Attending the Renaissance Faire was not Emma Swan’s idea of a good time. But there may be someone who could change that.
My first Contribution to @cscocktoberfest. Check out their collection on Ao3 or here!
Many many thanks to my perfect one @bluegraywilde and my wonderful beta @courtorderedcake.
The Captain (M)- Ao3 and FF
When Emma signed Henry up for a week long course for his birthday, she had no idea that it would lead her to meeting… The Captain.
Here is my second submission to @cscocktoberfest! Enjoy!! Check out their collection on Ao3 or here!
Alpha Cygni (M)- Ao3 an FF
Written for CSSV 2018 for shipsxahoy: requested AU with fantasy/sci-fi elements, work rivals, soul mates, and inspired by Stardust with a little angst and smut thrown in. Hope you like it!!!!!
It Will Not Be Long, Love (G)- Ao3 and FF
My CS Secret Santa 2018 gift to @love-with-you-i-have-everything.
It was a rough night in the Swan-Jones household. Bath times, scars, and nightmares. It takes coming to the brink of falling back into darkness to realize just how much light you have.
Another Attachment (M)- Ao3 and FF
So my muse abandons me for months, and then today comes and continuously hits me with a baseball bat until I write this. *Also unbeta’d cause he’s on a date, so forgive any errors. Essentially very long smut with some angst and comfort thrown in.
Emma is not sure what to get Killian for their first anniversary. And then she is…
Lost, But Not Forever (M)- Ao3 and FF
Pan pays the Neverland crew a visit that has Emma in a panic. And when Neal comes across her trying to deal with her frustration and fear, he did not expect to witness how even lost ones can find each other.
The Shadow of the Deep (G) - Ao3 and FF
After a fight with Snow, David finds himself at the sea. And gets some of the wisdom the sea can give.
No Change (G) - Ao3
I read part 1, part 2, (and now part 3 of @winterbythesea‘s beautiful fic The Look of Love for the prompt on @csprompter: a one shot where Emma gets hit with a love spell where she falls in love with the first person she sees, and she sees Hook and everyone is like “uh oh!” but Emma acts EXACTLY THE SAME AS BEFORE
And this kind of wrote itself.
Rent-A-Wag (G) - Ao3 and FF
Written for the CS Pupstravaganza event-
An app that lets people rent time with other people's dogs and David books a session for Emma in secret. But she might get a bit more than the half hour that David booked for her.
The Misthaven Witch - Ao3 and FF (Ch 2 - Ao3 and FF)
When Will Scarlett drunkenly accuses Killian Jones of being afraid of the town’s local legend, he of course has to set his inebriated friend straight. Because there is nothing to fear about the ruins of Misthaven...... and the witch rumored to reside there.
That Most Common of Afflictions - Ao3 and FF
Emma know she has a letter for a standard parent teacher conference. Emma knows that the dreaded Valentine's Day is quickly approaching.
What Emma doesn't know is exactly how intertwined those two facts of life are going to become.
I Didn't Know Where Else To Go - Ao3 and FF
What if, when Cora arrived in Storybrooke, she was just a bit more direct about it all?
Her Smile - Ao3 and FF
What happens when too many misunderstandings stack up on top of each other?
(Basically, it started as the idea that Killian would be hyperaware of how his physical presence would affect Belle, and then just........ kept going)
The Choice That Matters - Ao3 and FF
Hook awakes from a dream and find solace upon the deck, but unexpectedly, not from the sea.
Hallowed Be Thy Name - Ao3 and FF
A future spec fic for what could be in a sequel episode, where JJ Sneed escapes the noose and goes to hunt down the woman who bested him- Maddie Hawkins
Multi-Chapters
Quenched In Blood - Ao3 and FF
Based on the very real history of the infamous Ulfbehrt blades- a set of Viking swords found across the vast expanse of northern Europe, each with a metallurgical makeup that should have been impossible to achieve with the skill and resources for another thousand years in the west.
