a small blue thing

me: yeah i know, they’re all primary colors, it’s perfect

When you go for an MLS (Master’s of Library Science, which is a thing, and which is usually required for “professional-level” library work [which is also a weird and contentious concept that I won’t go into here]), one of the things you study is the organization of information. This deals with how to determine what a book or other material is “about"—a concept we tongue-in-cheek call “aboutness"—and how to convey that to a potential user of the item and make it easy for them to find. Things like keywords and subject headings, do I put this book about how often wild birds attack aerial drones in with books about birds or with books about technology, if its a fictional novel do I put fantasy in it’s own section or mix it in with all of the other fiction, so on and so on.

OP is organizing books by how they would look for them. OP’s partner is thinking in terms of aboutness. This is a system that works for OP because it’s their personal library: they know basically what books they own and they only own books that are relevant to them, and if they know what the book looks like, that can be a quick way to find it.

In a library that assumes the public (or people who do not own that particular collection of books) are using the collection, that doesn’t work. Books are often re-issued in multiple covers, or re-bound in new covers when they get worn out, and if the user doesn’t know what the book looks like or is expecting a different cover, they’re lost. That’s why non-personal libraries used standardized cataloging systems like the Dewey Decimal System or Library of Congress System to organize a book by what it’s “about”, and then put books about the same or similar topics together, marked with labels and signage so a person unfamiliar with the book or collection can find their way to it.

Basically, OP’s system works for their own personal library, because it’s best suited to how the primary user—OP themselves—looks for books. OP’s librarian partner is coming from a background of thinking in terms of a public-facing collection, where aboutness is the key criteria and communicating it to a user unfamiliar with the collection is the priority.

I’m a former public librarian (12 years public-facing) and while I do agree in clustering large collections of books by aboutness, I always found them by color. “Oh, you’re looking for that book on religion? It’s here in these shelves, and it’s a 1” wide spine that’s white with black lettering. Here it is!”

Even librarians working in large collections can get to know their books well enough to do this. Why bother looking at call numbers - hard for a 5’2” person to see on top-shelf books! - when I can see it on the shelf from five feet away?!?

me: yeah i know, they’re all primary colors, it’s perfect

When you go for an MLS (Master’s of Library Science, which is a thing, and which is usually required for “professional-level” library work [which is also a weird and contentious concept that I won’t go into here]), one of the things you study is the organization of information. This deals with how to determine what a book or other material is “about"—a concept we tongue-in-cheek call “aboutness"—and how to convey that to a potential user of the item and make it easy for them to find. Things like keywords and subject headings, do I put this book about how often wild birds attack aerial drones in with books about birds or with books about technology, if its a fictional novel do I put fantasy in it’s own section or mix it in with all of the other fiction, so on and so on.

OP is organizing books by how they would look for them. OP’s partner is thinking in terms of aboutness. This is a system that works for OP because it’s their personal library: they know basically what books they own and they only own books that are relevant to them, and if they know what the book looks like, that can be a quick way to find it.

In a library that assumes the public (or people who do not own that particular collection of books) are using the collection, that doesn’t work. Books are often re-issued in multiple covers, or re-bound in new covers when they get worn out, and if the user doesn’t know what the book looks like or is expecting a different cover, they’re lost. That’s why non-personal libraries used standardized cataloging systems like the Dewey Decimal System or Library of Congress System to organize a book by what it’s “about”, and then put books about the same or similar topics together, marked with labels and signage so a person unfamiliar with the book or collection can find their way to it.

Basically, OP’s system works for their own personal library, because it’s best suited to how the primary user—OP themselves—looks for books. OP’s librarian partner is coming from a background of thinking in terms of a public-facing collection, where aboutness is the key criteria and communicating it to a user unfamiliar with the collection is the priority.

things fall apart and there’s anarchy everywhere; falcons fly freely and can’t be compelled.

Dimming the tide there is blood in the water and everywhere customs of innocence drowned.

Held by the worst is a fervent intensity; lacking conviction the best run aground.

Surely there must be some kind of apocalypse; surely epiphany must be at hand!

Visions unbidden from Spiritus Mundi of something awakening out on the sand:

Head of a man with a leonine frame and a pitiless gaze that’s as blank as the sun;

sleep became nightmare by passage of centuries long before eons of slumber were done.

