my brain: 45 years ago this person could've made a public access television show that ran for half a decade on the strength of this concept with the right framing device and it would've been paid for with federal arts grants and maybe even national syndication rights. now they're begging for a single minute of engagement on tiktok in the hopes that maybe someday the abstract metrics of digital media platforms will translate into a tangible career
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Hey. If people aren't aware, Microsoft admitted they know who you and where you are at all times and will give your info to the police.
They have a Global Device Identifier (GDID) Tracker that functions as a fingerprint for your PC that can surpass VPNs, proxy servers and countries. Although it can't survive a clean reinstall of Windows (it can survive updates), because Microsoft forces you to go to the internet and log in into a Microsoft account, they will be able to get to you.
Microsoft kept it secret and it was only found out when the FBI tracked a hacker thanks to the information Microsoft gave them.
You should be paying attention to this, and possibly consider moving away from Windows. If a government, especially the US government, doesn't like you for some reason, this could be seriously concerning.
This article specifically notes:
For journalism, activism, or domestic abuse situations, skip Windows and use Linux routed through Tor instead of a commercial VPN. A GDID doesn’t care which VPN you use, only that it’s still the same Windows installation.
GDID is the persistent Windows ID that helped FBI trace a Scattered Spider hacker despite VPNs. Here's how it works and how to limit it.
Other important quotes:
What has researchers uneasy is everything else the case reveals. Costin Raiu, a well-known malware researcher, asked on the Three Buddy Problem podcast how much of this exists on other platforms, and whether it is linked more permanently to hardware. Matthew Hickey, another security researcher, called Windows “surveillance software”.
Two things back that up:
There’s no consent screen. A GDID gets assigned when you sign into a Microsoft Account. Apple’s advertising identifier needs an App Tracking Transparency prompt and a visible reset; Android’s works the same way. GDID has neither, and a Windows reinstall only gets you a new number Microsoft can still get back to the same account.
Then there’s activation. Massgrave, the group behind Microsoft Activation Scripts, notes that Windows setup sends hardware info to Microsoft and gets identifiers back, the same tokens later used for Store access and licensing: “It’s impossible to prevent Windows from getting a GDID without breaking activation and UWP app[s].” Anyone who lost a license after swapping a motherboard has already met a smaller version of this.
Here's the complaint filed to the court, the primary source for the case mentioned in the article. You can find mentions of GDID on page 30 of the document or 34 of the PDF.
You can get and use windows 11 without logging in with a microsoft account, as of five days ago. I am a local user on my computer. Don't ask me how to do it, because my computer repair guy did it when he reinstalled windows, but there are tutorials out there. Refuse to connect to internet until you're set up and can use the computer freely.
Refusing to connect to the internet doesn't help. You have to open a Command Prompt (Shift+F10) and typing start ms-cxh:localonly (and pressing enter) during installation when you get to the sign in/create stupid ms account screen
For comprehensive deets, tomshardware explains
Maintain only a local account on your Windows 11 PC.
Unless there's really really specific reasons to subject yourself to windows, please consider installing linux mint instead.
Just curious but where does the star on cheek motif come from in Ancient Greece? It’s beautiful but I don’t know what it’s called so I can’t google it effectively and ‘star on cheek ancient Greece’ did not net me much. If you have any resources on this I would love to read them!
I'm not sure if there's an actual term for it, but the main (and perhaps only) point of reference that everyone seems to use is this painted plaster head of a woman from Mycenae c. 12th century BCE (National Archaeological Museum Athens inv. 4575). it's a unique and pretty unusual object for the period, but apparently there are a couple of other (less well-preserved or less impressive) examples of women's faces depicted with these red suns/stars/rosettes on their cheeks and chins in Mycenaean art. there's some thought that it might be a representation of some sort of makeup worn by real women in late Bronze Age Mycenae, potentially royalty and/or priestesses in official ritual contexts. alternatively it could be an artistic marker of divinity or non-human status with absolutely no relation to women's appearances in real life, since this head may have belonged to a statue of a goddess or a sphinx. we do have a decent number of Mycenaean wall painting fragments depicting female figures, and I don't believe any of them have these markings on their faces-- the trend of depicting mythic or historical Bronze Age Greek women like this really does seem to all come back to this one object.
