the woods are lovely, dark and deep

For those curious it’s Sylvester McCoy

This confirms that there is a civilization older than the Sumerians that we have yet to find

Some people get existential dread from this

Source (non Aboriginal)

And a quote I picked out from a longer interview with an Aboriginal local elder about the area where he touched on the history

Western Australians!

Are you aware that NO wildlife rescue work in WA is funded by the government?? We get zero funding. At all. And more than 80% of wildlife treatment is carried out by only 6 main charities in perth, with 90 small rehabilitators (literally individuals and small local groups) across the state.

With bird flu arriving, we literally CANNOT afford to continue operating. Two charities have already closed, and the rest are hanging on by a thread. If government funding is not received in the next budget, then all 6 major charities will permanently close their doors. We simply do not have the proper facilities or PPE to deal with an animal pandemic.

Good news! Here's how you can help:

Just use the templates to submit a letter to your local politician, and sign the petition.

Let's save our wildlife 🧡

1977: Star Wars is released, featuring, of course, Darth Vader

(Pictured: Darth Vader)

1984: Director Todd Durham releases his Star Wars parody movie, Hyperspace, featuring Darth Vader inspired villain Lord Buckethead.

(Pictured: Hyperspace poster featuring two Jawa-esque aliens flying through space in a shopping trolley.)

1987: Hyperspace is released on video in the UK, under the new title Gremloids.

(Pictured: Gremloids cover in the style of the original Star Wars poster, featuring Lord Buckethead.)

To promote the film, Mike Lee, the owner of the distributing company, ran for parliament as Lord Buckethead. He ran in Margaret Thatcher's constituency, Finchley, in order to get on TV. Lord Buckethead was representing the Gremloids party.

(Pictured: Lord Buckethead on TV with Margaret Thatcher.)

1992: Gremloids is re-released. Lord Buckethead rides again, this time against prime minister John Major in Huntingdon. (Here's a fun fact about Huntingdon: I was born there! :D) 87/92 Buckethead seems to have leaned pretty hard into the space supervillain thing, with campaign promises including 'demolish Birmingham to build a spaceport'.

(Pictured: Lord Buckethead on TV with John Major. Other notable candidates include Screaming Lord Sutch of the Monster Raving Loony Party.)

2017: comedian Jon Harvey, having recently watched Gremloids and learned of Lord Buckethead's candidacy for parliament, decides it's a great bit. He runs against Theresa May in Maidenhead. 2017 Buckethead seems to have a wackier and also more political approach, with campaign promises ranging from nonsense like 'nationalise Adele' to gesturing at actually sensible policies with stuff like 'lower the voting age to 16 and restrict voting after age 80'.

He also made an appearance on Last Week Tonight with John Oliver. As with his previous incarnation, he was a member of the Gremloids party.

(Pictured: Lord Buckethead dabbing on stage with Theresa May.)

2018: Director Todd Durham asserts his legal ownership of Lord Buckethead. Jon Harvey opted not to go to court over Buckethead and handed over the reins. Todd Durham extended an invitation to anyone who wanted to be the 'authorised' Lord Buckethead.

(Pictured: the new Lord Buckethead.)

2019: Lord Buckethead, now played by journalist David Hughes, stood against Boris Johnson in Uxbridge and South Ruislip. He ran for the Monster Raving Loony Party, the UK's pre-existing gag candidate party. He ran with a similarly silly manifesto as the 2017 incarnation, but with a bit less of a political edge. His promises included 'All doorways to be increased by 1 foot (30 cm) in height' and 'Nigel Farage to be sold for parts'.

(Pictured: Lord Buckethead and Count Binface square up.)

Meanwhile, Jon Harvey in his new persona Count Binface, also ran against Boris Johnson. Buckethead and Binface face off! Binface ran as an independent with a manifesto once again blending silly and semi-serious promises such as 'nationalising model railways' and 'giving £1 trillion a week to the NHS'. This was also I believe the debut of his promise to 'move the hand dryer in the men's toilet at Uxbridge's Crown and Treaty pub to a more sensible position'.

(Pictured: Count Binface presenting the offending hand dryer, inconveniently close to both the sink and the urinals.)

He has a point.

2021: Count Binface runs for the position of Mayor of London for the first time, with promises such as 'London to join the European Union'. He notably finished ahead of far right party UKIP.

2023: Count Binface runs in the Uxbridge and South Ruislip by-election following Boris Johnson's resignation. He once again gets more votes than UKIP.

May 2024: Count Binface once again runs to be Mayor of London, debuting his now iconic 'build at least one affordable house' promise. Notably, he finished ahead of far right party Britain First.

(Pictured: Count Binface with Rishi Sunak. Also pictured: Monster Raving Loony Party candidate Sir Archibald Stanton with a ventriloquist's dummy.)

July 2024: Count Binface stands in the general election, running in Richmond and Northallerton against prime minister Rishi Sunak. He debuts his promise to cap the price of 99p flakes at 99p. This is his most successful election to date with 308 votes.

(Pictured: Count Binface with Andy Burnham. Also pictured: independent candidate Robert Pownell, dressed as a fox for his own reasons.)

