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Anime Adaptation of Tokyo Babylon
A petition for a Tokyo Babylon anime, hopefully not one screwed up by GoHands.
Please please sign.
"I'm Dorothy Gale from Kansas"
Cosmic Funnies
almost home

izzy's playlists!
trying on a metaphor

Love Begins
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Stranger Things
d e v o n

Kiana Khansmith
YOU ARE THE REASON
will byers stan first human second
icyghini twinkie
Claire Keane
One Nice Bug Per Day
Noah Kahan
we're not kids anymore.

I'd rather be in outer space 🛸
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@pluckingstarsoffmoontrees
https://chng.it/6yqCxdMYKG
Anime Adaptation of Tokyo Babylon
A petition for a Tokyo Babylon anime, hopefully not one screwed up by GoHands.
Please please sign.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
On this day, 21 July 1936, one of the most iconic photos of the Spanish civil war was taken on the rooftop terrace of what is now the Iberostar/Apple store buildings in Barcelona. Taken by German photographer Hans Gutmann, the photo depicts 17-year-old socialist Marina Ginestà. Although she is captured holding a rifle, it is doubtful that Ginestà actually fought on the front lines during the war. Instead, as she was partially brought up in France and spoke fluent French, Catalan and Spanish, she worked as a journalist during the war and more notably as a translator and interpreter for the Soviet correspondent from the Pravda newspaper, Mijaíl Koltsov. Gutmann had come to Barcelona to cover the anti-fascist Popular Olympiad games and, at the onset of the war, decided to stay to cover the conflict. He then castilized his name to Juan Guzmán. A communist himself, he had easy access to what was formerly the Hotel Colón, a building taken over by the PSUC (the Catalan Socialist Unification Party) where he took many of his renowned photos. When the photo was taken of young Ginestà, she had never held a rifle in her hands - Guzmán offered it to her to pose with, and the same rifle appears in another photo in the same hotel of the writer Ludwig Renn. Ginestà survived the war and fled to France as a refugee. She later escaped the Second World War by fleeing to the Dominican Republic. With the rise of the dictatorship under Trujillo, Ginestà moved to Venezuela, where she settled for many years working as a journalist and a novelist. In 2014, she passed away in Paris, France, aged 94. Learn more about the Spanish civil war in our podcast episodes 39-40: https://workingclasshistory.com/podcast/e39-the-spanish-civil-war-an-introduction/
Posting the gifset for my wife's recent WHA manga track reminded me that I never got around to making a gifset for an old Tokyo Babylon track of mine, so here it is. What a twisted manga, man. 10/10
people focusing on the writers feeding them with “transfem lestat” while ignoring the vehement antiblackness they're putting the black gay man through kinda perfectly encapsulates the priorities of white queer fandom
also this is a secondary concern compared to the pervasive and gleeful antiblackness on the show, but lestat's line in s3ep7 that feeds into transfem readings feels like another example of this season going for "tell, don't show" and expecting fanon and fannish interpretation to carry the weight of what they aren't depicting onscreen. the s1ep7 marie antoinette drag scene is one of my fave in the whole show- and i mentioned before s3 aired that after rolin cited rocky horror and hedwig and the angry inch as s3 influences back in 2024, the lack of rockstat drag onstage felt like a glaring omission and was possibly tied to amc's corporate queerphobia given the obvious double standards in how they depict m/m and f/f v m/f intimacy. if the show wanted to make the idea of lestat being genderqueer or some form of transfeminine firmly canon, we could've seen a whole arc play out in s3 especially with gabriella coming back into lestat's life. imagine if drag was a consistent part of rockstat's look and stage performance, and esp around gabriella he insisted it was all for show, meaningless, he was just clowning, and as her control over lestat's music career and lestat himself increased we saw her steering him toward more conventionally cismasc presentation...and then we got hit with the quiet honesty of the line where lestat admits he does wish he was a woman sometimes as a resolution to a season-wide narrative that's primed for further exploration in s4. (this would also be in the hypothetically well-written s3 where lestat faces what he did to louis and claudia more firmly too, instead of 6-7 eps of wheel-spinning and darvo, and safe to say he would not be saying this to the apparition of louis' brother come to comfort him while louis is being tortured). they could've pulled on late 18th century ideas of gender that would've been formative to lestat (male performers performed fem roles then too- show him playing a woman when he was human and having a euphoric experience, show him interested as a child in the markers of femininity and womanhood that gabriella possesses and she rejects etc) being gnc/genderqueer/nonbinary/transfem/gnc (whatever your interpretation of lestat is) in 18th century france and then the early 20th century new orleans and then north america in 2025 are extremely different- your lead is an immortal vampire who's lived through all those eras, explore that.