Hey, jumping in to add some resources - during my archaeology degree I focused specifically on Late Bronze Age (LBA) Aegean dress & adornment, so while I'm not at all an expert I've got a pretty good grasp of current research.
Answering the first question, the term you're looking for is 'rosette', or more specifically - depending on the academic - 'dot-rosette'. This was a common LBA iconographic motif in the Near East & Aegean, depicted on a variety of materials; from ceramics to textiles, architecture, metalwork, jewellery, stone carving, etc etc. These depictions could be simple & stylised, more realistic/flower-like, or even quite sophisticated and complex - the dot style seen on NAM.4575 (the plaster head that OP linked & pictured above) being on the simpler, more stylised side.
It, as OP pointed out, is a very singular object for the LBA. Not only is NAM.4575 a large scale three dimensional human figure, but it has so much surviving pigment!! As per gendered iconographic norms (e.g. skin colour) for the LBA Aegean it clearly depicts a female, however there is debate over the specifics depicted. Is she real or divine, human or mystical? It certainly comes from religious context, excavated in the Cult Centre of Mycenae, and the headdress she wears (known as a Polos) has strong links to ritual practice. Worn by (likely) goddesses, mortal figures of high religious or social significance (e.g. priestesses), as well as sphinxes (but not exclusively! older scholarship skewed towards majority sphinxes but our understanding of Poloi wearers has improved over time and tbh there are more occurrences of being worn by human/human-like divinities than by a sphinx). This led to the initial identification of NAM.4575 as a sphinx, however more recent consensus in scholarship interprets her (IMO more correctly) as a goddess or mortal woman of high ritual/social status. Either way, wherever she falls on the mortal/divine divide, it is clear NAM.4575's facial markings hold some form of ritual function for high status women.
However, as mentioned briefly by OP, she is not the sole depiction of facial rosettes from the archaeological record - similar markings *do* appear occasionally elsewhere.
Brief Overview of Rosette facial markings within the archaeological material:
Earlier examples of painted facial rosettes (as well as so many other simple designs) can be seen on some Early Cycladic Figures, such as this EC II marble female head from Keros pictured below on the left, displayed at the Karlsruhe Badisches Landesmuseum (inv.70/550). While the condition of the figure's pigment has deteriorated, traces of pigment on the cheeks and chin in a dot-rosette pattern can still be seen.
More contemporary with NAM.4575 both in time (LBA) and location (found within the Mycenae Cult Center complex) is MM.294, a LH IIIB2 ceramic female figurine. As can clearly be seen in the middle picture below (taken by me at the Archaeological Museum of Mycenae) two facial dot-rosettes are detailed, with one on each cheek. They are less sophisticated then those seen on the plaster head, unsurprising with the differences in material and quality between the two artefacts. Other body markings are also present.
Another LBA dot-rosette example can be seen on CMS II 052, a LM I hematite seal stone now located in the Archaeological Museum of Heraklion. While not depicted explicitly on a human face, the seal consists of 4 'floating' objects isolated from any background - an eye, ear, and two dot-rosettes. CMS II 052 (pictured below right) therefore provides evidence of an explicit association of dot-rosettes with other human facial features.
With the explicit proviso I have yet to find scholarly discussion regarding a link to facial markings specifically (unsurprising with how extremely niche of a subtopic this is), through my own research I've found some fragmentary examples of apparent facial dot-rosette markings on phi Φ type figurines. As currently for many phi Φ types no comprehensive pigment analysis exists, or if undertaken most technical reports are not publicly available, so my interpretation of painted facial markings cannot at this stage be definitively confirmed. This identification is instead based solely on visual surveying of available material, with some examples seemingly depicting dot-rosette facial markings that have degraded due to pigment loss over time. One such example is below, a LH III phi Φ type grave good from Tanagra, now displayed in the Archaeological Museum of Thebes (where this picture was taken, by me). On the figurine's left cheek two dots are visible, potentially once part of a larger dot-rosette motif (especially considering pigment loss is evident elsewhere on the figure).
