Me trying to leave a comment on a fic I love but not knowing what to say
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@itsjustanotherwriter
Me trying to leave a comment on a fic I love but not knowing what to say

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did it hurt? when the little people inside your head refused to follow your carefully-plotted novel outline?
Me: *trying to sleep*
New fanfic idea that I’ll probably never write:
MOOD!
This has been a PSA.
I’m trying not to reblog posts on this blog but I feel that this is important to post here.
on a related note:
And for the people asking “Well if you don’t support it irl then why would you like it in fiction?!” Because when it’s happening irl real people are suffering and dying and that’s horrible and I’d never want that. But when it’s fiction, when no real people are being hurt or killed, it’s interesting to explore the experience, the effects it may have, and to an extent experience the emotions involved without actually having to experience the horrible thing. You explore scary, dangerous things from a safe distance.
It’s the same reason I love disaster movies and don’t love actual disasters. I mean, if someone can’t intuit the difference between watching a movie like 2012 and yelling “cool!” when LA slides into the ocean and being horrified at the real life effects of global warming and the idea of millions of people dying as a result, then *I* am not the one with the problem.

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i could fix him (the piece of media i just consumed that was poorly executed but had a good premise)
5 things your character can't do while speaking
Choke. Just think about it, seriously. Think about what choking is and imagine speaking while it’s happening. That would fuckin’ hurt, man.
Hiss. Look, it’s just not possible, okay? No matter how “evil” you want your character to seem.
Snarl. Animals snarls. The Beast from Beauty and the Beast snarls. The Hulk snarls. You know who doesn’t snarl? PEOPLE WHEN THEY’RE SPEAKING.
Shriek. Come on, 99% of the time, “shriek” is not the word you want.Let’s face it: if you put an exclamation point at the end of the sentence, your reader gets the picture. Don’t bring to mind banshees and screaming toddlers.
Sneer. I’m not even going to bother explaining this one. “SNEER” ISN’T EVEN A SOUND.
Choked is not meant to be taken literally, an obstruction in the throat. It means they’re having difficultly speaking, they’re forcing the words out with difficulty. Often used when the character is convulsed in tears or laughter.
Hiss is a low, threatening whisper. Raw, guttural, vicious. It is NOT a literal hiss like an animal, it is a tone of voice that serves the same function. Someone will hiss that they’re going to cut your throat- a message from one person to the other.
Snarl is the same kind of thing. Not literal, it’s a tone of voice that serves the same function. It’s raw and gutteral like a hiss, but more savage than vicious. It’s loud, it’s showy, it’s intimidating. It’s very alpha male, big man, look at how fucking dangerous I am. I’ll take ALL of you on. Even if they’re snarling at one person in particular, nobody better back them up or they’re gonna get fucked up too.
Shriek. Come on, seriously? We’ve all heard people shriek either in fear or outrage. High pitched, loud, out of control, feminine. Men can shriek, but it’s funny and emasculating. Think angry italian women throwing pots and pans or ladies on tables who just saw a mouse.
Sneering is contempt whether it’s a facial expression or a tone of voice or both. There are a hundred different ways to sneer with your voice, but it all adds up to the same thing.
How descriptive words work 101
Op radiating cinema sins energy with that list lol
writing tip #3240:
if you're on tumblr, and i'm on tumblr, then who's writing the book?
hey what's up with the "!" in fandoms? i.e. "fat!" just curious thaxxx <3
I have asked this myself in the past and never gotten an answer.
Maybe today will be the day we are both finally enlightened.
woodsgotweird said: man i just jumped on the bandwagon because i am a sheep. i have no idea where it came from and i ask myself this question all the time
Maybe someone made a typo and it just got out of hand?
I kinda feel like panic!at the disco started the whole exclamation point thing and then it caught on around the internet, but maybe they got it from somewhere else, IDK.
The world may never know…
Maybe it’s something mathematical?
I’ve been in fandom since *about* when Panic! formed and the adjective!character thing was already going strong, pretty sure it predates them.
It’s a way of referring to particular variations of (usually) a character — dark!Will, junkie!Sherlock, et cetera. I have suspected for a while that it originated from some archive system that didn’t accommodate spaces in its tags, so to make common interpretations/versions of the characters searchable, people started jamming the words together with an infix.
(Lately I’ve seen people use the ! notation when the suffix isn’t the full name, but is actually the second part of a common fandom portmanteau. This bothers me a lot but it happens, so it’s worth being aware of.)