How were these blades crafted?
Where did they come from?
Why were they made?
Perhaps it was with desperate hands that had everything to loose? Hand that had everything on the line- family, home, safety, freedom?
Love?
By Your Lights (M) - Ao3 and FF
Killian Jones, desperate professor trying to get tenure and earns extra income on the side using his interior design degree, somehow gets roped into acting as Santa this Christmas and listen to all the earnest wishes of the children of Storybrooke. But after one boy makes a quiet and selfless wish, Killian might find out that Christmas miracles can happen- if someone tries hard enough to make them.
Luck of the Irish (M)- Ao3 and FF
Emma needs parent volunteer hours. So she offers to chaperon Henry’s upcoming field trip to the museum. Its just a pack of prepubescent angst ridden children, an exhibit about dead people, and a rock used in blood sacrifices with a curse carved into it. What’s the worst that could happen?
Scammed (M)- Ao3 and FF
Emma just wanted to relax at the end of her day. But there are always those annoying scam calls……..
A Lifetime Of Almosts Made Up In An Instant Of Always (M)- Ao3 and FF
Emma Swan, Bailbondperson and mother extraordinaire gets hired to act as body guard after she is approached by an agent. The only problems? She is supposed to accompany her charge out of the country, her charge is an actor, and that actor is Killian Jones, a man she has loathed since she met him.
Yo ho ho @thejacketandthehook!!! I am your Secret Santa and here is your promised Bodyguard AU! hater-to-lovers fic!! And because I have no self control and I have actually been wanting to write this for a while, its turned into a multichapter.
Crimson Shadow (M)- Ao3 and FF
Let me tell you- all that fairy tale isht about happy endings and true love…. It’s a lie. And yet, I must also acknowledge (despondently and with no small amount of bitterness) that like all great lies, it does have a grain of truth. Granted, that particular grain is trying to kill me and my best friend, but a grain of truth nevertheless. Now shut up, sit back, and enjoy the show of how isht hit the fan, and I and my best friend came to Storybrooke and to be here, face to face, knowing only one of us would live to see tomorrow.
This multi-chapter is my baby. It came to me when I thought “How would I react if I found myself in a magical town with screwed up families and smoking hot men around every corner?” mixed with “How much self insertion I can get away with before it’s obvious?”
A Darkness For The Light (M)- Ao3 and FF
She has no choice but to find Him. A young, innocent princess must seek out help from the one person she was told to never encounter. The Dark One-aboard his blood soaked ship, driven by the winds of revenge against the very world that created him. The only question that remains is will he help the frail child of light or allow his darkness to consume them both, and her kingdom along with them.
This was born out of a prompt I saw and the beast decided that it would be a great idea to just keep going. The prompt was Wish!verse Emma and Dark!Hook AU. And this ridiculous hydra was born.
The Disaster Series (M)- Ao3 (FF are listed individually on the Disaster Series Page)
The only way that nature knows how to change is to destroy itself. And then something new arises from the destruction. It is only by disaster that it can grow.
A series of on-going one shots that explore various emotional hurdles that both Emma and Killian undergo throughout the course of their years together, and how they help heal each other, using the coming together of their bodies to let their spirits embrace.
The Secret of Inis Oiche (M)- Ao3 and FF
Emma never had a family, and every year on her birthday she makes the same wish. That Henry will always have people who love him. So when a letter arrives, addressed to her with two plane tickets to Ireland, she doesn’t know what to do. Especially since the letter is addressed to “Our Darling Daughter.”
In Search Of The Sea Wolf (M)- Ao3 and FF
Emma Swan, the woman that fate had decided to leave behind. Emma Swan, the woman who lives only for her son. Emma Swan, the unwilling golden child of Golden Enterprises.