but instead of doing any of that, instead of engaging with lestat's gender in any kind of arc, the show adds a throwaway line (in a season of throwaway lines) that can be interpreted depending on viewer bias as 1) lestat genuinely expressing some yearning for womanhood and being trans canonically or 2) still-cis lestat just saying he wishes he and louis had a heterosexual relationship to begin with bc it would've made their lives easier- like even though their relationship would've still been illegal if they were a m/f couple, they at least would've had paul and maybe the rest of the de pointe du lacs' acceptance- and plenty of casual viewers are gonna walk away with the 2nd impression. (and speaking of the de pointe du lacs, louis mentioning he was molested is another one of the throwaway lines with paradigm-shifting impact that the show doesn't care to explore in any depth- why bother developing things onscreen when fans will do the work for them and praise the writers as genius for hinting at depth instead of portraying depth onscreen??)
so many choices this season feel like the writers checking off boxes to confirm fan theories bc they seem cynically aware that a lot of people are watching the show less out of care for good storytelling but more to "win" whatever stan or ship war they're personally invested in. they're lines and moments meant to be screenshotted and shared on socmed for the fandom to talk about, pithy quips that can fit into 1-2 screenshots in subtitles and reposted with more pithy quips. the show doesn't care to explore lestat's gender in any deeper form but it does want fans losing their minds over some form of trans lestat being confirmed (with plausible deniability bc amc is the queerphobia network now)- the show doesn't care to explore devil's minion in any deeper form or show how armand and daniel started plotting together but it does want fans losing their minds over past devil's minion being confirmed, etc.
and this is only if you try looking at the arc (and lack thereof) of lestat's relationship to gender in isolation- when you put it back in the wider context of this episode and this season's antiblackness and the nonblack writers' choice to have paul's spirit (even if he isn't meant to be "real" or at least not represent paul's real thoughts) praise and comfort lestat while louis gets graphically tortured by his lynching director in the same episode. (and the white showrunner has already admitted he felt more for armand than louis in that scene and claimed the "apology" louis was coerced into via torture to be some kinda real moment of understanding, rather than louis doing what we saw him do in s2 and try to appease armand when he's helpless and armand holds his life in his hands.) like with the merrick scene in s3ep6, it doesn't matter what in-universe rationale for these choices are, it doesn't matter whether any of this gets revisited or recontextualized with "oh ghost claudia was lying just to hurt louis' "oh paul's spirit wasn't even real" "oh we were totally tryna critique armand's violent antiblackness" bc the problem here comes down to the nonblack writers' decisions and the choices they made in the real world when crafting this story. this show has had a persistent problem since s1 of depicting the onscreen brutalization of black bodies with far more vividness than it does nonblack bodies, and if a nonblack main character is doing the brutalization (lestat, armand) you aren't supposed to hold it against them or expect these choices to have longterm narrative consequences- the camera lingers on claudia and charlie's charred and "melting" faces as they burn but when daciana, nicki, magnus, bruce, antoinette or madeleine are burning, the camera's far quicker to cut away. and this is a deliberate choice- they weren't just pointing the camera at people spontaneously combusting, they had to allocate an effects budget and invest time and energy into showing black bodies burning with graphic detail. they had both delainey and roxane in the vfx makeup chair for their characters' murder scene, but only claudia's death was shown vividly while madeleine burning was a few brief seconds of ash scattering away.
and i simply can't enjoy any form of this "jangling keys in front of the fandom to validate popular interpretations/ships/theories" writing bc it's such a cynical bid from writers who want and expect their viewers to be satisfied with crumbs that we build elaborate headcanons around instead of expecting any form of depthful storytelling or care from them, especially when it comes to their black characters. fans being content with the show just going down a checklist to validate or debunk specific theories and fans not demanding anything more of the writers than perfunctory expository dialogue is exactly what this writing team is counting on.
also theo is right bc if your only reaction to people criticizing the nonblack writers' choices is to be like "neener neener femstat canon" (black folks critiquing the antiblackness and sharing their reactions to the show depicting this level of gratuitous racialized violence toward black bodies have already received comments along those lines) when that has nothing to do with the antiblackness being discussed here, that's ghoulish. like read the room
Re: "Sam is a woman" "Sam is on estrogen" jokes.
