And now for something completely sherlockfreak...

Instead of bottling it or lashing out, he took the time to stop in a quiet place to process an upsetting event. He validated his anger, and stated he felt his needs were going unmet. He then humanized the person who upset him, and considered their intentions. He then found perspective on the event and his own emotions. This then genuinely calmed him down.

Dr. Alan Grant

My need for forehead touches appeared and naturally I had to draw more

I'm still in China, so stuck on mobile + without my drawing tablet, but I'll post my horse sketches and a modified version of my general animal drawing tips:

Horses, like any other animal, are 90% shapes. You want to get good at drawing these shapes. The most important place to start for a horse are at the SHOULDERS. You want to draw starting with the intention of the ENTIRE horse in mind. Don't do a bunch of disconnected hooves and legs and horse head shots until you're actually comfortable knowing what connects where. Doing a bunch of piecemeal 'studies' before you understand the whole animal's shape is a trap and a copout! You can see in my cleaned up horse lines that I always always draw out the shoulders, hips, and haunches.

Horses are hard for people to draw because their legs are weird. So this seems obvious to say, but get good at understanding their legs. You wouldn't believe the amount of people who go "horse bendy noodle legs hard" and leave it at that. It's best to look at a diagram of horse and human homologous limb structure, because then you can understand why they bend in the places they do. Like in math, actually understanding horse leg anatomy than simply memorizing what they look like at one angle is better, because then you can extrapolate what they look like from any angle using fundamental theorems.