Facial Markings more generally in the archaeological record:
Looking not *just* at dot-rosettes but more broadly at the practice of facial markings in the LBA Aegean there is a greater body of evidence. They appear within a larger variety of contexts, depicted on votive offerings, grave goods, religious objects, and as artistic imagery within high status urban complexes, domestic spaces, peak sanctuaries, and even rock shelters. Notably, while many of these depictions may hold ritual purposes they are represented not just on goddesses but also on explicitly confirmed non-divine women (in fact, I'd argue the majority are mortal rather than divine). This suggests that facial markings were practised by real LBA women in the Aegean, albeit likely not as common, everyday practice for majority of the population. At current, there is no absolute consensus on whether this was achieved by temporary cosmetics (most likely?), tattooing, scarification, or some other method with a variety of generally simple geometric designs depicted within the archaeological record.
The simplest design of facial markings - red, blush-like circular blobs on the cheeks - can be seen on multiple frescoes, see below pictured examples of women within the House of the Ladies Fresco from LBA Akrotiri, Thera; as well as another female plaster head from Mycenae, the smaller and more damaged NAM.7712 pictured below right.
Simple cheek circle markings are also represented on other figurines such as ceramic head AMH.Π1102 from Agious Antonios (pictured below left & centre), or on this stunning clay woman's head found at the Pisokephalo peak sanctuary, with a very distinct red pigmented mark on her left cheek (pictured below right, taken by me at the Archaeological Museum of Heraklion)
Diamond facial marks also occurred, evident on a few terracotta Mycenaean figures, MM.320 (left) and MM.1552 (right), both images taken at the Archaeology Museum of Mycenae by me
A favourite of mine from Agia Triada, the fragmentary AHM.Π3085 shows unique fragmentary forehead marks of concentric semi or full circles. (below left taken by me at the Archaeological Museum of Heraklion)
Appearing significantly more frequently are depictions of (painted?) red ears, for example seen in the West House Priestess Fresco from Akrotiri (below right taken by me at the Prehistoric Museum of Thira)
The above examples of facial markings designs are not exhaustive, but with many of the remaining extant designs being unique and/or in poor condition I've tried to only discuss those that are of most relevance.
Of these examples, majority come from secure religious contexts and while some could potentially depict divinity, many can also be ruled out as not depicting goddesses at all - but rather real women. While most likely these would be high ranking priestesses, worshippers, holders of some other specific ritual function, or otherwise high status individuals (rather than the average woman) it is clear that some form of cosmetic facial marks were practised by some LBA women. The rarity of depictions likely means these markings held a specific ritual or social meaning no longer evident today. Regarding rosettes specifically, it was a much more widespread motif in textiles, art, architecture, and jewellery then depicted as a facial marking, however several examples *do* exist - with NAM.4575 being the most spectacular and well known.
For more in depth discussion and research on rosettes and/or facial markings within the LBA Aegean I've listed a few articles in the readmore below. I've tried to only add ones that are freely available online, but for the ones that aren't feel free to dm for pdf copies. All imagery not taken by me are from publicly available sources (wikimedia commons, the Arachne CMS database, open access publications, and online museum digital collections)
Further reading:
Blakolmer, H. 2012 ‘Body Marks and Textile Ornaments in Aegean Iconography: Their Meaning and Symbolism’ in KOSMOS ed. Nosh and Laffineur.
Earle, J. 2012 ‘Cosmetics and Cult Practices in the Bronze Age Aegean? A Case Study of Women with Red Ears’ in KOSMOS ed. Nosh and Laffineur.
