how am I still alive after everything these two made me feel???
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@ravenofthetemult
how am I still alive after everything these two made me feel???

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Hey.
Yeah you- the person reading this. Stop scrolling for a second.
You’re going to be okay. You have to believe that. It might take a long time and who knows how much work, but you’re going to be okay.
You’re going to be okay.
You’re going to be okay.
MORE BLOODYMARY YURI
Rylesbian Grace and Simone the BUTCH 🙂↕️

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“Ariel sold her voice for legs just because of a guy“
Meanwhile Ariel with legs;
Ariel already loved the human world long before meeting Eric (you don’t get a collection like hers overnight) and when she finally got a chance to explore it, she took it.
Ursula made it more about Eric than Ariel ever did.
and i mean hell this has been talked about before in more depth than i can, but when people complain about how the ending was changed (the original fairytale does not give ariel a happy ending, she dies trying to protect the prince), i think about the fact that this was written by a gay man in the 1980s
and i think it’s entirely valid (and gives her an extremely strong connection to the queer community) to change the story so she doesn’t die because of who she loves
Triton made escape a necessity. Once someone goes to the point of destroying your possessions in a violent rampage, there is no staying and sticking it out, there’s no safety. (And Ariel, even in Ursula’s lair, gave Triton more thought than he deserved at the time.) Nowhere in the ocean she could go and be safe. Everyone’s always ‘why don’t they just leave :|’ in abusive situations until the leaving is not something they find 100% worthy of approval.
Ursula made it about Eric. She didn’t have to. Ariel had to get out from under Triton’s thumb, it could have been literally anything. Ursula took advantage of a desperate victim for her own agenda. Realistic predatory behavior toward a vulnerable person.
And also
There’s always the ‘Eric didn’t want her until she was silent and meek’ criticism - FIRST OF ALL he started out looking for a woman who wasn’t silent, and second of all what part of the carriage driving bit (or any of her other actions on land) is meek, exactly?
People above have noted the queer subtext. Now, on the subject of Ariel being willing to leave her family, aside from the baseline ‘this is an abusive environment and she was not safe there’ angle I already mentioned, consider: Ariel’s father made it clear he would stop at nothing to crush and tear down who she was and replace it with what he wanted her to be. Now - what demographic might that resonate with? And given Ashman’s involvement, do you think that was a coincidence?
there has been scholarly discussion about the idea that the og little mermaid story, where she dies at the end, was written as a queer allegory.
so taking that into account… there is something very touching about taking this story from hans christian andersen from beyond the grave and being like “things are different now. they get to be happy. she gets to live.”
also in re: “Eric didn’t want her until she was silent and meek” the meek part’s been discussed but can we please talk about how when he first met her he thought she wasn’t the girl with the voice that he was trying to find and was disappointed, but that he slowly fell for her anyway? He’d explicitly wanted Ariel WITH her voice, but came to love her without it.
The bit about Howard Ashman being queer is finally giving me some glimmer of understanding of why the teenaged girl mermaid is named “Ariel.” Because, although the Disney movie single-handedly changed popular perception thereafter, Ariel is a boy’s name. Howard Ashman absolutely knew that.
(Ariel in Shakespeare’s The Tempest also has male pronouns, in case anyone was struggling to remember.)
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your twenties are Also about discovering that you’re not a bad person in all the ways you believed you were but you’re a bad person in completely new and exciting ways
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i bet it feels good to be an underwater plant just swaying in sync with the flow of water
I hope July and the second half of this year are gentler on your spirit, kinder to you, good for your growth, and even better than the first half.
we all know adult humans dont get enough enrichment but the other day i was walkin home past an empty playground and impulsively ran over to spin myself on this zipline merry-go-round contraption for a few minutes and it really did feel like it unlocked some neglected part of my brain. like damn we really should all go outside and play more. fuck. they werent kidding with this play time thing. have you guys heard about play time. it could be huge.
after being mutuals for a certain time tumblr should give you a coupon for a free trip to hang out with them
Poking around Aabria discussing Laerryn's build with D&D Beyond, and I'm obsessed with Aabria's flowchart for a Cerrit 1v1 because my personal understanding of it is:
Don't die in one hit.
If possible, cast Tasha's Otherworldly Guise. (Note: concentration spell. His Mage Slayer negates her War Caster.)
Hit him with the +2 All-Purpose Tool - Mace that Brennan allowed instead of spells to deny him Mage Slayer reactions.
Understand this 1v1 is not winnable.
Run away. (Good luck with that.)
Cry.
Try to convince Loquatius to help.
Feel sad.
From the end of the segment: "The truth of the matter was if it came down to a 1v1, with the way Cerrit was built, I really don't think it was gonna be super survivable for my sweet girl just because he was built to hurt mages a lot. [...] I didn't really have a good plan for dealing with Travis's character other than crying and trying to convince Sam's character to come help me. And, so for people who are asking about that: I didn't have a good answer. It was just going to go bad."
Like, the vibes here are: "I built my girl to survive Brennan, but I am not confident she would've survived Cerrit."

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trees are very 🥺 because sometimes i’ll stand under the shade of a tree and look up at it and it’ll sway its branches about in the wind and i’m like oh my God i’m alive and YOU’RE alive. we are alive together and made up of the same starry stuff and standing right next to each other in this moment on this earth. do u feel it when i reach out and press my hand to your trunk? can you hear me? i think you’re so neat. and then the sunlight filters through its leaves just so and that lovely green color leaves me dazzled. it’s just very nice to be an alive thing next to a different sort of alive thing
“It’s just very nice to be an alive thing next to a different sort of alive thing” I’m in love
my interpretation of critical role campaign 4 so far