When she is tasked by her employer, Robert Gold, with the assignment that could “make or break the fate of all those within this company,” Emma Swan could hardly believe that a rural town on an island off the coast of western Canada is what held key to that fate. Going undercover in the town, with her son in tow, can she complete her assignment? Or is there something even greater at stake? It all falls to her, Emma Swan, the woman that fate has thrown to the wolves. The Sea Wolves.
Written for the Captain Swan Supernatural Summer! This was inspired by an article from National Geographic years ago about sea wolves. I’m combining that with some of my favorite of Irish mythology.
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i know the way people talk about their pets now is probably how we’ve been doing it for all of history. a cat owner in ancient rome saw their cat lounging on the dining pillows and commented “he thinks himself to be the senator claudius 🤣”
The first attested cat in Japan was given to a young 9th century emperor and his diary about it includes such gems as 'I affixed a bow about its neck, but it did not remain for long.", "The color of the fur is peerless. None could find the words to describe it, although one said it was reminiscent of the deepest ink.", "When it lies down, it curls in a circle like a coin. You cannot see its feet. It’s as if it were circular Bi disk." and "I am convinced it is superior to all other cats.” Basically posting about how his void is the best little void and so good at getting really round
STORY SUMMARY: Desperate to save her beloved dogs when her ex-boyfriend makes threats against them, Emma Swan takes Killian Jones up on his offer to foster them.
RATING: M (for language, verbal abuse and gun violence)
WORDS: 4213 of 18,700 (6 chapters and a short epilogue)
Catch up with the story on Tumblr - Ch. 1 Ch. 2 Ch. 3 Ch. 4
Can also be read on Ao3
Chapter begins under the cut
*********
“Killian!” Emma screamed, covering her face with her hands.
“I’m right here, Love.” Relief flooded through her at the sound of his voice. She opened her eyes to see him crawling toward her, avoiding Neal’s crumpled body on the floor. He pulled her into his arms, while several police officers rushed past them.
“Are you two okay?”
Emma looked up to see Mary Margaret’s boyfriend David Nolan looking at her with concern. “What happened?” she croaked.
“Officer Nolan just saved your life,” another officer reported.
“You shot Neal?” she asked.
“Only because he was threatening to shoot both of you,” David explained.
“Is he…dead?”
David threw a questioning look at one of the men squatting beside Neal. The officer nodded. “Looks like we’re gonna need the coroner.”
Emma buried her face in Killian’s neck, trying to block out the sight of the steadily increasing pool of blood spreading out underneath her ex. Killian’s arms tightened around her as she gave into her sobs.
*********
Killian held Emma’s shaking body, his own rush of adrenaline slowly ebbing away. He felt like he hadn’t taken a single breath since he looked through the window to see Cassidy slap Emma.
After several minutes, her sobs began to subside and he heard her whimper something against his throat. “What’s that, Love?”
“My babies. They must be so scared.”
He hadn’t thought about the dogs, but was honestly glad to have an excuse to get her out of the house. The atmosphere was completely chaotic with noise from police radios, officers collecting evidence and taking photos, and sirens outside signaling the arrival of more first responders. Slowly he got to his feet, not releasing his hold on her. “Let’s go check on them,” he murmured. Keeping her tucked tightly against him, he steered her past Neal’s body and out the back door.
Once they were outside, Killian reluctantly let Emma go. As he watched her snuggling with Sophie and Oscar, it hit him that he could have lost her if the police hadn’t arrived in time. Just the thought of it made his heart ache. In that moment he realized that his feelings for her had gone beyond friendship. Far beyond friendship.
Before he could ponder this further, he felt a hand on his shoulder. Turning around, he saw David, who had an apologetic look on his face.
“I’m afraid the two of you are going to have to go down to the station to give statements.”
Killian glanced at Emma, then back to David. “I figured as much.”
“I expect you won’t want to stay in this house tonight,” David continued. “I took the liberty of calling Mary Margaret to see if Emma can stay with her. You’re welcome to crash at my place, if you like.” The two men had gotten to know each other when they both ate at the restaurant while Emma and Mary Margaret worked together.
