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A bunch of posts I found about real-life inspirations for Touhou lore and a few interesting fan-theories (and my own thoughts on them)
I had originally put all this together for a Reddit post, but now I've decided to post that here as well, even though almost all my sources are already from Tumblr. I'll also translate it all to Spanish.
Two or three months ago, "Levander" a.k.a. @chireikiden (currently, the main English translator of official Touhou print works by ZUN and fan-made Touhou print works by other artists that get published as part of Strange Creators of Outer World) got an ask on their Tumblr blog and provided the following answer:
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[15-04-2026]
An ask by an anonymous user for @chireikiden:
"Are the Watatsuki sisters considered kami? Could Yorihime summon her sister Toyohime out of the blue?"
The answer by @chireikiden (https://chireikiden.tumblr.com/post/813991281994924032):
"In terms of family trees and mythologically recognizable characters, the likes of Eirin, Sagume and, indeed, the Watatsuki sisters are pretty unambiguously Heavenly Kami, that is, the Japanese gods. (By extension, we have to assume Kaguya is a Heavenly Kami as well; although the original Princess Kaguya is a fairytale character with no specific religious status, it isn't much of a leap to call her one, even within the original Tale of the Bamboo Cutter.)
Beyond that, the Ephemeral Moon Vignette saga (that is, both Silent Sinner in Blue and Cage-in Lunatic Runagate) make it explicit that both Reimu and Yorihime are also summoning Lunarian gods when they do their thing. With Yorihime being able to summon the likes of Amaterasu, I have to assume she could summon Toyohime too, yeah. Note that we're putting aside any unknowable questions about whether she'd be allowed to do so without 'the proper measures' or 'permission' (chapter 6 of Cage-in Lunatic Runagate).
It's specified (most explicitly in chapter 6 of Silent Sinner in Blue) that gods, including those with physical bodies, are simply cloned when summoned into a new location. This would also apply to Toyohime. I guess that's a good reason not to try to summon her.
-----
That said, as a tangent: although the Lunarians' 'summonability' seems to be one of the least ambiguous things about them, there's a lot about the Lunarians' exact nature that gets into the territory of what I'd call 'dubious by omission': stuff that isn't directly contradictory per se, but has been left ambiguous and starts getting more and more dubious the longer it goes without being mentioned or clarified in any way, even when the Lunarians otherwise come up. It's really hard to see Lunarians running on very similar rules as Earthly Kami such as the ones at the Moriya Shrine or the Aki sisters, but they may have simply outgrown such concerns when they moved to the Moon and chose a new form of immortality. And of course, the ones we're most familiar with –Eirin and Kaguya– also have the Hourai Elixir as an added complication.
I think a lot of the Touhou lore surrounding the Moon exists in a kind of confusing state partly because Touhou 8 (released in 2004) was a very early entry of the series from the era when its setting was still pretty unformed, yet the Ephemeral Moon Vignette saga (published from 2007 to 2009) ended up discussing it at quite some length and then more games (namely, Touhou 15 in 2015 and Touhou 20 in 2025) kept on coming back to the subject. But the boundaries around the status of kami being very fuzzy is appropriate for both the Touhou universe and real-life Shintou lore, anyway."
Tags added by @rosymerry (https://rosymerry.tumblr.com/post/813991600822829056):
"The lore about kami and the Lunarians in Touhou is delightfully ambiguous. I'm currently re-reading through all material, hoping to get insights on them (particularly how Heaven relates to the Lunar Capital), but I don't expect their status/nature will be truly clarified in canon."
A reply by @clarste:
"Bunrei."
-----
The reply by "clarste" mentioning the bunrei, along with this part of Levander's answer...
"It's specified (most explicitly in chapter 6 of Silent Sinner in Blue) that gods, including those with physical bodies, are simply cloned when summoned into a new location."
... reminded me of the following piece of Touhou lore and its possible basis on real-life Shintou religious practices:
-----
[25-11-2023]
A post by @occasionaltouhou (https://occasionaltouhou.tumblr.com/post/734999981348552704):
"Where's the f***ing thing about splitting up kami, leaving each bit as whole instances of that kami, that I know I've read once? 'Infinite chocolate' type guys.
(By the way, this is the basis for my idea that there are variants of each Heavenly Kami in Gensoukyou and in the Lunar Capital at the same time.)"
A reply by @sukimas:
"It's in Strange and Bright Nature Deity, the second manga of The Three Fairies of Light (published from 2006 to 2009). It's also at the beginning of Silent Sinner in Blue."
-----
I had read about a process in real-life Shintou religion called "kanjou", as well as the "bunrei" or "wakemitama". The whole thing reminds me so much of this bit of Touhou lore that @occasionaltouhou and @sukimas were talking about, that I can't help but wonder if the lore from Strange and Bright Nature Deity and Silent Sinner in Blue was inspired by this. I'll copy-paste it here from Wikipedia; it should be a good enough summary:
"Bunrei or wakemitama [「分霊」] is a Shintou technical term that indicates both the process of dividing a kami to be re-enshrined somewhere else (such as a house's kamidana or miniature altar), and the spirit itself produced by the division.
Shrines conduct bunrei in order to distribute kami to 'child' shrines elsewhere. The spirit of the kami does not decrease through this act, and a bunrei functions the same way as the original spirit. The reason for conducting bunrei is often to make a kami more accessible to worshipers far from the main shrine."
Source: https://en.wikipedia.org/wiki/Bunrei
"Kanjou [「勧請」] in Shintou terminology indicates a propagation process through which a kami, previously divided through the process of bunrei, is invited to another location and re-enshrined there.
It was originally a Buddhist term: called 'abhiṣeka' ['अभिषेक'] in Sanskrit, it initially referred to the request of the buddha's sermon with a sincere heart; later, it came to mean the urging of a buddha or bodhisattva to remain in this world to preach and save other human beings, and then the concept evolved further to mean the act (and the actual words) of asking buddhas or bodhisattvas to descend to the altar during a Buddhist service. In Japan, the word entered Shintou vocabulary and gradually assumed the present meaning of enshrinement of a buddha or kami in a building for the first time.
Inari is the kami that has been subjected to the process of kanjou more often than any other."
Source: https://en.wikipedia.org/wiki/Kanj%C5%8D
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In turn, this reminded me of a bunch of other cool Touhou theories and ideas proposed by @occasionaltouhou, whom you can also find as "godmedallion" in Archive Of Our Own. Most of them are related to either the Lunarians or Iwanaga-hime, and they also inspired me to come up with my own thoughts on the matter:
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[25-11-2023]
A post by @occasionaltouhou (https://occasionaltouhou.tumblr.com/post/734950414258241536):
"To be honest, if Gensoukyou can't survive heat death, I doubt the Hourai Elixir could either. Because, ultimately, that stuff is still fuelled by human belief in an elixir of immortality. Arguably, that's its active ingredient."
A reply by @every1sno1fangirl:
"Is the Hourai Elixir fuelled by human belief? I wouldn't think so, I don't think the Lunarians are in the same way people of Gensoukyou are."
The response by @occasionaltouhou (https://occasionaltouhou.tumblr.com/post/734998492673703937):
"Lunarians are just kami, the same as the ones who live in Gensoukyou. So yeah, they're dependent upon human belief, the same as anything else. They'll never f***ing admit it, though.
(As a general rule, treat anything the Lunarians say as suspect. The instant Kaguya said they invented youkai, I knew they didn't know s***.)"
A reply by @derxwnakapsyla:
"Now I'm just imagining a future where Gensoukyou (including all associated sub-realms) is just drifting through space, mostly unaware that the entirety of the universe is gone, because Utsuho is producing an artificial Sun and Eirin is producing an artificial Moon, so little has functionally changed for them."
The response by @occasionaltouhou (https://occasionaltouhou.tumblr.com/post/734998492673703937):
"In an empty universe, Earth remains, and it is simply vibing."
Tags added by @monikatouhou a.k.a. @monidoll (https://monidoll.tumblr.com/post/734998846620434432):
"I think Lunarians are now an indistinguishable mix of actual kami and newly immortal humans; this way, since technically there are humans on the Lunar Capital, its system is internally self-sustaining. At least on the timescale of centuries and millennia, it should be stable enough; millions and billions of years is probably too long of a time to consider here in the first place."
The response by @occasionaltouhou (https://occasionaltouhou.tumblr.com/post/734999566825472000):
"This actually gives me the chance to bring up an idea I've had for a while: I don't think the Lunarians are a mix of gods and humans, nor do I think they're trying to turn themselves into humans – humans, prone as they are to life and death, are inherently beings of kegare/impurity.
I think they're attempting to turn themselves from kami into proper, capital-G Gods, and I think that the Moon Rabbits are there to maintain the system: they're artificial worshippers who provide the faith required to sustain the Lunarians.
Unfortunately for them, this is a ridiculous plan because it hinges upon the fact that they exist as things humans came up with in the first place. Their isolated system only works as long as someone who's actually real and wasn't imagined into being thinks they might exist – this would remain true even if they were able to turn themselves into humans, because they'd still have turned themselves into humans who don't experience human things like... you know... getting sick and dying."
A reblog by @that-which-isnt:
"I'm not really at all familiar with Chinese mythology, but my understanding from Wikipedia-level browsing was that Lunarians are essentially the same thing as Celestials like Tenshi, which is to say, humans reborn in a Pure Land because of good karma or favouritism from gods and made functionally immortal through the continual consumption of heavenly foods. The difference between Lunarians and regular Celestials is just that the Moon-dwellers made their own Pure Land rather than having one given to them by the gods.
The Moon Rabbits are anyone's guess and one of the biggest mysteries in Touhou in my opinion, but personally, I think the idea of them being engineered beings created to act as slaves and a faith farm is probably correct. My only question is if they were made from scratch, or if there used to be a lot more Lunarians and a lot fewer Moon Rabbits."
The response by @occasionaltouhou (https://occasionaltouhou.tumblr.com/post/735003769968918528):
"The thing about the Lunarians being Celestials is that it's pretty explicit that the Lunarians are meant to be the Heavenly Kami, because every Lunarian we've been given the name of is a Heavenly Kami. The Celestials are all off in Heaven; the Lunar Capital is a counterfeit. Given that it was designed by Eirin, it was probably intended to piggyback off the idea of the Moon being inhabited by Celestials – after all, the Lunarians think of themselves as being equivalent, and do everything that they can to ensure that it is the case (which is, of course, not something an actual Celestial would ever need to do)."
A reply by @paradizetobefound:
"Can it be said that the Moon merely reflecting sunlight instead of being a legitimate source of sky illumination provides further symbolism to Lunarians being counterfeit Celestials in a forgery of Heaven?"
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[25-11-2023]
A post by @occasionaltouhou (https://occasionaltouhou.tumblr.com/post/735001095414382592):
"Anyway... Yeah, the Lunarians are... like... basically just one version of the Heavenly Kami. They're not even the genuine article, because there isn't one for kami, that's not how they 'work'. And I know in my heart that this eats them up inside. Wretched little shadows of the Heavenly Kami, hiding on the Moon with all their fake worshippers.
(I can feel myself slipping into Yukari Mode. I need to go eat something.)"
-----
[25-11-2023]
An ask by @tennco for @occasionaltouhou:
"I saw that post about the Hourai Elixir and was wondering: what happens to belief or faith when no one's around to... well... believe? Does it have to come in a constant supply? Does belief persist after the death of the one who originated it? Are the dead allowed to believe?"
The answer by @occasionaltouhou (https://occasionaltouhou.tumblr.com/post/735000275731054593):
"We know that youkai can provide faith, so it follows that the spirits of the dead can do so too. My theory is that, provided that people believe in some kind of afterlife, those spirits can provide (a very small amount of) belief in stuff. But that only holds true so long as there are people who believe in a world beyond death.
But yeah, it'd have to be a constant supply – that's why they had to build the Hakurei Barrier when they did: because you can't really get back what was already lost once nobody believes in it anymore, even if you re-develop that belief afterwards – or at least, it wouldn't be the same as what was there beforehand.
(So long as the idea of the youkai exists and they're believed in, the individual variants can just appear in much smaller amounts, on account of the fact that they were already existing. I hope this helps.)"
-----
I find this part interesting:
"[...] even if you re-develop that belief afterwards, [...] it wouldn't be the same as what was there beforehand."
I've read a long fanfic a while ago (if I remember correctly, it was "Powerless Hakurei Tales" by "Carmichael_Micaalus") that briefly addresses what would happen to youkai if they could peacefully coexist with humans in Gensoukyou, instead of needing to eat humans and depending on humans' fear of youkai as well as their belief in them.
The answer the author came up with is that yes, it's possible for Gensoukyou's humans to still believe in the existence of youkai and even their powers, and interact with them without fearing them. In this scenario, youkai could still exist and even keep their previous physical forms and powers, but at a more fundamental, existential level, they'd be something different; they'd not be exactly the same as the youkai they used to be.
However, I'd suggest that y'all take this (and any other thing relative to my personal interpretation of canon and my tastes in Touhou fanfiction) with a grain of salt: as it can be deduced from this other post I wrote a while ago (https://mashounen2003.tumblr.com/post/820008374765764608), the way I tend to envision Gensoukyou and the interactions between all its inhabitants, while not necessarily being incongruent with Touhou canon, is probably much more optimistic and idealistic than what would be allowed by the current fandom consensus (as an example unrelated to the topic of this post: I have the opinion that, when the Spell Card Rules were introduced, life in Gensoukyou was no longer "business as usual" and Reimu coming up with that idea was a big change and marked a turning point in Gensoukyou's history by proposing a way to solve issues that didn't require humans and youkai to fear and hate and kill each other).
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[26-11-2023]
A post by @occasionaltouhou (https://occasionaltouhou.tumblr.com/post/735004757194932224):
"The Lunar Capital is a masterwork: home to incredible wonders, technology far in advance of that of the surface... But it is a forgery – a forgery among forgeries, certainly, but a forgery nonetheless, made by some rather small-minded beings trying desperately to ignore the truth of their own existence. As always: don't get tricked, alright?"
A reply by @itspurvis:
"Forgeries own.
Han van Meegeren is a better and more accomplished artist than Vermeer ever was."
The response by @occasionaltouhou (https://occasionaltouhou.tumblr.com/post/735030980178477056):
"Don't get me wrong, I'm not dismissing forgeries, nor the work put into them – creating an imitation Heaven is something only a genius like Eirin could pull off.
My point was that it's not Heaven, and the Lunarians are not Celestials, and when you really dig down, the Lunar Capital is simply an exercise in trying to ignore the stuff you don't want to deal with (kegare, being reliant on human belief, the general concept of entropy) by plugging your ears and hoping that they eventually stop mattering."
A reply by @itspurvis:
"If I may be slightly more serious for a moment: it seems that the crux of this is that Lunarians are 'Fake' and Celestials are 'Real'. Where is that coming from, exactly?
I've always kind of assumed that the Lunar Capital and the Celestials' realm are both sub-sections of the Gods' Realm (one of the 6 Buddhist Realms, which is also where the Animal Realm comes from), two different flavours of the same thing, particularly since the Dragon Palace seems to exist in both."
The response by @occasionaltouhou (https://occasionaltouhou.tumblr.com/post/735088321947156480):
"While the Lunar Capital being fake is not exactly a thing ZUN has said 'outright', there's a bunch of stuff that can easily lead one to that impression. But the main thing is that... you know... it was made: it was designed, by Eirin, specifically to be a Pure Land. Meanwhile, as far as we know, the Celestials' Heaven simply 'exists' out there, as the other Buddhist Realms do – and it doesn't have a firm location in the way the Lunar Capital does: it's simply 'above the clouds'. Arguably, the Dragon Palace existing in both cements the idea of the Lunar Capital being a fraud.
The thing is that the Lunar Capital exists as a mirror to Gensoukyou: it is the totalitarian, walled-off form of Gensoukyou, the version that ignores the possibility of growth in favour of unchanging perpetuity. And for that to work, thematically speaking, it needs to be built off the same principles – it wouldn't work if it wasn't a false Heaven."
A reply by @sukimas:
"I will note that Izumo, the other vibes-based inspiration for the Lunar Capital, is also explicitly a 'constructed paradise'."
The response by @occasionaltouhou:
"It's artificial Heavens all the way down."
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[26-11-2023]
An ask by an anonymous user for @occasionaltouhou:
"Since the topic of the day seems to be the Lunarians, do you have any recommendations for writing/playing one in a TTRPG?"
The answer by @occasionaltouhou (https://occasionaltouhou.tumblr.com/post/735031704708890624):
"First, read all of Silent Sinner in Blue. Then, for good measure, look up a bunch of Eirin's manga appearances and read those too. Now that you have a taste, we can dig into specifics.
I'd say that, when playing a Lunarian, you need to keep these things in mind:
=> They're extremely confident, both in themselves and in the strength & stability of the Lunar Capital.
=> They're xenophobic, but not to an absurd degree (they'll work with non-Lunarians if they need to).
=> They're kind of clueless. These are people who spend all their time in a bubble they made for themselves, where everything simply continues, no matter what – putting one into a situation where they're at a disadvantage might make them start acting increasingly irrational.
=> As far as they're concerned, Earth is a prison that they made for humans and youkai (this is not true, but they believe it).
=> Whichever Heavenly Kami you pick as their base, they can do what that kami would be able to do. A Lunarian is simply a single instance of a specific kami who decided to be an idiot on the Moon.
=> They generally have great respect for the higher-ups of the Lunar Capital (Tsukuyomi, Eirin, other high-ranking Heavenly Kami) and little to no respect for the Moon Rabbits.
=> The 'lunatic' in 'Legacy of Lunatic Kingdom' (the English title of Touhou 15) refers to them: only a lunatic would put their faith in the Lunar Capital.
That's all I got off the top of my head. There's probably more, though."
-----
All of this is very helpful, even though the kind of game I'd make is either a MetroidVania like Luna Nights, or a classic linear 2D platformer, or maybe a clone of Mega Man Battle Network in a similar vein to ShangHai.EXE: Gensou Network. Then, the plot of this game would have Lunarians involved. (TTRPGs never caught my interest, sorry about that)
Just imagine... Koumajou Densetsu 3: Edgy 2000s Vampire Hunter Reimu Goes to the Moon (and pisses on it, like Dr Eggman in Snapcube's real-time fan-dubs) in Revenge for the Lunarians' BS.
I'll say, though, that making a game with a plot strongly connected to the Lunar Capital will be complicated: sure, Lunarian society is doomed to collapse in the far future, but at present, individual Lunarians like Yorihime are still OP, and the gameplay would be obligated to show that. Unless...
Unless, for some plot contrivance, this game's setting is the Outside World, so both the characters from Gensokyo and the Lunarians are brought down to the same power level due to entering a "belief-less" environment.
It'll also take work to imagine why Lunarians would even bother to intervene directly in any Earth matters to begin with. However, after the events of Touhou 20 (Yuiman being freed, the Lunar Capital losing their "purification mountain" facilities where they used her as their AI), they might be getting desperate; that could work as the plot for another Touhou game where the Lunar Capital starts a new incident. Namely, the 3rd point in the list made by @occasionaltouhou above...
"[...] putting a Lunarian into a situation where they're at a disadvantage might make them start acting increasingly irrational."
... makes me think the Touhou 20 aftermath might be enough to make Lunarians lose their marbles.
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[31-01-2024]
An ask by @d6b-onion for @occasionaltouhou:
"What do you think about Misumaru? Personally... I don't know, maybe it's unfortunate, but she doesn't look like a particularly interesting character.
People joke and talk about how 'she's a MILF' or whatever, and... Sure... But somehow, with her, it gives her a boring vibe. It feels... like... contrary to all other Touhou characters: she isn't just vibing.
