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pinned post
asoiaf ౷ disco elysium ౷ ben 10 ౷ tadc
icon by h.j. ford ౷ header by jc barquet
some tags for navigating this blog:
greenbloods.txt
asoiaf animated series
asoiaf heritage posts
asoiaf polls
karma in asoiaf

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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thinking about arya stark again
there is no vow more profound for a fictional character to make than to say cross my heart and hope to die
really makes you think about the values of our grimdark-obsessed modern age of cynicism when people are praising nihilistic media where nothing gets better like "the wire" when we could have hopeful and thus radically progressive media where everything turns out okay in the end, like "law & order"
my treasury barren, my house full of rats, my council unfilled, my body bleeding, my uncle husband megalomaniacal, my dead son in the hallway, my bed stained with my mother’s blood, my girlfriend socialist, my night restless, my step-brother an impostor, my anointment denied, my queen’s guard meager, my bearings not gotten, my coronation postponed, my ghosts thick in the air, my prisoner wife a port in a storm

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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jaime, the single most significant individual in tyrion’s life who had afforded him love, respect, and kindness throughout it, essentially expressing “i would kill myself if i were you. you’d be better off not existing” to his face is so
lol the thing about limbo jaime is that he is such a callous self-absorbed uncaring privileged asshole it is kind of astounding. like i get cersei and tyrion being like this fucking joker doesnt think or give a shit about anything but fucking around but he is still my little meow but i wouldve strangled him i think
jaime trades in his golden hand for an iron hook truther
his golden hand is a useless lump that he sees as a lie. an iron hook is truthful and useful. it's not pretending to be anything more than what it is. plus it makes him look like a pirate
jaime's act2 post stoneheart breakdown will be him losing his gold hand and deciding to wear an iron hook trust 🙏🙏 never forget one of the first things tyrion did was draft disability accomodating saddle blueprints so bran could ride a horse. jaime isnt there yet but hes close to breaking away from some of the lannister delusion thats defined most of his life. i believe in him
I think the ultimate fantasy that people have when depicting Brienne is thinking 'Well *I* wouldn't think she was ugly just because she doesn't fit medieval Westerosi beauty standards. In fact, I would think she was HOT!' OK. Cool. Would you still respect her if you did, in fact, think she was ugly though? Or is morality tied up with appearance still, just behind one additional layer of abstraction?
all the female characters in asoiaf have to deal with beauty as a real, material condition that affects their lives. it's socially constructed, and maybe those constructions don't line up with our understanding of beauty, but that makes it no less real. the text is not concerned with whether Arya, Sansa, Brienne, or Cersei are attractive to a modern reader. it is concerned with the way it shapes their available choices. Brienne's choices for marriage are severely limited because people agree she's ugly. Cersei and Sansa are commodities in part because they are agreed to be beautiful. Arya is treated with more respect when she wears a dress and conforms to gendered expectations, but the supposed ugliness of her gender non-conformity merits worse treatment. what we think they look like is irrelevant.
All the characters in the books are text on the page, and we have no knowledge about their appearance other than through the filters of our POVs. Who and what is defined as beautiful is dependent on societal constructions of beauty.
That being said, I think that the reader who conceives of Brienne as physically beautiful to them is constructing a reading of her character which ignores the point, that Brienne is a worthy and honorable person regardless of her physical appearance. The point is not that beauty somehow isn't a material reality, the point is that it shouldn't be. That doesn't mean that Brienne is ontologically unattractive: within the story, Jaime is actively attracted to Brienne. But it does mean that a Brienne who is perceived as simply unconventionally beautiful instead of ugly by most every beauty standard seems, to me, to be missing the point.
What we think they look like isn't irrelevant. But what they look like is irrelevant to how they should be viewed as people.
lot of people dont know this but chess exists in the citadel. they just wont tell anyone