As a trans woman myself ☝🏿 I think the jokes would be weird but "harmless" ig if they came from tma ppl but like... I only ever see tme ppl make them? I haven't seen a single tma person make one. It's giving fetishisation lowkey? (You can't joke like that transmasc baby etc.)
The estrogen jokes are bad mostly bc commenting on anybody's body like that is rly intrusive.
The SReid is a woman jokes are more "harmless" I guess bc it almost seems like a drag thing to me (ofc SReid isn't a drag queen but that's where the impulse seems to come from for the ppl making them).
To bring this back to racism cuz this isn't fail-fandomanon, I think it says something that some ppl would sooner call SReid a woman than post "wow DHayles looks beautiful here *insert picture*". Mostly it's just the kind of transmisogyn you expect in largely tme queer spaces sprinkled with prioritising whiteness/non-Blackness. - 🦁
I'm glad to see u again and thank u so much for this perspective!!

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people on here who have been on 10-15+ years like myself...i don't know how they claim that there were never any Black bloggers on here, or that it was always such a white website. trudy gradientlair was on here. thisiswhiteprivilege was on here. there was a feminist citation project sara ahmed was involved in on here. there was someone on here whose username was wretchedoftheearth and that was how i learned who fanon was when i was 12, by googling those words. tumblr was the only place i knew i could go to get accurate & compassionate info about what happened to trayvon martin, when everyone around me irl was rabidly racist. the amount of reportage and scholarship that happened on here before the first big wave of bans was so huge and so much has been lost. where were you when it was happening??? why weren't you paying attention??
it's cause they never engaged with non white bloggers so they never noticed them disappearing. they got the tumblr they wanted, and those of us who aren't liberal/conservative fandom bloggers were robbed of our black and brown friends, and worst of all black and brown bloggers were robbed of a dpace that once was a legitimate vector for talking about black issues. at least some members of staff know what they are doing, it's like the war on drugs in this website the way they crush black people on this website.
I literally published an essay several years ago about how a lot of people stole the intellectual work that Black feminist bloggers on here published regularly to build this website and its reputation as we know it. White people love them some revisionist history.
The reason Tumblr became the bastion of intellectual discourse that it was known for--the reason the term "social justice warrior" even EXISTS as a derogatory descriptor--is because of the work of the Black bloggers who migrated to this site from 2009-2014 from LJ and Jezebel's forums. Myself included.
Kind of getting pissed at (purely) het shippers complaining about "people only caring about queer ships". Do these shippers don't understand that AO3 and Tumblr are outliers in that regard? ~90% of shipping spaces on the web only cares about het ships and romance (and are heavily queerphobic), your het ships are save don't worry.
--
No, they genuinely don't get that.
They only notice that the places they've chosen to hang out don't cater exclusively to them.
Bleak how one of the most common criticisms I see of romantasy protagonists is not "they're poorly written" or "for all their posturing about how badass and independent they are they invariably fold and submit to a man who treats them like garbage".
Instead it's often something like "they're pickmes because they fight and don't want to wear dresses or become tradwives" or "they demonize femininity".
Just this whole idea that to be Appropriately Strong As A Woman you have to do it in a "feminine" & "maternal" way and you're attacking all women if you don't.
Tumblr Sexyman Contest 2026 Final Round
Senshi (Dungeon Meshi)
Ryland Grace (Project Hail Mary)
Mr. Ant Tenna (Deltarune)
Tenna art by @9Aaaalt29 on twt
“And if you’ll give me 40% of the MOST POPULAR VOTE, I’ll give you my SPECIAL REWARD... A year’s supply of NON-GLOOBY SLIME!!! Never or BARELY used!!!” Tenna concluded his speech with a huge smile, jetting his hands up in double peace signs.
The crowd roared in confused enthusiasm as Tenna gave a gracious flurry of low-FPS bows, pausing only for the occasional stink-nose at his audience plants who weren’t throwing enough 3D roses.
