Rather Unladylike

"The hat is customizable," he said, struggling with the velcro patch on the front. "If I need it, I have an ICE one too. I pick based off the business i walk into."

"Customizable is an important hat descriptor," I said. "what can I get you?"

"You wouldn't believe how offended people get these days," he said. "And I'm supposed to do something about it if you're offended? You chose to be offended!"

"We all have hundreds of thousands of decisions everyday," I said. I thickened my accent. "That's what my stepdad always said. But I can make one easier - we have a delicious Ethiopian roast available."

"Like if I told you you have a bull ring," he said, "because bulls have rings in their noses. Is that offensive?"

I laughed. "I've heard that before."

"It's a joke, but people get offended. Maybe you're offended."

I looked at him. I smiled. "You aren't trying to offend me though, right?"

Of course he was. I was being friendly and the friendlier I was, the faster he switched topics. He was saying anything inflammatory he could think of to see if I'd take the bait. After about 20 minutes of my redirecting and deescalating, he settled into a more normal interaction. He took up too much of my time showing me a product I'd feigned mild interest in to get him to stop talking about getting accused of inappropriate behavior at work. When we finally disengaged, he spent 10 minutes trying to catch my eye again. When he failed, he left.

There's this new breed of customer who insists on trying to incite political conversation through their clothing and, when that doesnt work, their snide little comments. If I owned my own business, maybe I would have given the guy the fight he wanted. But I work for a corporation and I love paying my bills so I deescalated.

Me realizing it's about a beautiful lesbian couple and their gay son:

My heart:

Other materials at the time, namely clay, would absorb flavors and germs meaning that if you ate beef off a clay plate your next meal with that plate could have beef flavor and microbes common on cow meat on it.  That would leak out seemingly at random no less.  Heck imagine a sick person coughing into their soup bowl and then months later their germs hiding in the clay would pop out to infect whole new people.

Also the earliest human use of glass we know of is for its sharpness.  Pre-historic people would use volcanic glass as sharp knives for food preparation.  Also beads.  Pretty much any new substance humans get their hands on for most of our history we immediately try to make into beads.

As we all hopefully know, we don't touch art when we go to the museum, even though depending on the materials one person touching an art piece probably won't ruin it. However, if enough people visiting the museum were to touch it this could damage or destroy a piece. This is because our actions add up to having collective consequences.

So say for example you're visiting a quaint little town that's a popular tourist destination, and to get the perfect shot of say, a windmill, or a particularly pretty footbridge going over the river, you'd have to stand in someone's yard. Before you think to yourself "well, it's fine if just one person stands in this person's yard to get a picture of that thing" consider you're probably not the only tourist who's had this thought, and perhaps this person has tourists standing in their yard all day every day, and it's starting to cause problems for them.

Everyone says NEVER TRACE!! THAT'S ART THEFT! Ok but we can do a little crime in the name of Learning.

Trace to learn, not to earn.

I like to take my own photos, but you can study whatever you want. Link back to original photos, and don't post copied artwork unless the artist is dead, cool with it, or both.

As always with learning, start every sketch with the intent to throw it away (trash for paper, quitting without saving for digital) This takes the pressure off and lets you make Bad Art, which is very important.

So let's make Bad Art of a Deer because I happen to have one handy

Start with a photo of your subject in a nice/neutral pose with all four feet visible. (so not like me)

Freehand copy it. Try not to stylize, focusing instead of matching proportions and pose. Don't get too detailed!

It's ok if your art looks terrible and has broken legs. I've drawn LOTS of deer so I have a leg up. Everyone's art sucks in their own eyes and here's where mine went wrong:

Either lasso-distort (recommended for beginners) or redraw a copy of your first sketch with your reference behind it (scaled to match the main body of your sketch)

Put the original and modified sketches together and compare the differences. Write it down if you want. This shows you where your eyes saw things the wrong size, so you can correct for that next time.

After learning about both deer and yourself, try freehand copying again.

Marvel at your newfound knowledge and skill!

but there's always room for improvement

You can stop here and move on to your real drawing, Or do another freehand-fix-compare cycle. I actually overcorrected my "draws heads too big" and veered into "heads too small."

Another note on tracing: Learning HOW to trace is more important than anything you could learn By tracing. Draw the Anatomy, not the outline. In real life, things don't have outlines, they have bones.

These are from the same shoot which is extra useful for consistency. The lines are minimal and follow where the animals joints are, and only important parts are drawn.

You won't know what Important Parts means right off the bat, which is where in-depth study comes in. You need to do learn the hard parts to do the easy parts right.

"Study the anatomy study the anatomy" but they never tell you HOW. It's not "read a book," It's more like flailing around wildly and crashing your browser from too many tabs.

This is going to be about How to Make a bones and muscle chart. Because even if your art sucks, you learn so much more by doing than by seeing.

References I gathered: X X X X X X X X

Get Set up. Get a photo, like above, but it doesn't have to be the same photo. And now... gather reference.

We'll start with bones. Search up "[animal] skeleton" and get photos or super scientific illustration. Add in things like "top view" to spice it up.

Next, search "[animal] skeleton sketchfab." This pulls up 3D models that you can rotate in your browser. Remember that these are art and the anatomy is only as good as the artist, so pick a good one.

Time for bone!

The spine is the most important, and in a lot of animals it will surprise you. Draw it in over your photo and then add spikes because skeletons are punk. These are not scientific and I didn't count them because their number doesn't matter to art. So you better be referencing from scientists and not me!

The rest of the bones and some notes. These are my notes to myself about things I want to remember. My personal discoveries in anatomy that made my art better. You can make the same notes but also make sure you have your own thoughts on there as well. that's how you help yourself the best. Be as detailed or vague as you want.

Same deal with muscle. Here are my personal notes to myself. Label stuff that is important to you. I actually grouped a bunch of muscles together based on what is visible from the outside. Muscles are way more complicated than this, but Baby's First Anatomy Chart gets to be simple.

This is good enough for me because I have intimate knowledge of the other muscles working under and over these ones. Feel free to add as many or as few muscles as you like. You chart your own course.

This is very VERY much not an anatomical chart. I'm sure there's nerds out there pulling their hair out looking at this. But listen, it works for art!

And you know the wildest part about this?

I don't need to look at it to use it. The act of making your own anatomy chart puts that knowledge in your brain. Like how you can make "cheat sheets" even for tests that don't allow them - the act of making the sheet helps you remember what you struggle with most.

And after all that complexity? Your simplification will be based on Real Knowledge and you'll put those random circles in the right spots.

Look at all this hard work you've done. Eventually this will be second nature to you.

I put together some photo packs and uploaded them to my gumroad. You can use them and this guide to study! So far there's only a Doe and a Fawn pack, but if I get sales I will put in the effort to do more for deer, horses, cats, birds, and anything else I can point my camera at.

Doe Pack

Like when Gandalf spent literal PAGES trying to figure out why the vibes were off in Moria and Legolas chimes in with just "it's a balrog :) that shit's evil :) we're so fucked :)" like what do you MEAN you knew already and just didn't tell him??

Or at the beginning of Two Towers when Aragorn thinks there's something nearby so he puts his ear to the ground to listen, and then like 10 minutes later is like "hmmm i hear horses" and Legolas is just like "mm yep. there are 105 blond bitches with spears" like you just let your friend put his face in the dirt and you can SEE them??

gandalf is scratching his head in moria, and legolas is thinking "oh man, the wizard noticed something off *besides* the obvious balrog that we all are aware of??"

I might translate this article later today. This one was the most complete one, even in Italian news it's not talked about that much.