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rhaenyra setting up a whole sham banquet to feed rats to the nobles while she redistributes their wealth
Decided to go on a bit more about the Raskolnikov- Theon parallels I was talking about in the other post lol
Like. Another thing I find interesting is how much Theon is coded as having a divided identity, which *also* reminds me of mr. raskolnik-means-schism stupid Russian boy.
And in both of these cases, a huge part of the reason why their choices seem so strange is because they are self-contradicting, as the result of a very divided sense of self. Theon taking Winterfell to get revenge on the people who held him captive and then being surprised that they don’t treat him affectionately; alternating between trying to be fair and sympathetic and acts of extreme violence to establish himself as someone to be feared; all of it is very poor strategic decision making, and only makes sense as a result of his internal conflict. Of course, acting on it without actually resolving anything just ensures that he doesn’t accomplish either goal- again, very Raskolnikov coded. The quote “your worst sin is that you betrayed and destroyed yourself for nothing” could literally have been written about acok Theon.
Something else I find interesting about comparing these two characters is the fact that, in most modern media that takes inspiration from crime and punishment, the redemption arc is usually missing. Like; taxi driver is a movie that has a pretty clear Raskolnikov-slowly-alienating-himself-from-humanity-in-his-shitty-apartment vibe, complete with his most relevant relationship being with a prostitute, but it concludes with him finding a source of meaning in the recognition for the violence he committed (and from what I remember he’s pretty much a full blown fascist at that point too, lol). Not to say I don’t love that movie, but the fact that (imo) it’s kind of a pattern makes the whole thing kind of sad.
So I find it cool that we can see elements of that redemptive arc already appearing in the book, with the gradual reconnection to humanity happening through caring for a woman that society views as discardable (jeyne poole/ sonya). Recognizing that maybe there *isn’t* a hyerarchical division of value among human beings, and that, truly, he has more in common with the discarded and marginalized people of the world than with the violent elites he was simultaneously imitating and attacking, lol (which I think is very interesting when it comes to Theon, because by all means he *is* a noble, but for various reasons he has been ostracized and relegated to a scapegoat role through his life).
That’s part of why I think Theon’s show ending was so stupid (besides implying that he owed loyalty to the starks, lol). One of the things I love about Crime and Punishment’s last arc is the focus on finding meaning in life itself (“only to live, live and live! Life, whatever it may be!”) and I felt like the book was kind of going there with Theon’s “the gods are not done with me” thing. I would find it really interesting if it went on that route, instead of a “forgiveness can only be found in death for some people” approach.
@selkiewife i thought you might agree or have something to add to this, lol
some pages from R.F. Fox’s classic children’s novel, Deltarune. I remember being so scared of Susie when I was little
deltarune playthrough chapter 3+
previous thread for undertale and chapter 1+2
right now kris is having a lot of fun being back in the dark world because it's an adventure for her.
i wonder when it'll stop feeling like fun
a game within a gameshow within a game. this is getting too meta
theres something going on genderwise with everyone here
rouxls kaard throuple. why not
Crazy line teasing kralsie throuple. you can tell how Tumblr this game is by the amount of shipbait there is between every major character pairing
chapter 3 was v fun. i feel like the story is just going to ramp up from here. a lot of time spent on tenna and what it means to spend your time in a nostalgia of the past, chasing the glory days that will never come back.
after chapter 3 deltarune is firmly a work of children's literature (positive) for me now, in how it spends a lot of time paying attention to what it means to be a kid growing up, the uncertainty of school and fitting in with peers, the growing pains associated with being too old for certain fantasies while still looking back to them for comfort, and the strangeness of looking back at your childhood while still being a child.
and now that toriel and undyne are out of the picture officially, and with susie's general attitude of not telling anything to a trusted adult, we've gone full into the roald dahl school of storytelling of "Get the adult out of the picture."
and so many ralsei moments. we ate good this chapter
deltarune playthrough chapter 3+
previous thread for undertale and chapter 1+2
right now kris is having a lot of fun being back in the dark world because it's an adventure for her.
i wonder when it'll stop feeling like fun
a game within a gameshow within a game. this is getting too meta
theres something going on genderwise with everyone here
rouxls kaard throuple. why not
Crazy line teasing kralsie throuple. you can tell how Tumblr this game is by the amount of shipbait there is between every major character pairing
chapter 3 was v fun. i feel like the story is just going to ramp up from here. a lot of time spent on tenna and what it means to spend your time in a nostalgia of the past, chasing the glory days that will never come back.
after chapter 3 deltarune is firmly a work of children's literature (positive) for me now, in how it spends a lot of time paying attention to what it means to be a kid growing up, the uncertainty of school and fitting in with peers, the growing pains associated with being too old for certain fantasies while still looking back to them for comfort, and the strangeness of looking back at your childhood while still being a child.
and now that toriel and undyne are out of the picture officially, and with susie's general attitude of not telling anything to a trusted adult, we've gone full into the roald dahl school of storytelling of "Get the adult out of the picture."

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
im literally normal
the big light on the ceiling is an enemy of the people and must be vanquished
im literally normal