I personally don't really like her design: Tenshi did the rainbow thing better, and Misumaru's pose is kinda silly.
What drives me up the wall is that she's a boring character... who crafted Reimu's Yin-Yang Orbs! When was the last time we got actual, bona fide Reimu lore before that?! There could be all sorts of connections to the Hakurei God... but she's kind of a nothing-burger. It's a shame, really. Maybe you disagree."
The answer by @occasionaltouhou (https://occasionaltouhou.tumblr.com/post/741021778815713280):
"Misumaru, huh... She's definitely a character who hasn't gotten her time to shine. Misumaru is actually kind of a 'Big Deal' in a lot of ways. First and foremost, at least based on her name, she's Tama-no-Oya-no-Mikoto, which means she's a Heavenly Kami who's closely tied both to the provenance of a clan that technically predates modern Japan itself, and also to the myth of Amaterasu in her cave – which, of course, also theoretically ties Misumaru directly to the Lunarians. And just to top it all off, Tama-no-Oya-no-Mikoto is also the creator of the Yasakani-no-Magatama, which is... you know... about as big of a deal as it gets in Japanese mythology.
So, just from which kami she is, she's already got a lot going on. And she is, of course, the creator of the Yin-Yang Orbs – why wouldn't you hire a master craftsman to create the go-shintai for the kami used as a lynchpin of Gensoukyou?
There are a few more interesting facets to her, one of which is the very fact that she hasn't shown up before or since Touhou 18 – she's specifically protecting her interests in Youkai Mountain. She's firm and competent, she provides guidance and aid, and she's about as selfish as we've seen of any kami. The only reason she showed up is because people were taking rocks she claimed as hers!
So, she's a Heavenly Kami... but not a Lunarian. Also, it's worth noting that there aren't many shrines to Tama-no-Oya-no-Mikoto; really, she's only a step or two above Hina in terms of being a so-called 'feral kami'. She doesn't really seem to have any allegiance to Gensoukyou, or to the Hakurei Shrine (or else... you know... she'd probably have shown up at any other time). She's just kind of a weird artisan. And she makes magatama and balls. And she throws them at people for fun. What's better than this?"
-----
[02-11-2023]
An ask by an anonymous user for @occasional-touhou:
"Could you please explain the 'Iwanaga-hime is the Hakurei God' theory?"
[For context: at 09-02-2023, @occasionaltouhou had posted the designs of two Touhou OCs, one of them being a character inspired by Iwanaga-hime; the post in question included summaries where the author mentioned a theory that Iwanaga-hime is the true identity of the Hakurei God. The link to the original post by @occasionaltouhou is https://occasionaltouhou.tumblr.com/post/708805168606691328.]
The answer by @occasionaltouhou (https://occasionaltouhou.tumblr.com/post/732913388035915776):
"The quick + shrimple explanation is that Iwanaga-hime is the most relevant kami of Gensoukyou as a whole, so it'd make sense for the shrine most significant to Gensoukyou to also be related to her. To elaborate...
First and foremost, Youkai Mountain is the real-life Yatsugatake mountain range, that is, Iwanaga-hime's mountain (mythologically, the Yatsugatake mountains are the remains of Iwanaga-hime's mountain, and Youkai Mountain could be interpreted as the original form of said mountain before it was destroyed). We know this from Mokou's chapter of Cage-in Lunatic Runagate, one of the most critical Touhou lore objects. I feel like, right from the start, it needs to be emphasised how crucial it is that the main thing differentiating Gensoukyou from the Outside World –potentially and arguably being a lynchpin of its existence– belongs to a myth about Iwanaga-hime specifically (in case you're curious, there's no contradiction in both Iwanaga-hime and Yasakatome/Takeminakata/Kanako being the Kami of Youkai Mountain, though I imagine Iwanaga-hime isn't happy about it given who Kanako is as a person).
The second reason is that the Hieda clan –and Akyuu in particular– also worship Iwanaga-hime. In fact, they're specifically noted to do so in a way that you don't really get for basically any other kami . Akyuu does so hoping for the gift of longevity (because... you know... Akyuu...), but that doesn't really elaborate on why the rest of the family does beyond that it's a thing that they do.
Iwanaga-hime is extremely important to both the giant f***ing rock in the middle of Gensoukyou and also its main chronicler, someone who is arguably as critical as the Hakurei shrine maidens to maintaining the status quo of Gensoukyou. At the very least, Iwanaga-hime would absolutely have been a part of the negotiations for the development of Gensoukyou right from the start, if nothing else. She's 'kind of important'.
So, you know, you have this kami whose whole thing is making sure things last, who's crucial to Gensoukyou's existence, and whose go-shintai is a huge f***ing rock. Are you picking up what I'm putting down?"
-----
There are a few things introduced in Touhou 20 that might throw a wrench into things, but everything else described here still fits too well in the current Touhou canon, so I still adhere to this theory, which also gave me ideas for a few things I'd like to work on.
For now, here's what I thought up when I looked for a way to reconcile the idea of Iwanaga-hime (or Ariya Iwanaga, in this case) being the Hakurei God with the more recently established Touhou canon.
The big question here is how Ariya could have participated in the creation of Gensoukyou if she was still sealed in the Pyramid. Maybe Yukari or any of the Sages invoked Iwanaga's power or something like that, and they achieved this by using the Yatsugatake mountains as a substitute for Ariya herself (this mountain range is Ariya's go-shintai after all, and it'd still be there, no matter if she was sealed under them); they managed to make it work, but Ariya couldn't control it in the state she was in.
(Also, this reminded me that Ariya probably was able to at least vaguely/subconsciously sense, not only the Sages using her mountains to create Gensoukyou, but also the Hieda family praying to her for longevity while still being unable to answer those prayers. Now that Ariya has been freed, she can do something for Akyuu, but... Damn, remembering all those prayers that went unanswered, all the times Akyuu died young and had to reincarnate because Ariya couldn't prevent it or even mitigate it in any way, and the feelings of guilt from that, must still be eating Ariya from the inside if this is all true.)
While Ariya's power over permanence and the immutable would be useful to upkeep Gensoukyou, the incident in Touhou 20 proves this is a double-edged sword: she unleashed her power indiscriminately, which stopped the normal flow of time and was going to leave Gensoukyou devoid of kegare, and that threatened Gensoukyou's whole existence (it's pointed out at least twice in Touhou 20 alone that the complete absence of kegare, which happens in the Lunar Capital and would have happened in Gensoukyou if the incident hadn't been solved, is comparable to being dead).
Now, when "occasionaltouhou" initially proposed this theory (that was at least two years before the release of Touhou 20 featuring Ariya Iwanaga, and if we count from when they posted their Iwanaga-inspired OC and mentioned this theory for the first time, it was even before the release of Touhou 19), they speculated that Iwanaga-hime would not like to share Youkai Mountain with someone like Kanako. Now that Ariya was introduced and she has a strong grudge with the Lunarians, she might find common ground with Kanako on sharing this grudge at least (and if the story also decides to delve into Yuiman's past and Kanako's old friendship with her, Ariya and Kanako could also find common ground in wishing the best for Yuiman, but this is just the shipping-obsessed part of my brain talking). More importantly to the roles of both Ariya's power and Youkai Mountain in Gensoukyou, and something that addresses the issue I talked about in the previous paragraph: after the Touhou 20 incident, Ariya would understand that her power of immutability is necessary but must be used with moderation as well (both to keep Gensoukyou alive and to not follow on the Lunarians' steps), and Kanako is pragmatic and willing to accept change (she even tries to present herself as a kami of innovation); with Ariya and Kanako sharing the role of "the Kami of Youkai Mountain", they might be able to arrange a sort of "work relationship" where they balance each other.
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This is it for now. I just wanted to take all this interesting stuff proposed by other Touhou fans, put it all together and organised in one place, and share it here for anyone interested. Feel free to share your own thoughts in the comments (and also give credit and go follow/subscribe to all the people mentioned here, of course).
Un grupo de posts que encontré acerca de las inspiraciones de la vida real para el lore de Touhou y algunas teorías interesantes propuestas for fans (y mis propias opiniones al respecto)
Originalmente yo había juntado todo esto para un post de Reddit, pero ahora he decidido publicarlo acá también: aun cuando casi todas mis fuentes ya son de Tumblr. A continuación, les presento una traducción al castellano de aquel post.
Hace unos dos o tres meses, "Levander" alias @chireikiden (actualmente el principal traductor al inglés de las obras impresas de Touhou, tanto las oficiales escritas por ZUN como las hechas for fans que son publicadas como parte de la revista Extraños Creadores del Mundo Exterior) recibió una pregunta en su blog de Tumblr y dio la siguiente respuesta:
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[15 de abril de 2026]
Una pregunta de un usuario anónimo para @chireikiden:
"¿Las hermanas Watatsuki son consideradas kami? ¿Yorihime podría directamente invocar a su hermana Toyohime?"
La respuesta de @chireikiden (https://chireikiden.tumblr.com/post/813991281994924032):
"En términos de árboles genealógicos y personajes reconocibles por su mitología, sujetos tales como Eirin Yagokoro, Sagume Kishin y, efectivamente, las hermanas Watatsuki son, de manera bastante poco ambigua, Kami Celestiales, es decir, los dioses japoneses (por extensión, tenemos que asumir que Kaguya Houraisan también es una Kami Celestial; aunque la Princesa Kaguya original es una personaje de cuento de hadas sin un estatus religioso específico, no es muy descabellado tratarla como una Kami Celestial, incluso dentro del contexto del Cuento del Cortador de Bambú original).
Aparte de eso, la Saga de Relatos Cortos de una Luna Efímera (es decir, Silencioso Pecador en Azul y Renegado Lunático Encerrado combinados) establecen claramente que tanto Reimu Hakurei como Yorihime de Watatsuki también están invocando dioses Selenitas cuando usan sus poderes. Dado que los dioses que Yorihime puede invocar incluyen a Amaterasu, tengo que asumir que ella también podría invocar a Toyohime de Watatsuki, efectivamente. Nótese que acá estamos dejando de lado cualquier pregunta incognoscible respecto a si ella tendría permitido hacer esto sin "los procedimientos y autorizaciones apropiados" (capítulo 6 de Renegado Lunático Encerrado).
Se especifica (especialmente en el capítulo 6 de Silencioso Pecador en Azul) que los dioses, incluyendo aquellos que ya tienen cuerpos físicos, son simplemente clonados cuando se los invoca en una nueva ubicación. Esto también se aplicaría a Toyohime. Supongo que esta es un buen motivo para no intentar invocarla.
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Dicho esto, permítame ir por una tangente: aunque la 'invocabilidad' de los Selenitas aparenta ser uno de los elementos menos ambiguos sobre ellos, hay mucho sobre la naturaleza de los Selenitas que entra en una categoría que yo llamaría 'dudoso por omisión': cosas que no son directamente contradictorias per se, pero han sido dejadas ambiguas y empiezan a ponerse cada vez más dudosas cuanto más tiempo pasa sin que sean mencionadas de nuevo o clarificadas de alguna manera, aun cuando los propios Selenitas siguen apareciendo de otros modos. Es realmente difícil concebir a los Selenitas rigiéndose por el mismo tipo de reglas que rigen a los Kami Terrenales tales como las diosas del Santuario Moriya o las hermanas Aki, pero puede que ellos simplemente hayan dejado atrás tales preocupaciones cuando se mudaron a la Luna y eligieron una nueva forma de inmortalidad. Y por supuesto, las Selenitas con las que estamos más familiarizados –Eirin y Kaguya– tienen la complicación adicional de que son inmortales gracias al Elixir de PéngLái, que Eirin inventó.
Creo que gran parte del lore de Touhou relativo a la Luna existe en un estado algo confuso porque, entre otras razones, Touhou 8: Relatos Cortos de la Noche Eterna ~ Noche Imperecedera (lanzado en 2004) fue una entrada muy temprana de la serie de Touhou, de la época en que gran parte de su escenario todavía estaba sin formar, pero la Saga de Relatos Cortos de una Luna Efímera (publicada entre 2007 y 2009) terminó hablando bastante de ese tema y otros juegos posteriores (a saber, Touhou 15: el Cuento del Orbe Ultramarino ~ Legado de Reino Lunático en 2015 y Touhou 20: Capital Coronada en Gloria ~ Maravillas Fosilizadas en 2025) siguieron retomándolo. Pero de todas maneras, que los límites en torno al estatus de los kami sean muy difusos es bastante apropiado tanto para el universo ficcional de Touhou como para la tradición Shintou en la vida real."
Etiquetas agregadas por @rosymerry (https://rosymerry.tumblr.com/post/813991600822829056):
"El lore acerca de los kami y los Selenitas en Touhou es deliciosamente ambiguo. Ahora mismo estoy re-leyendo todo el material, con la esperanza de deducir algo más sobre ellos (en particular, cómo el Cielo y los Celestiales se relacionan con la Capital Lunar), pero no espero que su estatus/naturaleza vaya a ser verdaderamente aclarado en el canon algún día."
Un comentario de @clarste:
"Bunrei."
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El comentario de @clarste mencionando el bunrei, junto con este fragmento de la respuesta de Levander...
"Se especifica (especialmente en el capítulo 6 de Silencioso Pecador en Azul) que los dioses, incluyendo aquellos que ya tienen cuerpos físicos, son simplemente clonados cuando se los invoca en una nueva ubicación."
... me hicieron recordar la siguiente pieza de lore de Touhou y su posible inspiración en prácticas religiosas Shintou de la vida real:
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[25 de noviembre de 2023]
Un post de @occasionaltouhou (https://occasionaltouhou.tumblr.com/post/734999981348552704):
"¿Dónde estaba la p*** cosa acerca de partir en pedazos un kami y dejar cada pedazo como una réplica completa de ese kami? Sé que lo leí en algún lugar. Esos tipos son como el truco del chocolate infinito."
(Por cierto, esta es la base para mi idea de que existen variantes de cada Kami Celestial en Gensoukyou y en la Capital Lunar al mismo tiempo.)"
Un comentario de @sukimas:
"Se encuentra en Extraña y Brillante Deidad de la Naturaleza, el segundo manga de Las Tres Hadas de la Luz (publicado de 2006 a 2009). También está al comienzo de Silencioso Pecador en Azul."
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Yo había leído sobre dos procesos en el Shintou de la vida real, el "kanjou" y el "bunrei" o "wakemitama". Esos dos rituales juntos me recuerdan mucho a esta porción de lore de Touhou de la que @occasionaltouhou y @sukimas estaban hablando, y no puedo evitar preguntarme si lo explicado en Extraña y Brillante Deidad de la Naturaleza y en Silencioso Pecador en Azul estuvo inspirado por esto. Copiaré acá lo que encontré en Wikipedia; debería ser un resumen más o menos decente:
"El bunrei o wakemitama [「分霊」] es un término técnico del Shintou que indica tanto el proceso de dividir a un kami para volver a consagrarlo en algún otro lugar (por ejemplo, un kamidana o altar hogareño), como también el propio espíritu producido por la división.
Los santuarios Shintou conducen el bunrei para distribuir los kami hacia santuarios secundarios en otras ubicaciones. El espíritu del kami no se reduce por esta acción, y un bunrei funciona en la misma capacidad que el espíritu original. La razón para llevar a cabo el bunrei es usualmente para hacer que un kami sea más accesible para quienes le rinden culto lejos del santuario principal."
Fuente: https://en.wikipedia.org/wiki/Bunrei
"El Kanjou [「勧請」] en la terminología Shintou indica un proceso de propagación por el cual un kami, previamente dividido mediante el proceso de bunrei, es invitado a otra ubicación y consagrado nuevamente allí.
Originalmente, era un término budista: llamado 'abhiṣeka' ['अभिषेक'] en sánscrito, inicialmente se refería a la petición del sermón del buda con un corazón sincero; más tarde, pasó a significar la exhortación de un buda o bodhisattva a permanecer en este mundo para predicar y salvar a otros seres humanos, y luego el concepto evolucionó aun más para significar el acto (y las palabras reales) de pedir a los budas o bodhisattvas que desciendan al altar durante un rito budista. En Japón, la palabra fue incorporada al vocabulario Shintou y gradualmente tomó el significado actual de consagrar por primera vez a un buda o a un kami en un sitio de culto.
Inari es el kami que ha sido sujeto al proceso de kanjou con mayor frecuencia que cualquier otro."
Fuente: https://en.wikipedia.org/wiki/Kanj%C5%8D
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A su vez, esto me recordó a un conjunto de otras interesantes ideas y teorías sobre Touhou propuestas por @occasionaltouhou (quien también se puede encontrar bajo el nombre de "godmedallion" en Archive Of Our Own). La mayoría están relacionadas ya sea con los Selenitas o con Iwanaga-hime, y también fueron la inspiración para mis propios pensamientos en la materia:
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[25 de noviembre de 2023]
Un post de @occasionaltouhou (https://occasionaltouhou.tumblr.com/post/734950414258241536):
"Honestamente, si Gensoukyou no puede sobrevivir a la muerte térmica del universo, dudo que el Elixir de PéngLái pueda hacerlo tampoco. Porque al final del día, esa cosa sigue estando alimentada por la creencia humana en un elixir de la inmortalidad. Incluso se podría argumentar que su ingrediente activo es esa creencia humana."
Un comentario de @every1sno1fangirl:
"¿El Elixir de PéngLái es alimentado por la creencia humana? No lo creo, me parece que los Selenitas no son el mismo tipo de seres que los que viven en Gensoukyou."
La respuesta de @occasionaltouhou (https://occasionaltouhou.tumblr.com/post/734998492673703937):
"Los Selenitas son sólo kami, al igual que los kami que viven en Gensoukyou. Entonces sí, son dependientes de la creencia humana, al igual que todos los demás. Pero ellos jamás de los jamases lo van a admitir.
(Como regla general, sospeche de cualquier cosa dicha por un Selenita. En el instante mismo en que Kaguya dijo que ellos crearon a los youkai, yo ya supe que no sabían un c***** de nada.)"
Un comentario de @derxwnakapsyla:
"Ahora estoy imaginando un futuro en el que Gensoukyou (incluyendo todos sus sub-reinos asociados) simplemente flota a la deriva en el espacio exterior, sin saber en gran parte que el resto del universo ya no está, porque Utsuho está produciendo un Sol artificial y Eirin está produciendo una Luna artificial, así que muy poco ha cambiado para la gente funcionalmente."
La respuesta de @occasionaltouhou (https://occasionaltouhou.tumblr.com/post/734998492673703937):
"En un universo vacío, la Tierra perdura, y simplemente está metida en lo suyo."
Etiquetas agregadas por @monikatouhou alias @monidoll (https://monidoll.tumblr.com/post/734998846620434432):
"Creo que ahora los Selenitas son una mezcla indistinguible de kami verdaderos y humanos que recién alcanzaron la inmortalidad; de esta manera, dado que técnicamente hay humanos en la Capital Lunar, su sistema es internamente auto-suficiente. Al menos en la escala de siglos y milenios, debería ser medianamente estable; millones y miles de millones de años es probablemente un tiempo demasiado largo como para siquiera considerarlo acá en primer lugar."
La respuesta de @occasionaltouhou (https://occasionaltouhou.tumblr.com/post/734999566825472000):
"Esto en realidad me da la oportunidad para proponer una idea que he tenido desde hace un rato: no creo que los Selenitas sean una mezcla de dioses y humanos, ni tampoco creo que intenten convertirse en humanos – los humanos, siendo seres propensos a la vida y la muerte, son inherentemente seres de kegare/impurezas.
Creo que los Selenitas intentan dejar de ser kami para convertirse oficialmente en Dioses propiamente dichos, con D mayúscula, y creo que los Conejos Lunares están ahí para mantener el sistema funcionando: son seguidores artificiales que proveen la fe requerida para darle sustento a los Selenitas.
