[The accent] is what makes Cassian special and different, you know? And that’s why I’m the only one who can play Cassian! The film is about that. It’s about celebrating our differences.
taylor price
Alisa U Zemlji Chuda
occasionally subtle

pixel skylines
AnasAbdin
RMH
YOU ARE THE REASON
Not today Justin

★

shark vs the universe
Claire Keane
🪼
tumblr dot com
we're not kids anymore.

JVL

JBB: An Artblog!

if i look back, i am lost

⁂
TVSTRANGERTHINGS
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@stitchingatthecircuitboard
[The accent] is what makes Cassian special and different, you know? And that’s why I’m the only one who can play Cassian! The film is about that. It’s about celebrating our differences.

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so here are my takes
I think there is a broad cultural problem with the current state of fanfiction that likely stems from the proliferation of fics-turned-published-novels wherein fic authors now feel they have a duty to churn out a high volume of content at an inhuman rate. and in order to meet those demands, they resort to AI. and that sucks.
I think readers and consumers of fanfiction broadly speaking also have a bad habit of feeding into this culture by demanding and expecting a high volume of content churned out at an inhuman rate, and it often prevents them from accurately assessing the quality of what they're reading, leading to a general degeneration of fic quality, feeding an audience that is getting worse at recognizing good art vs. bad art. and that sucks.
going from 1,800 fics to over 38,000 fics for a single ship in less than six months is not normal and should have been a warning sign for people that there was likely a fuckton of slop being produced and posted. and that sucks.
I don't like the excuse that some authors are using that they only used AI to beta their work. there are plenty of humans who would happily beta your fic for you. and if your reasoning for not using a human is because you wanted your work beta'd faster, I would implore you to examine WHY you feel like you are on some kind of binding schedule in a hobby space. kill the profit-driven manager in your brain and take your time making shit.
generally speaking, I believe this is a problem that is driven by both readers and writers but at the end of the day, the real driver - as ever - is capital, and its influence on art and creativity. I don't blame authors or readers for falling victim to this because the world around us sucks, but my god we all need to at least try a little harder to resist.
if you're a reader, be critical of what you're seeing and consuming. and if you're a writer, stop giving away any piece of the creative process to AI. silence the part of you that insists you must post as much as possible all the time. you do not have to capitulate to hustle culture and also your fanfiction will probably not actually make you rich and famous, even if all those comments and kudos are making you feel important.
ultimately we have got to get back to writing and reading fanfic for the love of the game. also I don't think the callout posts about authors using AI are helpful either btw like I think the best choice if you're reading a fic that you suspect might be AI is to simply not read or engage with it. and then go read and engage with something made by a human.
Widow's Bay 1.05 What To Expect On Your Trip
ok one more uinen post
okay i promise i'm only going to do this the one time. I promise I'm not going to continue to be annoying about this. but i am sharing my instagram post to tumblr because idk why not yolo. maybe this will actually be useful to somebody. and more can be found on the world's most cursed website/app.
hello again! there is now a free ebook version of this with additional tips, ideas, and thoughts on the subject of dog parenting while chronically ill (written by a dog trainer with chronic illness). It's pay-what-you-want (including the low low price of $0) and you can get it at the above link on Ko-fi.
@millenniallust4death I thought youd appreciate/be interested in this

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Will Graham portrait 🥀
i cannot BELIEVE i haven't posted this here. This was almost THREE YEARS AGO.
Please enjoy my accidental magnum opus.
RIP to the legend
I’m always running from something I push it back, but it keeps on coming And being clever never got me very far Because it’s all in my head FLORENCE + THE MACHINE | FREE
for @ldpdlweek2026 day one, family | parenthood/siblinghood: louis and paul de pointe du lac

