Ex-Silksong clown

Unstoppable force meets immovable object 3

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NEXT PAGE IS GONNA HAVE A SIMPLER ARTSTYLE. OK? OK (Edit: ended finding the Ryan Goslyng's ver. funnier, original ver. below).

Imagine, after decades of your world becoming colder and colder, you are saved. A single Eridian, the only one of twenty three to survive, arrives in an alien ship, accompanied by a creature you can barely conceive.

Everything about the alien is so loud, hinges formed from tissue thumping and stretching in constant movement, even while unconscious. Completely organic, reliant of oxygen and hydrogen. Instead of a protective carapace, it regrows its damaged tissues. It has senses you do not, and technology so unlike your own, both able to utilise a force you have never heard of. The same force that killed almost your entire mission team. Highly adaptable, able to teach itself how to fly its ship in under a week, able to become fluent in the engineer's dialect in less than four years.

And if Erid's best engineer is correct (and there's no reason it wouldn't be), this creature not only managed to breed a predator of the warmth-taker to survive in various atmospheres, including Threeworld's, but also turned around to provide aid when it discovered that the predator could escape xenonite.

And you think: Surely, this creature which protects itself without a carapace, which sleeps so lightly and knows so much and learns so quickly, which saved two planets at the cost of ever returning to its thrum, surely, a creature so extraordinary must have a name to match

And you think: Perhaps it is strength, Mountain-Base or Lonsdaleite-Carapace. Perhaps it is intellect, Diamond-Claw or Lockpick-Mind. Perhaps it is courage, Song-Through-Silence or Path-Carver

And you think: None of these names hold the true weight of what this creature is to them. How do you describe something like that, which aids without expectation of anything in return, which risks its own life for the sake of a species it cannot touch, which performs miracles simply because it was asked.

@rpepperpotshipssciencebros please forgive me for this one

- Eridian scientists and doctors doing their best to help him when they first get to Erid. A few weeks in, he's in and out of consciousness but doing better, a doctor (in a xenosuit obviously) comes in to check on him, sees he's asleep, so goes to examine him closely, because, you know, alien. Grace, who was only dozing, jerks away so fast it gives poor Dr Limestone a heart attack.

I said, "That's just not true. Sometimes what doesn't kill you leaves you brittle and injured or traumatized."

He stopped and thought about that for a while. He came back later, and said, "It's like wood glue."

He pointed to my bookshelf, which he helped me salvage a while ago. He said, "Do you remember how I explained that, once we used the wood glue on them, the shelves would actually be stronger than they were before they broke?"

I did.

"But before we used the wood glue, those shelves were broken. They couldn't hold up shit. If you had put books on them, they would have collapsed. And that wood glue had to set awhile. If we put anything on them too early, they would have collapsed just the same as if we'd never fixed them at all. You've got to give these things time to set."

It sounded like a pretty good metaphor to me, but one thing I did pick up on was that whatever broke those shelves, that's not the thing that made them stronger. That just broke them. It was being fixed that made them stronger. It was the glue.

In the beginning when Mr. Incredible says, “Go home, Buddy. I work alone.” He’s holding up Bomb Voyage

In Syndrome’s flashback, he’s looking down on him, no bad guy in sight

oh 

In the flashback, it’s a different scenario completely!! The lighting is all focused on Bob as if he’s under a spotlight and it is only the two of them. Bob’s pose here is also ridiculously condescending. He has his hands on his hips like a superhero and is looking down at Buddy with contempt and scorn. In addition, when he turns to leave, he dismissively waves his hand as if saying “Get out of here.”

It’s also interesting to note Buddy’s position here. His arms are extended either in worship or as an expression of all he has to offer in this relationship. He sees himself as a victim because he thinks he gave all of himself to Mr Incredible, just got him to reject him.

It’s also amazing to me how much Buddy’s suit is a reflection of himself. Everything from the black and white color scheme representing his black and white way of thinking, to the huge S because here only thinks of himself.

That makes two things abundantly clear:

Bob doesn’t have an aversion to working with other people. Remember when he runs into Elastigirl earlier in the day? She reminds him not to “forget”, and he promises he won’t. They were standing over a thief they ended up accidentally nabbing together, or so we thought. They bantered back and forth about working alone, yet they nabbed that thief so seamlessly, you’d think they’d done it before. Then you find out later, Elastigirl is the woman at the altar. Making it clear that they had to have worked together, very frequently, enough to end up trusting each other to the point that they revealed their secret identities and had a romantic relationship outside of Super work, culminating in literally marrying each other. Bob is more than fine with a partner because he married his.