Desafortunadamente para ellos, este es un plan ridículo porque depende del hecho de que existen como ideas que los humanos concibieron en primer lugar. Su sistema aislado sólo funciona siempre y cuando alguien que existe en la vida real y que no empezó a existir como producto de la imaginación crea que ellos pueden existir – esto seguiría siendo cierto incluso si los Selenitas pudieran convertirse en humanos, porque de todas maneras se habrían convertido en humanos que no experimentan cosas humanas tales como... ya sabe... enfermarse y morir."
Un reblog de @that-which-isnt:
"La verdad que no estoy familiarizado con la mitología china, pero según tengo entendido después de echar un vistazo en Wikipedia, los Selenitas son esencialmente lo mismo que los Celestiales de Touhou tales como Tenshi Hinanawi: humanos renacidos en una Tierra Puro gracias a un buen karma o a favoritismo de los dioses, funcionalmente inmortales mediante el continuo consumo de alimentos celestiales. La diferencia entre los Selenitas y los Celestiales regulares es sólo que los Selenitas construyeron su propia Tierra Pura en lugar de recibir una de los dioses.
Los Conejos Lunares son un completo misterio, uno de los más grandes de Touhou en mi opinión, pero personalmente creo que probablemente estás en lo correcto con la idea de que son seres diseñados y creados para actuar como esclavos y una 'granja de fe'. Mi única duda es si fueron hechos desde cero, o si hubo una época en la que habían muchos más Selenitas y muchos menos Conejos Lunares."
La respuesta de @occasionaltouhou (https://occasionaltouhou.tumblr.com/post/735003769968918528):
"Respecto a si los Selenitas cuentan como Celestiales o son algo distinto, la cuestión es que es bastante explícito que se supone que los Selenitas son los Kami Celestiales del panteón Shintou, porque todos y cada uno de los Selenitas cuyo nombre se nos ha revelado son Kami Celestiales. Los Celestiales de Touhou están todos en otro mundo, el reino budista del Cielo; la Capital Lunar es una falsificación del Cielo. Dado que la Capital Lunar fue diseñada por Eirin, la intención probablemente era aprovecharse de la idea de que la Luna está habitada por Celestiales – después de todo, los Selenitas se ven a sí mismos como equivalentes a los Celestiales, y hacen todo en su poder para asegurarse de que sea así (algo que, por supuesto, un verdadero Celestial jamás necesitaría hacer)."
Un comentario de @paradizetobefound:
"¿Podría decirse que la Luna simplemente reflejando la luz del Sol en lugar de ser una fuente legítima de iluminación del cielo proporciona un simbolismo adicional a la idea de que los Selenitas son falsos Celestiales viviendo en una falsificación del Cielo?"
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[25 de noviembre de 2023]
Un post de @occasionaltouhou (https://occasionaltouhou.tumblr.com/post/735001095414382592):
"En fin... Sí, los Selenitas son... como... básicamente sólo una versión de los Kami Celestiales. Ni siquiera son la cosa auténtica, porque no existe tal cosa para los kami, así no es como 'funcionan'. Y sé en mi corazón que eso los carcome por dentro. Patéticas pequeñas sombras de los Kami Celestiales, escondiéndose en la Luna con todos sus falsos seguidores.
(Puedo sentir cómo caigo lentamente en el 'modo Yukari'. Necesito comer algo.)"
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[25 de noviembre de 2023]
Una pregunta de @tennco para @occasionaltouhou:
"Vi ese post acerca del Elixir de PéngLái, y me estuve preguntando: ¿Qué le pasa a la creencia o a la fe cuando no queda nadie más que pueda... bueno... creer? ¿La fe tiene que venir en un suministro constante? ¿La fe persiste luego de la muerte de la persona que la originó? ¿Los muertos tienen permitido creer?"
La respuesta de @occasionaltouhou (https://occasionaltouhou.tumblr.com/post/735000275731054593):
"Se sabe que los youkai pueden proveer fe, así que se deduce que los espíritus de los muertos pueden hacerlo también. Mi teoría es que, siempre y cuando la gente crea en algún tipo de vida después de la muerte, esos espíritus pueden proveer (una muy pequeña cantidad de) fe en cosas. Pero eso sólo es verdad siempre y cuando haya gente que cree en un mundo más allá de la muerte.
Pero sí, tendría que ser un suministro constante – por eso tuvieron que construir la Gran Barrera de Hakurei cuando lo hicieron: porque no se puede realmente recuperar lo que ya se perdió cuando ya nadie cree más en una cosa, incluso si vos desarrollas nuevamente esa fe posteriormente – o al menos no sería lo mismo que lo que había antes.
(Mientras la idea de los youkai exista y haya una creencia en ellos, las variantes individuales pueden simplemente aparecer en cantidades mucho más pequeñas, debido al hecho de que ya estaban existiendo. Espero que esto ayude.)"
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Esta parte me parece interesante:
"[...] incluso si vos desarrollas nuevamente esa fe posteriormente, [...] no sería lo mismo que lo que había antes."
Cierto tiempo atrás, he leído un fanfiction largo (si mal no recuerdo, era "Powerless Hakurei Tales", escrito por "Carmichael_Micaalus") que aborda brevemente lo que les pasaría a los youkai si pudieran coexistir pacíficamente con los humanos en Gensoukyou, en lugar de que necesiten atacar y alimentarse de humanos y dependan de que los humanos le tengan miedo a los youkai además de creer en ellos.
La respuesta propuesta por el autor para este interrogante era que sí, es posible que los humanos de Gensoukyou todavía crean en la existencia e incluso los poderes de los youkai e interactúen con ellos sin temerles. En este escenario, los youkai todavía podrían existir e incluso conservar las formas físicas y podres que siempre tuvieron, pero a un nivel más fundamental y/o existencial, serían algo diferente, no exactamente lo mismo que los youkai que solían ser.
Sin embargo, les sugiero tomar esto (y cualquier otra cosa relativa a mi interpretación personal del canon y mis gustos en cuanto a fanfiction de Touhou) con cierto grado de escepticismo: tal como se puede ver en este otro post que yo escribí un tiempo atrás (https://mashounen2003.tumblr.com/post/820008374765764608), la manera en que yo tiendo a imaginar a Gensoukyou y las interacciones entre todos sus habitantes, mientras no es necesariamente incongruente con el canon de Touhou oficial, sí es probablemente mucho más optimista e idealista que lo que sería permitido por el actual consenso entre los fans (a modo de ejemplo sin relación con el tema principal de este post: tengo la opinión de que, cuando las Reglas de los Spell Cards entraron en vigor, la vida cotidiana en Gensoukyou definitivamente dejó de ser "lo mismo de siempre" y Reimu concibiendo esa idea fue un gran cambio y marcó un momento crucial en la historia de Gensoukyou al proponer un método para resolver desacuerdos sin la necesidad de que los humanos y los youkai se teman, se odien y se maten unos a otros).
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[26 de noviembre de 2023]
Un post de @occasionaltouhou (https://occasionaltouhou.tumblr.com/post/735004757194932224):
"La Capital Lunar es una obra maestra: alberga maravillas increíbles y tecnología mucho más avanzada que la de la superficie de la Tierra... Pero es una falsificación – es una incomparable e insuperable, ciertamente, pero sigue siendo al fin y al cabo una falsificación, hecha por unos seres de mentes pequeñas intentando desesperadamente ignorar la verdad de su propia existencia. Como siempre: no se dejen engañar, ¿De acuerdo?"
Un comentario de @itspurvis:
"Las falsificaciones son geniales.
Han van Meegeren es un artista mejor y más consumado que lo que Vermeer jamás haya podido ser."
La respuesta de @occasionaltouhou (https://occasionaltouhou.tumblr.com/post/735030980178477056):
"No me malinterprete, no estoy menospreciando las falsificaciones, ni tampoco el esfuerzo dedicado a ellas – crear un símil del Cielo budista es algo que sólo una genia como Eirin podría lograr.
Mi argumento es que la Capital Lunar no es el Cielo, los Selenitas no son Celestiales, y cuando uno realmente va al fondo de la cuestión, la Capital Lunar es simplemente un ejercicio para intentar ignorar las cosas con las que no querés lidiar (el kegare, ser dependiente de la fe humana, el concepto de la entropía en general) tapándote los oídos con la esperanza de que esas cosas eventualmente dejen de importar."
Un comentario de @itspurvis:
"Si me permite hablar un poco más en serio por un momento: parece que la clave de todo esto es que los Selenitas son 'Falsos' y los Celestiales son 'Verdaderos'. ¿De dónde viene exactamente esa idea?
Siempre he tendido a asumir que tanto la Capital Lunar como el reino de los Celestiales son sub-secciones del Reino de los Dioses/Devas (uno de los Seis Reinos del budismo, que incluyen también al Reino Animal, con su propio equivalente en el universo de Touhou): son la misma cosa en dos 'sabores' diferentes, en particular porque el RyuuGuu-Jou (el palacio submarino del dios dragón RyuuJin) aparentemente existe en ambos."
La respuesta de @occasionaltouhou (https://occasionaltouhou.tumblr.com/post/735088321947156480):
"Aunque ZUN no ha establecido 'oficialmente' que la Capital Lunar es falsa, hay varios indicios que fácilmente pueden llevar a esa conclusión. Pero el principal indicio es que la Capital Lunar fue... ya sabe... 'construida': fue diseñada, por Eirin, específicamente para ser una Tierra Pura. Mientras tanto, hasta donde sabemos, el Cielo de los Celestiales simplemente 'existe' allá fuera, al igual que los demás Reinos del budismo – y no tiene una ubicación fija como sí la tiene la Capital Lunar, simplemente está 'sobre las nubes'. Se podría argumentar que el hecho de que el Palacio del Dios Dragón exista en ambos refuerza la idea de que la Capital Lunar es un fraude.
Lo importante aquí es que la Capital Lunar existe como espejo de Gensoukyou: es la forma totalitaria y amurallada de Gensoukyou, la versión de Gensoukyou que ignora las posibilidades del crecimiento y en cambio prefiere la perpetuidad inmutable. Y para que eso funcione, hablando en términos narrativos y de temas de una historia, la Capital Lunar tiene que estar construida a partir de los mismos principios – no funcionaría si no fuese un falso Cielo."
Un comentario de @sukimas:
"Cabe destacar que Izumo, el otro lugar mítico que vagamente sirve de inspiración para la Capital Lunar, también es explícitamente un 'paraíso construido'."
La respuesta de @occasionaltouhou:
"Son todos Cielos artificiales al final del día."
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[26 de noviembre de 2023]
Una pregunta de un usuario anónimo para @occasionaltouhou:
"Dado que el tema del día parece ser los Selenitas, ¿Tenés alguna recomendación para escribir o interpretar a un Selenita en un juego de rol de mesa?"
La respuesta de @occasionaltouhou (https://occasionaltouhou.tumblr.com/post/735031704708890624):
"Primero, lea la totalidad de Silencioso Pecador en Azul. Luego, para complementar esto, busque también algunas de las apariciones de Eirin en los mangas de Touhou y léalos también. Una vez que ya tenga una idea inicial, podemos entrar en los detalles más específicos.
Yo diría que, al interpretar a un Selenita, necesita mantener en mente estas cosas:
=> Son extremadamente confiados, tanto sobre sí mismos como sobre la fuerza y estabilidad de la Capital Lunar.
=> Son xenófobos, pero no en un grado absurdo (colaborarán con no-Selenitas si lo creen necesario).
=> Son un poco despistados. Esta gente se pasa todo el tiempo en una burbuja que armaron para sí mismos, donde todo simplemente sigue adelante, no importa qué; poner a uno de ellos en una situación donde está en desventaja podría hacer que empiece a actuar cada vez más irracionalmente.
=> Hasta donde les concierne, la Tierra es una prisión que ellos crearon para los humanos y los youkai (esto no es verdad, pero ellos lo creen firmemente).
=> Sea cual sea el Kami Celestial que elija como inspiración para su personaje Selenita, el Selenita en cuestión será capaz de hacer lo que sea que ese Kami Celestial sea capaz de hacer. Un Selenita es simplemente una encarnación de un kami específico que decidió irse a ser un idiota en la Luna.
=> Generalmente sienten un gran respeto por los jerarcas de la Capital Lunar (Tsukuyomi, otros Kami Celestiales de alto rango, incluso Eirin a pesar de que ella desertó de la Capital Lunar) y le tienen poco o ningún respeto a los Conejos Lunares.
=> La parte de 'lunático' en 'Legado de Reino Lunático' (la parte en inglés del título completo de Touhou 15) se refiere a los Selenitas: sólo un lunático le tendría fe a la Capital Lunar.
Esto es todo lo que se me ocurre ahora mismo. Probablemente haya más cosas."
-----
Todo esto es muy útil, aunque el tipo de juego que yo crearía sería un MetroidVania como Luna Nights, o un clásico juego de plataformas lineal en 2D, o quizás un clon de Rockman.EXE al estilo de ShangHai.EXE: Gensou Network. Entonces, los Selenitas estarían involucrados en su trama. (Los juegos de rol de mesa nunca me han llamado la atención, lo siento)
Tan sólo imagínese... Leyenda del Castillo del Diablo Escarlata 3: la Reimu caza-vampiros "edgy" de los 2000 viaja a la Luna (y orina en ella, como el Dr Eggman en los doblajes en tiempo real de Snapcube) para vengarse de todos los líos causados por los Selenitas.
Sin embargo, debo decir que desarrollar un juego con una trama fuertemente ligada a la Capital Lunar será complicado: es cierto que la sociedad Selenita está condenada a un eventual colapso en el futuro, pero en el presente, hay Selenitas individuales como Yorihime que siguen siendo absurdamente poderosas, y las mecánicas de este juego estarán obligadas a reflejar eso. A menos que...
A menos que, por alguna artimaña de la trama, este juego esté ambientado en el Mundo Exterior, así que tanto los personajes originarios de Gensoukyou como los Selenitas están rebajados a un nivel de poder similar debido a que se encuentran en un ambiente "carente de fe".
También tomará trabajo imaginar por qué los Selenitas siquiera se molestarían en intervenir directamente en algún asunto de la Tierra para empezar. Sin embargo, luego de los eventos de Touhou 20 (donde Yuiman Asama es liberada, costándole a la Capital Lunar sus instalaciones de la "montaña purificadora" donde usaban a Yuiman como su IA), los Selenitas podrían empezar a desesperarse; eso podría funcionar como trama para otro juego de Touhou donde la Capital Lunar inicia un nuevo incidente. En particular, el 3er punto enumerado por @occasionaltouhou en la lista ya mencionada...
"[...] poner a un Selenita en una situación donde está en desventaja podría hacer que empiece a actuar cada vez más irracionalmente."
... me hace pensar que las secuelas de lo que pasó en Touhou 20 podría ser suficiente para hacer que los Selenitas pierdan sus cabales.
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[31 de enero de 2024]
Una pregunta de @d6b-onion para @occasionaltouhou:
"¿Qué opinás de Misumaru Tamatsukuri? Personalmente... No lo sé, quizás sea desafortunado, pero ella no parece un personaje particularmente interesante.
La gente bromea y habla de que ella es una MILF, y... Supongo que sí... Pero de alguna manera, cuando se trata de ella, eso la vuelve algo aburrida. Se siente... como... lo contrario a todas las demás personajes de Touhou: ella no está simplemente metida en lo suyo.
A mí personalmente no me gusta su diseño realmente: Tenshi hizo mejor la estética del arcoiris, y la pose de Misumaru es un poco ridícula.
Lo que me saca de quicio es que ella es una personaje aburrida... que talló los Orbes Yin-Yang de Reimu! ¡¿Cuándo fue la última vez que tuvimos verdadero lore fidedigno sobre Reimu antes de eso?! Podría haber toda clase de conexiones con el Kami del Santuario de Hakurei... pero Misumaru es algo insignificante. Es una lástima, la verdad. Pero quizás vos tengas una opinión distinta."
La respuesta de @occasionaltouhou (https://occasionaltouhou.tumblr.com/post/741021778815713280):
"Misumaru, ¿Eh? ... Definitivamente es una personaje que todavía no tuvo su momento en los focos. Misumaru es en realidad una figura bastante importante en muchos sentidos. Primero y principal, al menos si pensamos en su nombre completo, ella es Tama-no-Oya-no-Mikoto; es decir, ella es una Kami Celestial estrechamente ligada, tanto al origen de un clan que técnicamente es anterior a la propia nación moderna de Japón, como también al mito sobre el exilio de Amaterasu en una caverna; desde luego, teóricamente esto también vincula a Misumaru directamente con los Selenitas. Y sólo para agregarle aun más a todo esto, Tama-no-Oya-no-Mikoto es también quien creó la Yasakani-no-Magatama (la joya curvada –la magatama– de jade de dos metros y medio), uno de los tres Tesoros Imperiales de Japón, lo cual es... ya sabe... una de las cosas más importantes que se puede esperar encontrar en la mitología japonesa.
Entonces, simplemente tomando en cuenta cuál es el kami que Misumaru representa, ella ya tiene un montón entre manos. Y ella es, por supuesto, la creadora de los Orbes Yin-Yang: ¿Por qué no encargarle a una artesana maestra la creación del go-shintai para el kami usado como pilar fundamental para Gensoukyou?
Hay algunas otras facetas interesantes sobre Misumaru, una de las cuales es el propio dato de que ella no ha tenido ninguna otra aparición ni antes ni después de Touhou 18: la Cueva del Dragón Arcoíris ~ Mercaderes Inconexos: ella está específicamente protegiendo sus propios intereses en la Montaña de los Youkai. Es firme y competente, provee ayuda y consejo, y ella es casi tan egoísta como lo que hemos visto de otros kami. ¡La única razón por la que ella apareció es porque había gente llevándose rocas que ella ve como suyas!
Entonces, ella es una Kami Celestial... pero no es una Selenita. Además, vale señalar que no hay muchos santuarios Shintou dedicados a Tama-no-Oya-no-Mikoto; la verdad, ella está apenas uno o dos escalones por encima de Hina Kagiyama en términos de lo que llaman 'kami salvaje' (un kami sin seguidores que le provean fe o un santuario donde resida y se le rinda culto, y que usualmente se convierte en un youkai como resultado). Ella no parece tener realmente alguna lealdad ni a Gensoukyou ni al Santuario de Hakurei (de lo contrario... ya sabe... ella probablemente se habría hecho presente en un momento anterior). Ella simplemente es una artesana peculiar. Y hace magatamas y pelotas. Y se las tira a la gente por diversión. ¿Qué puede ser mejor que esto?"
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[2 de noviembre 2023]
Una pregunta de un usuario anónimo para @occasionaltouhou:
"Por favor, ¿Podrías explicarnos la teoría de que Iwanaga-hime es la Kami de Hakurei?"
[Para darle contexto: el 9 de febrero de 2023, @occasionaltouhou había publicado sus diseños de dos personajes originales de Touhou, siendo una de ellas inspirada en Iwanaga-hime; el post en cuestión incluyó resúmenes donde el autor mencionó una teoría de que Iwanaga-hime es la verdadera identidad del Kami de Hakurei. El enlace al post original de @occasionaltouhou es https://occasionaltouhou.tumblr.com/post/708805168606691328.]
La respuesta de @occasionaltouhou (https://occasionaltouhou.tumblr.com/post/732913388035915776):
"La explicación rápida y simple es que Iwanaga-hime es la kami más relevante para Gensoukyou en su conjunto, así que tendría sentido que el santuario Shintou más significativo para Gensoukyou también esté relacionado con ella. Para entrar más en detalle...