Nicolakaki-Kentrou, M. 2007 'Artists exchanging vocabularies: the dot-rosette motif on ceramics and textiles of the 2nd millennium BC in Egypt and the Aegean' in Mediterranean Crossroads. ed. Antoniaou and Pace.
Palaiologu, H. 2015 'A Female Painted Plaster Figure from Mycenae' in Mycenaean Wall Painting in Context. New Discoveries, Old Finds Reconsidered. ed. Brecoulaki, Davis, and Stoker.
Rehak, P. 2005 'The 'Sphinx' Head from the Cult Center at Mycenae'. British Archaeological Reports.
Heyy sorry to just. Send you this outta nowhere but. I saw your greek mythology post, and I wanted to know if you knew where I could read specifically greek mythology tales?
By that I mean like. I know the tale of Orpheus, for example. But I've never actually like... read it. I've just heard the broad strokes. Same with like, Sisyphus. I know what those tales are about, but I haven't actually read a retelling of them. I know there are a lot of those stories that are basically "here's this one instance of Lore(tm) that's neat" and I was wondering if you knew of any book or website or. Anything. That I could learn more about them.
In the same vein - do you know of any books that talk about the. Less known greek gods? Like, sure, pretty much all greek mythology books talk about the olympian gods and whatnot but I know there are several others that are less known. Like... Nyx has her 5 billion children. I'd like to know more about them. Or like, I'm pretty sure there's an actual God Of Medicine (whose snake staff is usually confused with Hermes' staff).
I do plan on reading the illiad, but yknow. Big book. And I do so enjoy the little folk tales about the gods that the ancient greeks created to like, pass on moral teachings and shit like that.
Anyway. If you have any recs, I'd genuinely love to hear them. Sending you love!
The primary source I usually recommend to people just getting started is The Library/Biblioteca by Pseudo-Apollodorus. It’s written by an anonymous Greek scholar in late antiquity that was making the ancient equivalent of a reference book. It’s got a bunch of myths in them told in roughly chronological order and the author’s writing style is so straightforward and to the point that most translations of it are fairly good. I personally like Robin Hard’s translation but you can easily find public domain translations online that will work just as well.
If you want a big list of gods, try reading Hesiod, specifically the theogony. His works are much shorter than Homer but arguably just as important and from roughly the same time period of archaic Greece.
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i watched one (1) video on how to draw hands that changed my life forever. like. i can suddenly draw hands again
these were all drawn without reference btw. i can just. Understand Hands now (for the most part, im sure theres definitely inaccuracies). im a little baffled
I swear to fucking god. I would claw out OneDrive from my computer if I could. I would burn down their servers if I could. I would run down their stocks to the ground if I could. I hope every single one of their workers gets a better offer from a competitor in the next 24 hours. I hope every single one of their light bulbs explodes at the same time. I hope every single carton of milk in their fridge will always be expired.
Stop backing up my fucking files.
Stop asking me to back up my fucking files.
Stop taking my fucking files off my fucking computer.
I don't want a fucking reminder in three fucking days. Let me fucking say no.
Meanwhile I wish people would hear my "help me understand the thought process behind this" as as a request for explanation and clarification, not a way to say "you should've done y". Maybe I know I'd do x in the same situation, but knowing why I'd do it doesn't tell me why you did. Maybe I would've done y because z a b, but doing x got much better results than doing y would have. Maybe there's a factor c that I know I don't know anything about, a factor d that I'll remember about as soon as I'm reminded, and/or a factor e that I'm about to be today's lucky ten thousand on. And yeah, maybe what I mean is wtf what made x seem like a good idea, but that's not supposed to be an accusation or a judgment, that's supposed to be figuring out how to make sure whatever fuckery happened won't happen again. Or figuring out what needs to change in order for x to stop seeming like, if not necessarily a good idea, then at least a less bad idea than y is.
the person who helped today when I fell out of my wheelchair actually did a really great job, so I want to share in case other people wonder what to do. [Note: this is not universal, this is merely a suggestion from one person, every wheelchair user's needs are different! I am a person who uses a manual chair usually pushed by someone else who is also disabled.]