Killian turned his eyes back to Emma, who was sitting on the ground with her head in her hands. “I appreciate the offer, mate, but I…I don’t want to leave her. Would you be alright with me staying at Mary Margaret’s as well? I’d be willing to sleep on the floor. I just…I think Emma needs me…and I need to be with her, too.”
David nodded. “I understand.”
“What about Sophie and Oscar?” Killian asked. “We can’t leave them here by themselves.”
“Mary Margaret said Emma can bring them along. Her landlord normally doesn’t permit pets, but since it’s probably only for one night, it’ll be fine.”
“Sounds like a good plan, then. Are you able to stay out here with Emma while I go throw some things in an overnight bag?”
“Of course,” David answered, then sighed and ran a hand through his hair before adding, “I can’t do much to help inside anyway. I’ll be put on administrative leave for a while, since I’m the one who killed Cassidy.”
Killian turned to face him fully. “I can’t bring myself to say I’m sorry, Dave. If you hadn’t shot him, we…Emma and I might…”
David quickly put a hand on his shoulder. “I don’t even want to think about it. I did what I had to do and I have no regrets.” The two men shook hands, their eyes meeting with an understanding that only two people who had shared such a traumatic experience could convey.
Killian walked over to Emma, touched her on the shoulder, and winced when she jumped. “Sorry, Love,” he apologized. “I wanted to let you know that David made arrangements for us to stay at Mary Margaret’s tonight.” When she started to open her mouth, he hurried on. “All of us - Oscar and Sophie included. I’m going to gather some things to take along. Is there anything in particular you’ll need, besides the essentials?”
She thought over his question. “Could you grab my pillow and blanket? Having those might make the dogs, and me, more comfortable.”
“I can do that. Anything else?”
She shook her head. “Not that I can think of at the moment.”
Squatting down beside her, he took one of her hands. “Before we go to the loft, we’ll have to go to the police station to give our account of the events. Do you feel up to it?”
She looked at him and his heart broke at the pain he saw in her eyes. “I loved him,” she whispered hoarsely. “How did things go so horribly wrong?”
“Everything that happened is a consequence of Neal’s poor choices,” he replied quietly. “I wish it hadn’t come to this, but everything that happened is on him.”
“If I would have just…”
“No. Don’t do that to yourself, Swan.” Ducking his head down to make eye contact with her, he added, “You did nothing to warrant the actions he took, and there’s no way you could have predicted this turn of events, aye?”
“Yeah,” she sighed. “I guess you’re right.”
“Of course I am,” he quipped, hoping to lighten the mood a bit. To his satisfaction, the corners of her mouth turned up a bit. He stood up, hesitated a second, then bent down and pressed a kiss to the crown of her head. “Dave is going to stay out here with you. I’ll just be a few minutes.”
She started to rise to her feet. “I need to get Sophie and Oscar’s beds and food.”
“I’ll get them,” he hurried to assure her. “Just stay out here, Love.”
Looking up at him with tears in her eyes, she said, “Are you trying to keep me from seeing his…him?”
“You already lived through a nightmare today, Emma,” he replied. “You don’t need to experience more trauma by going back into that chaos.”
“Okay,” she agreed.
“Be back in a few minutes,” he said, then went into the house. He skirted around the edge of the kitchen, intentionally averting his eyes from where Neal’s body still lay in the middle of the floor.
After stuffing pajamas, underwear, and a change of clothes from his and Emma’s rooms into a duffle bag, he added their toiletries from the bathroom, and tucked the dogs’ beds under his arm. On his return trip through the kitchen, he collected the bag of dog food, their bowls and leashes, being careful to stay out of the investigators’ way.
Emerging into the backyard again, he saw David and Emma sharing a hug. They appeared to be comforting each other and Killian was sure the events of the day were just as hard on David as they were on himself and Emma. No police officer would choose to shoot and kill someone unless it was absolutely necessary.
