Idk what to put here

I MAKE A DIME

THATS WHY I MAKE MEADE

OUTTA THE COMPANY SLIME

BOSS MAKES A DOLLAR

I MAKE A DIME

THATS WHY I STEAL HONEY

TWO ATTA TIME

BOSS MAKES A DOLLAR

I MAKE A CENT

THATS WHY I TAKE HONEY PACKETS,

BOTTLE, AND FERMENT

BOSS MAKES A DOLLAR

I DONT MAKE JACK

EXCEPT FOR THE MEAD

So Im just playing Fallout 76 right? I decide to try out a Nukashine and punch some Super Mutants.

The last effect of the Nukashine is that you pass out and you spawn randomly somewhere in the world.

So inevitably my screen starts to black out and character passes out. When my screen starts to fade back in, I am greeted with this:

BECAUSE THIS SHIT IS NOT CAROL OF THE BELLS

IT IS CHRISTMAS EVE/SARAJEVO 12/24 AND IT IS SO MUCH FUCKING MORE THAN CAROL OF THE BELLS.

so during the bosnian war (which was this nasty-ass conflict in bosnia and herzgovina) there was this badass cello-playing motherfucker named vedran smailovic. He was from Sarajevo, was upset about all the shit and nastiness that came about through this war (this was full-on brother-killing-brother shit!) that he went around to bombed-out, blown up buildings and funderals––where he was at risk of FUCKING SNIPER FIRE––and playing the cello. This guy was so set on providing one tiny spot of beauty in a seriously nasty war he was risking being fucking SHOT OR BLOWN UP.

AND THIS IS THE GUY WHO INSPIRED THIS SONG.

He’s why there’s the calm cello part at the beginning before everything gets all violent-sounding. It’s THEMATIC.

It’s mother has most likely used the fake deer as cover for the fawn to sleep near. I’ve personally witnessed a doe direct a fawn to lay in a patch of tall weeds and go lay on a hill where she could see me and the tall patch of weeds. That’s what they do, find something bigger than the fawn to sleep near so they’re hidden while they sleep.

It’s mother has most likely used the fake deer as cover for the fawn to sleep near. I’ve personally witnessed a doe direct a fawn to lay in a patch of tall weeds and go lay on a hill where she could see me and the tall patch of weeds. That’s what they do, find something bigger than the fawn to sleep near so they’re hidden while they sleep.

She’s technically a monster too. She might not look it at first glance and seems mostly human, but it isn’t deniable even despite her looks compared to the other monsters. 

But she realizes that she is still not like the rest of the monsters either and may not have entirely the same experiences as them, which is why she feels that she might not belong to or deserve to go to the support group. By sometimes passing as human, she feels she isn’t worthy of the space. 

The sad reality though is even though she’s mostly human in appearance, that tail she has undeniably would still cause her some struggle. Humans are still gonna look at that tail and think she’s a freak. There are probably still accommodations she needs because of the tail that she may still struggle to have access to. Even if it is just the tail, that tail is still enough to other her from humans and cause her problems and discrimination. 

She should get to belong in that support group even if she gets told she’s not monster “enough”. She still shares some of the same struggles as them that are caused by being a monster, and needs support. 

A seven-panel comic that was digitally drawn by @/pet_foolery on Instagram.

Panel 1: A werewolf in a light blue shirt and jeans stands with a clipboard in hand, eyes looking off toward the side of the panel. Behind him in the background are three other monsters , a gargoyle, a Bigfoot-esque character, and a green lizard, all on a white background. The werewolf is commenting “Uh… I’m sorry, ma'am, but this is a support group for monsters only.”

Panel 2: The panel zooms back to show only the werewolf and the person he’s talking to, a light-skinned, blond-haired woman with a pink shirt and black pants with a typically “Karen” haircut. She looks like a regular human. The woman replies “Well, actually, I AM a monster.” The werewolf questions, “How?”

Panel 3: The panel has a close up of the woman’s face as she talks, a thought bubble over her head as she explains “Well, you see, my mother was a mermaid, and my father was a minotaur.” In the thought bubble is a mermaid in a tank, holding hands with a minotaur standing beside it as they gaze lovingly into each other’s eyes.

Panel 4: The panel has zoomed back out to show both the woman and the werewolf, the werewolf looking irritated. “Right.” He replies, the “i” stretched out sarcastically. “And let me guess: you got the human half from both of them.” The woman replies, “Exactly.” “Gotcha. Hardy har har.”

Panel 5: The panel zooms into another close up where only top top halves of the woman and werewolf are present, the werewolf leaning in and angrily pointing a finger at the woman. “Ya know, it’s insensitive mockery like this that makes us need these groups in the first place.” The woman looks bewildered at the statement, her hands up almost defensively as she reacts with “Huh?”

Panel 6: The panel draws back out to reveal the two full-bodied again, this time adding a third character standing behind the woman. “Listen, sir. I’m just here to drop off my brother and I’ll be in my way.” She gestures to the person mext to her. He’s a monster like the werewolf, with a mermaid tail and a bull torso/head. He wears a Chicago Bulls jersey with the number 23 on the front, perched on a specially-made wheelchair that helps him move around. He looks annoyed, asking “This guy buggin’ you, sis?” The werewolf is looking at the mino-mermaid in shock, silent.

Panel 7: The woman is walking off the left side of the panel. With her back showing, a bull tail can be visible that wasn’t seen with her front facing out toward the viewer. She glances back at her brother, commenting “I’ll be back to pick you up around seven.” The mino-mermaid glances back at her with a smile, “Sounds good, thanks.” The werewolf is still in his shocked silence, watching her walk off.

Which means that, since they can’t see her monstrosity and the needs and accommodations that result from it, people - even other monsters - assume that she can no needs that require accommodating. Which is made even more difficult if she does have monstrous dietary, hydration, and self-care requirements from the human baseline that she happens to resemble - because those can’t be perceived just by looking at her.

Which leaves her in the exact same position as RL people with invisible disabilities or neurodivergence. They don’t look disabled so people judge and mistreat them will, all while not being provided assistance they may desperately need ‘because they aren’t disabled enough’.

mutual 2: here's smth i doodled during science class lol

mutual 3: pls remember that you personally can drink milk and still be a lactose intolerance ally!! anyone who tells you otherwise doesn't know their history :]

mutual 4: fucking a robot girl in the ass call that backend programming

mutual 5: holy shit I need him so fucking bad holy shit holyyy shit oh my god

mutual 6: anyone get kind of horny putting the ignition key in the car....it's so intimate....turning him on....

mutual 7: so lets talk about where scrimblo's arc is realistically going- I know a lot of people are trying to argue that he's being manipulated but this ignores the fact that there is clearly unresolved conflict between him and bleebus about their moralities

mutual 8: happy propeller penis thursday

mutual 9: "scrimblo and bleebus need to discuss their morality" god forbid a pathetic boywife does some torture 🙄🙄

mutual 10: WHO IS HYPED FOR THE NEW ALBUM LETS FUCKING GO

mutual 11: guys we're not getting a new album

mutual 12: please stop sending me death threats

mutual 13: why is my whole dash talking about this band I don't even listen to.....

mutual 14: hey boy nice knife wound can i put my tongue in it