Elisa Bonaparte Baciocchi, sister of Napoleon
^By Marie-Guillemine Benoist, c. 1805
^Attrib. to François Kinson, 1810
^By Gaspero Martellini, 1809
^Detail
^By Pietro Nocci, 1808
cherry valley forever

blake kathryn
Today's Document
Three Goblin Art

⁂

if i look back, i am lost
noise dept.
TVSTRANGERTHINGS
wallacepolsom
I'd rather be in outer space 🛸
let's talk about Bridgerton tea, my ask is open

ellievsbear
YOU ARE THE REASON
occasionally subtle
Monterey Bay Aquarium
Peter Solarz
Alisa U Zemlji Chuda

tannertan36
almost home
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@sartorialadventure
Elisa Bonaparte Baciocchi, sister of Napoleon
^By Marie-Guillemine Benoist, c. 1805
^Attrib. to François Kinson, 1810
^By Gaspero Martellini, 1809
^Detail
^By Pietro Nocci, 1808

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what would you recommend, instead of the bermuda shorts? i'm trying to think of alternatives but everything i come up with seems sillier.
Long pants, skirts of some kind, robes, riding breeches and boots (I really like that last one lol).... It's just that the bermuda shorts look like they're tourists in Florida (or frat boys in the summer), the boots look like they're children stomping in mudpuddles in England, and then neither of those ever look good with everything else they're in. It doesn't look iconoclastic to me; it looks like a little boy picked out his own outfit and his mother is being supportive lol
Michael Cinco, FW25-26
Michael Cinco, FW2023-24
Summer Dress
c. 1780
Ecru linen embroidered with wool
Musée des Arts Décoratifs

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Joanna II of Naples
I'm being told that that WILD headdress is a variation on the chaperon/capuchon with a brooch/espinche on the front, but I'm finding very little information on it. Does anybody know what the HELL is going on here sartorially??
Christian Dior Spring 2025 Couture
Equiping an armor tutorial
i'll prob make more bc i love talking ab armors
naomi osaka for wimbledon 2026
‘I worked 20-hour days to make Naomi Osaka’s Wimbledon dress’
The Japanese designer Hana Yagi created the striking all-white bridal-inspired kimono that drew cheers from the crowd at the All England Club
The Japanese kimono and the traditional western wedding dress are difficult enough to walk in, let alone play tennis. But Naomi Osaka did so anyway, emerging on to Wimbledon’s Court 3 in a gown that was a hybrid of both garments to play a round of practice shots.
The dress, which drew cheers and wolf whistles from the crowd, was the Japanese player’s latest fashion display, following the gold sequinned outfit that she wore at the French Open and her extravagant turquoise and green dress at the Australian Open in January. Her Wimbledon effort was the work of Hana Yagi, a 26-year old Japanese designer, who created it alone in ten days in her studio in Tokyo.
2026 French open, designed by Kevin Germanier in collaboration with Nike:
Yagi was asked to create an outfit for the “walk on”, when players enter the court before the beginning of a match, a well-established opportunity for fashion statements. At the French Open, Osaka compared her sparkling dress to the illuminations of the Eiffel Tower. Her extraordinary Australian Open outfit was inspired by jellyfish.
Australian Open 2026, designed by Robert Wun for Nike:
But Wimbledon imposes strict rules — above all that all clothes must be completely white (Roger Federer once got a telling-off for wearing shoes with orange soles). “First, it had to be all white,” says Yagi. “Visually, [Harper] gave me the image of a kimono or junihitoe [a traditional 12-layered kimono of the Japanese imperial court]. As a part of the concept, they wanted to reinterpret the tradition in the context of sport.”
The vintage wedding dresses she had in her own stock were cream and ivory — shades unacceptable at Wimbledon. She went to shops in Tokyo and bought the pure white western style wedding dress that forms the lower part of the Osaka gown, and a shiromuku, the traditional nuptial kimono in which brides are wrapped for delivery to their new husbands.
It is this, embroidered with brocade images of cranes and cherry blossoms, that forms the upper part of the dress, but drastically restructured to allow freedom of movement. “I didn’t want her to walk with small steps — in this she won’t have any difficulty walking,” Yagi says. “And it’s not like a tight corset, but a dress that Naomi herself can adjust.” Osaka wore her playing dress, created by her sponsor Nike, below Yagi’s creation, so it had to be lighter than a conventional kimono. The other condition was that the player had to be able to put on and remove the dress quickly.
“It was my first experience of that, because all my past works were art pieces, and not really aiming to be functional,” she says. “But this has to come on and off in three minutes. I kept it putting it on myself over and over again to confirm that it worked.” The secret ingredient? Extensive strips of Velcro.
Some more of Naomi Osaka's show-stoppers:
US Open 2024. Designed by Yoon Ahn for Nike:
US Open 2025. Designed by Osaka herself:
Joseph Bonaparte, Brother of Napoleon
^By François Gérard, 1800
^His wife Julie Clary and their daughter Zenaïde, by Robert Lefèvre, 1807
^By Joseph Flaugier, c. 1809
^The Sisters Zénaïde and Charlotte Bonaparte by Jacques-Louis David, 1821
^Julie with her daughters by François Gérard, 1808
^by Jean-Baptiste Wicar, 1809

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Chinese hanfu | People gossiping
Hare Krishnas (look at all those beautiful saris!)
Letizia Ramolino Bonaparte, Napoleon's mother
^by Robert Lefèvre, c. 1813
^by François Gérard, 1802–1803
Roman ring, made from gold and aquamarine depicting a woman riding on a hippocamp
1st century AD
Altes Museum Berlin 30891 C
Antique Victorian Vulcanite Eagle Mourning Brooch Pin
Source - Boylerpf
This really embodies the mourning fashion rules of "black and silver, no gold, no colors, nothing shiny". Clothing and jewelry for deep mourning involved black crape and bombazine because they weren't shiny like silk, and jet beads instead of shiny jewels. In this brooch, the vulcanite is polished but matte, and the "silver" metalwork is actually a silver/gunmetal color, and it's also as dark and as matte as possible!
Symbolism:
Garland - representing the triumph of the soul over death and the realization of eternal life.
Grapevines for mourning are deeply rooted in history and symbolism, with vines and leaves frequently found in historical cemetery monuments and Victorian-era mourning jewelry. They symbolize rebirth, the triumph over death, and the joys of the afterlife, as well as the blood of Christ in Christian tradition.
Eagle – Representing courage and possibly a military career.
Rose – Representing love, beauty, hope and goodness and associated with the Virgin Mary and the ‘rose without thorns.’ A red rose stands for martyrdom and a white rose means purity.
Forget-me-nots - Representing enduring remembrance, true love, and faithfulness. It served as a comforting promise that the emotional bond with the deceased remained unbroken, transcending death and keeping the memory of the loved one alive.
I'm not sure what the objects are on either side of the garland. Bells? Angels? My best guess is Tassels - symbolizing weeping, grief, and tears. In cemetery art and on woven memorial textiles, tassels were common companions to draped urns. They symbolized the passage from earthly life to the afterlife and the transitional state of grief. Tassels also act as a divider between the mortal and spiritual realms, often indicating that the deceased has successfully passed into the next world.

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Pauline Bonaparte, sister of Napoleon
^by Robert Lefèvre, 1809
^by François-Joseph Kinson, 1808
^by Marie-Guillemine Benoist, 1808
Dress of French manufacture, before 1814:
^by Marie-Étienne Nitot (1750-1809) and François Regnault Nitot (1779-1853), Tiara Comb, 1803
Donna Franca Florio, c. 1890