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And being clever never got me very far Because it’s all in my head And “You’re too sensitive”, they said I said, “Okay, but let’s discuss this at the hospital”
FREE | FLORENCE + THE MACHINE (dir. Autumn de Wilde)
Toby Stephens as James Flint | Black Sails VII.
i've talked before about why i think using LLMs to generate creative text entirely misses the joy of the process, but we're looking at the other side of it now. some disjointed thoughts as a reader in fandom:
i am not particularly interested in reading fanfiction generated by an LLM. this is because i am in fandom to read fic that engages interestingly with a canon i love, and an LLM definitionally cannot do this. there are also human-written fic that do not do this! this is not a unique quality of LLM-generated text. "there are fics not to my taste" was a problem long before LLMs entered the picture.
what is new is the scale. the quantity of text an LLM can produce will always outstrip what humans can write by orders of magnitude. maybe this is a problem. readers don't have infinite time -- what's the sustainability of backbuttoning from fics i don't find engaging for one reason or another, if the scale is so dramatically tipped to one side? i genuinely, deeply adore discovering fics with a unique voice or an unexpected perspective, but how much harder is that going to be to find as the volume of fics to sift through grows ever larger?
on the other hand: my preferences are not everyone's preferences. people clearly do read LLM-generated text, and like it.
i've generally found the morality dimension to this discourse somewhat unproductive because my question is always: how does an action materially lead to changes you want to see? and i don't think it's helpful to say, if you use a tool that is widely available then you are a bad person. famously this is not a tactic that makes people eagerly change their ways.
(i am always thinking about daryl davis, a Black man who deradicalized ku klux klan members by actively choosing to have conversations with them. i am thinking about how a child of the founder of stormfront disavowed the movement because of extensive discussion over shabbat dinners. people find it hard to be wrong. to change someone's mind you have to put in the work; you need to approach with empathy.)
i'm equally uninterested in saying that the problem with LLM-generated text is that it is bad. many fics are bad with no LLM involvement whatsover. probably the LLMs will get better, since a lot of money is being invested into the effort. but if you frame the conversation as, LLM-generated text is bad, and therefore liking it means you have bad taste, or you are a fool, or, or. again, what is the end goal here? what happens is that people get defensive. people say, i liked this thing i read, and therefore it is good, and therefore it can't be machine-produced. reading is an active act between the reader and the text -- people aren't wrong for bringing themselves to that conversation, regardless of the source. we can't make not recognizing LLM usage a moral failing.
on a third hand: claude has a voice. gemini has a voice. chatgpt has a voice. much as human writers have tics or an oft-used turn of phrase, these tools do, too. i say this not because i am seeking to identify specific texts as LLM-generated, but because i care about the effects in aggregate.
fandom is not the first space i wrote in, but it's one where i've written consistently, often badly, and over time developed a voice i feel confident about. i really think that's valuable and worth preserving. but the increasing volume of LLM-generated text makes this harder for someone who is just starting to write today. how do you develop your own voice when everything around you sounds the same? the first step to learning something is mimicry, but to build on that you need diversity.
and on the grand scale of things, this is a small thing. even pre-LLMs, there was the One Popular Fic that spawned a thousand copycats. there are books to read from all of human history. writers will write, in the end. but learning how to write is something dear to my heart, and it's harder now, i think. that feels like we've lost something.
What Happened, Miss Simone? (2015) dir. Liz Garbus
The KIDS Act, ostensibly aimed at protecting children, will raise the risk for journalists, dissidents, and whistleblowers.
"Democrats and Republicans in Congress have struck a deal on a bill they say will help keep children and teens safe online. The KIDS Act could pass on the House floor as soon as next week; if enacted, it would fundamentally change the way everyone — not just kids — accesses the internet.
At stake is your ability to use many social media platforms without revealing your identity.
That’s because the KIDS Act at least strongly incentivizes — and, for some services, outright requires — age verification. Many platforms will turn to age verification to avoid potential liability under the law. Companies like X, video-sharing services like Vimeo, and others with a history of users’ populating social feeds with edgy content may be required to verify users’ ages because they host a certain amount of content deemed “sexual material harmful to minors,” a term that the KIDS Act defines broadly.
That’s a big problem for people who need to be able to use the internet anonymously, since, as Taylor Lorenz has previously written about in The Intercept, “there’s no way to reliably verify someone’s age without verifying who they are.”
Threats to online anonymity harm everyone, but one group is often overlooked: journalists and the sources who talk to them. Age verification requirements will help the Trump administration carry out its vendetta against the press by creating new avenues to identify journalists’ confidential sources. [...]
Mandating age verification effectively hands Big Tech and the government a skeleton key to the identities of every whistleblower, dissident, and investigative reporter who uses online platforms, not to mention everyone else, including children. This kind of surveillance on steroids that surrenders our right to speak, report, and read the news anonymously won’t make anyone safer."