“Bang paths” (! is called a “bang"when not used for emphasis) were the first addressing scheme for email, before modern automatic routing was set up. If you wanted to write a mail to the Steve here in Engineering, you just wrote “Steve” in the to: field and the computer sent it to the local account named Steve. But if it was Steve over in the physics department you wrote it to phys!Steve; the computer sent it to the “phys” computer, which sent it in turn to the Steve account. To get Steve in the Art department over at NYU, you wrote NYU!art!Steve- your computer sends it to the NYU gateway computer sends it to the “art” computer sends it to the Steve account. Etc. (“Bang"s were just chosen because they were on the keyboard, not too visually noisy, and not used for a huge lot already).
It became pretty standard jargon, as I understand, to disambiguate when writing to other humans. First phys!Steve vs the Steve right next to you, just like you were taking to the machine, then getting looser (as jargon does) to reference, say, bearded!Steve vs bald!Steve.
So I’m guessing alternate character version tags probably came from that.
100% born of bang paths. fandom has be floating around on the internet for six seconds longer than there has been an internet so early users just used the jargon associated with the medium and since it’s a handy shorthand, we keep it.
Absolutely from the bang paths–saw people using them in early online fandom back in 1993 for referring to things.
I had been doing it for a very, very long time but never actually knew the actual name for it. This is exciting! I like learning things.
Most of the characters used like this have their genesis in the pre www internet tbh
Know your history, fandom young’uns.
Shout out to all the notes-app poems, love letters, secrets, novels, diary entries, bucket lists and lyrics that were hurredly typed into people’s phones at 3am and then hidden from the world and forgotten. Maybe one day you’ll open the app and laugh at how pretentious you were, or maybe you’ll smile at that part of yourself that noone else saw

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thinking again about TvTropes and how it’s genuinely such an amazing resource for learning the mechanics of storytelling, honestly more so than a lot of formally taught literature classes
reasons for this:
basically TvTropes breaks down stories mechanically, using a perspective that’s not…ABOUT mechanics. Another way I like to put it, is that it’s an inductive, instead of deductive, approach to analyzing storytelling.
like in a literature or writing class you’re learning the elements that are part of the basic functioning of a story, so, character, plot, setting, et cetera. You’re learning the things that make a story a story, and why. Like, you learn what setting is, what defines it, and work from there to what makes it effective, and the range of ways it can be effective.
here’s the thing, though: everyone has some intuitive understanding of how stories work. if we didn’t, we couldn’t…understand stories.
TvTropes’s approach is bottom-up instead of top-down: instead of trying to exhaustively explore the broad, general elements of story, it identifies very small, specific elements, and explores the absolute shit out of how they fit, what they do, where they go, how they work.
Every TvTropes article is basically, “Here is a piece of a story that is part of many different stories. You have probably seen it before, but if not, here is a list of stories that use it, where it is, and what it’s doing in those stories. Here are some things it does. Here is why it is functionally different than other, similar story pieces. Here is some background on its origins and how audiences respond to it.”
all of this is BRILLIANT for a lot of reasons. one of the major ones is that the site has long lists of media that utilizes any given trope, ranging from classic literature to cartoons to video games to advertisements. the Iliad and Adventure Time ARE different things, but they are MADE OF the same stuff. And being able to study dozens of examples of a trope in action teaches you to see the common thread in what the trope does and why its specific characteristics let it do that
I love TvTropes because a great, renowned work of literature and a shitty, derivative YA novel will appear on the same list, because they’re Made Of The Same Stuff. And breaking down that mental barrier between them is good on its own for developing a mechanical understanding of storytelling.
But also? I think one of the biggest blessings of TvTropes’s commitment to cataloguing examples of tropes regardless of their “merit” or literary value or whatever…is that we get to see the full range of effectiveness or ineffectiveness of storytelling tools. Like, this is how you see what makes one book good and another book crappy. Tropes are Tools, and when you observe how a master craftsman uses a tool vs. a novice, you can break down not only what the tool is most effective for but how it is best used.
In fact? There are trope pages devoted to what happens when storytelling tools just unilaterally fail. e.g. Narm is when creators intend something to be frightening, but audiences find it hilarious instead.