The other is that, Bob is trying to protect Helen. She may be more than capable of handling herself, as she flirtatiously reminds Bob on the rooftop just hours before their nuptials. But the one thing that’s priceless to the Supers are their secret identities. With Syndrome following Bob begging to partner with him, it puts Helen in danger. A fanatical fan like that can end up possessive, meaning once Syndrome discovers her, could see her as a direct threat stealing “his” position working with Bob. And because he obviously has a knack for following people undetected (he was right on Bob’s heels all over a huge metropolitan city for literal hours), he could very well stalk Helen, discover her secret identity and expose her in order to eliminate her, putting her directly in danger. Bob isn’t an idiot, he knows working with this kid doesn’t just put this child in danger, but also his own wife and their identities. It’s better to say he works alone and let this kid down as gently as possible, hoping to finally shake him off for good so he can work in safety and peace.

- The reason Syndrome found all the other supers first (including Frozone) was because Bob kept getting fired from his jobs, forcing the government to wipe his existence from multiple companies and forcing his family to move each time that happened. He unintentionally saved his family by forcing them to relocate so often.

- Two of the biggest differences between the two versions of “go home, Buddy” is the focus, and length. In Mr Incredible’s version, “Go Home, Buddy” is a midpoint, a random event that just happened to stick because it was weirdly specific, and it was right before the important parts. The attempted suicide, train crash, and wedding are much more important because those were more important to Mr Incredible (since the first two ended the superhero movement, and the last was his wedding). Buddy, on the other hand, only flashes back to “Go home, Buddy”. Which is weird because Buddy almost died later that night from a bomb on his cape, and he almost killed dozens of people on a train by dropping a bomb on them, and because of that, he was indirectly responsible for the death of supers. All three of those things should be much more important to Buddy, but it’s a sign of his psychosis that the one thing he remembers is not Mr Incredible saving his life, or his life being in danger, but instead Mr Incredible rejecting him. Buddy was unstable, and an extremely unreliable narrator who edited out massive chunks of his own story to better justify his hero syndrome.

- Also, on a more sobering note, some have brought up how Incredibles 2 seems a step down from Incredibles 1, and while that’s arguable, there’s some related bits in there I’d like to mention. You know how there were a slew of superhero’s in the movie for when they made superhero-ing legal again?

Notice anything funny about that lineup? Anything at all? Okay, here’s a hint then. How many of these heroes were working before heroes got banned? How many of these new heroes are from Mr Incredible’s era?

Answer: None.

Frozone, Elastigirl, and Mr Incredible are the only ones who were active before the ban, or more specifically, were left from those active before the ban.

Think about it, Elastigirl was on the news basically continuously, there was a UN declaration on supers, any super left who had even been five degrees of separation away from Elastigirl back in their heyday would’ve come up to talk to her and her movement. But when Elastigirl was brought in to meet other supers, she didn’t know any of them.

And it’s not like she and Bob were loners who never interacted with anyone, look at their wedding day, it’s packed to the gills with capes (and possibly some secret identities too):

So…what happened?

Syndrome happened. This isn’t just some serial killer picking people at random, Syndrome systematically wiped out an entire community of people, arguably, an entire generation of supers, since Violet, Dash, and Jack-Jack seem to be the only kid-supers in existence.

That’s why Elastigirl is so emotional when she’s introduced to these new supers, she thought her people, barring her family and Frozone, were wiped out by Syndrome. And in a way…they were.

Nobody’s left from her era of superheroics. None of her old friends survived. It’s just her, Bob, and Frozone left out of what was once a thriving, vibrant community. All those bright lights snuffed out because some kid couldn’t handle being rejected but his hero.

- Honestly, this allegory kind of brings to mind the AIDS crisis and the gay community. A “syndrome” almost specifically targeting a subset of the population with a flair for dramatic outfits and superheroics, picking off members one by one until the population is decimated. The members of the community have to intervene themselves to slow/stop this “syndrome” because the government, which was supposed to protect them, is unaware of, or is blatantly ignoring the crisis until it starts hurting the “normal” community. Because of this “syndrome” there’s just this gap in this community, where an entire generation is just…missing…with the few survivors having to counsel the new, untouched generation, and helping them achieve widespread support and acceptance they could only dream of.

- Side note: I just realized something. Take a look at Syndrome’s kill list:

And take a look at that wedding shot again.

Anyone look familiar?

If it’s to hard to tell, at least four of the people Syndrome killed were at Bob’s wedding.

Mr Incredible wasn’t watching supers getting killed, he was watching his friends getting killed. People he trusted enough to share his secret identity with people he trusted enough to share his wife’s secret identity with. Hell, our poor boy Gazerbeam got a front row seat with Edna and their NSA agent that’s usually reserved for family only.

And that’s bad enough, but something else occurred to me, Bob and Helen clearly haven’t been keeping in close contact with their superheroic friends, Bob asks Frozone if he’s been keeping in contact with Gazerbeam, implying they haven’t talked in a while.

