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First your fave dominates an event - duh, obviously, she's the best. Then during the part of the show where the announcer is like "anybody in the audience want to challenge her for a fat stack of cash", somebody actually does. (Obviously a tourist.) It's some kid wearing like a beginner outfit from a McDojo... and he actually wins?And gets the cash! And then the event just ends!?

You're buzzing. It's clear that this is like a storyline or something. You can't wait for next week's show. Except that there isn't one, because - as you find out through the gossip mill - your fave was actually the local billionaires' daughter who was competing in secret. And also kayfabe might not exist. And now she's gone and the billionaire is blaming a demigod (who's back from the dead? I guess?) for kidnapping her.

So, how come that means no show this week or possibly ever? Well, the billionaire hired the promoter (and a random McDojo sensei) to go after the demigod to get back his daughter (your fave wrestler!) and the guy just... packed up his entire promotion and left.

Some months later the war that's been going on since your great-grandfathers days ends. You go to a peace parade. And there she is: Toph Beifong, the Blind Bandit, giving the new Fire Lord a noogie.

1. The court holds Google responsible for statements made by its AI, considering them Google's statements (search engines have limited liability for results in their engine as they're the words of other sites/companies/people), meaning when their AI lies/hallucinates they're liable for the defamation/harm resulting from those statements.

2. Google's defense that customers are generally aware of the lack of reliability and are responsible for fact checking was dismissed. As the court pointed out, that would "significantly diminish" AI Search's stated purpose and it can't be distinguished from Google's business practices/statements as a search tool.

3. Studies have found about 91% of Google's everyday AI responses are accurate, leaving millions of searches per HOUR with potential liability for falsehoods. 56% of correct responses weren't supported by the sources the AI listed. Both of which mean Google is now liable for a LOT more AI "errors."

4. Google was held liable for 80% of court costs in this case and this precedent is expected to reverberate around the world. This is a massive shift from the 3rd-party search provider role Google has previously played and it comes right as they've tied ALL searches to their AI search.

first it was the klingons—they’re originally supposed to be this cruel, bloodthirsty, war-obsessed people—and then tng comes along and it’s like wait no maybe war and violence is a part of their culture and actually ties back to ancient traditions and philosophies so we have to be woke about it.

hey these are the ferengi and they’re supposed to represent everything we hate about capitalist society; they’re greedy, scheming, profit-obsessed, and they look like ugly little trolls to emphasize how much we fucking HATE capitalism. oh wait fuck here comes deep space nine and we have to recognize that they’re PEOPLE. okok what if the pursuit of profit is actually part of their culture and ties back to ancient traditions and philosophies. so we have to be woke about it.

this is the borg, they’re a hivemind race of cyborgs who have no sense of individuality and their only motivation is assimilating people into their society. they want to assimilate humanity and we are completely defenseless against them because their technology is eons ahead of our own and they’re incapable of being reasoned with. oh sweet we have a borg prisoner this is the perfect opportunity to commit genocide against them. fuck actually we can’t commit genocide we’re woke and communists and in space.

hey these are the cardassians, they’re part of a cruel and vicious empire which is supposed to be a representation of fascism and authoritarian regimes, they’re a cold, bloodthirsty people with no sense of empathy or compassion, their society literally references 1984 on multiple occasions, and they’re known for the insanely cruel and inhumane methods of torture they use against their prisoners of war. we hate the cardassians…….. except, here’s a cardassian kid who grew up on bajor, and……. fuck. he’s a person. now we actually have to consider his humanity. and being racist is actually……. bad.

this is the jem’hadar, they’re genetically engineered soldiers who have no sense of individuality and only live to defend the state. they’re all born addicted to a synthetic drug that’s manufactured by the state and administered by their masters—this is how they’re kept subservient. they’re ruthless and powerful and they’re incapable of being reasoned with because their only motivation is violence and killing. so we should kill them all, right? FUCK….. what if they’re actually people. goddamnit. now we have to consider their humanity.

I’m catching up on CR (waaay behind) but I HAD to draw this moment. 

So some fanartist drew a “sexy” (read: booby) version of a (cartoon) character who is traditionally very non-sexualised. Fans of the character got mad about it because it’s kind of groundbreaking how that character is written and portrayed and this art totally ignores the entire point of the character. They demanded the art be deleted. In response to that other people said, well what the fanartist did may be distateful but they have every right to draw what they’re into. The two sides fight for days and each starts a harassment campaign and even report their “opponents’” accounts.

So far so typical. But things eventually come to a head and they decide that this will be settled by votes - not through a poll. Through donations to a children’s education charity via each side’s portal. Whoever can get the highest amount of donation wins.

Warning: Violence, spoilers

Title: The Red Means I Love You

Editor: Aquarielle

Song: The Red Means I Love You

Artist: Madds Buckley

Anime: My Hero Academia

(via bsky)

what that means is that I have a folder on my computer with the name of my url with an index.html file in it, and when i click on that file to open it in a browser I get a simple page with a list of years and months. selecting a specific month will send me to a list of the posts i made or reblogged in that month, similar to tumblr's own archive page. the contents of the post including images are stored locally on your machine.