On that note, TvTropes is also great in that its analysis of stories is very grounded in authors, audiences, and culture; it’s not solely focused on in-story elements. A lot of the trope pages are categories for audience responses to tropes, or for real-world occurrences that affected the storytelling, or just the human failings that creep into storytelling and affect it, like Early Installment Weirdness. There are categories for censorship-driven storytelling decisions. There are “lineages” of tropes that show how storytelling has changed over time, and how audience responses change as culture changes. Tropes like Draco in Leather Pants or Narm are catalogued because the audience reaction to a story is as much a part of that story—the story of that story?—as the “canon.”
like, storytelling is inextricable from context. it’s inextricable from how big the writers’ budget was, and how accepting of homophobia the audience was, and what was acceptable to be shown on film at the time. Tropes beget other tropes, one trope is exchanged for another, they are all linked. A Dead Horse Trope becomes an Undead Horse Trope, and sometimes it was a Dead Unicorn Trope all along. What was this work responding to? And all works are responding to something, whether they know it or not
An incomplete list of really useful or interesting reads from TvTropes.
please note that yes many of these are concepts that exist elsewhere and a few are even taught in fiction writing classes but TvTropes just does an amazing job at displaying the range of things that can be done with them
legitimately so much of the terminology I use to talk about storytelling, and even think about it in my own head, i learned about from TvTropes
Willing Suspension of Disbelief
Watsonian vs. Doylist
Trope Tropes, for all the ways tropes are used, deconstructed, subverted, and played with.
The Oldest Ones in the Book, which is basically my favorite thing on the entire Internet
Punk Punk, for -punk subgenres
Sliding Scale of Silliness vs. Seriousness, Sliding Scale of Idealism vs. Cynicism
The Weird Al Effect is a fun one
Chekhov’s Gun, Chekhov’s Boomerang, Chekhov’s Skill, and further variations
Law of Conservation of Detail
Law of Conservation of Normality
Anthropic Principle
Word of God, Death of the Author
Sliding Scale of Fourth Wall Hardness
Mohs Scale of Science Fiction Hardness
Genre Savvy
Flashbacks and Chronology breaks down all the ways you can handle chronology in storytelling
Show, Don’t Tell is a very good breakdown of what is showing, what is telling, and how both can be used effectively.
Lampshade Hanging
Noodle Incident is just fun imo
Genre Title Grab Bag
Fridge Horror
Rule of Cool, and also Cool of Rule
The Smurfette Principle
The Hays Code - not a trope but a very good breakdown of how the Hays Code affected storytelling in film
this is just a really short list of examples I encourage people who write or otherwise create stories to browse around on this site it’s so useful
for the love of god if you’re writing deaf/mute characters and they’re using sign language to talk PLEASE use quotation marks, don’t do just italics or brackets or whatever other thing it is people do. sign language is STILL A LANGUAGE. just because it’s not spoken doesn’t mean it’s not real dialogue. if you’re writing someone speaking spanish, do you write their dialogue like ‘[the flower district is down south,] she said in spanish’ like NO!!! IT DOESN’T WORK LIKE THAT, USE QUOTATIONS MARKS AND JUST SAY THEY SIGNED.
just know that you can describe their facial expressions! or how flowy their hand movements are, if they move excitedly or animatedly when happy, if they’re slamming their hands and moving aggressively when angry, how their brows scrunch or how rigid their hands get, you can still be creative and describe what they’re conveying even though they’re not using a spoken language. watch videos of people signing! look at how beautifully expressive it is! it is a LANGUAGE, treat and write it like one. use quotation marks
the thing all sherlock holmes adaptations get wrong is making the guy an irredeemable asshole who treats everyone like shit . not only is it not reflective of the original stories they miss that “nice, smart, well mannered dude who snorts coke when he needs to think” is possibly the funniest character ever devised
I feel like the modern equivalent is that guy you think is super well put together until you find out exactly how much red bull he ingests on a regular basis.
Modern Sherlock is that very nice English Professor-seeming guy who you bring a problem and while walking from the door of his office to his desk he starts explaining the entire solution you need
And upon reaching his desk he’s like “Excuse me one moment.” and pulls out one of those huge Monster canisters they legally aren’t allowed to make anymore, cracks the whole thing, chugs it, takes a deep breath, and then nods at you and is like “Alright, and then what you need to do is…”
Imagine how much better the dynamic of bbc sherlock could have been if they did this.
why even modernize it to energy drinks??? coke didn’t go anywhere. we still have coke. energy drinks aren’t NEARLY chaotic enough.
Its is more like you hiring some guy to do private investigation about how your husband maybe cheating on you and Sherlock comes to your house high as fuck. Walks into your living room and without taking a moment to even talk to you or sign any paperwork, he turns around—pupils as big as god—and just says
“Its your best friend Brenda. I’ll email you the invoice.”
and walks right out of your house.