Additionally, Bob’s life, and the superhero community’s life, went tits up basically immediately after his wedding night. So if there was any point for them to stop talking with other supers, it’d be then.

So what does that mean?

It means, in all likelihood that when Mr Incredible looked at that list of dead friends and superheroes, he realized with growing horror that, his wedding?

The happiest point of his life?

In the beginning when Mr. Incredible says, “Go home, Buddy. I work alone.” He’s holding up Bomb Voyage

In Syndrome’s flashback, he’s looking down on him, no bad guy in sight

oh 

In the flashback, it’s a different scenario completely!! The lighting is all focused on Bob as if he’s under a spotlight and it is only the two of them. Bob’s pose here is also ridiculously condescending. He has his hands on his hips like a superhero and is looking down at Buddy with contempt and scorn. In addition, when he turns to leave, he dismissively waves his hand as if saying “Get out of here.”

It’s also interesting to note Buddy’s position here. His arms are extended either in worship or as an expression of all he has to offer in this relationship. He sees himself as a victim because he thinks he gave all of himself to Mr Incredible, just got him to reject him.

It’s also amazing to me how much Buddy’s suit is a reflection of himself. Everything from the black and white color scheme representing his black and white way of thinking, to the huge S because here only thinks of himself.

That makes two things abundantly clear:

Bob doesn’t have an aversion to working with other people. Remember when he runs into Elastigirl earlier in the day? She reminds him not to “forget”, and he promises he won’t. They were standing over a thief they ended up accidentally nabbing together, or so we thought. They bantered back and forth about working alone, yet they nabbed that thief so seamlessly, you’d think they’d done it before. Then you find out later, Elastigirl is the woman at the altar. Making it clear that they had to have worked together, very frequently, enough to end up trusting each other to the point that they revealed their secret identities and had a romantic relationship outside of Super work, culminating in literally marrying each other. Bob is more than fine with a partner because he married his.

The other is that, Bob is trying to protect Helen. She may be more than capable of handling herself, as she flirtatiously reminds Bob on the rooftop just hours before their nuptials. But the one thing that’s priceless to the Supers are their secret identities. With Syndrome following Bob begging to partner with him, it puts Helen in danger. A fanatical fan like that can end up possessive, meaning once Syndrome discovers her, could see her as a direct threat stealing “his” position working with Bob. And because he obviously has a knack for following people undetected (he was right on Bob’s heels all over a huge metropolitan city for literal hours), he could very well stalk Helen, discover her secret identity and expose her in order to eliminate her, putting her directly in danger. Bob isn’t an idiot, he knows working with this kid doesn’t just put this child in danger, but also his own wife and their identities. It’s better to say he works alone and let this kid down as gently as possible, hoping to finally shake him off for good so he can work in safety and peace.

- The reason Syndrome found all the other supers first (including Frozone) was because Bob kept getting fired from his jobs, forcing the government to wipe his existence from multiple companies and forcing his family to move each time that happened. He unintentionally saved his family by forcing them to relocate so often.

- Two of the biggest differences between the two versions of “go home, Buddy” is the focus, and length. In Mr Incredible’s version, “Go Home, Buddy” is a midpoint, a random event that just happened to stick because it was weirdly specific, and it was right before the important parts. The attempted suicide, train crash, and wedding are much more important because those were more important to Mr Incredible (since the first two ended the superhero movement, and the last was his wedding). Buddy, on the other hand, only flashes back to “Go home, Buddy”. Which is weird because Buddy almost died later that night from a bomb on his cape, and he almost killed dozens of people on a train by dropping a bomb on them, and because of that, he was indirectly responsible for the death of supers. All three of those things should be much more important to Buddy, but it’s a sign of his psychosis that the one thing he remembers is not Mr Incredible saving his life, or his life being in danger, but instead Mr Incredible rejecting him. Buddy was unstable, and an extremely unreliable narrator who edited out massive chunks of his own story to better justify his hero syndrome.

- Also, on a more sobering note, some have brought up how Incredibles 2 seems a step down from Incredibles 1, and while that’s arguable, there’s some related bits in there I’d like to mention. You know how there were a slew of superhero’s in the movie for when they made superhero-ing legal again?

Notice anything funny about that lineup? Anything at all? Okay, here’s a hint then. How many of these heroes were working before heroes got banned? How many of these new heroes are from Mr Incredible’s era?

Answer: None.

Frozone, Elastigirl, and Mr Incredible are the only ones who were active before the ban, or more specifically, were left from those active before the ban.

Think about it, Elastigirl was on the news basically continuously, there was a UN declaration on supers, any super left who had even been five degrees of separation away from Elastigirl back in their heyday would’ve come up to talk to her and her movement. But when Elastigirl was brought in to meet other supers, she didn’t know any of them.