Scenario: you see someone in a wheelchair fall out of their chair, and you have the ability to help.
1. Approach and ask "are you okay?"*
2. Next question if they say no, are vague, or open to continuing conversation** is, "is there anything I can do to help?" Or "what can I do?"
If they say no to help, then that's the end, just leave and go do whatever you were doing!
If they ask for help or say they are mildly injured, ask "what would you like me to do?" And wait for an answer before doing anything! If they seem dazed or confused, they might have hit their head or had another medical event*, or they might just be like that due to regular disability. Be patient.
Do not touch the person unless they say to, or they are like, unconcious in the middle of the road, ya know?? Wheelchair users usually have conditions that mean being handled improperly can severely injure us, you could cause much more damage than the fall.
Some things they might need you to do:
Bring their wheelchair closer (mine went about 5 feet away after it dumped me)
engage the brakes of the wheelchair
hold wheelchair steady if it's an unsteady surface (mud, hill, ramp, wet, etc)
offer an arm for them to hold onto to get up (them grabbing you, not you grabbing them) or move another solid item closer for them to use (i.e. a chair) [only do this if you physically have the ability to!]
If the terrain is rough (i.e. a parking lot), they *might* ask you to push their chair to a more stable area once they are back in their chair
nothing
Something else
Do what they ask, NOT what you think would be helpful. If for some reason you have to do something (i.e. you can't stop oncoming traffic and need to get them out) ASAP, tell them what you plan to do
Keep in mind they might also be D/deaf, have a communication disability, be stunned after the fall, have a head injury, not trust other people, etc. Be patient and treat them as a person with autonomy and agency! They might need to just sit on the ground for a few minutes to recover before trying to get back in their chair. They might want everyone to leave them alone. They might ask you to call someone specific. Their chair might have broken and that can be extremely distressing. All of this is like if your legs spontaneously stop working when you're out and about!
A lot of wheelchair users (NOT ALL) have ways to get into their chair on their own once the chair is close enough and brakes engaged (but it's hard from the ground!). Here's what brakes look like on a lot of manual wheelchairs, in case they ask you to lock the brakes. They're levers on each side and pushing the lever pushes a bar against the wheel to hold it still.
ID: A manual wheelchair with the brake levels circled in red and labeled "user brake levers"
*There is also the possibility of course that a person fell out of their chair due to a seizure or other medical event, so that is why it is important to ask if they are okay. If you saw them hit their head, tell them so. If they had a medical event, follow protocol for that, I'm not gonna get into it here (thought I could).
**sometimes a person will be clear after the first question i.e. "I'm all good thanks" clearly means they do not need you to ask another question, you can just leave them alone. Keep walking and don't stare. A lot of the time people will be a bit banged up but be totally fine and able to manage on their own.
TLDR: Ask the wheelchair user if they're okay, then what they need, and then do exactly that, including leaving them alone. Thanks!
[ID: A reply reading, "It's worth noting that unless someone is in immediate danger (on a road, near a chemical spill) there's basically no justification to move a unresponsive person on the ground, basic first aid will tell you that your objective is to stabilize and support until actual trained professionals arrive. Even outside of the context of pre-existing disability and being mishandled, if someone has a brand new neck injury you could seriously, permanently harm them by causing undue stress on the spine. You should always assume an unresponsive person on the ground has internal injuries you can't account for, and unless they're about to get smushed or asphyxiate on vomit leave them where you found them and call an ambulance." End ID]
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Wait wait do you get paid a stipend for food and shelter while you apprentice? Why would you not do this? There are some heritage crafters around here and they take students but you basically have to be independently wealthy. Otherwise I'd have been a blacksmith and ironworker six years ago. "Oh menial retail jobs that steal your soul really need me" fuck that noise
To be very clear about this: CPUs aren't magical devices that can operate forever. They generate heat. They wear out over time. This happens faster when they're operating near capacity. This is not just an attempt to inconvenience you; this is an attempt to damage your property.
