| Professional Reblogger & Part-Time Scribbler | | My brand is "Childhood-Trauma-Point-of-View" (+21 asexual) | | avatar courtesy of @blarfth | | My AO3 |
hey please indicate you are not a bot by reblogging some niche fandom post before following me please (I block empty blogs, art reposter accounts, pro-AI, etc)
+ how does one read homestuck? well currently there's a Mobile-Friendly version (+ animated trailer)
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+++ my masterpost on processing identity as a child abuse survivor (helps answer the question 'was it abuse?'
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People saying The Odyssey is the most USA film ever made due to it's depiction of war don't realise how accurate they are since the ONLY reason Nolan was even able to film in OCCUPIED WESTERN SAHARA is because TRUMP recognised Morocco's ILLEGAL sovereignty of Western Sahara in 2020, legitimised a 50 year illegal occupation so Morocco would normalise ties with ISRAEL.Â
I like The Odyssey well enough, but I love movies. And it's zero percent surprising that Tumblr would love Emily Wilson's LBR piece, because it's just premiere posting. Her prose fucking crushes, so many lines are absolutely killer. But I do just need to mention that it's really not film criticism. It's hardly speaking to or about the movie at all, and when it is, it's predominantly her positing that because she is not interested in what it's saying, then it's not saying anything.
I mean if you just want to take, "There are no sex scenes, and all the food looks horrible." This line makes me laugh every time I see it, it rules. And it has nothing to do with Christopher Nolan's The Odyssey (2026).
Presumably it's coming from the same complaint well as the majority of Wilson's piece: that while the Homeric poem is a celebration of fucking around and feasting, this movie is not. But in just saying, "it's not this" and nothing more, she's not discussing or even acknowledging how sex and food are actually used in this retelling. Both are tied together in what has been widely praised among audiences as one of the most indelible sequences: Samantha Morton's scene as the witch Circe. In it, the threat of sexual violence and act of eating are linked in a commentary on warmongering rapaciousness writ large, as a part of Nolan's intently laid out thesis of the Trojan horse as a kind of atomic bomb xenia violation whose nuclear winter the whole Mediterranean is now living under. And yes the food does look horrible, because it's horror food! It's difficult to describe in words, but it's like the stew Odysseus's men are eating is turning into gristly tentacles in their mouths, the sounds of their eating ghastly and so disgusting, while Morton transforms them through....something I will not even try to describe, I've just never seen anything quite like it onscreen. Largely practical effects too, astonishing.
Not a bit of that is in that line, of course. Great line, but isn't about the movie, it's about the author.
And honestly, the author is a bit out on a limb with much of how she has actually interpreted The Odyssey (film) itself, must also be said! And not just by me, or by film critics naturally, but also other classics scholars:
Emily Wilson used baffling arguments to flay Christopher Nolan’s adaptation of Homer’s poem.
I mean when early on she summarily defined the work of cinema as "light and noise" and moved on, it was pretty clear that Wilson just doesn't have a ton of respect or feeling for epic scale movies in general. Which is fine! Everyone has types of art that they don't jibe with. But you don't go to the person who's not keen on dance for a good assessment of the new ballet, negative or positive.
And if one of the things someone claims about a movie is that casting actors of color flattened all of those roles into the stereotypical "Black best friend," but not by anything that can be seen in the script or their performances, so seemingly suggesting 'we', to use her skeptical punctuation motif, should read them that way merely because they aren't white, worth a pause to consider that while haterism can be a rush to read (or write), it can also mask any number of deeply iffy assertions that could definitely stand to be questioned!
if you ever feel bad about your laundry situation you can reflect on book six of the odyssey where princess nausicaa has been putting off her laundry for so long that the GODDESS ATHENA notices and COMES TO HER HOUSE using a lecture on laundry procrastination to get her to meet odysseus
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(Yes I know this isn’t how it should look, but today I’m here to talk about the version a lot of people have just watched)
Because the alternative is that I try to get my thoughts out and end up with a 38 minute YouTube breakdown of all the things I liked and disliked about the archery in the film
okay but do you ever think about how amazing graceling is? like a main character who is physically unmatched, who has been raised as a killer but decides to start a secret spy network to protect people? even tho her whole life she has been called a brute and acted as the enforcer to a cruel king? yeah she might say shes not like other girls but shes mad about how the patriarchy robs them of the ability to defend themselves and decides her mission in life is to train those who have not been trained. she is tearing the patriarchy down with her bare hands and recruiting more people to help her every day. romantasy wishes they could have a main character as nuanced as katsa. and she punched a mountain lion in the face.