And it’s not like she and Bob were loners who never interacted with anyone, look at their wedding day, it’s packed to the gills with capes (and possibly some secret identities too):

So…what happened?

Syndrome happened. This isn’t just some serial killer picking people at random, Syndrome systematically wiped out an entire community of people, arguably, an entire generation of supers, since Violet, Dash, and Jack-Jack seem to be the only kid-supers in existence.

That’s why Elastigirl is so emotional when she’s introduced to these new supers, she thought her people, barring her family and Frozone, were wiped out by Syndrome. And in a way…they were.

Nobody’s left from her era of superheroics. None of her old friends survived. It’s just her, Bob, and Frozone left out of what was once a thriving, vibrant community. All those bright lights snuffed out because some kid couldn’t handle being rejected but his hero.

- Honestly, this allegory kind of brings to mind the AIDS crisis and the gay community. A “syndrome” almost specifically targeting a subset of the population with a flair for dramatic outfits and superheroics, picking off members one by one until the population is decimated. The members of the community have to intervene themselves to slow/stop this “syndrome” because the government, which was supposed to protect them, is unaware of, or is blatantly ignoring the crisis until it starts hurting the “normal” community. Because of this “syndrome” there’s just this gap in this community, where an entire generation is just…missing…with the few survivors having to counsel the new, untouched generation, and helping them achieve widespread support and acceptance they could only dream of.

- Side note: I just realized something. Take a look at Syndrome’s kill list:

And take a look at that wedding shot again.

Anyone look familiar?

If it’s to hard to tell, at least four of the people Syndrome killed were at Bob’s wedding.

Mr Incredible wasn’t watching supers getting killed, he was watching his friends getting killed. People he trusted enough to share his secret identity with people he trusted enough to share his wife’s secret identity with. Hell, our poor boy Gazerbeam got a front row seat with Edna and their NSA agent that’s usually reserved for family only.

And that’s bad enough, but something else occurred to me, Bob and Helen clearly haven’t been keeping in close contact with their superheroic friends, Bob asks Frozone if he’s been keeping in contact with Gazerbeam, implying they haven’t talked in a while.

Additionally, Bob’s life, and the superhero community’s life, went tits up basically immediately after his wedding night. So if there was any point for them to stop talking with other supers, it’d be then.

So what does that mean?

It means, in all likelihood that when Mr Incredible looked at that list of dead friends and superheroes, he realized with growing horror that, his wedding?

The happiest point of his life?

paladins of atypical gods. a paladin of the god of storms whose divine smite is a literal bolt of lightning from the heavens. a paladin of one of the gods of death who seems scary but just wants the dead to receive justice and comfort.

a paladin of one of the "darker" gods who sees themselves as responsible for those that other paladins wouldn't protect— those who are lost, those who maybe aren't innocent but who deserve compassion all the same.

hell, there's a god of thieves (and theyre chaotic neutral)! what does a paladin of the god of thieves look like— how do you have a stalwart defender of a group defined by its secrecy and fluidity? what are they defending— the right of thieves to exist? the value of individual moral codes over societal laws? the honor code of thieves? maybe they strike down "false" thieves, those in it for greed with no respect for the art of theft or the standards respected by other thieves.

and then there's oathbreaker paladins. i just think there are so many more interesting reasons to break an oath than "i didn't want to be good and help people anymore."

give me an oathbreaker paladin whose god commanded them to do something against their morals. who is now branded as a traitor to their god when really it's their god who betrayed them.

give me an oath of vengeance paladin who is tired, not as angry as they once were, and sick of bloodshed. who breaks their oath by sparing an enemy.

give me a paladin whose oath is noble but who is frustrated with the moral absolutism of it. who is sick of their power being dangled over their head, able to be taken away at the slightest mistake. a disciple of ilmater who has been told too many times to bear the suffering of others and for once wants to be cared for. a disciple of the god of fate, sick of being told that theirs and others' suffering is inevitable and unchangeable.

Which results in some of the best moments this game can offer, throwing yourself headlong back into danger in order to save a teammate that's fallen behind. It creates a nigh universal community experience of getting downed, only for some dripped out dwarf badass to come in, lift you back on your feet, and cover you as you sprint to extract just in the nick of time. And as you get better at the game, you'll drop into a lobby of greenbeards, and you'll notice that during extract, someone's fallen behind. They're down, and there's no time to lose.

It's your turn now.

This is what I drew after this situation 👇

https://www.synchronkartei.de/film/32312

https://archive.org/details/persona-3-fes-official-fan-book-my-episode/page/n171/mode/1up

ファルロス

【Y編／人物】

https://jcent.co.jp/1041/

https://twitter.com/GENDA_GiGO/status/1747801310987157988