio, pre-nation state time. how can you mobilizate of the populace through stoking nationalistic fervor? there's like a seventy percent chance some farmers in the stormlands still think the durrandons are king
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winds of winter unbelievers will be persecuted under the new regime

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i dog and i dog on grrm but every time i go on that damn subreddit i get so defensive of that old man. oh you think it's so easy? you think it's all fun and games to write a thousand page book in a multipov multicontinental densely structured narrative setting with all the world's eyes on you? go ahead u/chudmeister0621 pick the pen we're all waiting
i dog and i dog on grrm but every time i go on that damn subreddit i get so defensive of that old man. oh you think it's so easy? you think it's all fun and games to write a thousand page book in a multipov multicontinental densely structured narrative setting with all the world's eyes on you? go ahead u/chudmeister0621 pick the pen we're all waiting
With our new technology, 9 pregnant women will be able to give birth to 1 baby within 1 month. 2 babies if they're twins.
Joke aside, one problem with this formulation is that the average person doesn't really have a grasp of what a "complexity score" of a book could like.
Two naive estimates are treating a book as a book as a book. Stephen King wrote a book in a month, George Martin should be able to do that too. Then you say, no, King's books are shorter, so book complexity should really be a function of word length.
But that falls short fast. There are short stories more complex to write than some novels, simply because they are pulling off more complex things with their writing, while the novel is trite and hackneyed. (More complex doesn't mean more or less good, of course--a book entirely written without the letter 'e' is pretty complex for the average human to write, but it's probably not anyone's favorite novel.)
So the measure breaks. People tend to throw up their hands trying to find any complexity scoring function more fine-grained than word length. More characters, more settings, more interactions, more logistics: all of these are difficult to keep track of, difficult to quantify: the devil is in the details. All we know is that The Winds of Winter is not simply any old book, and it's not even any old 1,000 page book either. It exists in the context of five other books behind it, and one more book after it. It cannot be understated that it is a monumental undertaking. Very few writers have it in them to write a Winds of Winter.
i dog and i dog on grrm but every time i go on that damn subreddit i get so defensive of that old man. oh you think it's so easy? you think it's all fun and games to write a thousand page book in a multipov multicontinental densely structured narrative setting with all the world's eyes on you? go ahead u/chudmeister0621 pick the pen we're all waiting
With our new technology, 9 pregnant women will be able to give birth to 1 baby within 1 month. 2 babies if they're twins.
I understand why they say this but always interesting to see people react to a bizarre social media take by saying “no one in real life thinks this.” where do you think people going on social media live?
someone explain why jc is bad without moralism or idealism

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Second time making sister’s stew; came out yummy but I Ship of Theseused so many ingredients to make it vegetarian that it’s basically white stew with turmeric and spices.
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i dog and i dog on grrm but every time i go on that damn subreddit i get so defensive of that old man. oh you think it's so easy? you think it's all fun and games to write a thousand page book in a multipov multicontinental densely structured narrative setting with all the world's eyes on you? go ahead u/chudmeister0621 pick the pen we're all waiting
I read your thoughts on the play, but Rhaegar still comes across as politically incompetent to me, which honestly kinda tracks with the books. We know he had his own faction at court and a close circle of friends and supporters, and Harrenhal is heavily implied to have been part of some attempt to move against Aerys. We never get to see how politically capable Rhaegar actually was, but there was clearly some factional support around him. The play seems to keep the coup plot and then makes him show up with basically nothing beyond “surely they’ll understand my prophetic harp song” until Elia explains coalition-building to him. Book Rhaegar is remembered as dutiful. We don’t actually know how dutiful he was. And the play takes this supposedly able, deliberate prince and apparently turns him into a guy with huge ideas/dreams who needs someone to walk him through the practical part. Can hardly muster any sympathy for him.
He is not particularly politically deft, I would agree, but I think this is a tad uncharitable. This lack of competency doesn't mean that he is not attempting to do something about the problem of Aerys - in fact, Elia wasn't even involved in Harrenhal conspiracy at first, she just found about about it early on and urged Rhaegar to involve her, it was Rhaegar who was driving it. But my impression of Rhaegar is that his visions are so all-consuming they warp his understanding of what a normal person understands and knows and thus makes diplomacy a little challenging. This doesn't mean he's all ego; if anything, the prophecy is part of the reason why he is so concerned with duty. To give you an example, he plays the Song of Ice and Fire, in High Valyrian, at the beginning of the tourney - not because he thinks it's a beautiful song, but because he thinks it's subtle signal of rebellion that the lords would understand, he's attempting to reach them (this fails). He ends up fumbling a conversation with Robert by bringing up grief - but there was a genuine attempt to reach him there. I think what people miss with Rhaegar is what is motivating him to secure political power is in fact the prophecy, and his dutifulness stems from that. Elia suggests a different approach but if she hadn't been there, I imagine Rhaegar would not have just shrugged his shoulders and called it a day? I think I'd draw a distinction here between his lacking diplomacy skills and his commitment to the realm - because until Lyanna, he was genuinely trying to change things for the better.
Of course, if you read all this and still think he's just beyond sympathy, that's of course your call. He still ultimately throws it away anyway, and I have no interest in apologising for that.