Higgledy piggledy, beast of antiquity, imminent, just as the prophecies warn,

What a red flag actually means: something here is an indicator of a potential problem (but might be fine with a reasonable explanation)

What people have now decided it means: abuse

I've lost count of the number of times I've now had to read variants of "My partner takes all my money and gives me back an allowance because he says it's a man's job to control finances, but he's racking up gambling debts" being met with "Wow this man is a walking red flag" no Becky that is abuse. That is not an indicator. He is an abuser. Call the police. We have lost the concept of a proxy: a thing that indicates a more important thing. And it's relevant to this conversation because I'm actually going to go out on a limb here:

With the obvious exception of paedophilia, age gaps themselves aren't a problem at all - they are a proxy for the actual harmful phenomenon. Hea me out, let me explain

The reason we don't like age gaps is because of the implied power dynamic. If one partner, usually male, is older than other - particularly if the other is still quite young - the risk is that what we're seeing is a worldly wise predator who is exploiting the lack of life experience of a young beautiful woman by mentally abusing her until she's no longer young and pretty enough to satisfy, at which point he'll move on to the next. There have been enough examples of this in human history. It's unfortunately not an uncommon pattern. Genders can also be diverse in this scenario

We can't necessarily see that dynamic from the outside. But we CAN see an inherent element of it: the ages of the people involved. So age becomes a proxy for the abuse. And, hey, it's often correct.

But here's the thing: the ages themselves are not causing harm.

The power dynamic is. The abuse is.

Plenty of age gap relationships are loving, healthy and steadfast. Two people met and genuinely fell in love regardless of the outer packaging, and have a relationship with all the highs and lows and challenges and rewards as any more traditional pairing. This happens all the time

Is the age gap a red flag? Sure! It indicates a potential issue.

Is it inherently abusive? Absolutely fucking not.

OP is right - we need to stop focusing just on the numbers and twisting the facts to fit by infantilising the younger partners, and start focusing on the actual harms. The DiCaprio Pattern of only dating under 24s repeatedly is itself a proxy, too, actually - but a much stronger one than the simple presence of an age gap.

(Even so, in DiCaprio's case, until any of his former partners come forward and describe him as abusive, actually, even that is up in the air - my personal interpretation, given how strong a pattern it is, is that he's a loser who views women as trophies (consciously or not). If any have come forward and I don't know about it, of course, fair enough. But those women were adults capable of making their own decisions, even if they might later come to regret it. And regretting poor decisions is part of life! That's how it goes, particularly with relationships. As long as they weren't abused, there's no biggie. And just as he was looking for young-and-beautiful, there's no way they weren't, on some level, looking for rich-and-famous; it goes both ways.)

Also, another element of this: I think a lot of modern extreme puritan discourse on this is actually ironically down to the age of those taking part. Up until your late 20s, ten years is actually a huge span of time to you, because in your own life you were in a completely different developmental phase ten years ago (teenager), and a completely different phase again ten years before that (child). That skews your sense of what a ten-year gap means. Whereas once you're in your 30s and beyond, ten years is like. Yeah I was an adult ten years ago, and I still am now. That's two adults. Who cares.

>no idea what a tumblr accent even is

there’s sixteen Colorado counties that their most searched was “wolf furry”, plus thirty-odd counties (not counting either Arapahoe or any of the ones marked here as “Insufficient Data”) which may well have had plenty of searches for “wolf furry”, just fewer than for whatever they’re labeled here

and “skunk furry” searches in Arapahoe County outnumbered “wolf furry” searches in the entire state of Colorado

But from what i can gather thats Crystal Thierry, also known as page73girl. Who seems to have been a model for the now defunct biggestletdown.com…

to Immanentize the Eschaton means to bring about utopian conditions and create heaven on Earth

the phrase is first cited in the Discordian religious text, Principia Discordia (1963), for whom Discord (aka Eris) is goddess:

the first line of Robert Anton Wilson and Robert Shea’s 1975 The Illuminatus! trilogy: “It was the year when they finally immanentized the Eschaton.”

in Frederik Pohl’s The Eschaton Sequence (1997 - 1999), the human race is caught up in a galactic war between two alien races attempting to immanentize the eschaton

in Ken Macleod's The Stone Canal (1997), one of the chapters is “Another crack at Immanentising the Eschaton”