Because when it was written cocaine was legal and even considered healthy and useful by some laypeople, even though doctors knew it wasn’t, and Watson was always trying to stop people from encouraging Sherlock’s addiction because HE KNEW BETTER.
So consider this, Holmes, at 2am, desperately searching the flat for the stashes of NOS cans, only to keep coming up with passive aggressive pamphlets about the dangers of caffeine overdose.
Watson wakes up to a stench like Satan’s ass to find Sherlock sitting by his bed with a re-heated pot of cold brewed Deathwish Coffee that had been hidden in the back of the toilet tank (brewing) for five months. Sherlock is trying to say he’s proud of John’s cleverness in finding most of the stashes, but he’s passed into the fifth dimension and all John gets is a creepy vibrating grin and a sound like a shaken cat.
TLDR, Sherlock did die when he fell off the Falls, but he was so coked up his body didn’t stop moving until like a decade later.
Sherlock as one of those cryptid types the baristas talk about (there’s a post floating around somewhere) who comes in and orders a venti with as many shots as they are legally allowed to add, plus a few more for good measure (and a hefty tip) and then adds energy drink on top of it before chugging the whole thing, to the absolute horror of the cafe staff.
This is the kind of Sherlock Holmes discourse I demand on my dash. Bring me more!
Further discourse! Everyone is missing the fact that Sherlock used cocaine to “escape from the commonplaces of existence” when he didn’t have a case. The drugs are a substitute. Which means that when you hire him he’s stone-cold sober and JUST AS WEIRD.
So it’s more like realizing that your flatmate with the caffeine/sometimes drug death wish will only chill the fuck out when he has some strange mystery to unravel, so you spend your free time scouring reddit posts that might actually feature a real missing person. Or a ghost. You really don’t care which at this point. When you finally find something your flatmate is THRILLED and straight up stops eating because he thinks he can survive on intellectual curiosity alone, and yeah that’s not good, but it’s better than what he was doing to himself before. Your success is comparative, okay? You stick around for the meeting partly because you’re curious, partly because this is your home too remember, and partly because you’ve found that writing up these insane excursions helps pay off your student loans. Your Patreon is thriving. The entire time your flatmate is interviewing this poor SOB he keeps breaking into manic grins and you’re kicking him under the table, trying to help him remember that others aren’t happy about a death in the family. Halfway through he pulls a cigarette from a stash in his smelly bedroom slipper, offering the client one and yeah, that’s very nice, but… no. No thank you. He’s dressed impeccably and has a violin worth millions just lying on the floor, but the flat as a whole looks like a tornado just blew through and there’s something growing on the walls beside the makeshift lab. Is he rich? Dirt poor? Impossible to tell based on the surroundings. The entire time he rattles off observations about the client not at all related to the case and his continuing good mood depends entirely on how impressed the guy is. If he mentions “magic tricks” or “I saw that on Youtube” you’re prepped for damage control.
By 8:00pm you’ve finally convinced your flatmate to look up from his research and go half on a pizza, but the second it gets there he shrieks in excitement and runs out the door, demanding that you follow with your legally dubious gun. You apologize profusely to the delivery guy and double his tip, begging him not to call the cops. No, not because you’re afraid of arrest, you just know the head of the local precinct and he’s a pain in the ass.
You run after your flatmate knowing damn well you have to be up early tomorrow because despite maintaining a private practice you still don’t make enough to get your own apartment.
You are living your best life.
That last post…nailed it
Reminder that most of Sherlock Holmes is now in the public domain.
Like…. just saying.
Personally I see Sherlock as ADHD and no one will ever convince me otherwise
I mean — it’s textbook hyperfixation/understimulation right there — I Also forget to eat and sleep and do Human Things when I’m vibing with whatever makes my brain go, and I Also take (medically prescribed) stimulants when I need to think. And Also adhd understimulation makes mundane existence an agony that one will do nearly anything to escape but at least in the modern day we have things like video games and netflix so it’s a little easier to actually get that escape without y’know completely self-destructing along the way (Sherlock Holmes plays Among Us to fill the void between cases change my mind)
And while it’s entirely legit that a modern ADHD sherlock might self-medicate with energy drinks and home-brewed toilet-tank-coffee, I’d LOVE to see an adaptation where Sherlock just. has a prescription?
