| Professional Reblogger & Part-Time Scribbler | | My brand is "Childhood-Trauma-Point-of-View" (+21 asexual) | | avatar courtesy of @blarfth | | My AO3 |
hey please indicate you are not a bot by reblogging some niche fandom post before following me please (I block empty blogs, art reposter accounts, pro-AI, etc)
+ how does one read homestuck? well currently there's a Mobile-Friendly version (+ animated trailer)
++ IF YOU'RE A NEW BLOG, GO TO THE 'VISIBILITY' TAB OF EACH OF YOUR SIDEBLOGS AND TOGGLE 'PREVENT 3RD PARTY SHARING FOR AI BULLSHIT'
+++ my masterpost on processing identity as a child abuse survivor (helps answer the question 'was it abuse?'
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Go Check out Neet- she’s awesome (her socials are at the bottom of the linked page if you want to see some of the training videos for this and other silliness)
To everyone complaining about Wattpad’s new rules, do we now see why AO3 doesn’t censor anything? And that any form of censorship is a slippery slope into an outright ban of mature content? This is why we have an archive of our own with a beautiful tagging and warning system, and why we don’t need an app, which would be subject to an app store’s content rules. Best go make your AO3 account now.
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Self-reminder: I have been starving myself by preventing myself from reading. Do not do this. Honestly this feels like a form of self-harm, to quarantine myself from free reading and not letting myself have time for it. Where did the joy go? Every time I read something I remember why I'm alive. Why do I forget this every morning?
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People saying The Odyssey is the most USA film ever made due to it's depiction of war don't realise how accurate they are since the ONLY reason Nolan was even able to film in OCCUPIED WESTERN SAHARA is because TRUMP recognised Morocco's ILLEGAL sovereignty of Western Sahara in 2020, legitimised a 50 year illegal occupation so Morocco would normalise ties with ISRAEL.
I like The Odyssey well enough, but I love movies. And it's zero percent surprising that Tumblr would love Emily Wilson's LBR piece, because it's just premiere posting. Her prose fucking crushes, so many lines are absolutely killer. But I do just need to mention that it's really not film criticism. It's hardly speaking to or about the movie at all, and when it is, it's predominantly her positing that because she is not interested in what it's saying, then it's not saying anything.
I mean if you just want to take, "There are no sex scenes, and all the food looks horrible." This line makes me laugh every time I see it, it rules. And it has nothing to do with Christopher Nolan's The Odyssey (2026).
Presumably it's coming from the same complaint well as the majority of Wilson's piece: that while the Homeric poem is a celebration of fucking around and feasting, this movie is not. But in just saying, "it's not this" and nothing more, she's not discussing or even acknowledging how sex and food are actually used in this retelling. Both are tied together in what has been widely praised among audiences as one of the most indelible sequences: Samantha Morton's scene as the witch Circe. In it, the threat of sexual violence and act of eating are linked in a commentary on warmongering rapaciousness writ large, as a part of Nolan's intently laid out thesis of the Trojan horse as a kind of atomic bomb xenia violation whose nuclear winter the whole Mediterranean is now living under. And yes the food does look horrible, because it's horror food! It's difficult to describe in words, but it's like the stew Odysseus's men are eating is turning into gristly tentacles in their mouths, the sounds of their eating ghastly and so disgusting, while Morton transforms them through....something I will not even try to describe, I've just never seen anything quite like it onscreen. Largely practical effects too, astonishing.
Not a bit of that is in that line, of course. Great line, but isn't about the movie, it's about the author.
And honestly, the author is a bit out on a limb with much of how she has actually interpreted The Odyssey (film) itself, must also be said! And not just by me, or by film critics naturally, but also other classics scholars:
Emily Wilson used baffling arguments to flay Christopher Nolan’s adaptation of Homer’s poem.
I mean when early on she summarily defined the work of cinema as "light and noise" and moved on, it was pretty clear that Wilson just doesn't have a ton of respect or feeling for epic scale movies in general. Which is fine! Everyone has types of art that they don't jibe with. But you don't go to the person who's not keen on dance for a good assessment of the new ballet, negative or positive.
And if one of the things someone claims about a movie is that casting actors of color flattened all of those roles into the stereotypical "Black best friend," but not by anything that can be seen in the script or their performances, so seemingly suggesting 'we', to use her skeptical punctuation motif, should read them that way merely because they aren't white, worth a pause to consider that while haterism can be a rush to read (or write), it can also mask any number of deeply iffy assertions that could definitely stand to be questioned!
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if you ever feel bad about your laundry situation you can reflect on book six of the odyssey where princess nausicaa has been putting off her laundry for so long that the GODDESS ATHENA notices and COMES TO HER HOUSE using a lecture on laundry procrastination to get her to meet odysseus
(Yes I know this isn’t how it should look, but today I’m here to talk about the version a lot of people have just watched)
Because the alternative is that I try to get my thoughts out and end up with a 38 minute YouTube breakdown of all the things I liked and disliked about the archery in the film