For the "crime" of not wanting to be tracked/have ads pissed into your eyeballs 24/7.
Even if you've paid for the "privilege" of the latter.
Fuck Google, and I hope they get sued into oblivion over this.
i see everyone in the notes talking about newpipe but nobody's talking about youtube alternatives for desktop
IF YOU USE A DESKTOP PC OR LAPTOP, TRY INVIDIOUS
https://invidious.io/
it is a free, open-source alternative YouTube front-end. in addition to not having ads, it has other great QoL features like a download button. try one of the several instances on that link up there ^^^^
so i was super pissed and concerned about this but i have just discovered that while this is true, it is apparently only true for google chrome users. i just tested this by having ten tabs open in firefox playing ten different youtube videos at the same time and my cpu usage spiked to 25% as the videos were loading and then dropped back down to 10% as they played.
if you ever needed another reason to switch to a different browser, this is it.
there is no downside to voting for Count Binface. its not taking away from other candidates bcos they aren't any and the more votes he gets the stupider Farage looks.
Nigel Farage is the leader of Reform UK, a far right party who are currently in the process of a serious bid to become the UK government. they are just straight up evil.
Count Binface is an intergalactic space warrior with a bin on his head. he likes to run as a novelty candidate in general and mayoral elections. a big thing he likes to do is run as a candidate against the incumbent prime minister:
(Also pictured: Boris Johnson, Elmo)
Anyway, in brief:
Nigel Farage is currently in the midst of a big scandal about his finances
He has decided to deal with this by 1) making a show of nobly resigning from parliament and then 2) immediately running in the resulting by-election
He has stated that he is letting 'the people' judge his actions and implied that if he wins that will prove that he has been exonerated in the court of public opinion
His goal was presumably to get a big resounding win over the other parties, proving that The People still love him.
the other parties have thus far decided that this is a 'vanity election' and, well, there is one very easy way to ensure that he will not beat any of them, and that is simply not to play.
and as a result the only person who has so far confirmed they are running against him is Count Binface. no matter the outcome this makes Nigel Farage look like, u know, a fucking clown.
The Rodeo Rule: you only have to do it for the first time once.
The Rohan Rule: if you are at a social function full of new people and you want to be liked, find someone doing important work like setup or food prep and offer to help.
The Tutorial Mode Rule: to navigate an unfamiliar situation where you fear you will mess up an interaction, preface the interaction by mentioning that you've never done this before, and let them know if you have a specific concern or question.
The Rocket Science Rule: most new things you want to try seem very complicated but are simple when taken step by step.
The [X] Will Remember That Rule: if you need to make small talk with the same person on a regular basis, try to save one fact or current event in their life from a given conversation and bring it up next time you talk.
The Cool Binder Rule: by wearing clothes and accessories that are to your taste instead of trying to blend in, people will be more likely to compliment you and show interest in you as a person.
"The trannies should be able to piss in whatever toilet they want and change their bodies however they want. Why is it my business if some chick has a dick or a guy has a pie? I'm not a trannie or a fag so I don't care, just give 'em the medicine they need."
"This is an LGBT safe space. Of COURSE I fully support individuals who identify as transgender and their right to self-determination! I just think that transitioning is a very serious choice and should be heavily regulated. And there could be a lot of harm in exposing cis children to such topics, so we should be really careful about when it is appropriate to mention trans issues or have too much trans visibility."
One of the above statements is Problematic and the other is slightly annoying. If we disagree on which is which then working together for a better future is going to get really fucking difficult.
Someone who says they don't care if dudes wear dresses and makeup is a better ally than someone who says they're a safe space for women and non-binary people. I am not joking.
yeah I went to a gay bar recently with my husband tumblr user beemovieerotica, and a VERY confused capital S Southerner straight man in cargo shorts and a trucker hat showed up
apparently he (who through my drunken memory I remember only as Earl) liked some woman, and she told him that he wasn't cultured enough and needed to attend his first drag show (she also flaked on him)
Now I'm reasonably androgynous and was wearing makeup, a short leather skirt, and black heeled boots, but still when this guy came up to me when I was standing off alone and asked "So. Do you come here often?" with a very earnest expression, I thought. Surely not. This guy doesn't think I'm a straight woman does he????