Eventually, the room fell silent. It was Senshi’s turn to speak.
He puffed out his chest, took a long, sweeping look over the audience… and shook his head.
“I can see not all of you are eating properly.”
The crowd murmured with embarrassment.
“I don’t know who needs to hear this, but it’s time to take the turkey out of your icebox. I have seen the ingenious technology with which your people store food... and I have also seen the waste which results from such convenience.
“The food you take had a life. Beasts grew fat on the grass of the field, plants grew from the sun’s rays, and mushrooms grew from minerals in the cracks of caves. And yet, it sits in your iceboxes, collecting moisture until it perishes.
“Eat what is given to you. Because its life will make you stronger, too.”
Without another word, Senshi left his podium and stepped away from the stage. The crowd murmured in confusion. “Is he really like that?” somebody said. “I only remember reblogging the photosets of him tripping and showing ass.”
--
Back in the Green Room, Tenna wrung his antennas nervously.
“Y-y-you think they liked me!? They HAD to!! I mean, I don’t know what Asgore was thinking, getting that weird haircut and running that food waste campaign, but… YOU thought I did good, didn’t you, Kris?”
Laios nodded aggressively, a streak of blue face paint peeling from his forehead.
“You did AMAZING, Tenna! By the way, now that we’ve seen all your insider campaign secrets, do you have any more videos of Susie? Especially her tail... If I could get a look at that, I could finally tell if she’s a dinosaur or --”
THWACK. Fake antlers butted Laios’s head.
“LAIOS?? Weren’t we dressed up to help SENSHI???” Marcille hissed, gesturing awkwardly with her hooves.
Suddenly, Tenna turned to the two adventurers.
“Hey, WAIT a second. SOMETHING’s not right here...”
Laios and Marcille held their breath.
“Where the heck are my POINTS!?”
Just then, the door opened. Chilchuck took one step into the room, whistling and holding a large bag.
Everyone turned to him.
Chilchuck paused, took a step backwards, and closed the door.
“CHILCHUCK!!!” yelled Tenna.
“How come Chilchuck got to stay Chilchuck!?” yelled Marcille at the same time.
--
Meanwhile, in outer space somewhere, some guy was making out with a rock.

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you know the insane thing is i feel like the finale is the episode i can feel you know the closest to picturing a maybe good version of if the louis and lestat roles were swapped so many other episodes feel lowkey incomprehensible but like with better claudia writing i think louis meeting all the people from his past that have now been immortalized in a book against his wishes at a table to discuss and reflect on his life would honestly be kind of fascinating as a closing chapter to his rawest claudia grief and all that and then like armand torturing lestat if they you know gave them the marius drama between them that lestat chose marius over him and marius chose lestat and this being armands weird mental breakdown processing of this when he finds out could you know work as both lestat taking some ownership of wrongs in his past and if they still wanted the past abuse lestat revelations thing u know this functioning as a mirror in some ways and also harms he caused in others but like this would require good writing and character motivations and shit and not being horrifically racist
“fujoshis are harmful to gay men” not this gay man.
on twitter this got a bunch of responses like “wow even the evil fujoshis? the homophobic yet hypocritically fetishistic ones? what if the fujoshi is racist?” and like well no obviously not in that case.
“shoutout to everybody from new jersey!” “even the new jersey serial killers…?”
Common Words & Phrases from AAVE
Gullah & Early AAVE
Gumbo – From Bantu kingombo (okra), brought by enslaved Africans and became the name of the Creole stew thickened with okra.
Goober – From Kikongo nguba, the Bantu word for peanut that entered American English via enslaved Africans.
Yam – From West African languages (e.g., Wolof nyami, "to eat"), brought over during the slave trade and adopted into Southern cuisine.
Banjo – From a Bantu root (mbanza), the instrument was crafted by enslaved Africans based on West African string instruments.
Bogus – Likely from Hausa boko-boko (deceitful, fraudulent), entering American English through African American speech in the 19th century.
Juke (box/joint) – From Gullah juke (rowdy, disorderly), derived from Wolof dzug (to live wickedly), later attached to roadside bars.
Tote (to carry) – From West African languages (e.g., Kikongo tota, "to pick up"), recorded in Gullah before spreading to mainstream English.
Dig (to understand) – From Wolof degg (to understand), popularized by jazz musicians in the 1930s after entering English through AAVE.