It can also make a separate index file that organises posts by tag, which is great if you're a consistent tagger, but it will list every single tag you've ever used so it can take a while to find the tag you're looking for in the list if you're a habitual tag commentator. generating the tag archive also takes a while depending on how many posts have to be processed.

you can make it back up any blog as long as it's not set to private. I have backups of both my main and sideblogs and it keeps them in separate folders.

it's had some trouble going all the way back to the start of my main blog in 2012 just by sheer volume of posts, but by making it fetch posts from one month at a time I've been able to go back to 2015 (that's tens of thousands of posts), which was good enough for my purposes.

reasons for this:

basically TvTropes breaks down stories mechanically, using a perspective that’s not…ABOUT mechanics. Another way I like to put it, is that it’s an inductive, instead of deductive, approach to analyzing storytelling.

like in a literature or writing class you’re learning the elements that are part of the basic functioning of a story, so, character, plot, setting, et cetera. You’re learning the things that make a story a story, and why. Like, you learn what setting is, what defines it, and work from there to what makes it effective, and the range of ways it can be effective.

here’s the thing, though: everyone has some intuitive understanding of how stories work. if we didn’t, we couldn’t…understand stories.

TvTropes’s approach is bottom-up instead of top-down: instead of trying to exhaustively explore the broad, general elements of story, it identifies very small, specific elements, and explores the absolute shit out of how they fit, what they do, where they go, how they work.

Every TvTropes article is basically, “Here is a piece of a story that is part of many different stories. You have probably seen it before, but if not, here is a list of stories that use it, where it is, and what it’s doing in those stories. Here are some things it does. Here is why it is functionally different than other, similar story pieces. Here is some background on its origins and how audiences respond to it.”

all of this is BRILLIANT for a lot of reasons. one of the major ones is that the site has long lists of media that utilizes any given trope, ranging from classic literature to cartoons to video games to advertisements. the Iliad and Adventure Time ARE different things, but they are MADE OF the same stuff. And being able to study dozens of examples of a trope in action teaches you to see the common thread in what the trope does and why its specific characteristics let it do that

I love TvTropes because a great, renowned work of literature and a shitty, derivative YA novel will appear on the same list, because they’re Made Of The Same Stuff. And breaking down that mental barrier between them is good on its own for developing a mechanical understanding of storytelling.

But also? I think one of the biggest blessings of TvTropes’s commitment to cataloguing examples of tropes regardless of their “merit” or literary value or whatever…is that we get to see the full range of effectiveness or ineffectiveness of storytelling tools. Like, this is how you see what makes one book good and another book crappy. Tropes are Tools, and when you observe how a master craftsman uses a tool vs. a novice, you can break down not only what the tool is most effective for but how it is best used.

In fact? There are trope pages devoted to what happens when storytelling tools just unilaterally fail. e.g. Narm is when creators intend something to be frightening, but audiences find it hilarious instead.

On that note, TvTropes is also great in that its analysis of stories is very grounded in authors, audiences, and culture; it’s not solely focused on in-story elements. A lot of the trope pages are categories for audience responses to tropes, or for real-world occurrences that affected the storytelling, or just the human failings that creep into storytelling and affect it, like Early Installment Weirdness. There are categories for censorship-driven storytelling decisions. There are “lineages” of tropes that show how storytelling has changed over time, and how audience responses change as culture changes. Tropes like Draco in Leather Pants or Narm are catalogued because the audience reaction to a story is as much a part of that story—the story of that story?—as the “canon.”

please note that yes many of these are concepts that exist elsewhere and a few are even taught in fiction writing classes but TvTropes just does an amazing job at displaying the range of things that can be done with them

legitimately so much of the terminology I use to talk about storytelling, and even think about it in my own head, i learned about from TvTropes

Willing Suspension of Disbelief

Watsonian vs. Doylist

Trope Tropes, for all the ways tropes are used, deconstructed, subverted, and played with.

The Oldest Ones in the Book, which is basically my favorite thing on the entire Internet

Punk Punk, for -punk subgenres

Sliding Scale of Silliness vs. Seriousness, Sliding Scale of Idealism vs. Cynicism

The Weird Al Effect is a fun one

Chekhov’s Gun, Chekhov’s Boomerang, Chekhov’s Skill, and further variations

Law of Conservation of Detail

Law of Conservation of Normality

Anthropic Principle

Word of God, Death of the Author

Sliding Scale of Fourth Wall Hardness

Mohs Scale of Science Fiction Hardness

Genre Savvy

Flashbacks and Chronology breaks down all the ways you can handle chronology in storytelling

Show, Don’t Tell is a very good breakdown of what is showing, what is telling, and how both can be used effectively.

Lampshade Hanging

Noodle Incident is just fun imo

Genre Title Grab Bag

Fridge Horror

Rule of Cool, and also Cool of Rule

The Smurfette Principle

The Hays Code - not a trope but a very good breakdown of how the Hays Code affected storytelling in film

On the other hand, dropping out the conditional out of the question turns the tone into a passive-aggressive threat. If someone tells you "stop that" as an imperative, "lopeta", that's a command. Asking in conditional, could you stop that, "voisitko lopettaa" is a polite request. "Haluaisitko lopettaa", would you like to stop that, is so polite that depending on the tone it might be sarcastic politeness that indicates hostility.

But asking someone "do you want to stop that", "haluatko lopettaa tuon" is a matter of "do you want to stop doing that voluntarily, or do you want me to stop you." By physical force, if necessary.