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pinned post
asoiaf ౷ disco elysium ౷ ben 10
icon by h.j. ford ౷ header by jc barquet
some tags for navigating this blog:
greenbloods.txt
asoiaf animated series
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karma in asoiaf

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i dog and i dog on grrm but every time i go on that damn subreddit i get so defensive of that old man. oh you think it's so easy? you think it's all fun and games to write a thousand page book in a multipov multicontinental densely structured narrative setting with all the world's eyes on you? go ahead u/chudmeister0621 pick the pen we're all waiting
With our new technology, 9 pregnant women will be able to give birth to 1 baby within 1 month. 2 babies if they're twins.
Joke aside, one problem with this formulation is that the average person doesn't really have a grasp of what a "complexity score" of a book could like.
Two naive estimates are treating a book as a book as a book. Stephen King wrote a book in a month, George Martin should be able to do that too. Then you say, no, King's books are shorter, so book complexity should really be a function of word length.
But that falls short fast. There are short stories more complex to write than some novels, simply because they are pulling off more complex things with their writing, while the novel is trite and hackneyed. (More complex doesn't mean more or less good, of course--a book entirely written without the letter 'e' is pretty complex for the average human to write, but it's probably not anyone's favorite novel.)
So the measure breaks. People tend to throw up their hands trying to find any complexity scoring function more fine-grained than word length. More characters, more settings, more interactions, more logistics: all of these are difficult to keep track of, difficult to quantify: the devil is in the details. All we know is that The Winds of Winter is not simply any old book, and it's not even any old 1,000 page book either. It exists in the context of five other books behind it, and one more book after it. It cannot be understated that it is a monumental undertaking. Very few writers have it in them to write a Winds of Winter.
Oh for sure, that's definitely part of it. Writing complexity is not simply a function of length, and even to whatever extent it is, the complexity balloons non-linearly as the number of pages increases.
i only restrain myself from excellent hotd posting like this with great effort
If you enjoyed this book you should read every other book in the world for extra textual context. All things are intricately related to one another.
hotd season 3 writing for every other plotline: two steps forward and one step back. some genuinely compelling writing and dialogue next to the most why would you ever plot it like this character beats of the whole show. pacing somehow rushing and dragging at the same time.
hotd writing for the criston-gwayne-ormund-daeron enmeshment for some reason:

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GWAYNE, DAERON & THE SHADOW OF CRISTON "I am sorry about your friend." "He gave himself to the dust."
bob the builder came out in 1999. bran the builder was mentioned in a game of thrones in 1996. coincidence?
ned and cat and everyone in winterfell would have been besieged on all sides by teenage sass had they lived to experience jon and sansa at the same time. i know it would have drove them up a fucking wall
"I was unforgiveably rude to you in the yard. You must forgive me." "Must?" She tossed her hair, took a sip of wine, made him wait. "How can you forgive someone who is unforgiveably rude? Will you explain that to me, ser?"
and
Jon turned. "Lady Melisandre." "We must speak." "Must we?" I think not. "My lady, I have duties."
Okay well I’m glad it is a shared experience that Gwayne & Ormund & Daeron’s storyline was far better written and more engaging to watch than everyone else’s this season. I honestly thought I’d just developed some sort of uber misogyny and racism
it’s always the supposed-to-be-a-five-noter that blows up

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the funniest part about robb and edmure’s relationship is that no matter how many times robb commands his uncle to address him as “your grace” he just…doesn’t. not even on purpose. not to be disrespectful. not to make a point. it’s just like an instinct for edmure to greet him with a “yo robb what’s up” 🙂↔️ whereas the blackfish refers to robb as “your grace” even when he’s just casually talking to catelyn one on one. because to be fair edmure was literally there the day that robb was born. he’s only ever known his nephew as an infant and then one day this teenage boy just shows up out of nowhere and suddenly he’s a king except he’s still growing out his first beard and he’s super attached to his pet dog and he’s constantly reminding his mom that he’s a GROWN UP now and he doesn’t need her approval (but also he really really really wants it). also when you’ve seen your sister’s kid in diapers it’s probably a little hard to take his authority seriously.
case in point:
(ACOK, Catelyn I)
flash forward and robb corrects him AGAIN:
but five seconds later:
(ASOS, Catelyn II)
(he does not gaf) (I love them)
i want to collect every beautiful thing in the world and put it into my spreadsheet
i think i might be a witch or perhaps some sort of warlock
After the death of god and the decline of the institution of the church, traditional esotericism also fell in popularity; it's hard to keep a counterculture going when the thing you're rebelling against is no longer so popular. The rise of technology and its various fetishistic cults--the epicenter being in Silicon Valley, though disperse throughout the world--consequently means that techno-esotericism is on the rise. Common and comprehensive technologies become objects of mystical significance. AI becomes a new god; the blockchain is not a tool, but a harbinger of the Age-Yet-To-Come.
The inevitable telos of technological progress in the eyes of techno-esotericists is one of two potential outcome, a heaven and a hell if you will: 1) total sublimation of humanity to the will of the Elites Controlling it All (esotericism and conspiracism have always been bedfellows in the best of times), or 2) the creation of Heaven-On-Earth, guided by the soothsayers and the tech startup CEOs, with the Singularity and AGI being instruments that will bring about this Rapture where unbelievers will see their doubts finally cast aside.
Techno-esotericism is just gnosticism with nowhere else to go.
hello can aonyone hearm e
we have our fun talking about targaryen fascism but we're on the same page that it's not real right? like fascism is just not possible in a medieval feudal mode of production because the economic conditions required for fascism simply are not there in a pre-industrial, pre-radio, pre-nation state time. how can you mobilizate of the populace through stoking nationalistic fervor? there's like a seventy percent chance some farmers in the stormlands still think the durrandons are king
winds of winter unbelievers will be persecuted under the new regime

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i dog and i dog on grrm but every time i go on that damn subreddit i get so defensive of that old man. oh you think it's so easy? you think it's all fun and games to write a thousand page book in a multipov multicontinental densely structured narrative setting with all the world's eyes on you? go ahead u/chudmeister0621 pick the pen we're all waiting
i dog and i dog on grrm but every time i go on that damn subreddit i get so defensive of that old man. oh you think it's so easy? you think it's all fun and games to write a thousand page book in a multipov multicontinental densely structured narrative setting with all the world's eyes on you? go ahead u/chudmeister0621 pick the pen we're all waiting
With our new technology, 9 pregnant women will be able to give birth to 1 baby within 1 month. 2 babies if they're twins.
Joke aside, one problem with this formulation is that the average person doesn't really have a grasp of what a "complexity score" of a book could like.
Two naive estimates are treating a book as a book as a book. Stephen King wrote a book in a month, George Martin should be able to do that too. Then you say, no, King's books are shorter, so book complexity should really be a function of word length.
But that falls short fast. There are short stories more complex to write than some novels, simply because they are pulling off more complex things with their writing, while the novel is trite and hackneyed. (More complex doesn't mean more or less good, of course--a book entirely written without the letter 'e' is pretty complex for the average human to write, but it's probably not anyone's favorite novel.)
So the measure breaks. People tend to throw up their hands trying to find any complexity scoring function more fine-grained than word length. More characters, more settings, more interactions, more logistics: all of these are difficult to keep track of, difficult to quantify: the devil is in the details. All we know is that The Winds of Winter is not simply any old book, and it's not even any old 1,000 page book either. It exists in the context of five other books behind it, and one more book after it. It cannot be understated that it is a monumental undertaking. Very few writers have it in them to write a Winds of Winter.