☀︎

its the era of streaming. we dont need to fil x number of timeslots.

you know i'm actually really sick of people minimizing trinity's experience with langdon; it was a big deal! reducing the situation to 'a rude guy yelled at her,' ignores basically ALL of the narrative! this was not a single outburst, not a momentary lapse—it was an entire shift defined by an attending physician who was stealing and tampering with medication, and who spent that same shift publicly humiliating an intern, undermining her judgment, and reframing her instincts as incompetence.

langdon spends the day establishing and asserting dominance over santos. every correction, every remark, is a performance of authority. he doesn’t pull her aside; he doesn’t teach privately. he corrects her in front of staff, in the middle of the treatment room, raising his voice, letting frustration dictate tone. she is arrogant, she is reckless, she is an intern—those are the labels he throws like weapons. some of it could be framed as teaching—sure, interns make mistakes—but langdon consistently chooses humiliation over instruction. every reprimand reinforces the hierarchy: he is the attending, she is the intern, and the distance between them is a line he actively enforces. initiative becomes insubordination; independent judgment becomes arrogance. the message is simple, brutal, and unambiguous: step outside my authority and you will be put back in your place–publicly and relentlessly. this is weaponized hierarchy at its finest. he poisons the well, ensuring that if santos ever raises a concern, it will be filtered through the bias he has constructed—the bias of her being 'difficult.' it is preemptive discrediting, exact and strategic.

and then there is the vial of lorazepam. a small, quiet moment, the kind that could have passed without incident. the cap doesn’t open for her, something feels off, so she asks a question. langdon shuts it down immediately. it’s not the vial that’s the problem, he tells her—it’s her, she’s an intern, she doesn’t understand. ordinary condescension, if you ignore the fact that the vial has been tampered with, that langdon himself altered it. in hindsight, the moment is no longer dismissal but projection. framing her confusion as incompetence now ensures that any concern she raises later will carry the same stain. this is classic gaslighting: the victim’s perceived incompetence becomes the answer to a problem the perpetrator created.

as the shift unfolds, her instincts keep circling the irregularities, and langdon’s tone shifts with them. irritation sharpens into dismissiveness, dismissiveness hardens into defensiveness, defensiveness flares into visible anger. he is no longer correcting an intern; he is containing a threat. the hierarchy carries most of the weight. she is junior. pressing too hard risks insubordination, backing off leaves the problem unspoken. and through it all, she is right.

by the end of the shift, the truth emerges in full: langdon has been diverting controlled medication, tampering with patient supplies, creating exactly the discrepancies she noticed. the attending who spent the day labeling her reckless, undermining her perception, and eroding her confidence is the same person whose misdeeds she was trying to flag.

from trinity’s perspective, the narrative is stark: she does her job, is publicly humiliated, notices irregularities, and the very person who tells her she doesn’t know what she’s doing is the one responsible. her instincts were correct, her observations accurate, her judgment sound. most tellingly, she does not storm into someone’s office with accusations. she tests the waters, approaches other superiors, gathers information cautiously. it is only when robby pulls her aside, after witnessing langdon’s temper firsthand, that she articulates the discrepancies—and even then, he must coax it out of her! 

be a lurker. just read things and think about them without feeling the need to weigh in or call out or disseminate everything you encounter. it's so nice and so freeing and it's a good way to learn things.

THERE’S A TIMESKIP

THERE’S A TIMESKIP

THERE’S A TIMESKIP

after losing control of the signal fire there’s a FUCKING TIMESKIP and when the next chapter starts everyone’s hair is several inches longer and their clothes have rotted to shreds and they’re still just kind of chilling!!!!

IT TAKES THE TERRIBLE IMPERIALISM MIND-POISONED EXCESSIVELY BRITISH BOYS IN THE ACTUAL BOOK SEVERAL MONTHS TO COMMIT A SINGLE ACT OF INTENTIONAL VIOLENCE, EVEN THE ONE (1) CHILD WRITTEN AS AN ACTUAL SOCIOPATH

AND then when they DO turn on each other it is because

THERE’S AN UNSPECIFIED WORLD WAR HAPPENING

AND A PILOT’S CORPSE CRASH LANDS ON THE ISLAND POST-DOGFIGHT AND THE CHILDREN MISTAKE THE PARACHUTE FOR A MONSTER AND SPIRAL INTO PARANOIA

BECAUSE CHILDREN INHERIT THE LEGACY AND TRAUMA OF VIOLENCE FROM THE ADULTS WAGING WAR AROUND THEM

HURR DURR IN THE REAL WORLD IT WOULD NEVER HAPPEN LIKE IN LORD OF THE FLIES -

It matters that we resist.

Linked footnotes

Customized page dividers

Sticky notes

Lined paper

Paper that looks stacked on top of each other

Old looking paper

Newspaper articles

Tumblr posts

iOS text messages

Emails

Fake ao3 authors notes and kudos button

Freaking discord chats

Its fucking amazing. Ao3 is fucking amazing. Can I legally marry a website?