Primero y principal, la Montaña de los Youkai es en la vida real la cordillera Yatsugatake, es decir, la montaña de Iwanaga-hime (mitológicamente, las montañas Yatsugatake son los restos de la montaña de Iwanaga-hime, y la Montaña de los Youkai podría ser interpretada como la forma original de dicha montaña antes de que fuese destruida). Sabemos esto gracias al capítulo dedicado a Mokou en Renegado Lunático Encerrado, una de las más críticas fuentes de lore de Touhou. Creo que se tiene que enfatizar, ya desde el comienzo, lo crucial que es que la principal cosa separando y diferenciando a Gensoukyou respecto del Mundo Exterior –siendo potencial y razonablemente un pilar fundamental para la existencia de Gensoukyou– pertenece a un mito que es específicamente acerca de Iwanaga-hime (en caso de que tengas curiosidad sobre esto, no hay ninguna contradicción en que tanto Iwanaga-hime como Yasakatome/Takeminakata/Kanako Yasaka sean las Kami de la Montaña de los Youkai, aunque me imagino que Iwanaga-hime no se alegra mucho por esto dada la clase de persona que es Kanako).
La segunda razón es que el Clan Hieda –en particular, Akyuu de Hieda– también le rinde culto a Iwanaga-hime. De hecho, este dato sobre ellos es específicamente señalado de una manera en que no sucede realmente para básicamente ningún otro kami. Akyuu le reza a Iwanaga-hime con la esperanza de que le otorgue longevidad (debido a la ya infame corta esperanza de vida de Akyuu), pero eso no da realmente detalles respecto a por qué el resto del Clan Hieda lo hace aparte de que es una tradición familiar.
Iwanaga-hime es extremadamente importante tanto para la p*** roca gigante en medio de Gensoukyou como para la principal cronista de Gensoukyou, alguien cuyo rol se podría considerar tan crítico como el de las mikos de Hakurei para la preservación del statu quo del lugar. Como mínimo, Iwanaga-hime absolutamente habría tenido que ser parte de las negociaciones para el desarrollo de Gensoukyou directamente desde el comienzo, si es que no estuvo metida en nada más. Ella es algo importante.
Entonces... ya sabe... tenemos a esta kami cuya función entera es asegurarse de que las cosas duren, alguien crucial para la existencia de Gensoukyou, y alguien cuyo go-shintai es una enorme p*** roca. ¿Se puede ver lo que intento presentar?"
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Hay algunas cosas reveladas en Touhou 20 que podrían complicar las cosas, pero todo lo demás descrito aquí encaja demasiado bien en el canon actual de Touhou, así que todavía adhiero a esta teoría, la cual también me dio ideas para algunas cosas en las que me gustaría trabajar.
Por ahora, he aquí lo que se me ocurrió cuando busque una manera de tomar la idea de que Iwanaga-hime (o en este caso, Ariya Iwanaga) sea la Kami de Hakurei y conciliarla con el canon establecido en Touhou más recientemente.
La gran pregunta aquí es cómo Ariya podría haber participado en la creación de Gensoukyou si ella todavía estaba sellada en la Pirámide. Tal vez Yukari Yakumo y/o alguna otra de las Sabias de Gensoukyou invocó el poder de Iwanaga o algo así, y ellas lograron esto usando las montañas Yatsugatake como un sustituto para la propia Ariya (después de todo, esta cordillera es el go-shintai de Ariya, así que seguiría estando allí sin importar que ella esté sellada bajo las montañas); las Sabias de Gensoukyou lograron que esto funcione, pero Ariya no podía controlarlo dado el estado en el que ella se encontraba.
(Esto también me recordó que probablemente Ariya pudo al menos sentir subconsciente o vagamente, no solamente las Sabias usando sus montañas para crear Gensoukyou, sino también el Clan Hieda rezándole por longevidad mientras ella seguía siendo incapaz de responder esas plegarias. Ahora que Ariya ha sido liberada, ella podría finalmente hacer algo por Akyuu, pero... Dios, recordar todas esas plegarias que quedaron sin respuesta, todas las veces que Akyuu murió joven y tuvo que pasar por el proceso de reencarnación porque Ariya no pudo impedirlo o siquiera mitigarlo de alguna manera, y los sentimientos de culpa resultantes, todavía deben estar carcomiendo a Ariya si todo esto es verdad.)
Mientras el poder de Ariya sobre la permanencia y lo inmutable sería útil para mantener estable a Gensoukyou, el incidente en Touhou 20 muestra que es un arma de doble filo: ella desató su poder indiscriminadamente, lo cual detuvo el flujo normal del tiempo e iba a dejar Gensoukyou sin nada de kegare , y eso amenazaba la existencia misma de Gensoukyou (sólo en Touhou 20, se señaló al menos dos veces que la ausencia total de kegare –tal como pasa en la Capital Lunar y habría pasado en Gensoukyou si el incidente no hubiera sido resuelto– es comparable con estar muerto).
Ahora bien, cuando "occasionaltouhou" postuló inicialmente esta teoría (eso fue al menos dos años antes del lanzamiento de Touhou 20 y el debut de Ariya Iwanaga, y si contamos desde cuando "occasionaltouhou" presentó su personaje original inspirada en Iwanaga-hime y mencionó esta teoría por primera vez, fue incluso antes del lanzamiento de Touhou 19 ), especuló que a Iwanaga-hime no le gustaría compartir la Montaña de los Youkai con alguien como Kanako. Ahora que Ariya ha sido presentada y ella ha demostrado tener un profundo rencor contra los Selenitas, ella podría encontrar puntos en común con Kanako al compartir este rencor al menos (y si la historia también decide profundizar en el pasado de Yuiman y la vieja amistad de Kanako con ella, Ariya y Kanako también podrían hallar puntos en común al desear lo mejor para Yuiman, pero esto es sólo lo que dice la región de mi cerebro que se obsesiona con emparejar a los personajes). Más importante para los roles del poder de Ariya y de la Montaña de los Youkai en Gensoukyou, y algo que aborda la cuestión de la que hablé en el párrafo anterior: después del incidente en Touhou 20, Ariya entendería que su poder sobre la inmutabilidad es necesario pero también debe ser usado con moderación (para mantener vivo a Gensoukyou, además de para evitar seguir los pasos de los Selenitas), y Kanako es pragmática y está dispuesta a aceptar los cambios (ella incluso intenta presentarse como una kami de la innovación); con Ariya y Kanako compartiendo el rol de "Kami de la Montaña de los Youkai", quizás puedan establecer una especie de "relación laboral" en la que se equilibren la una a la otra.
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Esto es todo por ahora. Simplemente quise agarrar todas estas interesantes ideas propuestas por fans de Touhou, juntarlas todas y organizarlas en un único texto, y compartirlo aquí para cualquiera a quien pudiese interesarle. Siéntanse libres de compartir sus propias opiniones en los comentarios (y también darle crédito y seguir y/o suscribirse a toda la gente mencionada aquí, por supuesto).
A bunch of posts I found about real-life inspirations for Touhou lore and a few interesting fan-theories (and my own thoughts on them)
I had originally put all this together for a Reddit post, but now I've decided to post that here as well, even though almost all my sources are already from Tumblr. I'll also translate it all to Spanish.
Two or three months ago, "Levander" a.k.a. @chireikiden (currently, the main English translator of official Touhou print works by ZUN and fan-made Touhou print works by other artists that get published as part of Strange Creators of Outer World) got an ask on their Tumblr blog and provided the following answer:
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[15-04-2026]
An ask by an anonymous user for @chireikiden:
"Are the Watatsuki sisters considered kami? Could Yorihime summon her sister Toyohime out of the blue?"
The answer by @chireikiden (https://chireikiden.tumblr.com/post/813991281994924032):
"In terms of family trees and mythologically recognizable characters, the likes of Eirin, Sagume and, indeed, the Watatsuki sisters are pretty unambiguously Heavenly Kami, that is, the Japanese gods. (By extension, we have to assume Kaguya is a Heavenly Kami as well; although the original Princess Kaguya is a fairytale character with no specific religious status, it isn't much of a leap to call her one, even within the original Tale of the Bamboo Cutter.)
Beyond that, the Ephemeral Moon Vignette saga (that is, both Silent Sinner in Blue and Cage-in Lunatic Runagate) make it explicit that both Reimu and Yorihime are also summoning Lunarian gods when they do their thing. With Yorihime being able to summon the likes of Amaterasu, I have to assume she could summon Toyohime too, yeah. Note that we're putting aside any unknowable questions about whether she'd be allowed to do so without 'the proper measures' or 'permission' (chapter 6 of Cage-in Lunatic Runagate).
It's specified (most explicitly in chapter 6 of Silent Sinner in Blue) that gods, including those with physical bodies, are simply cloned when summoned into a new location. This would also apply to Toyohime. I guess that's a good reason not to try to summon her.
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That said, as a tangent: although the Lunarians' 'summonability' seems to be one of the least ambiguous things about them, there's a lot about the Lunarians' exact nature that gets into the territory of what I'd call 'dubious by omission': stuff that isn't directly contradictory per se, but has been left ambiguous and starts getting more and more dubious the longer it goes without being mentioned or clarified in any way, even when the Lunarians otherwise come up. It's really hard to see Lunarians running on very similar rules as Earthly Kami such as the ones at the Moriya Shrine or the Aki sisters, but they may have simply outgrown such concerns when they moved to the Moon and chose a new form of immortality. And of course, the ones we're most familiar with –Eirin and Kaguya– also have the Hourai Elixir as an added complication.
I think a lot of the Touhou lore surrounding the Moon exists in a kind of confusing state partly because Touhou 8 (released in 2004) was a very early entry of the series from the era when its setting was still pretty unformed, yet the Ephemeral Moon Vignette saga (published from 2007 to 2009) ended up discussing it at quite some length and then more games (namely, Touhou 15 in 2015 and Touhou 20 in 2025) kept on coming back to the subject. But the boundaries around the status of kami being very fuzzy is appropriate for both the Touhou universe and real-life Shintou lore, anyway."
Tags added by @rosymerry (https://rosymerry.tumblr.com/post/813991600822829056):
"The lore about kami and the Lunarians in Touhou is delightfully ambiguous. I'm currently re-reading through all material, hoping to get insights on them (particularly how Heaven relates to the Lunar Capital), but I don't expect their status/nature will be truly clarified in canon."
A reply by @clarste:
"Bunrei."
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The reply by "clarste" mentioning the bunrei, along with this part of Levander's answer...
"It's specified (most explicitly in chapter 6 of Silent Sinner in Blue) that gods, including those with physical bodies, are simply cloned when summoned into a new location."
... reminded me of the following piece of Touhou lore and its possible basis on real-life Shintou religious practices:
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[25-11-2023]
A post by @occasionaltouhou (https://occasionaltouhou.tumblr.com/post/734999981348552704):
"Where's the f***ing thing about splitting up kami, leaving each bit as whole instances of that kami, that I know I've read once? 'Infinite chocolate' type guys.
(By the way, this is the basis for my idea that there are variants of each Heavenly Kami in Gensoukyou and in the Lunar Capital at the same time.)"
A reply by @sukimas:
"It's in Strange and Bright Nature Deity, the second manga of The Three Fairies of Light (published from 2006 to 2009). It's also at the beginning of Silent Sinner in Blue."
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I had read about a process in real-life Shintou religion called "kanjou", as well as the "bunrei" or "wakemitama". The whole thing reminds me so much of this bit of Touhou lore that @occasionaltouhou and @sukimas were talking about, that I can't help but wonder if the lore from Strange and Bright Nature Deity and Silent Sinner in Blue was inspired by this. I'll copy-paste it here from Wikipedia; it should be a good enough summary:
"Bunrei or wakemitama [「分霊」] is a Shintou technical term that indicates both the process of dividing a kami to be re-enshrined somewhere else (such as a house's kamidana or miniature altar), and the spirit itself produced by the division.
Shrines conduct bunrei in order to distribute kami to 'child' shrines elsewhere. The spirit of the kami does not decrease through this act, and a bunrei functions the same way as the original spirit. The reason for conducting bunrei is often to make a kami more accessible to worshipers far from the main shrine."
Source: https://en.wikipedia.org/wiki/Bunrei
"Kanjou [「勧請」] in Shintou terminology indicates a propagation process through which a kami, previously divided through the process of bunrei, is invited to another location and re-enshrined there.
It was originally a Buddhist term: called 'abhiṣeka' ['अभिषेक'] in Sanskrit, it initially referred to the request of the buddha's sermon with a sincere heart; later, it came to mean the urging of a buddha or bodhisattva to remain in this world to preach and save other human beings, and then the concept evolved further to mean the act (and the actual words) of asking buddhas or bodhisattvas to descend to the altar during a Buddhist service. In Japan, the word entered Shintou vocabulary and gradually assumed the present meaning of enshrinement of a buddha or kami in a building for the first time.
Inari is the kami that has been subjected to the process of kanjou more often than any other."
Source: https://en.wikipedia.org/wiki/Kanj%C5%8D
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In turn, this reminded me of a bunch of other cool Touhou theories and ideas proposed by @occasionaltouhou, whom you can also find as "godmedallion" in Archive Of Our Own. Most of them are related to either the Lunarians or Iwanaga-hime, and they also inspired me to come up with my own thoughts on the matter:
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[25-11-2023]
A post by @occasionaltouhou (https://occasionaltouhou.tumblr.com/post/734950414258241536):
"To be honest, if Gensoukyou can't survive heat death, I doubt the Hourai Elixir could either. Because, ultimately, that stuff is still fuelled by human belief in an elixir of immortality. Arguably, that's its active ingredient."
A reply by @every1sno1fangirl:
"Is the Hourai Elixir fuelled by human belief? I wouldn't think so, I don't think the Lunarians are in the same way people of Gensoukyou are."
The response by @occasionaltouhou (https://occasionaltouhou.tumblr.com/post/734998492673703937):
"Lunarians are just kami, the same as the ones who live in Gensoukyou. So yeah, they're dependent upon human belief, the same as anything else. They'll never f***ing admit it, though.
(As a general rule, treat anything the Lunarians say as suspect. The instant Kaguya said they invented youkai, I knew they didn't know s***.)"
A reply by @derxwnakapsyla:
"Now I'm just imagining a future where Gensoukyou (including all associated sub-realms) is just drifting through space, mostly unaware that the entirety of the universe is gone, because Utsuho is producing an artificial Sun and Eirin is producing an artificial Moon, so little has functionally changed for them."
The response by @occasionaltouhou (https://occasionaltouhou.tumblr.com/post/734998492673703937):
"In an empty universe, Earth remains, and it is simply vibing."
Tags added by @monikatouhou a.k.a. @monidoll (https://monidoll.tumblr.com/post/734998846620434432):
"I think Lunarians are now an indistinguishable mix of actual kami and newly immortal humans; this way, since technically there are humans on the Lunar Capital, its system is internally self-sustaining. At least on the timescale of centuries and millennia, it should be stable enough; millions and billions of years is probably too long of a time to consider here in the first place."
The response by @occasionaltouhou (https://occasionaltouhou.tumblr.com/post/734999566825472000):
"This actually gives me the chance to bring up an idea I've had for a while: I don't think the Lunarians are a mix of gods and humans, nor do I think they're trying to turn themselves into humans – humans, prone as they are to life and death, are inherently beings of kegare/impurity.
I think they're attempting to turn themselves from kami into proper, capital-G Gods, and I think that the Moon Rabbits are there to maintain the system: they're artificial worshippers who provide the faith required to sustain the Lunarians.
Unfortunately for them, this is a ridiculous plan because it hinges upon the fact that they exist as things humans came up with in the first place. Their isolated system only works as long as someone who's actually real and wasn't imagined into being thinks they might exist – this would remain true even if they were able to turn themselves into humans, because they'd still have turned themselves into humans who don't experience human things like... you know... getting sick and dying."
A reblog by @that-which-isnt:
"I'm not really at all familiar with Chinese mythology, but my understanding from Wikipedia-level browsing was that Lunarians are essentially the same thing as Celestials like Tenshi, which is to say, humans reborn in a Pure Land because of good karma or favouritism from gods and made functionally immortal through the continual consumption of heavenly foods. The difference between Lunarians and regular Celestials is just that the Moon-dwellers made their own Pure Land rather than having one given to them by the gods.
The Moon Rabbits are anyone's guess and one of the biggest mysteries in Touhou in my opinion, but personally, I think the idea of them being engineered beings created to act as slaves and a faith farm is probably correct. My only question is if they were made from scratch, or if there used to be a lot more Lunarians and a lot fewer Moon Rabbits."
The response by @occasionaltouhou (https://occasionaltouhou.tumblr.com/post/735003769968918528):
"The thing about the Lunarians being Celestials is that it's pretty explicit that the Lunarians are meant to be the Heavenly Kami, because every Lunarian we've been given the name of is a Heavenly Kami. The Celestials are all off in Heaven; the Lunar Capital is a counterfeit. Given that it was designed by Eirin, it was probably intended to piggyback off the idea of the Moon being inhabited by Celestials – after all, the Lunarians think of themselves as being equivalent, and do everything that they can to ensure that it is the case (which is, of course, not something an actual Celestial would ever need to do)."
A reply by @paradizetobefound:
"Can it be said that the Moon merely reflecting sunlight instead of being a legitimate source of sky illumination provides further symbolism to Lunarians being counterfeit Celestials in a forgery of Heaven?"
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[25-11-2023]
A post by @occasionaltouhou (https://occasionaltouhou.tumblr.com/post/735001095414382592):
"Anyway... Yeah, the Lunarians are... like... basically just one version of the Heavenly Kami. They're not even the genuine article, because there isn't one for kami, that's not how they 'work'. And I know in my heart that this eats them up inside. Wretched little shadows of the Heavenly Kami, hiding on the Moon with all their fake worshippers.
(I can feel myself slipping into Yukari Mode. I need to go eat something.)"
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[25-11-2023]
An ask by @tennco for @occasionaltouhou:
"I saw that post about the Hourai Elixir and was wondering: what happens to belief or faith when no one's around to... well... believe? Does it have to come in a constant supply? Does belief persist after the death of the one who originated it? Are the dead allowed to believe?"
The answer by @occasionaltouhou (https://occasionaltouhou.tumblr.com/post/735000275731054593):
"We know that youkai can provide faith, so it follows that the spirits of the dead can do so too. My theory is that, provided that people believe in some kind of afterlife, those spirits can provide (a very small amount of) belief in stuff. But that only holds true so long as there are people who believe in a world beyond death.
But yeah, it'd have to be a constant supply – that's why they had to build the Hakurei Barrier when they did: because you can't really get back what was already lost once nobody believes in it anymore, even if you re-develop that belief afterwards – or at least, it wouldn't be the same as what was there beforehand.
(So long as the idea of the youkai exists and they're believed in, the individual variants can just appear in much smaller amounts, on account of the fact that they were already existing. I hope this helps.)"
-----
I find this part interesting:
"[...] even if you re-develop that belief afterwards, [...] it wouldn't be the same as what was there beforehand."
I've read a long fanfic a while ago (if I remember correctly, it was "Powerless Hakurei Tales" by "Carmichael_Micaalus") that briefly addresses what would happen to youkai if they could peacefully coexist with humans in Gensoukyou, instead of needing to eat humans and depending on humans' fear of youkai as well as their belief in them.
The answer the author came up with is that yes, it's possible for Gensoukyou's humans to still believe in the existence of youkai and even their powers, and interact with them without fearing them. In this scenario, youkai could still exist and even keep their previous physical forms and powers, but at a more fundamental, existential level, they'd be something different; they'd not be exactly the same as the youkai they used to be.