June 2026: Count Binface stands in the Makerfield by-election against Andy Burnham, (recently) former Mayor of Manchester running for parliament with the intention of standing in the Labour Party leadership contest.

(Pictured: Count Binface on BBC's Newsnight.)

Tom Taylor’s Nightwing run is full of a lot of joy for me. It’s the perfect antidote to Ric Grayson and had me going “I’d almost forgotten Dick could have good writers who love his history”.

What I love about it is how it showcases and interacts with some of Dick’s best runs and wants to work with them while also re-examining them. In an environment where the fandom all constantly frame Dick in the status quo that this run uses, it’s a joy to see a writer just lean into it and go “let’s tell Dick in Blüdhaven stories where he’s constantly rotating through interacting with important people in his life”.

It’s the breather and rest the title sorely needed and just so full of love.

I love the idea of Heartless and the way Taylor uses the character to re-examine the narrative around Blockbuster is really compelling to me. They both have that history that they need a replacement heart, and that they’ll go to any lengths to stay alive. But the way Heartless treats Blockbuster as worthless to him, that he’s barely worth killing? In an environment where frequently writers launch their new villain by having them show up everyone else, the way Heartless and Blockbuster fit around each other makes sense. It’s not just a ‘I beat up your biggest threat and now I’m coming for you’ moment, it’s one that has tied itself into the characters’ lore.

Equally, as a Dick/Babs fan, Barbara’s conversation with Dick in which they get together feels like so much payoff because unlike many of the fans, who want to base everything in their post-Crisis dynamic only, Babs is acknowledging that DICK has been the one that’s been the reason they’re not together since Rebirth. Dick had to get over his own bullshit for this relationship to work, and seeing that flip on their previous dynamic was so special to me.

I know Seeley’s run for some other people has the same sort of reset and reframe, get Dick back to his basics, but for me Seeley’s interest in Dick as a character is focused on runs and characterisation beats that I’m less fond of, while Taylor really clearly was in similar message board conversations to me during the 2000s and likes a lot of the same stuff I like.

What a red flag actually means: something here is an indicator of a potential problem (but might be fine with a reasonable explanation)

What people have now decided it means: abuse

I've lost count of the number of times I've now had to read variants of "My partner takes all my money and gives me back an allowance because he says it's a man's job to control finances, but he's racking up gambling debts" being met with "Wow this man is a walking red flag" no Becky that is abuse. That is not an indicator. He is an abuser. Call the police. We have lost the concept of a proxy: a thing that indicates a more important thing. And it's relevant to this conversation because I'm actually going to go out on a limb here:

With the obvious exception of paedophilia, age gaps themselves aren't a problem at all - they are a proxy for the actual harmful phenomenon. Hea me out, let me explain

The reason we don't like age gaps is because of the implied power dynamic. If one partner, usually male, is older than other - particularly if the other is still quite young - the risk is that what we're seeing is a worldly wise predator who is exploiting the lack of life experience of a young beautiful woman by mentally abusing her until she's no longer young and pretty enough to satisfy, at which point he'll move on to the next. There have been enough examples of this in human history. It's unfortunately not an uncommon pattern. Genders can also be diverse in this scenario

We can't necessarily see that dynamic from the outside. But we CAN see an inherent element of it: the ages of the people involved. So age becomes a proxy for the abuse. And, hey, it's often correct.

But here's the thing: the ages themselves are not causing harm.

The power dynamic is. The abuse is.

Plenty of age gap relationships are loving, healthy and steadfast. Two people met and genuinely fell in love regardless of the outer packaging, and have a relationship with all the highs and lows and challenges and rewards as any more traditional pairing. This happens all the time

Is the age gap a red flag? Sure! It indicates a potential issue.

Is it inherently abusive? Absolutely fucking not.

OP is right - we need to stop focusing just on the numbers and twisting the facts to fit by infantilising the younger partners, and start focusing on the actual harms. The DiCaprio Pattern of only dating under 24s repeatedly is itself a proxy, too, actually - but a much stronger one than the simple presence of an age gap.

(Even so, in DiCaprio's case, until any of his former partners come forward and describe him as abusive, actually, even that is up in the air - my personal interpretation, given how strong a pattern it is, is that he's a loser who views women as trophies (consciously or not). If any have come forward and I don't know about it, of course, fair enough. But those women were adults capable of making their own decisions, even if they might later come to regret it. And regretting poor decisions is part of life! That's how it goes, particularly with relationships. As long as they weren't abused, there's no biggie. And just as he was looking for young-and-beautiful, there's no way they weren't, on some level, looking for rich-and-famous; it goes both ways.)

Also, another element of this: I think a lot of modern extreme puritan discourse on this is actually ironically down to the age of those taking part. Up until your late 20s, ten years is actually a huge span of time to you, because in your own life you were in a completely different developmental phase ten years ago (teenager), and a completely different phase again ten years before that (child). That skews your sense of what a ten-year gap means. Whereas once you're in your 30s and beyond, ten years is like. Yeah I was an adult ten years ago, and I still am now. That's two adults. Who cares.