Jazz – Possibly from West African or Creole slang for energy/sex, first documented in AAVE in Chicago around 1912.
Okay (OK) – Though its origin is debated, strong evidence traces it to West African languages (e.g., Wolof waw kay) via enslaved Gullah speakers.
Hip/Hep – From Wolof hipi (to open one's eyes, to be aware), entering jazz slang in the early 1900s before going mainstream.
Hepcat – A compound of "hep" + "cat" (jazz slang for a person), literally meaning "one who has his eyes open" in West African-influenced jazz culture.
Jazz, Blues & 1940s–60s Era
Cool (as in fashionable/calm) – Originated in jazz circles, likely from saxophonist Lester Young, and entered mainstream via West African aesthetic concepts of composure.
Cat – A jazz-era term for a skilled musician or cool person, derived from West African-influenced jive talk.
Crib – Jazz slang for a house or apartment, popularized in the 1940s before becoming mainstream in the 1990s.
Hokum – AAVE slang for nonsense or BS, used in blues and jazz before being adopted more widely.
Diss – Short for "disrespect," coined in AAVE and popularized through hip-hop in the 1980s and 1990s.
Bad (meaning good) – From AAVE, where inversion of meaning creates emphasis (something so "bad" it's actually good), used since early jazz era.
Jive – AAVE slang for deceptive talk or a style of jazz dancing, used by Cab Calloway in his 1930s Hepster Dictionary.
1970s–90s (Hip-Hop & Pre-Internet Era)
Homeboy/Homegirl – AAVE for a close friend from one's neighborhood, popularized in hip-hop and later shortened to "homes" in casual speech.
Dope (meaning great) – Shifted from "stupid" in standard English to "excellent" in AAVE during the 1980s hip-hop era.
Props – Short for "proper respects" in AAVE, used in hip-hop to acknowledge skill or achievement before entering mainstream slang.
Word (as in "I agree") – AAVE interjection ("Word!" or "Word is bond") meaning "I'm telling the truth," derived from Nation of Islam teachings.
Phat (meaning cool/great) – AAVE acronym believed to stand for "Pretty Hot And Tempting," though likely an invented backronym; popularized in 90s hip-hop.
The Bomb – AAVE phrase for something excellent or top-quality, widely used in hip-hop lyrics before mainstream adoption.
Def – AAVE slang for "excellent," popularized by Run-DMC's "King of Rock" and 80s hip-hop culture.
Fresh – AAVE for stylish or excellent, used in early hip-hop and 80s pop culture before spreading globally.
Wack – AAVE for "bad, inferior, uncool," popularized in hip-hop and later mainstream youth speech as the opposite of "cool."
Hella – AAVE intensifier meaning "very" or "a lot of," originating in Oakland/Bay Area AAVE in the 1970s-80s.
Cap / No Cap – AAVE meaning "lie" and "no lie," popularized by Bay Area rap in the 2010s, derived from "capping" (exaggerating).
1990s–2000s (Internet Adoption & Ballroom Culture)
Slay – From AAVE and Black ballroom culture (Paris is Burning, 1990), meaning to do something extremely well, now mainstream via social media.
Spill the Tea – From AAVE (originally "spill the T," with "T" meaning truth), popularized by drag culture and Black queer communities.
Shade (as in insult) – From Black ballroom culture (documented in Paris is Burning), meaning a subtle insult, now used broadly in pop culture.
Reading (as in insulting) – From ballroom culture ("reading" someone), meaning to publicly insult with wit, immortalized in Paris is Burning.
Kiki – AAVE from ballroom culture meaning a casual gathering for gossip or chatting, later mainstreamed through pop music (e.g., Kesha).
Fierce – AAVE and ballroom term meaning exceptionally good or intense, applied to fashion, performance, or attitude.
Woke – From AAVE meaning socially and politically aware, first used in 1940s Black activism before resurging with Black Lives Matter.
Shook – AAVE meaning startled or upset, used in 1990s New York hip-hop (e.g., Mobb Deep) before mainstream adoption in the 2010s.
On Fleek – AAVE phrase meaning perfectly executed, coined in a 2014 Vine by Peaches Monroee, one of the last pre-AI viral AAVE innovations.
Finna – From AAVE contraction of "fixing to" (preparing to), documented in Southern AAVE for decades before wider use and dictionary recognition.