However, I'd suggest that y'all take this (and any other thing relative to my personal interpretation of canon and my tastes in Touhou fanfiction) with a grain of salt: as it can be deduced from this other post I wrote a while ago (https://mashounen2003.tumblr.com/post/820008374765764608), the way I tend to envision Gensoukyou and the interactions between all its inhabitants, while not necessarily being incongruent with Touhou canon, is probably much more optimistic and idealistic than what would be allowed by the current fandom consensus (as an example unrelated to the topic of this post: I have the opinion that, when the Spell Card Rules were introduced, life in Gensoukyou was no longer "business as usual" and Reimu coming up with that idea was a big change and marked a turning point in Gensoukyou's history by proposing a way to solve issues that didn't require humans and youkai to fear and hate and kill each other).
-----
[26-11-2023]
A post by @occasionaltouhou (https://occasionaltouhou.tumblr.com/post/735004757194932224):
"The Lunar Capital is a masterwork: home to incredible wonders, technology far in advance of that of the surface... But it is a forgery – a forgery among forgeries, certainly, but a forgery nonetheless, made by some rather small-minded beings trying desperately to ignore the truth of their own existence. As always: don't get tricked, alright?"
A reply by @itspurvis:
"Forgeries own.
Han van Meegeren is a better and more accomplished artist than Vermeer ever was."
The response by @occasionaltouhou (https://occasionaltouhou.tumblr.com/post/735030980178477056):
"Don't get me wrong, I'm not dismissing forgeries, nor the work put into them – creating an imitation Heaven is something only a genius like Eirin could pull off.
My point was that it's not Heaven, and the Lunarians are not Celestials, and when you really dig down, the Lunar Capital is simply an exercise in trying to ignore the stuff you don't want to deal with (kegare, being reliant on human belief, the general concept of entropy) by plugging your ears and hoping that they eventually stop mattering."
A reply by @itspurvis:
"If I may be slightly more serious for a moment: it seems that the crux of this is that Lunarians are 'Fake' and Celestials are 'Real'. Where is that coming from, exactly?
I've always kind of assumed that the Lunar Capital and the Celestials' realm are both sub-sections of the Gods' Realm (one of the 6 Buddhist Realms, which is also where the Animal Realm comes from), two different flavours of the same thing, particularly since the Dragon Palace seems to exist in both."
The response by @occasionaltouhou (https://occasionaltouhou.tumblr.com/post/735088321947156480):
"While the Lunar Capital being fake is not exactly a thing ZUN has said 'outright', there's a bunch of stuff that can easily lead one to that impression. But the main thing is that... you know... it was made: it was designed, by Eirin, specifically to be a Pure Land. Meanwhile, as far as we know, the Celestials' Heaven simply 'exists' out there, as the other Buddhist Realms do – and it doesn't have a firm location in the way the Lunar Capital does: it's simply 'above the clouds'. Arguably, the Dragon Palace existing in both cements the idea of the Lunar Capital being a fraud.
The thing is that the Lunar Capital exists as a mirror to Gensoukyou: it is the totalitarian, walled-off form of Gensoukyou, the version that ignores the possibility of growth in favour of unchanging perpetuity. And for that to work, thematically speaking, it needs to be built off the same principles – it wouldn't work if it wasn't a false Heaven."
A reply by @sukimas:
"I will note that Izumo, the other vibes-based inspiration for the Lunar Capital, is also explicitly a 'constructed paradise'."
The response by @occasionaltouhou:
"It's artificial Heavens all the way down."
-----
[26-11-2023]
An ask by an anonymous user for @occasionaltouhou:
"Since the topic of the day seems to be the Lunarians, do you have any recommendations for writing/playing one in a TTRPG?"
The answer by @occasionaltouhou (https://occasionaltouhou.tumblr.com/post/735031704708890624):
"First, read all of Silent Sinner in Blue. Then, for good measure, look up a bunch of Eirin's manga appearances and read those too. Now that you have a taste, we can dig into specifics.
I'd say that, when playing a Lunarian, you need to keep these things in mind:
=> They're extremely confident, both in themselves and in the strength & stability of the Lunar Capital.
=> They're xenophobic, but not to an absurd degree (they'll work with non-Lunarians if they need to).
=> They're kind of clueless. These are people who spend all their time in a bubble they made for themselves, where everything simply continues, no matter what – putting one into a situation where they're at a disadvantage might make them start acting increasingly irrational.
=> As far as they're concerned, Earth is a prison that they made for humans and youkai (this is not true, but they believe it).
=> Whichever Heavenly Kami you pick as their base, they can do what that kami would be able to do. A Lunarian is simply a single instance of a specific kami who decided to be an idiot on the Moon.
=> They generally have great respect for the higher-ups of the Lunar Capital (Tsukuyomi, Eirin, other high-ranking Heavenly Kami) and little to no respect for the Moon Rabbits.
=> The 'lunatic' in 'Legacy of Lunatic Kingdom' (the English title of Touhou 15) refers to them: only a lunatic would put their faith in the Lunar Capital.
That's all I got off the top of my head. There's probably more, though."
-----
All of this is very helpful, even though the kind of game I'd make is either a MetroidVania like Luna Nights, or a classic linear 2D platformer, or maybe a clone of Mega Man Battle Network in a similar vein to ShangHai.EXE: Gensou Network. Then, the plot of this game would have Lunarians involved. (TTRPGs never caught my interest, sorry about that)
Just imagine... Koumajou Densetsu 3: Edgy 2000s Vampire Hunter Reimu Goes to the Moon (and pisses on it, like Dr Eggman in Snapcube's real-time fan-dubs) in Revenge for the Lunarians' BS.
I'll say, though, that making a game with a plot strongly connected to the Lunar Capital will be complicated: sure, Lunarian society is doomed to collapse in the far future, but at present, individual Lunarians like Yorihime are still OP, and the gameplay would be obligated to show that. Unless...
Unless, for some plot contrivance, this game's setting is the Outside World, so both the characters from Gensokyo and the Lunarians are brought down to the same power level due to entering a "belief-less" environment.
It'll also take work to imagine why Lunarians would even bother to intervene directly in any Earth matters to begin with. However, after the events of Touhou 20 (Yuiman being freed, the Lunar Capital losing their "purification mountain" facilities where they used her as their AI), they might be getting desperate; that could work as the plot for another Touhou game where the Lunar Capital starts a new incident. Namely, the 3rd point in the list made by @occasionaltouhou above...
"[...] putting a Lunarian into a situation where they're at a disadvantage might make them start acting increasingly irrational."
... makes me think the Touhou 20 aftermath might be enough to make Lunarians lose their marbles.
-----
[31-01-2024]
An ask by @d6b-onion for @occasionaltouhou:
"What do you think about Misumaru? Personally... I don't know, maybe it's unfortunate, but she doesn't look like a particularly interesting character.
People joke and talk about how 'she's a MILF' or whatever, and... Sure... But somehow, with her, it gives her a boring vibe. It feels... like... contrary to all other Touhou characters: she isn't just vibing.
I personally don't really like her design: Tenshi did the rainbow thing better, and Misumaru's pose is kinda silly.
What drives me up the wall is that she's a boring character... who crafted Reimu's Yin-Yang Orbs! When was the last time we got actual, bona fide Reimu lore before that?! There could be all sorts of connections to the Hakurei God... but she's kind of a nothing-burger. It's a shame, really. Maybe you disagree."
The answer by @occasionaltouhou (https://occasionaltouhou.tumblr.com/post/741021778815713280):
"Misumaru, huh... She's definitely a character who hasn't gotten her time to shine. Misumaru is actually kind of a 'Big Deal' in a lot of ways. First and foremost, at least based on her name, she's Tama-no-Oya-no-Mikoto, which means she's a Heavenly Kami who's closely tied both to the provenance of a clan that technically predates modern Japan itself, and also to the myth of Amaterasu in her cave – which, of course, also theoretically ties Misumaru directly to the Lunarians. And just to top it all off, Tama-no-Oya-no-Mikoto is also the creator of the Yasakani-no-Magatama, which is... you know... about as big of a deal as it gets in Japanese mythology.
So, just from which kami she is, she's already got a lot going on. And she is, of course, the creator of the Yin-Yang Orbs – why wouldn't you hire a master craftsman to create the go-shintai for the kami used as a lynchpin of Gensoukyou?
There are a few more interesting facets to her, one of which is the very fact that she hasn't shown up before or since Touhou 18 – she's specifically protecting her interests in Youkai Mountain. She's firm and competent, she provides guidance and aid, and she's about as selfish as we've seen of any kami. The only reason she showed up is because people were taking rocks she claimed as hers!
So, she's a Heavenly Kami... but not a Lunarian. Also, it's worth noting that there aren't many shrines to Tama-no-Oya-no-Mikoto; really, she's only a step or two above Hina in terms of being a so-called 'feral kami'. She doesn't really seem to have any allegiance to Gensoukyou, or to the Hakurei Shrine (or else... you know... she'd probably have shown up at any other time). She's just kind of a weird artisan. And she makes magatama and balls. And she throws them at people for fun. What's better than this?"
-----
[02-11-2023]
An ask by an anonymous user for @occasional-touhou:
"Could you please explain the 'Iwanaga-hime is the Hakurei God' theory?"
[For context: at 09-02-2023, @occasionaltouhou had posted the designs of two Touhou OCs, one of them being a character inspired by Iwanaga-hime; the post in question included summaries where the author mentioned a theory that Iwanaga-hime is the true identity of the Hakurei God. The link to the original post by @occasionaltouhou is https://occasionaltouhou.tumblr.com/post/708805168606691328.]
The answer by @occasionaltouhou (https://occasionaltouhou.tumblr.com/post/732913388035915776):
"The quick + shrimple explanation is that Iwanaga-hime is the most relevant kami of Gensoukyou as a whole, so it'd make sense for the shrine most significant to Gensoukyou to also be related to her. To elaborate...
First and foremost, Youkai Mountain is the real-life Yatsugatake mountain range, that is, Iwanaga-hime's mountain (mythologically, the Yatsugatake mountains are the remains of Iwanaga-hime's mountain, and Youkai Mountain could be interpreted as the original form of said mountain before it was destroyed). We know this from Mokou's chapter of Cage-in Lunatic Runagate, one of the most critical Touhou lore objects. I feel like, right from the start, it needs to be emphasised how crucial it is that the main thing differentiating Gensoukyou from the Outside World –potentially and arguably being a lynchpin of its existence– belongs to a myth about Iwanaga-hime specifically (in case you're curious, there's no contradiction in both Iwanaga-hime and Yasakatome/Takeminakata/Kanako being the Kami of Youkai Mountain, though I imagine Iwanaga-hime isn't happy about it given who Kanako is as a person).
The second reason is that the Hieda clan –and Akyuu in particular– also worship Iwanaga-hime. In fact, they're specifically noted to do so in a way that you don't really get for basically any other kami . Akyuu does so hoping for the gift of longevity (because... you know... Akyuu...), but that doesn't really elaborate on why the rest of the family does beyond that it's a thing that they do.
Iwanaga-hime is extremely important to both the giant f***ing rock in the middle of Gensoukyou and also its main chronicler, someone who is arguably as critical as the Hakurei shrine maidens to maintaining the status quo of Gensoukyou. At the very least, Iwanaga-hime would absolutely have been a part of the negotiations for the development of Gensoukyou right from the start, if nothing else. She's 'kind of important'.
So, you know, you have this kami whose whole thing is making sure things last, who's crucial to Gensoukyou's existence, and whose go-shintai is a huge f***ing rock. Are you picking up what I'm putting down?"
-----
There are a few things introduced in Touhou 20 that might throw a wrench into things, but everything else described here still fits too well in the current Touhou canon, so I still adhere to this theory, which also gave me ideas for a few things I'd like to work on.
For now, here's what I thought up when I looked for a way to reconcile the idea of Iwanaga-hime (or Ariya Iwanaga, in this case) being the Hakurei God with the more recently established Touhou canon.
The big question here is how Ariya could have participated in the creation of Gensoukyou if she was still sealed in the Pyramid. Maybe Yukari or any of the Sages invoked Iwanaga's power or something like that, and they achieved this by using the Yatsugatake mountains as a substitute for Ariya herself (this mountain range is Ariya's go-shintai after all, and it'd still be there, no matter if she was sealed under them); they managed to make it work, but Ariya couldn't control it in the state she was in.
(Also, this reminded me that Ariya probably was able to at least vaguely/subconsciously sense, not only the Sages using her mountains to create Gensoukyou, but also the Hieda family praying to her for longevity while still being unable to answer those prayers. Now that Ariya has been freed, she can do something for Akyuu, but... Damn, remembering all those prayers that went unanswered, all the times Akyuu died young and had to reincarnate because Ariya couldn't prevent it or even mitigate it in any way, and the feelings of guilt from that, must still be eating Ariya from the inside if this is all true.)
While Ariya's power over permanence and the immutable would be useful to upkeep Gensoukyou, the incident in Touhou 20 proves this is a double-edged sword: she unleashed her power indiscriminately, which stopped the normal flow of time and was going to leave Gensoukyou devoid of kegare, and that threatened Gensoukyou's whole existence (it's pointed out at least twice in Touhou 20 alone that the complete absence of kegare, which happens in the Lunar Capital and would have happened in Gensoukyou if the incident hadn't been solved, is comparable to being dead).
Now, when "occasionaltouhou" initially proposed this theory (that was at least two years before the release of Touhou 20 featuring Ariya Iwanaga, and if we count from when they posted their Iwanaga-inspired OC and mentioned this theory for the first time, it was even before the release of Touhou 19), they speculated that Iwanaga-hime would not like to share Youkai Mountain with someone like Kanako. Now that Ariya was introduced and she has a strong grudge with the Lunarians, she might find common ground with Kanako on sharing this grudge at least (and if the story also decides to delve into Yuiman's past and Kanako's old friendship with her, Ariya and Kanako could also find common ground in wishing the best for Yuiman, but this is just the shipping-obsessed part of my brain talking). More importantly to the roles of both Ariya's power and Youkai Mountain in Gensoukyou, and something that addresses the issue I talked about in the previous paragraph: after the Touhou 20 incident, Ariya would understand that her power of immutability is necessary but must be used with moderation as well (both to keep Gensoukyou alive and to not follow on the Lunarians' steps), and Kanako is pragmatic and willing to accept change (she even tries to present herself as a kami of innovation); with Ariya and Kanako sharing the role of "the Kami of Youkai Mountain", they might be able to arrange a sort of "work relationship" where they balance each other.
-----
This is it for now. I just wanted to take all this interesting stuff proposed by other Touhou fans, put it all together and organised in one place, and share it here for anyone interested. Feel free to share your own thoughts in the comments (and also give credit and go follow/subscribe to all the people mentioned here, of course).
yeah so-called "urbanists" are up there with the solarpunk crowd in being the most insufferable idealists with zero self-criticism skills to talk to
they've latched onto the idea of "public transport good car bad" without considering why, and without a hint of irony suggest like, forcefully relocating rural people into cities, or running a regular bus line in an area with like 5km between individual people and dirt roads between them
both of those being real arguments i've heard from "urbanists"
not to mention the unconditional love for cyclists, despite the capital-C Cyclists being more dangerous to me as a pedestrian without a car than any driver
1 i think long distance busses are ok
2 you could make a bus that handles dirt well
3 the worst I've heard was 'actually we should put trams in everywhere, including rural spaces
yeah, long distance buses are reasonable, but like generally you want to have people in rural areas drive a personal vehicle to a central location where they can get on a bus or regional train
it's just not very resource-efficient to run a bus at any sort of reasonable interval when there'll maybe be 5 people on it on a good day
that is assuming those people don't just skirt the rules if cars are banned, and instead get groceries in a tractor, which knowing rural people they absolutely would
i also think a lot of those people have never actually been to a rural area and think it means like, a small concentrated town, and not people living several kilometres apart in the sticks
4 funnier when its in america and the rural distance is.... oooh... far.
5 had many europeans down talk me for mentioning its better to approach things in a holistic way.
6 instead of a one size fits all.
yeah it's similar with Finland, the rural distances are something completely different from the rest of Europe especially up north, and their methods or those of urban yanks just don't work in a lot of cases
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I'm just saying, if you're going to worldbuild magic being a "raw, primal force, akin to and interweaving with nature itself" you gotta explain to me why animals don't use it
I know the normal answer is "they just aren't smart enough for it" but idk I've seen enough media where a character uses a spell in a moment of brain-off panic ilI feel like animals could probably stumble into a spell or two like, accidentally
group of wizards who ask this in-universe, and after extensive study learn to their surprise that animals are casting spells all the time, just that their magic is so fundamental as to be unrecognizable to humans. turns out the only reason acorns grow on trees is because squirrels keep wishing for them.
There was this woman poet in 4th century China called Su Hui (蘇蕙), a child genius who had reportedly mastered Chinese characters by age 3.
At 21 years old, heartbroken by her husband who left her for another woman, she decided to encode her feelings in a structure so intricate, so beautiful, so intellectually staggering that it still baffles scholars to this day.
Came to be known as the Xuanji Tu (璇璣圖) - the "Star Gauge" or "Map of the Armillary Sphere" - it's a 29 by 29 grid of 841 characters that can produce over 4,000 different poems.
Read it forward. Read it backward. Read it horizontally, vertically, diagonally. Read it spiraling outward from the center. Read it in circles around the outer edge. Each path through the grid produces a different poem - all of them coherent, all of them beautiful, all of them rhyming, all of them expressing variations on the same themes of longing, betrayal, regret, and undying love.
The outer ring of 112 characters forms a single circular poem - believed to be both the first and longest of its kind ever written. The interior grid produces 2,848 different four-line poems of seven characters each. In addition, there are hundreds of other smaller and longer poems, depending on the reading method.
At the center a single character she left implied but unwritten: 心 (xin) - "heart." Later copyists would add it explicitly, but in Su Hui's original the meaning was even more beautiful: 4,000 poems, all orbiting the space where her heart used to be.
Take for instance the outer red grid of the Star Gauge. Starting from the top right corner and reading down, you get this seven-character quatrain:
仁智懷德聖虞唐,
貞志篤終誓穹蒼,
欽所感想妄淫荒,
心憂增慕懷慘傷。
In pinyin, it is:
Rén zhì huái dé shèng yú táng,
zhēnzhì dǔ zhōng shì qióng cāng,
qīn suǒ gǎnxiǎng wàng yín huāng,
xīn yōu zēng mù huái cǎn shāng.
Notice how it rhymes? táng / cāng / huāng / shāng
The rough translation in English is: "The benevolent and wise cherish virtue, like the sage-kings Yao and Shun, With steadfast will I swear to the heavens above, What I revere and feel - how could it be wanton or dissolute? My heart's sorrow grows, longing brings only grief."
Now read it from the bottom to the top and you get this entirely different seven-character quatrain:
傷慘懷慕增憂心,
荒淫妄想感所欽,
蒼穹誓終篤志貞,
唐虞聖德懷智仁。
The pinyin:
Shāng cǎn huái mù zēng yōu xīn,
huāngyín wàngxiǎng gǎn suǒ qīn,
cāngqióng shì zhōng dǔzhì zhēn,
táng yúshèngdé huái zhì rén.
It rhymes too: xīn and qīn, zhēn and rén
And the meaning is just as beautiful and coherent: "Grief and sorrow, longing fills my worried heart, Wanton and dissolute fantasies - is that what you revere? I swear to the heavens my constancy is true, May we embody the sage-kings' virtue, wisdom, and benevolence."
That's just 2 poems out of the over 4,000 you can construct from the Xuanji Tu!
At the very center of the grid, the 8 red characters wrapped around the central heart, she "signed" her poem with a hidden message:
詩圖璇玑,始平蘇氏。 "The poem-picture of the Armillary Sphere, by Su of Shiping."