The ending in "obsession" is the most horrifying part to me because much like real life,the man gets off scott free and the woman is left to deal with all the mess
he’s also the only character in the “friend” group — none of them are actually friends; they are coworkers who tolerate one another and formed wafer-thin and crumbling bonds due to prolonged proximity — to never have outright violence perpetrated against him.
in the climax, nikki whips herself with bear’s pistol, instead of him.
he never once takes accountability, starting with sandy’s death. he asks his cat’s corpse, “what did you do?!” as if he didn’t leave his oxycontin both out in the open, and quite literally open, otherwise sandy wouldn’t have been able to gain access to the pills. even when bear tells sarah about sandy’s death, he doesn’t tell her how sandy died: by his irresponsible, dangerous actions. and yet, bear is still more upset by the fact that nikki’s quitting the music store, and the idea that he may never see her again, than his only companion (in his dead grandmother’s house since her death, no less) passing.
so for nikki’s last line before the credits roll to be a choked, scream-sob asking herself, “WHAT DID YOU DO?!” was a great bookend of sorts. it could be misconstrued as her screaming at bear’s corpse, but real!nikki was shown to be quick-witted. she’s grappling with not only the textbook almost-immediate severe breakdown that many domestic abuse survivors experience once their abuser is out of the picture/they’re “safe,” — complete with the shame, self-blame, confusion, and almost-amnesiac gaps in memory that formed for her own protection, “entity” aside — on top of knowing she is about to go to prison.
nikki freeman is the most tragic example of a final girl i’ve ever seen: left to shoulder all the accountability for that musty, sweaty, insecure shrimp of a man’s severe psychological and sexual abuse of her, and she’s most likely going to prison?
it’s bleak. despite the fantastical elements, it’s heart-shatteringly realistic.
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it is terrifying that bear only sought to "alter" his wish rather than cancelling it but what is even more terrifying is that he wouldn't even have called the number had nikki not inconvenienced him. if she did not act in such extreme ways bear wouldn't even have a problem. which is sooooo sooooo terrifying because he was completely fine living and being "loved" by nikki who he knew wasn't the real her. he claimed to love her, but even when she started acting like a totally different person it was water off a duck's back for him. he DIDN'T CARE whether it was the real nikki or an entirely different person.
even when she begs him to kill her, he does not feel even a shred of pity for her; he only worries "is being with me that bad".
the only reason he tries to change anything is because her behavior started to scare him FREAK him out. had she acted in a meeker way, bear would've lived with her HIS WHOLE LIFE knowing she ISN'T the real nikki NOT GIVING A FUCK about what she would've wanted. PERIOD.
the more i sit with it the more i realise that the title of the movie did not refer to nikki's obsession with bear but rather his obsession with her. because i know fs that what he felt for her definitely wasn't love.
In case you're wondering what raising a kid in a polyamorous family looks like, our kid just has. Zero concept of monogamy. Like we've explained it to her many times but she just like. Forgets it's a thing and the assumed cultural norm. We're showing her Lord of the a Rings and she was very confused when Aragon rejected Eowyn.
The Dwarfs are very clearly inspired mainly from Old Norse, so that's the main reference for Gimli's dress. There's also some other influences, like some Bronze Age Mediterranean influences and Iron Age Eastern Europe.
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And its still making me so crazy how intentionally it goes from "charlie you were 14 that so doesnt count. Ok whatever man" to "you were 15? What like it's supposed to make it better?"
Plus with the realization these are his friends not really hers. And how horrible she looks that entire scene she really fucking doesnt wanna say it and she's downing the fucking wine and he doesnt notice her. And later "I dont wanna talk about this, you're fucked up. How did you get so drunk?" God I feel sick
dunno if this is depression, adhd, or a secret third thing (ptsd) but I am lying on the floor and it is not great being here
anyway howl's moving castle is, on a rewatch, the most anti-war film it could've possibly been (Mr. Miyazaki did with Ms. Diana Wynne Jones's novel what Nolan did with the odyssey, and honestly, I've always had an appreciation for quality fanworks)