Anyway I start talking with this guy and he has no idea what the fuck is going on but he is just a very kind and earnest dude and asked a lot of questions (while asking if it was alright if he asked those questions). I track down my husband and friends and I'm like y'all. We need to make sure that Earl has a Good Fucking Time tonight.
Man was completely out of his depth. At one point they put on a puppy auction to raise money for Pride, that started with a 6 ft drag queen in all her glory leading a leather pup out on a leash to the tune of that damned RSPCA "in the arms of the angels" song
We look at Earl. Nervous. He squints, laughs, and then goes "I was wondering why people were dressed like that!" He turned to me and asked "So they're like dogs?" And I said yeah pretty much. And he just chuckled and went "Yeah I thought so with the tails! Never seen this before!"
When the first drag king came out, Earl looked at me wide eyed and went "There's a dude version too?!" And I said yeah they're called drag kings. And he said, low, "Drag kings."
During one of the queens performances, he frowned, shook his head and told me, "Your legs are better than hers." in a tone that implied he thought there was some travesty taking place and I should also be getting paid
When he found out I was there with my husband (and that I am not a woman) he profusely apologized and said "I'm so sorry, it's dark in here and I thought you were a hot chick! I wouldn't have said nothing if I knew you had a husband, I'm so sorry about that."
When beemovie invited me to the dance floor with him later and I still had a drink in my hand, Earl said "Oh don't worry about that I can hold your drink, you get on out there and shake your ass with your husband!" Then before we left, Earl bought me drinks for "Putting up with me all night and answering everything. Y'all helped me have a great time tonight."
like. You gotta recognize there's going to people who have never had interacted outside of their of their own community. This includes you. And just because your community is familiar with all the right vocabulary and how to correctly say something, it doesn't mean they're actually going to support you. If someone like Earl shows up, confused and out of their depth but kind and curious and earnest, you gotta have patience and truck through the small things, so when he goes back to his friends and his coworkers and they snicker asking how the drag show was, he can genuinely talk about how included we tried to make him feel and that he had a great time
I think I've reblogged this before, but it bears repeating.
I think some of the worst damage to leftist causes is done by that specific set of people who claim that they care about marginalised groups and the prejudice they face, but whose principle activism consists of using progressive language to pick fights with people from up on their home-made moral high-horse.
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at some point in your life you will be boiling fruit, water, sugar, and lemon juice in a pot to make a syrup or jam. the instructions will tell you to simmer for a certain amt of time. your timer will go off and you will look at the pot and go, "hm, this doesn't look thick enough. maybe i'll let it go for another 10 minutes." this is the devil speaking. it's only so liquid right now because it is at boiling point. it will thicken when it cools down. learn from the follies of my youth and do not let this happen to you
at some point in your life you will be making a sauce or a stew in which you need to add cornstarch to thicken it. and you will prepare a slurry of starch in cold water and think "this looks like way too little starch to thicken this amount of liquid." this is the devil speaking. cornstarch instantly polymerizes at 95°C and if you add too much it will turn into an impossibly thick goop.
at some point in your life you will be making some sort of cream based dessert that requires gelatin to thicken it. and you will soak some gelatin sheets in water and think "this is too few gelatin sheets for this amount of cream." this is the devil speaking. it will thicken in the fridge and if you add too much you will end up with milk jelly
at some point in your life you will be baking cookies. you will take the sheet out after twelve minutes as the recipe instructs and the cookies will still be glistening and soft. "these don't seem cooked enough," you will think to yourself, "i should place them back into the oven until their edges are nice and golden." this is the devil talking. this is how you get dry, overdone cookies. the cookies will continue to bake on the warm sheet for several more minutes and then harden up after sitting on a rack for a while. trust the process. trust the process.
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