So instead of hunting down his secret Bad Habit Stash, John could be like “hey, sherlock- the pharmacy called, your meds are ready” and then sherlock would be all “LATER JOHN IM ON A CASE RN I DONT NEED THEM” and John’d be like “sherlock no that’s not how that works”
And then later once the case has been solved and the existential agony of understimulation sets back in, Sherlock could be like “hey John pass me my meds” And John might be “sherlock you already took them this morning I saw you” “yeah but they’re not working yet” “dude it takes time for them to kick in” “sure sure OR I could just take more. I missed some days y’know I gotta catch up” “sherloCK NO I am a DOCTOR that’s NOT HOW THAT WORKS” And then sherlock heaves a gigantic sigh and grabs a can of RedBull that’d been stuffed between the couch cushions and John like swats him with a shoe or something because SHERLOCK NO do you KNOW what that stuff DOES to your HEART PLEASE STOP
I want this more every time it crosses my dash.
Dr Watson: Holmes’ Enrichment Zookeeper
How do you stop getting new ideas and instead finish the existing projects, asking for a friend
Utility for downloading fanfiction in bulk from the Archive of Our Own - GitHub - nianeyna/ao3downloader: Utility for downloading fanfiction
Well folks I've been sitting on this little script for ages and finally decided to just go ahead and publish it. What does it do?
you can enter any ao3 link - for example, to your bookmarks or an author's works page - and automatically download all the works and series that are linked from that page in the format of your choice
if your format of choice is epub (sorry, this part doesn't work for other file formats), you can check your fanfic-savin' folder for unfinished fics and automatically update them if there are new chapters
if you're a dinosaur who uses Pinboard, you can back up all the Pinboard bookmarks you have that link to ao3
don't worry about crashing ao3 with this! this baby takes forever to run, guaranteed. anyway ao3 won't let me make more than one request per second even if I wanted to so it's quite safe
I've been working on this for about two years and it's finally in a state where it does everything I want and isn't breaking every two seconds, so I thought it was time to share! I hope y'all get some use out of it.
note: this is a standalone desktop app that DOES NOT DO ANYTHING aside from automate clicking on buttons on the ao3 website. Everything this script does, can be done by hand using ao3's regular features. It is just a utility to facilitate personal backups for offline reading - there's no website or server, I have no access to or indeed interest in the fics other people download using this. No plagiarism is happening here, please don't come after me.
Y'all. Y'ALL. if you've ever been like "I should go through my bookmarks and save copies of everything in case stuff gets deleted--but that would take SO LONG"
This will get all your bookmarked fics all downloaded and organized for you
It's literally saving my life, I'm so happy

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good characters are not good people
i love hot people covered in blood as much as the next but calling every character you like a bossbabe girlboss lil meow meow malewife has really negatively affected people’s abilities to view them objectively.
a good character has a proper motivation, want, & need ;
this should be the case for almost all of your characters. however, i do understand that there are exceptions, such as stagnant characters.
a good character is understandable & interesting ;
your characters do not have to be likable. liking them as a character also does not mean that you like them as a person. good characters do not have to be good people, they don’t even have to be decent. the roles of protagonist and antagonist in themselves are passive and do not equate to good vs evil.
i feel like so many people are afraid of having an unlikable protagonist for fear of being seen as a bad person or justifying their actions. it’s not. writing about knights doesn’t mean you want to joust someone to the death, writing about dystopian governments doesn’t mean you condone them.
trust your audience ;
this post is really only meant for a small portion of people who consume media in a way where characters become caricatures. if your character is an assassin, have them assassinate people. don’t try to shoehorn in ill-fitting traits and arcs in an attempt to “negate” their darker traits.
and if your narrator is unreliable, trust your readers to figure that out. unless you legitimately don’t see why people hate holden caulfield ig.
at the end of the day, your characters need to fit their descriptions, and the narrative should support that. don’t accidentally weaken your enemies to lovers romance fam. love you and good luck.
people who “just want to write about taboo subjects” do not interact with this post.
“maybe the curtains are blue because the author just liked the color blue” set human critical thinking skills decades back
you get it
Excellent points by both OP & the tags. I would like to add that authors don't exist in vacuums. So the author didn't just like the color (cue Miranda Priestly's cerulean sweater speech). And so it's fascinating to discuss what societal and cultural pressures might have influenced the author. Or maybe the author had a certain audience in mind. An audience that at that time would understand blue curtains as a certain symbol. It's all part of interpretation. The problem, as I see it, occurs when people are adamant that one specific interpretation is the sole valid one. I think sometimes the sentiment expressed in “maybe the curtains are blue because the author just liked the color blue” comes from people who have (only) encountered obstinate people like that and it turned them off from interpreting texts beyond the surface level.