Or reversed:
蘇氏詩圖,璇玑始平。 "Su's poem-picture - the Armillary Sphere begins in peace."
Many scholars, and even emperors, throughout Chinese history have been completely obsessed by Su Hui's puzzle.
For instance, in the Ming dynasty, a scholar named Kang Wanmin (康萬民) devoted his entire life to the poems (kangshiw.com/contents/461/2…), ending up documenting twelve different reading methods - forward, backward, diagonal, radiating, corner-to-corner, spiraling - and extracting 4,206 poems. His book on the subject ("Reading Methods for the Xuanji Tu Poems", 璇璣圖詩讀法) runs to hundreds of pages.
Empress Wu Zetian herself, the legendary woman emperor of the Tang dynasty, wrote a preface to the Xuanji Tu around 692 CE (baike.baidu.com/item/%E7%BB%87…).
Incredibly, there's even far more complexity to the Xuanji Tu than just the poems:
- The name 璇玑 (Xuanji) - Armillary Sphere - is astronomical in meaning and the way the poems can be read mirrors the way celestial bodies orbit around a fixed center. It's a model of the heavens.
- Her original work, with the characters woven on silk brocade, was in five colors (red, black, blue/green, purple, and yellow) which correspond to the Five Elements (五行) - the foundational Chinese philosophical system that explains how the universe operates. So it's also a model of the entire cosmic order according to ancient Chinese philosophy.
- It's also of course deeply mathematical with this 29 x 29 perfect square grid, with sub-squares, lines and rectangles, and a structure which allows for symmetrical reading patterns in all directions
- Last but not least, the content of the poems themselves contain multiple registers. On top of expressing her personal grief and longing for her husband, it's also filled with accusations against the concubine (Zhao Yangtai) he left her for, reflections on politics (with many references to sage-kings) and philosophical reflections.
So the Star Gauge is simultaneously:
- A love letter (expressing personal longing)
- A legal brief (arguing her case against her rival)
- A cosmological model (structured like the heavens)
- A Five Element diagram (encoding the fundamental structure of the world according to ancient Chinese philosophy)
- A mathematical construction with perfect symmetry and precision
And yet, for all this complexity, we should not forget this was all ultimately in service of the simplest human message imaginable: a 21-year-old woman asking the love of her life "come back to me".
Her husband did, eventually. According to what empress Wu Zetian herself wrote in her preface to the Xuanji Tu, when he received Su's brocade he was so "moved by its supreme beauty" that he sent away his concubine and returned to his wife. As the story goes, they lived together until old age.
go to discord support ( https://support.discord.com )
sign in or sign up (you do not, and imo should not, use the name and email you use for discord proper. this is a different account; if you've got Firefox, you can use an email relay mask very easily, and the email will end up in your inbox but the site won't know your email from it)
"Submit a request" (at the top)
fill all the dropdowns (I did "Help & Support" -> "Technical Support" -> "Account Settings" -> "[OS type"). it won't let you proceed until you do
Subject line: something about age verification
description box: keep it civil, but be clear. you don't like this, you're not participating, and you're not giving them your money anymore (whether you had nitro or not is irrelevant, remember that you didn't use your actual discord login to get here and they have no way to verify).
some reasons possibly worth mentioning: the insecurity of databases (Discord's had multiple leaks; databases being hacked isn't possible to prevent afaik, it's a matter of mitigation), the dangers of putting one's govt id on such a database, the technical problems people are already experiencing where it's already been established, how it will disrupt communities
be very clear that this is going to cost them money. "I won't use your service anymore" is a common threat ("I'm never shopping here again!") - you need to make them feel that they are losing money just by considering it, and it will get much worse if it's implemented.
I love it. Reimu made all these fortune telling slips because she didn't want the youkai of Gensokyo to change, let alone vanish from existence. And she has extended this kindness as far out as forgettable beings like Daiyosei and Koakuma, to beings as horrible as Yachie, Jo'on, or Seija, to even beings actively harming Gensokyo with their very existence like Mizuchi and Chimata.
And Zanmu has so much respect for Reimu that she calls her the Ruler of Gensokyo. While the fanon idea of Gensokyo destroying itself upon Reimu's death is inaccurate, it can truly be said that Gensokyo would fall into chaos and despair without Reimu being the person she is.
Not an all-destroying malice, but an all-accepting kindness. That is what Reimu is. Gensokyo accepts everything because Reimu accepts everything.
"[...] it can truly be said that Gensoukyou would fall into chaos and despair without Reimu being the person she is.
Not an all-destroying malice, but an all-accepting kindness. That is what Reimu is. Gensoukyou accepts everything because Reimu accepts everything."
This is kind of the big difference between Gensoukyou and the Lunar Capital, isn't it? The Lunarians reject anything they consider "impure" and –as evidenced very recently during the events of Touhou 20– they're obsessed with keeping their existence unchanging in their attempt to remain immortal, to such a degree that they risk destroying both Gensoukyou and themselves.
[What I'm about to say got some corrections from a previous version I made, but it still includes some speculation and fan-theorising because I'm not super familiar with the finer details of the events of the various print works, so take it with a grain of salt]
In turn, all this reminds me of how the early 2010s were probably an era where Reimu had it rough, and @que-de-metal already pointed out how this was where the events of the Touhou series and Reimu's actual portrayal didn't fit with her description as someone carefree [https://que-de-metal.tumblr.com//725438351395700736].
Other factions like the Moriya Shrine and the other two religions showed up and threw the status quo out the window, Kasen started pestering Reimu Wild and Horned Hermit started, Akyuu organised the Symposium of Post-Mysticism that ended with Reimu pretty much exploding after feeling betrayed by everyone, some misguided weak youkai tried to start a violent revolution, that unfortunate incident in Forbidden Scrollery #25 happened, the Lunarians dropped an Occult Orb of their own on Gensoukyou and everything went to shit twice in a row because of that... Those were some difficult 6 or 7 years, and it didn't really stop there: the Animal Realm tricked her and her friends into helping them and then started getting more and more involved until they tried an all-out invasion, and the actions of the Touhou 18 group led to more problems later on (not only did Chimata indirectly cause the incident in Touhou 19, but that was also the exact reason why some youkai were in danger and Reimu had to write all those fortune slips in WOoHS in the first place).
Right before this long string of particularly complicated incidents, the Ephemeral Moon Vignette saga happened: Reimu had to start training her ability to summon gods, there was an attempt to invade the Lunar Capital, the Watatsuki sisters swept the floor with the protagonists, and Reimu had to stay on the Moon for a while to end the conflict between Gensoukyou and the Lunar Capital. After that, once in a while, there were a few passing comments on how Reimu had started acting a bit strange after that trip to the Moon. At the same time, the incidents during the 2010s seemed to be proof that all the youkai were indeed just as problematic as it was assumed, that it wasn't possible to negotiate with them and the Hakurei shrine maiden shouldn't merely solve the incidents they cause & reconciliate with them afterwards and instead should literally exterminate them, and that all the newcomers were only making Gensoukyou worse and threatening its balance; this tested Reimu's deep desire for an inclusive Gensoukyou where humans and youkai could coexist, the reason why she came up with the Spell Card Rules to begin with, as she tried harder to convince both everyone else and herself that she had nothing to do with youkai and her duty was to get rid of them whenever they step out of line (even though Miko saw through that mask she tried to put up in the symposium).
I don't think it was entirely coincidental that, at first glance, the apparent definitive solution to these problems was to make Gensoukyou more like the Lunar Capital, with the Hakurei shrine maiden behaving more like the Lunarians, using their methods and adhering to their ideology. Also, the main Lunarian who defeated Reimu & co., Watatsuki no Yorihime, was pretty much everything Reimu was supposed to be and wasn't: she could summon all of the actual big-name heavenly kami during a Spell Card duel shortly after learning the rules (I've seen her being described as a "super shrine maiden", and it fits), whereas Reimu only was able to punch back in some capacity when she summoned a kami "born from impurity" for just one moment (I had initially thought Oumagatsumi wasn't a thing in real-life Japanese mythology and Reimu straight-up invented an ad-hoc "kami of impurity" from whole cloth on the spot; even though it wasn't the case, this should be mentioned more and Reimu should get some actual credit for pulling that off with such an obscure deity, regardless of Yorihime winning that battle at the end); Yorihime is also strongly disciplined and focused on her training despite how OP she already is, while Reimu has been described as "carefree" on everything she does since the very beginning of the Touhou series (or at least since the beginning of the Windows era), is even accused of being lazy frequently, and seems to rely entirely on the fact that her mystical abilities are innate.
Luckily, the events of the two most recent Touhou games showed that wasn't the answer, and ultimately proved Reimu right:
Zanmu in Touhou 19 thwarts the Animal Realm's plans to invade Gensoukyou as part of her own bigger plan to keep Gensoukyou under her own rigid control, sincerely thinking this is the best option for everyone. But upon meeting Reimu, Zanmu understands that a more flexible Gensoukyou is better, and it works because of Reimu's way of doing things. Even the Spell Card system specifically gets validated as a method to both solve incidents and bring people together: the final battle of Touhou 19 has Zanmu defeating Reimu in the spell card duel itself and then leaving Gensoukyou in Reimu's hands anyway in the game's story, as if Reimu was the actual winner; it could be argued that both Zanmu and Reimu won, each in their own way. As already mentioned by @anueutsuho and others (in a more concise and articulate way than I possibly could, honestly), Zanmu greatly admires Reimu for this and appreciates her for being herself.
In Touhou 20, the Lunarians' obsession with purity leads them to take desperate measures, unsealing a "goddess of permanence and the unchanging" to get Gensoukyou stuck in a timeloop, hoping that this stops the flow of impurities coming to the Moon and endangering the Lunarians' immortality. At least two characters in the endings (namely, Yuyuko Saigyouji and Rin Kaenbyou, both closely linked to the afterlife in different ways) explain that keeping things unchanging to get rid of impurity, just like in the Lunar Capital, results in everyone being basically dead. Gensoukyou is what it is and stays alive because it accepts change, evolution, other possibilities, new things and people... and this is only possible thanks to Reimu, her own personality and ideas, and the particular method she invented all those years ago during the "Vampire Incident" to solve differences and disagreements while keeping Gensoukyou an inclusive and accepting place.
(Alternative Facts in Eastern Utopia, while it didn't focus on Reimu and the Hakurei shrine maiden's role in Gensoukyou, did try to make a point about how trying to be like the Lunarians was a bad idea, which was even exposed in the text itself when Aya interviewed Hecatia at the very end; sadly, the message ZUN tried to convey got lost in the middle of all of ZUN's own clunky & aged-like-milk real-life political satire and all the times throughout the book where Aya tried to be Tucker Carlson until Hecatia verbally knocked some sense into her)
Something especially telling is how much Reimu changed in the last 10 or 12 years between that fateful trip to the Moon and today: after being all like "There's only one way to solve incidents: exterminate youkai on sight!" at the symposium, she actively did something to help youkai in WOoHS. For years she tried to be an ultra-disciplined hardass and not listen to her own feelings, follow in the Lunarians' steps (namely, Yorihime's steps) so she could summon gods and be a "proper shrine maiden", only for the correct answer to be... that she never needed any of that: she had already cracked the code (although she doesn't know that because... Well, there are no computers in Gensoukyou, LOL) in the year 2000 or whenever the Vampire Incident took place, she already solved incidents her own way with the help of the Spell Card Rules she created, her so-called "lazy" approach is actually what allows her to do her job better rather than being detrimental (and even then, she still gives her all when it's needed and she really cares about it, as even Kasen admitted at one point), and even with all the additional issues & complexities and the inner turmoil Reimu was going through in the 2010s (something caused by the Lunarians putting all those ideas on her head), almost all the incidents during that period were solved in the same way as the previous ones and Gensoukyou managed to stay the same instead of either falling into chaos or emulating the Lunar Capital; meanwhile, the Lunarians' own methods are reaching a limit, their experiment to be eternal and unchanging starting to fail in more and more obvious ways, and their society is very much doomed to collapse sooner or later.
I'd love to see a new story set in the aftermath of Touhou 20, where Reimu and Yorihime meet again or even have a rematch of their battle in Silent Sinner in Blue (and that could even end the same way as the final Zanmu vs Reimu duel in Touhou 19: Yorihime wins on paper, but that doesn't prove her right). That would allow the series' broader narrative to underscore these differences between them and between Gensoukyou and the Lunar Capital; namely, how the methods of Reimu and Gensoukyou succeeded where those of Yorihime and the Lunarians failed.
Being open to change, possibilities and evolution, along with the all-accepting kindness @anueutsuho talked about, is the way of Gensoukyou; deep down, it's also what Reimu Hakurei is and believes in, and she's both happier and more useful for Gensoukyou when she's true to herself and follows those ideals when solving incidents. Trying to reject that, as Reimu tried for a while, is not the way of Gensoukyou; it's the way of the Lunar Capital: a sterile, cold and void way that doesn't really lead anywhere, only to slow and empty suffering, and ultimately to death and oblivion.
Since I mentioned the events of Symposium of Post-Mysticism up there, do you know what would be fantastic to have in the Touhou series now?
Another symposium, but better. And by "better", I mean with Reimu present and participating from beginning to end.
Marisa bursts into Suzunaan (as you do) and proposes this to Akyuu. On the one hand, more than a decade has passed since the original symposium and much has changed in Gensoukyou in the interim, so there's quite a lot of material for everyone to talk about; on the other hand, it'd be an opportunity for both Akyuu and Marisa herself to thank Reimu for her efforts and formally repay her for holding the first symposium behind her back. When Akyuu –who doesn't think highly of Reimu and her methods– asks where Marisa got the idea that both of them are indebted to Reimu in any way, Marisa reminds her that she and Reimu recently resolved an incident where Gensoukyou was nearly destroyed by the actions of the Lunarians, and that this led to the release of Ariya Iwanaga, who would now be able to answer Akyuu's prayers and grant her longevity; this and the successful resolution of many other incidents wouldn't have happened if Reimu hadn't been her "lazy" and "sympathetic to youkai" self.
There could still be drama and heated moments in this story, mainly from Reimu being taken by surprise by this and having trouble believing this is even happening, as well as various characters probably taking this chance to either air their grievances with each other or confess feelings they were bottling on a certain matter (for example, they could unpack both what happened in Reimu's trip to the Moon and everything related to the Animal Realm, including how they tricked Reimu, Marisa and Youmu into helping them in the first place, which I'm sure left a few emotional scars; also, if Aya really does admire Reimu as much as a portion of the fandom seems to believe, this would be the chance for her to openly admit it and for Reimu to point out Aya's actual actions suggested the complete opposite).
I've remastered this entire post, correcting a few details and adding a thoughts on a related topic as an introduction. Here's the link: https://mashounen2003.tumblr.com/post/817008941597933568
[A polite warning: three months ago, I had originally posted here the theory on the second half of this post, then I had more thoughts on th
When I re-posted this on Reddit, it got a commentary by "BreakfastRich5966". I'm adding it to this post:
"About your interpretation of Reimu's fortune-telling slip being her coping: it probably is partially that, but mostly, it's actually just her luck.
In WOoHS, we're told that luck works via confidence and natural luckyness of the person. Since Reimu is stated many times to be naturally lucky and she knows this, so long as she thinks stuff will go well for her, it will go well for her most of the time. This is also why I think Mizuchi Miyadeguchi did what she did in Cheating Detective Satori: considering she knew the previous Hakurei shrine maiden, it's possible she knows how their luck works (assuming it's hereditary or just comes with the job); as such, it makes sense for her to prioritise scaring Reimu into thinking she couldn't win. That would also explain why Reimu gave up the power of the vengeful spirits: she was confident enough about being able to beat Mizuchi, which –using in-universe terms– means she could undeniably beat her.
This in turn also leads me to understand Reimu's character development better.
At the beggining of the Windows era, Reimu was extremely confident in her abilities. However, with the introduction of more characters that rivaled her in both power and ideology, it's possible she might have lost part of her confidence, in turn making her look more 'serious'.
More recently, however, it looks like she's becoming more confident in her powers again, having partially resolved her ideological conflicts."
Lots of sudden thoughts (and a remastered fan-theory) about the evolution of the Touhou series's tone & Reimu's portrayal and their perception by the fandom
[A polite warning: three months ago, I had originally posted here the theory on the second half of this post, then I had more thoughts on the matter and that inspired me to add a sort of introduction and improve a few details in order to share it here as well; as such, it’s very likely that I’ve ended up repeating myself here & there and this needs some heavy reworking, but I’m still confident in this being mostly coherent, so... Here it goes.]
Some sudden thoughts on Reimu’s portrayal and the Touhou series’s tone, their evolutions, and the fans’ reactions to them.
I saw this post on r/GensokyoLife [https://www.reddit.com/r/GensokyoLife/comments/1smicxp] [re-posted on my Tumblr blog here: https://mashounen2003.tumblr.com/post/817004029471342592] about a scene in chapter 1 of Silent Sinner in Blue where Reimu took care of an injured rabbit girl she found, with the title “A friendly reminder that Reimu Hakurei is kind to both humans and youkai”.
Originally posted on the "GensokyoLife" subreddit by "Some_Fig_6566" in the 15th of April 2026 [https://www.reddit.com/r/GensokyoLife/commen
I’m very glad that this side of Reimu is starting to get some form of recognition and appreciation, after seeing so many memes and other fan-made content that seem to overlook that and instead focus excessively on the implied darker aspects of Gensoukyou and flanderise Reimu into being either miserable 24/7 or intolerant.
It’s true that Reimu’s morality –as well as the moralities of all other Touhou characters (except maybe Aunn)– is something much more nuanced and less black-and-white than one might expect upon discovering the series, and it’s true that fandoms usually aren’t emotionally ready for that kind of story and react to it by shoehorning oversimplified interpretations, where the protagonist is unambiguously “good” while the story’s antagonists are just plain “evil”, all the rough edges are sanded down and there are no complexities whatsoever. However, I've been seeing several people claiming to be the only Touhou fans who “take it seriously” and “respect the author’s intent”, who react to these fan-readings by over-correcting them, and end up pushing their own “grimdark” interpretations that are also inaccurate and oversimplified but in the opposite direction and feel a lot more like a superhero comic written by Mark Millar: Gensoukyou is a full-on dystopia, everyone hates each other and is morally grey (which then always turns out to be a rather dark shade of grey), and either Reimu is just the same kind of selfish jerk as everyone else but with powers she can abuse, or she has an utterly miserable life where everything goes wrong, every aspect of her life is decided on by others and she carries the burden of protecting Gensoukyou purely out of obligation.
(I could talk about how this phenomenon surrounding Touhou in general and Reimu in particular, with her portrayal being taken to either one extreme or the other by different sub-groups of fans, reminds me of Goku in the Dragon Ball series: he’s been characterised by Western media and fans at different points as either a stereotypical North-American comic-book superhero and “the Superman of Japan” or an insensitive brute who only cares about fighting & training and absolutely ignores & neglects his family, even though the source material doesn’t have anything like this. But that’s a topic for another time.)
Moments like the aforementioned chapter 1 of Silent Sinner in Blue, in-universe lore sources such as Akyuu’s relatively optimistic afterword for Perfect Memento in Strict Sense, the peaceful resolutions of every incident with both protagonists and antagonists gathering and having a party without really holding grudges, the fact that the big thing making Touhou special and unlike any other shoot-em-ups is that it features non-lethal battles in the form of Spell Card duels... All of this together paints a picture that decidedly looks far from being something “dark and gritty”. Fan-interpretations that lean a lot more into the latter or serve as the basis for “Touhou but f***ed up” stories hardly feel like they’re truly exploring the characters’ feelings and motivations in depth, or uncovering a hidden horrible truth, or deciphering what ZUN was actually trying to tell us all along; on the contrary, they feel a lot more like they’re reading too much into things and taking one portion of the picture to run with that while ignoring the rest.