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I don’t think we talk enough about how the entirety of Wicked is built on the irony of No One Mourns the Wicked. The musical exists because Glinda feels the need to tell Elphaba’s story, because she is in mourning and entirely alone in that. Glinda’s love is what creates the musical because no one mourns Elphaba except her, and that is an incredibly lonely place to be. She’s just lost two of the most important people to her, and all she’s trying to do is make someone, anyone else see how important they were.
Wicked is a frame story. This often gets lost in the stuff that happens inside the frame. But it's wildly important who's doing the framing - Glinda - and why - because she's grieving.
But! It's not just grief! It's a decision. It's a character point! It's very much akin to the moment where a young Galinda stepped onto the floor of the Ozdust and started to dance opposite a young Elphaba... and just as delicate a moment.
Because what we definitely don't talk about enough is that Glinda is telling this story in a way that explicitly breaks a promise she's just made to Elphaba near the end of the story. Glinda, panicked and distraught at realizing what's about to happen and her own inability to stop it, cries, "I'll tell them, I'll tell everyone the truth!"
To which Elphaba immediately says, "No. They'll only turn against you."
"I don't care!" Glinda says.
"Well, I do!" Elphaba retorts. "Promise me you won't try to clear my name."
Overcome, Glinda promises in the face of Elphaba's fervor for her safety... and then turns around and immediately breaks that promise.
The thing I also love about this is that we don't see the reprecussions of her decision. We have no idea how it goes for her - if in fact "they" turn against Glinda. Chronologically, the last we see of Glinda in the show is her hovering on the decision to tell the story. "Yes, I was her friend. Yes, I loved her. This is how it happened, and this is what it meant."
Whether or not they turn against her is irrelevant. The fact that Glinda's telling the story at all is her final triumph over her character, her absolute culmination of self. That it's also a testament to Elphaba and their friendship - ultimately the final and most important thing to her - is beautiful. Here, whatever else comes, she's found not only strength, but peace.
#god you are so right #because after all – she already lived that! she already had power & acclaim for the small price of lying #lying about the wizard. lying about her best friend. lying and lying and lying and lying and-- #'I couldn't be happier!' she chirps at the opening of act 2 and it's a desperate cry for help #she has stifled the truth and had the life she always dreamed of and it's been choking her #and elphaba doesn't know that. how can she? they don't exactly correspond #all she sees is that her friend is safe and beloved #and on the news she's always smiling #so elphie begs – demands – 'don't tell the truth about me. don't stop lying.' #what she's really asking is 'don't sacrifice your happiness for the idea of me. I'm lost anyway.' #but glinda isn't sacrificing her happiness for elphie #she's doing this for herself #maybe she couldn't be happier. maybe she can't. maybe this is as good as it gets and all other options are worse. #but if they turn on her and her life is ruined--well. at least it will be HER life #and not this paper-doll facsimile she's let herself be turned into (via aethersea)
Sarah Morgan
'Is it raining where you are? '
She has more! Here's her website. She lives in the Peak District, England.
"A little shower"
"Proper big rain, that"
She has a lot of sky paintings with good colours but I particularly enjoy her human figures:
In order: Knackered / He's knackered too / The bears are really knackered / The heterosexuals, they're bloody knackered / The lesbians are knackered too / The polyamorous... well, you would be knackered, wouldn't you?
And this was just charming:
"Enjoying a little soak"