I'd rather be in outer space 🛸
Monterey Bay Aquarium

shark vs the universe

JVL

Kiana Khansmith

Andulka
noise dept.
Stranger Things
Lint Roller? I Barely Know Her
Claire Keane
h

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EXPECTATIONS
official daine visual archive
🩵 avery cochrane 🩵
Mike Driver

Love Begins
wallacepolsom
2025 on Tumblr: Trends That Defined the Year

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@cookbookbutch

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we moved on from juggling lab too fast y'all
I call this one jorkin my peanits
who drew richter in this shot i just wanna talk
one of my creative writing professors once said that to evaluate a work as good or not, first you ask what the work is attempting to do, and then you evaluate how well it does it. and this is how to judge everything from critical essays to romance novels to snack packaging to theory tracts.
if you are from the united kingdom, do you know what apprenticeship was in the context of emancipation from chattel slavery?
yes
no
not from the uk
reblog for more responses please
if you are from the united kingdom, do you know what manumission was in the context of chattel slavery?
yes
no
not from the united kingdom
if you are from the united kingdom, do you know the details regarding reparations to involved parties in the emancipation proclaimation?
yes
no
not from the uk

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Antique Charles Horner Egyptian Revival Scarab Brooch, C. 1912
Source - Boylerpf
This young coyote was playing around in the dirt, digging and jumping around until he finally found the prize- a tissue or something 😂. It was almost dark, so a little challenging getting the shots. Los Angeles County, June 2026.
Coyote | Shannon Sommer
louis de pointe du lac — denial is a river
I get in theory why people complain about het ships or whatever, I get wanting to watch queer media I really do, but I guess where y’all lose me is like. I saw some asshole on a post about Sinners complaining it was “hetslop”—this person was specifically doing so while also claiming Remmick was a queer character and thus they were justified in caring more about him than the Black protagonists. which is a whole other disgusting can of worms that has been well addressed by others at this point. but even in the absence of that part of the argument, like, no, i actually don’t think that a hunger for queer stories is an especially good excuse to deride and dismiss a piece of landmark Black filmmaking, especially as a non-Black person. I have a post that’s been going around encouraging folks to engage with more Native stories and characters, and I had someone come onto that post saying in the tags that they’d need these stories to be queer in order to care. and I just think that, you know, sucks! like obviously as a queer Native I also want to see more of those stories too. but idk how else to put it other than to say that Black people and people of color shouldn’t have to be like you in order for you to care about our narratives and experiences. and I think some of y’all are using this disdain for heterosexuality as a cover for your unexamined racial biases. it’s not okay to be racist to people just because those people happen to be straight, and you continue to be white before you are queer.
on an even more basic level than that, also, I simply just think some of y’all NEED to learn how to interact with media and storytelling without ships and fandom in mind. like if not being able to write fic about two men kissing is genuinely going to be a dealbreaker for you I think that’s actually something you need to work on within yourself because at that point I think you’re no longer really interacting with art and themes and narrative so much as just kind of playing with toys. which is, like, fine I guess. have fun. but it wouldn’t kill you to disengage from that from time to time. especially if would allow you to actually appreciate rich and deeply moving cultural stories from communities of color that you desperately need to learn how to see as human
when england lose, women bruise

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the zendaya thing isnt even a new phenomenon by any means!! the article mentions margot robbie wearing the taj mahal diamond as well, and in addition to that i also want to remind people that diljit dosanjh's request to wear the patiala necklace for the 2025 met gala was denied by cartier because they said it was in a museum and could not be loaned. however they had no issues at all loaning it to emma chamberlain, a white woman, for the 2022 met gala, while they turned down the request of a punjabi man who wanted it to honor his heritage.
this behavior is nothing new. the global south and everything in it - the people, the culture, our heritage - is seen as nothing more than a decoration or commodity to colonizers. i don't even need to bring up the koh i noor or the entire british museum; these examples are recent and egregious enough on their own.
of course this is not to imply that any of the people involved here - zendaya, margot robbie, or emma chamberlain - had any sort of malicious intentions. but the ignorance is just as bad in my opinion. the ignorance is just as harmful, if not more. because it means we are not even an afterthought. it means that the real people and histories and heritages of the global south do not even register when these people are putting together looks for their movie premiers and met gala appearances. everything is just reduced down to a shiny piece of jewelry whose history they need not bother with. it's just a continued reminder of the way colonization affects us all even long after independence, of how barely-healed wounds keep being reopened even decades later. even now, we are being denied connections to our histories and heritages while they are freely being given out to those that have nothing to do with it and don't care for it. and i'm sick of it.
Franz von Stuck
Hedy Yang, On the Horizon
Drag King Portraits, London, Paris & NYC, (1995-1996), The Drag King Book, Del LaGrace Volcano
My Russian Poster Boys, Knave, London 1996
Urban Dandies, Naive, London, 1995
Mister Barker, London, 1996
Del as "Sir Vesuvio," shot by Simo Maronati, Paris, 1996
Daddy Boy Dykes, London, 1992
Bridge Markland, Berlin, 1997
Amory Pert, Knave, London, 1996
Jewels & Ms Kimberly, Knave, London, 1996
Dred, Del & Shane, Backstage @ the HeShe Bar, New York City 1996
Dred, Club Casanova, New York City, 1997
Dancers (1896) by Franz Von Stuck

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i do think we should normalise being like. platonically enamoured with someone. perhaps i love and admire you dearly and there's nothing romantic about it
no, you’re not going to have a bad day, because right now you’re going to picture The Characters reuniting after being separated violently (and one of them was kidnapped/brainwashed/tortured/etc) and falling to their knees as soon as they have each other to grab onto, foreheads pressed together, each breath they catch to speak a few desperate words is one the other exhaled, so close that it’s obvious they’d rather meld into one being than ever be pulled apart again, sweeping hands over each other to make sure they’re real before holding on tight and refusing to let go. you are picturing it? good.