I’ve been trying to figure out what exactly was the source of those grimdark trends in the fandom. But then I understood that, while Touhou has always had the “optimistic” elements at its core, there was a long period of time until recently when, while the series was still far from truly becoming dark and gritty, new stories and contributions to the lore did get more serious and less light-hearted.
For many years since the late 2000s, Reimu’s portrayal no longer matched her description as “carefree” and similar things from out-of-universe sources such as character profiles; instead, she started consistently acting more jaded, angry and grumpy, more openly showing her dislike of her role as the Hakurei shrine maiden, being more prone to lethal violence and no longer believing that much in the Spell Card Rules she herself came up with as a method to solve incidents. Simultaneously, the themes addressed in official entries (both videogames and print works) of the Touhou series during this period tended towards, for lack of a better term, a more “pessimistic” direction: they insisted on emphasising the aspect of conflict, the troubles caused by various newcomers to Gensoukyou, the Hakurei shrine maiden’s duty to “preserve Gensoukyou’s balance” above anything else and its inevitable negative impact on Reimu’s personal life, and the apparent inherent incompatibility between the values Gensoukyou was built upon, the attempts to achieve peaceful coexistence or even establishing meaningful emotional relationships between humans and youkai in Gensoukyou that aren’t based on fear or hatred, and the nature of all youkai as beings who absolutely require not just the humans’ belief but specifically the humans’ fear to the unknown in order to survive.
Depending on how strict we are with the definition, the end of this “dark age of Touhou” (narratively speaking, not in terms of quality) could be in one of two possible moments: it could be in 2015, with Touhou 15 featuring an encounter with non-exiled Lunarians in the Lunar Capital (the first one if we only consider the videogames and ignore the print works) and the reveal that they caused the previous year’s Urban Legend Incident in Touhou 14.5, or it could be in the period between 2023 and 2025, with Touhou 19, Whispered Oracle of Hakurei Shrine and Touhou 20.
I learned about Touhou in early 2024, right when this era of the series’s canon was definitely ending; I started off by going to the very beginning of the Windows era and playing through Touhou 6 and 7, but I was also exposed to all the content made by fans on the Internet at the time. As a result, a lot of Touhou content I initially consumed wasn’t exactly dark or entirely depressing but did include lots of memes and parodies inspired by the state of the series’s canon in the last 15 years or so, with either Reimu’s life being comparable to your average Wile E Coyote cartoon where nothing goes right for her ever, or her being funny because of how unreasonably aggressive she is, or her laziness being amped up to eleven; I was already experiencing some dissonance from this, as those two first games of the Windows era that I did play had given me a rather different first impression, although I still lacked comprehensive knowledge about the series and couldn’t exactly articulate my thoughts on the matter. I looked up what happened in the next games and the print works, which allowed me to start noticing this “serious phase” the series had seemingly entered; a while later, I paid attention to the stories of the more recent entries –namely Touhou 19 & 20 and WOoHS (shout-out to @suntzuanime for translating WOoHS into English, their work has been invaluable)–, and then I noticed those optimistic elements at the core of Touhou that had always been a part of the setting and now are starting to get more focus again [1], as well as Reimu’s unorthodox approach to incident-solving being recognised as the reason why Gensoukyou is still the way it is and didn’t collapse or turn into a more hostile or oppressive place.
[1 – I’ll admit, though, that the very first time I read Reimu’s own fortune-telling slip about herself at the very end of WOoHS, I almost cried thinking she wrote that in an attempt to cope.]
For all these changes across the history of Touhou in both Reimu’s portrayal and the general tone of the series, the out-of-universe explanation is fairly simple: as time went on, ZUN was interested in telling different stories and addressing different topics through each videogame and each print work, and so he did. So, I tried to come up with an in-universe explanation, then I noticed something that might be just a coincidence but was too good to pass up, and I came up with a theory in February 2026: https://mashounen2003.tumblr.com/post/809576855521853440
Since I mentioned the events of Symposium of Post-Mysticism up there, do you know what would be fantastic to have in the Touhou series now?
Much more recently, that Reddit post I linked at the beginning inspired me to polish this theory a bit and share it again in a remastered form, since the events of Silent Sinner in Blue are actually the point in the Touhou timeline where this started: before that, we had the series still being light-hearted and Reimu coming up with the Spell Card Rules, being rather chill in general, and casually helping a youkai recover without worrying too much about its implications; after that, it was the closest thing to a “dark and serious era” of Touhou, and probably the worst decade (a decade and a half, in my opinion) of Reimu’s life.
First of all, what inspired me to come up with this theory to begin with was this very succinct synthesis of what happened in WOoHS, made by @anueutsuho shortly after it was published.
-------------------------
[09-04-2025]
A post by @anueutsuho [https://anueutsuho.tumblr.com/post/780404738245181440]:
I love it. Reimu made all these fortune telling slips because she didn't want the youkai of Gensokyo to change, let alone vanish from existe
I love it. Reimu made all these fortune-telling slips because she didn’t want the youkai of Gensoukyou to change, let alone vanish from existence. And she has extended this kindness as far out as forgettable beings like Daiyousei and Koakuma, to beings as horrible as Yachie, Jo’on, or Seija, to even beings actively harming Gensoukyou with their very existence like Mizuchi and Chimata.
And Zanmu has so much respect for Reimu that she calls her “the Ruler of Gensoukyou”. While the fanon idea of Gensoukyou destroying itself upon Reimu’s death is inaccurate, it can truly be said that Gensoukyou would fall into chaos and despair without Reimu being the person she is.
Not an all-destroying malice, but an all-accepting kindness. That is what Reimu is. Gensoukyou accepts everything because Reimu accepts everything.
I made that last part of the text in bold for emphasis.
(“Reimu Hakurei, Ruler of Gensoukyou.” LMAO, take that, Yukari.)
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This is kind of the big difference between Gensoukyou and the Lunar Capital, isn’t it? The Lunarians reject anything they consider “impure” and –as evidenced very recently during the events of Touhou 20– they’re obsessed with keeping their existence unchanging in their attempt to remain immortal, to such a degree that they risk destroying both Gensoukyou and themselves.
This in turn reminded me of how the late 2000s and early-to-mid 2010s were probably an era where Reimu had it rough. As @que-de-metal already pointed out here [https://que-de-metal.tumblr.com/post/725438351395700736], this was where the events of the Touhou series and Reimu’s actual portrayal in the series’s text itself didn’t fit with her descriptions as “carefree” and “easy-going”.
Touhou Ship Week 2023 (Oops! All AkyuuRei) - Day 6 : Commitment / Conflict
The scene where Reimu barges in the Symposium has an unbelievable
Other factions like the Moriya Shrine and the other two religions showed up and threw the status quo out the window, Kasen started pestering Reimu– I mean, Wild and Horned Hermit started, Akyuu organised the Symposium of Post-Mysticism that ended with Reimu pretty much exploding after feeling betrayed by everyone, some misguided weak youkai tried to start a violent revolution, that unfortunate incident in Forbidden Scrollery #25 happened, the Lunarians dropped an Occult Orb of their own on Gensoukyou and everything went to hell twice in a row because of that... Those were some difficult 6 or 7 years. And even though things kinda calmed down in this regard after Touhou 15, it didn’t really stop there: the Animal Realm tricked Reimu and her friends into helping them and then started getting more and more involved until they tried an all-out invasion, and the actions of Gensoukyou’s resident dysfunctional polycule– the Touhou 18 gang led to more problems later on, since not only did Chimata indirectly cause the incident in Touhou 19, but her actions were also the exact reason why some youkai were in danger of disappearing and Reimu had to write all those fortune-telling slips in WOoHS in the first place.
Right before this long string of particularly complicated incidents, the Ephemeral Moon Vignette saga (Silent Sinner in Blue and Cage-in Lunatic Runagate) happened: Reimu had to start training her ability to summon gods, there was an attempt to invade the Lunar Capital, the Watatsuki sisters swept the floor with the protagonists, and Reimu had to stay on the Moon for a while to avoid a potential conflict between Gensoukyou and the Lunar Capital [2]. Right after these events, the incidents during the next 15 years or so seemed to be proof that all the youkai were indeed just as problematic as it was assumed, that it wasn’t possible to negotiate with them and the Hakurei shrine maiden shouldn’t merely solve the incidents they cause & reconciliate with them afterwards and instead should literally exterminate them, and that all the newcomers were only making Gensoukyou worse and threatening its balance. This tested Reimu’s deep desire for an inclusive Gensoukyou where humans and youkai could coexist –the reason why she came up with the Spell Card Rules to begin with–, as she tried harder to convince both everyone else and herself that she had nothing to do with youkai and her duty was to get rid of them whenever they step out of line (even though Miko saw through that mask she tried to put up near the end of SoPM); she also started saying things like “Danmaku shouldn’t be restricted by rules”, which would make a lot of people think “There’s no way this violent shrine maiden came up with the Spell Card Rules’ idea to begin with”.
[2 – I also remember reading that, in the few years immediately after Reimu came back from the Moon, there were a few passing comments once in a while on how she had started acting a bit strange. However, I can’t corroborate what was the source of that.]
I don’t think it was entirely coincidental that, at first glance, the apparent definitive solution to all these new problems was to make Gensoukyou more like the Lunar Capital, with the Hakurei shrine maiden behaving more like the Lunarians, using their methods and adhering to their ideology. To top it off, the main Lunarian who defeated Reimu & co., Watatsuki no Yorihime, was pretty much everything Reimu was supposed to be and wasn’t: she was a “super shrine maiden” who could summon all of the actual big-name Heavenly Kami during a Spell Card duel shortly after learning the rules, whereas Reimu only was able to punch back in some capacity when she summoned one kami “born from impurity” for just a brief moment near the end [3]; Yorihime is also strongly disciplined and focused on her training, not caring about how OP she already is, while Reimu is frequently accused of being lazy, admittedly doesn’t really train her mystical abilities [4] and seems to rely entirely on the fact that those powers are innate.
[3 – I had initially thought Oumagatsumi wasn’t a thing in real-life Japanese mythology (especially because “a kami born from impurity” sounds like an oxymoron) and Reimu straight-up invented an ad-hoc “kami of impurity” from whole cloth on the spot so she could counter the Lunarians with the only thing she knew they’d hate. Even though that wasn’t the case, this should be mentioned more and Reimu should get some actual credit for pulling that off with such an obscure mythological figure, regardless of Yorihime winning that battle at the end.]
[4 – Reimu doesn’t train her abilities at present, but if we try to fit PC-98 canon into the current Windows canon (using the rule of “everything from PC-98 is valid unless contradicted by something from Windows”), she had to do at least some training at some point before Touhou 6 in order to fully unlock the power of the Yin-Yang Orbs.]
Luckily, the events of the two most recent Touhou games showed that following the Lunar Capital’s example wasn’t the answer, and ultimately proved Reimu right.
In Touhou 19, Zanmu thwarts the Animal Realm’s plans to invade Gensoukyou as part of her own bigger plan to keep Gensoukyou under her own rigid control, sincerely thinking this is the best option for everyone. But upon meeting Reimu, Zanmu understands that a more flexible Gensoukyou is better, and it works because of Reimu’s way of doing things. Even the Spell Card system specifically gets validated as a method to both solve incidents and bring people together: the final battle of Touhou 19 has Zanmu defeating Reimu in the Spell Card duel itself... and then leaving Gensoukyou in Reimu’s hands anyway in the game’s story, as if Reimu was the actual winner; it could be argued that it was a battle with no losers, and both Zanmu and Reimu won, each in their own way. There’s also some symbolism going on with their respective theme songs’ titles: Zanmu’s “Kingdom of Nothingness” conveys her nihilistic view of the world, and Reimu directly counters this with “The World is Made in an Adorable Way”. As already mentioned by @anueutsuho and others (in a more concise and articulate way than I possibly could, honestly), Zanmu greatly admires Reimu for all this, and appreciates her for being herself, not giving up while others in Touhou 19 did, and giving the same treatment to both humans and youkai; this is then reinforced by WOoHS, featuring a plot that works as a direct sequel to Touhou 19, while being published just a month before the release of the trial demo of Touhou 20.
In Touhou 20, the Lunarians’ obsession with purity leads them to take desperate measures, unsealing a “goddess of permanence and the immutable” to get Gensoukyou stuck in a time-loop, hoping that this stops the flow of impurities coming to the Moon and endangering the Lunarians’ immortality. At least two characters in the endings (namely Yuyuko and Orin, both closely linked to the afterlife in different ways) explain that keeping things unchanging to get rid of impurity, just like in the Lunar Capital, results in everyone being basically dead. Gensoukyou is what it is and stays alive because it accepts change, evolution, other possibilities, new things and people... and this is only possible thanks to Reimu, her own personality and ideas, and the particular method she invented all those years ago –around the time of the Vampire Incident– to solve disagreements while keeping Gensoukyou an inclusive and accepting place.
Touhou 20 is also a sort of “spiritual remake” of Touhou 15: they’re very different games, of course, but both games’ events include the Lunarians facing threats (Junko’s assault in Touhou 15, Yuiman’s data overload in Touhou 20) that they’re unable to deal with because they’re a stagnated society, thus needing the help of “impure” incident-solvers from Gensoukyou. As a result, both games’ plots do a very effective job at removing the “Lunar Veil” (wink wink) of perfection, efficiency & strength and revealing how fragile & unstable the Lunar Capital actually is and how far its society is from being a role model. Both games also coincide in the timeline with the two possible moments when we could say the “dark and serious era” of Touhou ended.
(While it didn’t focus on Reimu and the Hakurei shrine maiden’s role in Gensoukyou, Alternative Facts in Eastern Utopia –published the year after the release of Touhou 15– did try to make a point about how trying to be like the Lunarians was a bad idea, which was even exposed in the text itself when Aya interviewed Hecatia at the very end. Sadly, the message ZUN tried to convey got lost in the middle of all of his own clunky & aged-like-milk real-life political satire and all the times throughout the book where Aya tried to “reach her final form as Tengucker Carlson” until Hecatia verbally knocked some sense into her in that same final interview.)
Something especially telling is how much Reimu changed in the years between that fateful trip to the Moon and today: after being all like “There’s only one way to solve incidents: exterminate youkai on sight!” in SoPM, she actively did something to help youkai in WOoHS. For years she tried (and failed a lot of the time anyway) to be an ultra-disciplined hardass and not listen to her own feelings, follow in the Lunarians’ steps (namely, Yorihime’s steps) so she could summon gods and be a “proper shrine maiden”, only for the correct answer to be... that she never needed any of that: she had already cracked the code (although she doesn’t know that because... Well... There are no computers in Gensoukyou, duh... Unless you count Ran) in the year 2000 or whenever the Vampire Incident took place, she was already solving incidents her own way with the help of the Spell Card Rules she created, her so-called “lazy” approach is actually what allows her to better do her job rather than being detrimental [5], and even with all the additional issues & complexities in Gensoukyou and the inner turmoil Reimu was going through in the 2010s, she only really cracked in Forbidden Scrollery #25, all the other incidents during that period were solved in the same way as the previous ones and Gensoukyou managed to stay the same and avoid both falling into chaos and emulating the Lunar Capital. Meanwhile, the Lunarians’ own methods are reaching a limit, their experiment to be eternal and unchanging starting to fail in more and more obvious ways –as evidenced in Touhou 15 and 20–, and their society is very much doomed to collapse sooner or later.
[5 – Even if we take the laziness accusations at face value, Reimu still gives her all when it’s needed and she really cares about it, which even Kasen admitted at one point. The first example of this that comes to mind for me is Touhou 14.5: at the end of the Urban Legend Incident, Reimu saved not only Gensoukyou from a very concrete threat to its whole existence, but also Sumireko from committing suicide via the Occult Orbs, even though Sumireko was the one who directly caused the incident (although only at first glance, since the Lunarians are the ones who caused it indirectly by starting the chain of events when they sent that Occult Orb from the Moon, but that wouldn't be revealed until the next game).]
I'd love to see a new story set in the aftermath of Touhou 20, where Reimu and Yorihime meet again or even have a rematch of their battle in Silent Sinner in Blue; that could even end in a similar way as the final Zanmu vs Reimu duel in Touhou 19, with Yorihime winning on paper but with this victory not proving her or the Lunarians right. That would allow the series’s broader narrative to underscore these differences between Reimu & Yorihime and between Gensoukyou & the Lunar Capital; namely, how the methods of Reimu and Gensoukyou succeeded where those of Yorihime and the Lunarians failed.
Being open to change, possibilities and evolution, along with the aforementioned “all-accepting kindness”, is the way of Gensoukyou; deep down, it’s also what Reimu Hakurei is and believes in, and she’s both happier and more useful for Gensoukyou when she’s true to herself and follows those ideals when solving incidents. Trying to reject that, as Reimu tried for a while, is not the way of Gensoukyou; it’s the way of the Lunar Capital: a sterile, cold and void way that doesn’t really lead anywhere, only to slow and empty suffering, and ultimately, to death and oblivion.
Since I mentioned the events of SoPM up here, do you know what would be interesting to have in the Touhou series now?
Another symposium but better, and by “better”, I mean with Reimu present and participating from beginning to end:
Marisa bursts into Suzunaan (as you do) and proposes Akyuu to make a new symposium but inviting Reimu to participate in it: on the one hand, more than a decade has passed since the original Symposium of Post-Mysticism and much has changed in Gensoukyou in the interim, so there’s quite a lot of material for everyone to talk about; on the other hand, it’d be an opportunity for both Akyuu and Marisa herself to thank Reimu for her efforts and formally repay her after holding the original event behind her back. Akyuu –who doesn’t think highly of Reimu and her methods– asks where Marisa got the idea that both of them, rather than Marisa alone, are indebted to Reimu in any way; Marisa reminds Akyuu that she and Reimu recently solved an incident where Gensoukyou was nearly destroyed by the Lunarians’ desperate actions, and that these events led to the release of Ariya Iwanaga, who would now be able to answer Akyuu’s prayers and grant her longevity; this and the successful resolution of many other incidents wouldn’t have happened if Reimu hadn’t been her “lazy” and “sympathetic to youkai” self.
There could still be drama and heated moments in this story, mainly from Reimu being taken by surprise by this and having trouble believing this is even happening, as well as various characters probably taking this chance to either air their grievances with each other or confess feelings they were bottling on a certain matter. For example: they could finally address what happened in Reimu’s trip to the Moon, since that wasn’t really talked about in SoPM; likewise, they could unpack everything related to the Animal Realm, including how they tricked Reimu, Marisa and Youmu into helping them in the first place, which I’m sure left a few emotional scars; also, if Aya really does secretly admire Reimu as much as a portion of the fandom seems to believe, this would be the chance both for her to openly admit it and also for Reimu to point out Aya’s actual actions suggested the complete opposite.
When I re-posted this on Reddit, it got a commentary by "BreakfastRich5966". I'm adding it to this post:
"About your interpretation of Reimu's fortune-telling slip being her coping: it probably is partially that, but mostly, it's actually just her luck.
In WOoHS, we're told that luck works via confidence and natural luckyness of the person. Since Reimu is stated many times to be naturally lucky and she knows this, so long as she thinks stuff will go well for her, it will go well for her most of the time. This is also why I think Mizuchi Miyadeguchi did what she did in Cheating Detective Satori: considering she knew the previous Hakurei shrine maiden, it's possible she knows how their luck works (assuming it's hereditary or just comes with the job); as such, it makes sense for her to prioritise scaring Reimu into thinking she couldn't win. That would also explain why Reimu gave up the power of the vengeful spirits: she was confident enough about being able to beat Mizuchi, which –using in-universe terms– means she could undeniably beat her.