Chile – A phonetic spelling of "child" in Southern AAVE, used as a term of endearment or exclamation since at least the 1970s (The Wiz, 1978).
2010s–Present (Social Media & Gen Z Slang Pipeline)
Lit – AAVE meaning exciting or excellent (originally "intoxicated" or "on fire"), popularized in hip-hop before becoming a Gen Z staple.
Bae – AAVE term of endearment meaning "before anyone else" or just a shortened form of "babe/baby," mainstreamed in the 2010s.
Ratchet – AAVE originally meaning a rowdy, aggressive woman (from "wretched"), later used to describe anything wild or out of control.
Turnt – AAVE meaning excited or intoxicated, from "turned up" in hip-hop lyrics, mainstreamed in early 2010s party slang.
Clap Back – AAVE for a sharp, witty comeback or retaliation, popularized in hip-hop (e.g., Ja Rule's 2003 song "Clap Back") before internet slang.
Bussin' – AAVE meaning delicious or excellent, applied to food or anything great, popularized on TikTok in the 2020s.
Sus – AAVE shortening of "suspicious" or "shady," used for decades before Among Us made it a global meme in 2020.
Snatched – AAVE originally describing flawless hair/makeup or a tight waist, now used to praise anything perfectly executed.
Periodt – AAVE emphatic form of "period" (meaning "end of discussion"), with a hard "t" for emphasis, popularized on Black Twitter before global use.
Bonus: My personal favorite AAVE term that I see used online religiously is receipts! AAVE meaning the proof shown to back up an accustation
How to read Kara no Kyoukai/The Garden of Sinners
Kara no Kyoukai (literally translated The Boundary of Emptiness, officially translated The Garden of Sinners) is a light novel series by Kinoko Nasu, of Tsukihime and Fate fame. It was Nasu's first published work, originally published online in the 90s. You might know it most for the ufotable movie adaptations, or for the main character Shiki being playable in FGO.
This series predates Nasu's better-known Tsukihime and Fate series, and you can see inklings of ideas he'd reuse and refine in those works. Most prominent of these is the character of Shiki Ryougi, whose name, multiple personalities, and Mystic Eyes of Death Perception would all inspire Shiki Tohno of Tsukihime. This is also the series where Fate's famous Counter Force was first introduced.
The Kara no Kyoukai novels were Nasu's first published work, but have had a rough history in terms of translation to English. There have been bad and just straight up inaccurate attempts, and a publishing company that wanted to put them out officially went under before it had the chance, but now all these years later the series is finally completed in English!
Kara no Kyoukai is a supernatural mystery series set in Tokyo in the 1990s. Each chapter is an individual story (barring two-parters), but they all come together to tell a larger tale. It is written in anachronic order, not chronological order. As you read and skip through the timeline of Shiki and Mikiya's life, the story all starts to come together.
Translators:
Volume 1: Baka-Tsuki
Volume 2: ShikiRyougiAdmirer, KMP, Yusuke, Manolo, Dullahan
Volume 3: QualityMistranslations/YHK
Volume 4: Serouzo
Formatting: ProtoformX
Without further ado, the novels:
Volume 1 (PDF / EPUB) contains:
Overlooking View Murder Speculation (Part 1) Remaining Sense of Pain The Hollow Shrine Paradox Spiral (Part 1)
Volume 2 (PDF / EPUB) contains:
Paradox Spiral (Part 2) Oblivion Recorder Murder Speculation (Part 2) The Boundary of Emptiness
Volume 3 (PDF / EPUB) contains:
Future Gospel
Volume 4 (PDF / EPUB) contains:
Final Record
"we're all faggots in the eyes of the state" okay but the state recognises different category of "faggot" where one is "idiot womanchildren with delusions of grandeur" and another is "subhuman predators that must be excised from society posthaste" like neither are a great way to treat another human being but can we pleeeeeeease acknowledge the difference here
"stop queer infighting we're all-" okay so is this actually queer infighting or did a trans woman describe her lived experience in a way you didn't like

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Testing something: who are your favorite canon trans women in fiction?
Do you want to come with us into this now?
We're hosting a fanweek dedicated to Gabrielle de Lioncourt from Anne Rice's Vampire Chronicles / AMC's The Vampire Lestat, running from September 7th-13th 2026.