This in turn also leads me to understand Reimu's character development better.
At the beggining of the Windows era, Reimu was extremely confident in her abilities. However, with the introduction of more characters that rivaled her in both power and ideology, it's possible she might have lost part of her confidence, in turn making her look more 'serious'.
More recently, however, it looks like she's becoming more confident in her powers again, having partially resolved her ideological conflicts."
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Alright, I've informed myself on the story of Touhou 20, then I've had a conversation on Discord about the Japanese mythology behind some ch
I had posted this [https://mashounen2003.tumblr.com/post/792543572422524928] some months ago, proposing a way Sanae Kochiya's family tree could be drastically expanded by the events of Touhou 20, and all the funny fan-theorising and speculation on the Moriya Shrine's family dynamics within that post actually made me think even more about Kanako Yasaka and her exact relation with her mythological basis.
The inspiration for Kanako was the official lore of the Suwa Grand Shrine and its main deity, Suwa (Dai) Myoujin –the (Great) Deity of the Suwa region–, a title held by Takeminakata after defeating Moreya according to the legend. In turn, Takeminakata is usually placed in the Shintou pantheon's family tree as one of Oukuninushi's sons; more precisely, he's the younger brother of Kotoshironushi, one of the deities claimed as the divine ancestors of the Japanese imperial family. Takeminakata was married to Yasakatome, who was enshrined as a secondary deity at the Suwa Grand Shrine; to be more precise, Takeminakata is enshrined at the Upper Shrine of that whole shrine complex, whereas Yasakatome is at the Lower Shrine. However, there's not a lot of stuff about Yasakatome other than her marriage with Takeminakata, and out of those few bits of available info on her origin, we can't really point to one version and say it's the main one.
So, with how many elements have been pulled straight from the Suwa Myoujin lore to build both Kanako's backstory and her in-universe motivations, such as her dislike of the Lunarians referencing Takeminakata's failed attempt at defying the heavenly kami, it seems evident at first glance that she's meant to be (in typical Touhou fashion) a gender-swapped version of Takeminakata. The details recently revealed in Touhou 20 about Yuiman Asama being an old friend of Kanako seem to strengthen this idea a bit more, since Yuiman's backstory is pretty much a copy of the role of Princess Yuiman/Yuima in the legend of Kouga Saburou, which was meant to be an alternative origin story for Suwa Myoujin and whose titular character is supposed to be Takeminakata long before he was known for that name and deified & enshrined at Suwa.
The one big obstacle for the "Kanako = Takeminakata" idea is a little thing mentioned back in early 2009 and never referenced again: in one of the chapters of the official manga Silent Sinner in Blue, it's mentioned that Oukuninushi (interchangeably referred to as Oukuninushi and Daikoku, a Buddhist deity and one of the Seven Gods of Fortune, who ended up being "merged" with Oukuninushi as part of the Shin-Butsu Shuugou, the syncretism between Shintou and Buddhism) was sealed by the Lunarians at the Izumo Grand Shrine to ensure he couldn't rebel against them, it's suggested that Takeminakata was also sealed at the Moriya Shrine for the same reason, and that the Lunarians restrained them by using shimenawa (like the small circular one Kanako wears as a crown or tiara and the big circular one she carries on her back, and also the particularly thick one hanging at the door of the Moriya Shrine, which is itself inspired by the real-life autumn shrine of the Lower Shrine of Suwa).
Now, we could dismiss this as some stray piece of lore that was then immediately ignored and is doomed to be eventually overwritten/retconned in a later Touhou story written by ZUN (either a game or another print work like Silent Sinner in Blue), or we could argue that this story about Oukuninushi and Takeminakata might be in-universe misinformation, or that ZUN simply dropped this off somewhere during one of his regular trips to the Dangerous Drunk Dimension (seriously, explaining any contradiction in Touhou Project by merely saying "ZUN was drunk when he wrote that" feels like the equivalent of "Araki forgot" in JoJo's Bizarre Adventure, and I'm still not sure whether that would be amusing or aggravating). But any of these options would be boring, so let's proceed with the assumption that what was told in Silent Sinner in Blue can be taken at face value and is indeed canon in the way it was told in the text itself: Takeminakata is a character in Touhou Project and was imprisoned in the Moriya Shrine by the Lunarians.
If Takeminakata is currently still sealed within the Moriya Shrine (which reminds me a lot of Mima being sealed within the Hakurei Shrine in the PC-98 era, now that I think about it), then who and what is Kanako, given that she can go outside of the Moriya Shrine grounds and run around in Gensoukyou?
One of the options I considered is that Kanako is actually Yasakatome, albeit only two elements of Kanako are specific references to her: the surname "Yasaka" and the origin myth of the geyser at Shimosuwa, the latter being a possible but vague inspiration for the plot of Touhou 11 (there's also the Perfectly Clear Mirror that Kanako wears in her chest, but the original Suwa Myoujin myths say that it belonged to Takeminakata, and the only clue ponting to the mirror being Yasakatome's is the legend of Kouga Saburou, where Princess Kasuga originally owned a mirror; more details on Kasuga later). But I greatly doubt "Kanako = Yasakatome" is the answer now, for two main reasons:
The first one comes from an entirely out-of-universe perspective. When I said earlier that there's very little information about Yasakatome, that was an understatement: she's not even mentioned in the most comprehensive compilations of Japanese mythology, like the Kojiki and the Nihon Shoki; the stories about the Suwa Grand Shrine do mention her but it's all about describing her relationship with Takeminakata and a little bit about her own role as the secondary god enshrined there, and since I've brought up the tale of Kouga Saburou earlier, that one doesn't clarify anything either and simply establishes that Princess Kasuga (whom Kouga Saburou was engaged in the first place and eventually married with) was the human deified alongside Takeminakata at Suwa and known under the name of Yasakatome after the events narrated in that legend. As such, creating a character based on her would require insane amounts of bibliographic research, and even if you were willing to take your braincells to the absolute limit while doing that research, it's very likely you'll eventually be forced to write the equivalent of your own fanfiction centred on a background character in the source material just so you can then pretend this fanfiction is totally authentic and base at least half of your character's lore on that (admittedly, it'd not be the first time or the only place where someone takes this apporach when making significant contributions to mythology; this was already done even more blatantly in Graeco-Roman mythology when Virgil wrote the Aeneid). Doing this much work for a character in something such as a Touhou game doesn't sound very practical, and even though ZUN has created other characters based on very obscure Japanese myths and folk tales, what was available about them is indeed barely known and hard to find for the general public but was still enough to make an entire Touhou character out of them (case in point, the aforementioned Yuiman Asama).
The second reason comes from the few things that are known about Yasakatome, and how much any of those bits of info clashes with both Takeminakata's lore and what was already established about Kanako in Touhou canon: there are two main accepted versions of Yasakatome's genealogy (none of them come from chronicles like the Kojiki and the Nihon Shoki, and they don't come from the official lore of the Suwa Grand Shrine either), and both of them would result in a Touhou version of Yasakatome being friendly towards the Lunarians rather than opposing them like Kanako. One version linked to the ancient sea-faring Azumi tribe (who originated on the island of Kyushu, pretty far from Lake Suwa in Nagano) claims that Yasakatome is one of the daughters of the sea deity Watatsumi, thus making her a sister of Toyotama-hime and Tamayori-hime; if Kanako was based on this, then she'd be straight-up a Lunarian and also a third Watatsuki sister along with Toyohime and Yorihime. A much more recent version (from the Edo period, which started around the year 1600) claims that Yasakatome is the daughter of a heavenly kami called Yasakahiko, who accompanied Nigihayahi when he descended from heaven.
The simplest (and probably most boring) explanation I can think of is that Kanako is the daughter of Takeminakata and Yasakatome. Any past or present romantic interaction between Kanako and Yuiman would get weird if this were the case (though it'd still be less weird than the fully literal incest in the heavenly kami's family tree, such as Tamayori-hime with her own biological nephew), but at least, it'd easily avoid the issues stemmed from Kanako and her portrayal seemingly contradicting what was revealed and/or is implied about Takeminakata and Yasakatome (with the Touhou version of the former being technically a prisoner within his own shrine and the Touhou version of the latter being probably a Lunarian).
Another possibility is that Kanako is Takeminakata and Yasakatome themselves, in a more literal sense, rather than being their offspring: if Takeminakata and Yasakatome were perceived and worshipped by their own followers as two facets of one kami that ruled over the Suwa region and was enshrined in the entire Suwa Grand Shrine, that belief could lead to both disappearing and being reborn as Kanako Yasaka, an amalgamation of them and an embodiment of the whole idea of a "great deity of the Suwa region"; this wouldn't be too difficult, given how little info on Yasakatome is available, how much she's remembered as merely Takeminakata's wife, and the fact that both the Upper and Lower Suwa Shrines each have buildings dedicated to both kami.
This would be contradicted by what was told in Silent Sinner in Blue about Takeminakata and what was figured out earlier in this post about Yasakatome's Lunarian connection, but that could be solved with a set of fan-theories proposed by @occasionaltouhou (and my own conclusions inspired by those theories) regarding the relation between the heavenly kami in Japanese mythology and the Lunarians in Touhou, Iwanaga-hime's possible role in Gensoukyou (at least before Ariya Iwanaga was introduced in Touhou 20), and the general concept of a kami being embodied by a physical object and partitioning its own spirit/essence so it can be worshipped from multiple separate places:
First of all, most if not all kami have a go-shintai –literally the "sacred body of a kami"–, a temporary repository of said kami's spirit; this go-shintai is usually kept in a private honden or "main hall", but some of the older shrines in Japan weren't built with a honden and the go-shintai of the kami to whom the shrine in question is dedicated is the shrine's high priest (back when that position was hederitary and in the hands of a priestly clan) and/or a pre-existing natural object. This is the case for the "mountain kami" such as the sisters Konohana-Sakuya-hime and Iwanaga-hime, linked respectively to Mount Fuji and the Yatsugatake mountain range; regarding the Touhou canon, Iwanaga-hime's relation to the Yatsugatake mountains inspired @occasionaltouhou's theory about her role in Gensoukyou [https://occasionaltouhou.tumblr.com/post/732913388035915776], since that mountain range is the location of Youkai Mountain, one of Gensoukyou's landmarks (probably the most important one). Suwa Myoujin also has several of these "natural go-shintai", including Mount Moriya behind the Upper Shrine's main shrine, a sacred rock known as iwakura in the main shrine itself, a burial mound in the Upper Shrine's old shrine that is believed to be the resting place of Takeminakata and Yasakatome, and a couple of sacred trees in the Lower Shrine; back when the members of the Suwa clan held the position of Ouhouri or high priest of the Suwa Grand Shrine, they were also revered as living go-shintai of Suwa Myoujin.
Related to the go-shintai and how it works, the Shintou processes of kanjou (originally a Buddhist concept) and bunrei or wakemitama –where the spirit or essence of a kami is partitioned and the resulting "divided spirit" (the literal translation of both bunrei and wakemitama) is moved and re-enshrined somewhere else (usually a miniature household altar) so the kami can propagate and be worshipped there too– were referenced by a piece of Touhou lore in Strange and Bright Nature Deity and at the beginning of Silent Sinner in Blue [https://mashounen2003.tumblr.com/post/806214114154266625]. @occasionaltouhou was inspired by Strange and Bright Nature Deity and Silent Sinner in Blue, along with Touhou 18 introducing Misumaru Tamatsukuri (a character based on Tama-no-Oya, a heavenly kami with an important role in the myth of Amaterasu hiding in a cave), to propose that each heavenly kami has two separate incarnations in the Touhou universe: one of them moved to the Moon to help build the Lunar Capital, while the other one is still living their own life somewhere in Gensoukyou like Misumaru [https://mashounen2003.tumblr.com/post/806186762832592896].
For Yasakatome, either the Touhou version of her was no longer loyal to the Lunar Capital when she married Takeminakata (and depending on which origin story is applied here, she was either a sort of "estranged third sister" of Toyohime & Yorihime or a rebellious daughter of Yasakahiko), or we can apply the second theory of @occasionaltouhou that I mentioned here: there's a Yasakatome in the Moon (who's either still living with her other two Watatsuki sisters or working with/for her father Yasakahiko), and another Yasakatome in Gensoukyou, born from the idea of her being Suwa Myoujin's wife, who fused with Takeminakata and created Kanako through the process I already described.
As for Takeminakata, we can apply the first theory, but it's going to require a few more steps and a small digression. Based on the concepts of kanjou and bunrei, the lore introduced in Strange and Bright Nature Deity and the theory about Iwanaga-hime's role in Gensoukyou due to Youkai Mountain being her go-shintai, I had come up with another theory that could conciliate this with Ariya Iwanaga's appearance in Touhou 20 [https://mashounen1945.tumblr.com/post/806376826374160384]: even though Ariya was sealed by the Lunarians, the Yatsugatake mountain range was still there and acting as her go-shintai, it eventually became the basis for Youkai Mountain in Gensoukyou, and the pyramid where Ariya was sealed was right below it; it's possible that Yukari and the other Sages used the Yatsugatake mountains as a substitute to summon her spirit and make use of her power of permanence in order to create Youkai Mountain and the rest of Gensoukyou, even though Ariya herself could only feel or maybe witness this ritual without being able to control it or actively take part on it. Takeminakata, with his many natural go-shintai in and around the Suwa Grand Shrine, could have circumvented the seal placed on him by the Lunarians and participated in a ritual where a replica of his spirit (created through kanjou and bunrei, as described earlier) merged with Yasakatome and allowed the resulting "gestalt kami" to exist outside of the seal; the "gestalt kami" in question would be Kanako, and depending of when this merge happened, Kanako could have kept using the identities of Takeminakata and Yasakatome as alter-egos to build the Suwa Myoujin cult and mythology around.
So yeah, this is the new crazy theory I concocted about Kanako's origin. Let me know what you think, and I might be able to come up with something else.
As I passingly mentioned near the beginning of this post, Oukuninushi was syncretised with Daikokuten as part of the Shin-Butsu Shuugou, and this is included in the Touhou canon. This makes me think of the potential for stories where the Moriyas (namely Kanako) meet people who worked with Oukuninushi in the past or whose ancestors did, but also how their relation to the Myouren Temple group of Buddhists in Gensoukyou could be affected in light of this knowledge. I had already seen Zounose's manga "Gods, Gods, Gods" exploring a friendship between Kanako and Tewi after the latter was basically saved by Kanako's dad and the Earth Rabbits started the tradition of pounding mochi in his honour; there's also Shinmyoumaru Sukuna, a descendant of Issun-Boushi, whose story was in turn inspired by the myths about Sukuna-bikona, who's often presented in a pair with Oukuninushi, where they worked together to build the land of Izumo. As for Kanako's link with Daikokuten, I'd expect Byakuren to be somewhat conflicted by this at least; Shou and Nazrin in particular might feel similarly, since the former is an avatar of Bishamonten and the latter was sent by him, and Bishamonten is another one of the Seven Gods of Fortune alongside Daikokuten.
As part of a self-imposed challenge, I translated this entire post into Japanese: https://drive.google.com/file/d/1Xulul3v_1Sd4HmrezFXEKqyZKQRdB8XI/view
Metal Gear 2: Solid Snake playthrough – Part 9 ~ Finale
[WARNING: flashing lights from 44:17 to 45:45]
It's here, at long last. It took me so long to make this last video of the playthrough, and most of that was because I struggled to feel inspired to write the commentary. I'll probably stop doing that and leave my opinions on the videos' descriptions, unless I play and record a videogame that could really benefit from this format of commentary in the same way as Metal Gear 2 did.
[Turn the subtitles on if you wanna read my comments during the playthrough]
Fan-made ports of Metal Gear 1 by "h0ffman" on itch.io:
Sega MegaDrive/Genesis port:
https://h0ffman.itch.io/metal-gear-md
Commodore Amiga port, the basis for the aforementioned Sega MegaDrive/Genesis port:
https://h0ffman.itch.io/metalgear-amiga
Metal Gear for the MegaDrive
The MSX2 classic, Metal Gear, now available for the Commodore Amiga
The music I edited into this video:
Opening song:
The Theme of Solid Snake from Metal Gear Solid: Integral: https://downloads.khinsider.com/game-soundtracks/album/metal-gear-solid-integral-ps1-ps4-ps5-switch-xbox-one-xbox-series-xs-gamerip-1999/1-32.%2520Theme%2520of%2520Solid%2520Snake%2520%2528Integral%2529.mp3
Remix of "Crisis Mission" (from Metroid Fusion) featured in this video:
A mashup of two arrangements, one made by "TheNobleDemon" [https://www.youtube.com/watch?v=iRBmE9MHvok] and one made by "Kassil" [https://www.youtube.com/watch?v=t3-S57VXif8].
Ending song:
The Main Theme of Metal Gear Solid from the 1997 E3 trailer: https://downloads.khinsider.com/game-soundtracks/album/metal-gear-solid-original-soundtrack/20.%2520Metal%2520Gear%2520Solid%2520Main%2520Theme%2520%25281997%2520E3%2520Edit%2529.mp3
Download Theme of Solid Snake (Integral) - Metal Gear Solid Integral (PS1, Windows) (gamerip) (1999) soundtracks to your PC in MP3 format. F
Download Metal Gear Solid Main Theme (1997 E3 Edit) - METAL GEAR SOLID ORIGINAL GAME SOUNDTRACK (1998) soundtracks to your PC in MP3 format.
Reminder: this version of Metal Gear 2 is no longer freely available as abandonware; you can find more details on how to acquire it at the end of this post: tumblr.com/mashounen2003/789838336867155968
💬 0 🔁 1 ❤️ 0 · What I'm cooking now: resurrecting an old unfinished project... · Over three and a half years ago, I had started uploading
Let's not be mean to Reimu, please. This is one of those rare times in canon where she's shown being openly happy, after she finally got to team up with Marisa.
(Shout-out to @yagirljuniper-and-friends for her post about the ReiMari fuel in Touhou 15.5, which is where this specific Reimu portrait comes from: https://yagirljuniper-and-friends.tumblr.com/post/170951871033)
Turns out there’s more. I was missing some context when I made my translation of Reimu’s line above, but don’t worry, it might be small, but
non fandom related question but sort of relevant to a lot of audience here (I think?) so i haven't been here when the ace discourse has been happening. And like clockwork every year there is bisexuality discourse "are bisexuals straight passing" you know and now transmasc / non binary hate discourse.
And I sort of don't understand how come a random identity suddenly becomes the center of "if we throw them under the bus maybe it will be fine" discourse?
--
Respectability politics, or the politics of respectability, is a political strategy wherein members of a marginalized community will consciously abandon or punish controversial aspects of their cultural-political identity as a method of assimilating, achieving social mobility,[1] and gaining the respect of the majority culture.[2]
It was coined to discuss African American culture, but it's a pattern seen across minority groups of every sort in every culture.
To add insult to injury, there's now a cult-like group of transfem Tumblr users here doing the same: trying to throw literally every other queer person under the bus (after shoving them all together in one same bag labeled "TME").
But in this case, getting respect from the majority seems to be the very last thing they want. Moreover, when anyone else –even other transfem folks– point out that their BS is counterproductive, those nutjobs accuse all other queer people of doing "respectability politics".
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Somebody got around to transcribing it, so I got around to translating it!
I feel like it's still kind of rough, but some of ZUN's rambling is eccentric enough that I think I can't really improve it simply by staring at it right now, without editorializing too much and forcing it to make sense with wild guesses about what he's actually trying to say.
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I played it when it came out. Felt like a huge love letter to mmz/mmx! You can tell the people who worked on this were fans of the series