Killian approached them quietly, not wishing to interfere in their private moment. They ended their hug and Emma wiped at her eyes, saying, “I’ll never be able to thank you enough, David.”
“Aye,” Killian agreed. “We owe you many thanks, mate.”
David looked at each of them in turn, then gave a slight nod of acknowledgement. After clearing his throat, he said, “Mary Margaret is on her way over to pick up the dogs, then you can go to the police station.”
“How long will we have to be there?” Emma asked.
“However long it takes for you both to give your statements,” David answered, just as his phone dinged with an incoming text. He pulled it from his pocket and checked it. “Mary Margaret is parked around the corner. They have the street blocked off, so she can’t get any closer.”
Killian handed the leashes to Emma. “Why don’t you clip these on while I go put our things in the car. I’ll be right back.”
He jogged around the side of the house and tossed everything in the trunk of his car. A police officer stopped him to ask if they should lock the door when they were finished collecting evidence. After answering in the affirmative, Killian returned to the backyard where Emma was leading the dogs around the yard, giving them an opportunity to do their business.
David was sitting on the steps, staring off into space. Killian sat down beside him and asked, “When the detectives finish their investigation, will they clean up the kitchen?”
David turned his attention to his friend. “The police won’t, but there are a couple of people who clean up crime scenes for us. I’ll give one of them a call, if you want.”
“That would be great. I know Emma will want to bring the dogs back home tomorrow, and I’d really like all the mess to be gone.”
The two men watched her lead the dogs back to where they sat. Killian stood up and took Oscar’s leash from her. “Ready to go, Love?”
“As ready as I’ll ever be,” she sighed resignedly.
David joined them and the three of them left the backyard, following the sidewalk around the corner to where Mary Margaret was pacing beside her car. When she caught sight of the trio, she rushed over to David, embracing him in a tight hug.
Killian and Emma hung back, allowing the couple to have a moment. They could hear Mary Margaret murmuring words of comfort and reassurance to her boyfriend. As soon as they pulled away from each other, Mary Margaret turned toward Emma, gathering her in her arms as well. “That must have been horrible for you,” Killian heard her say.
“I never dreamed he could be so violent,” Emma answered, her words muffled against her friend’s shoulder. “It was like he lost his mind.”
Mary Margaret ended the hug and held Emma at arm’s length, a look of compassion on her face. “I almost hate to say it, but at least he won’t be able to hurt you again.”
“No, he won’t,” Emma agreed. “But I never wanted him dead.”
“It was either him or one of us,” Killian said. “And fortunately, thanks to Dave, it wasn’t us. Your boyfriend is a hero, Mary Margaret.”
“Yes, he is,” she said, turning a beaming smile at David, which he attempted to return.
They loaded the dogs into Mary Margaret’s car, watched her drive away, then headed back to the house so they could go to the police station.
*********
By the time Emma finished giving her statement, she was thoroughly drained. Not only did she have to recount the events of that afternoon, she also had to answer questions about her relationship with Neal. When she finally emerged into the lobby of the station, Killian was waiting for her. He swiftly rose from his seat to meet her.
“Alright there, Swan?” he asked.
“Yeah, I just…” Her voice faltered and he pulled her into his arms. She went willingly, craving the comfort he was offering.
After several moments, she heard him whisper, “Let’s go to Mary Margaret’s, see the kids, and get some sleep, aye?”
“That’s the best idea I’ve heard all day.”
She expected him to release her, but he kept one arm wrapped tightly around her shoulders as they left the station and walked to his car. He opened the passenger door and she gratefully sank into the leather seat, leaned her head back, and closed her eyes.
Killian slid into the driver’s seat, started the car, and shifted it into gear. When they didn’t begin moving right away, Emma rolled her head toward him and opened her eyes. He was looking at her with obvious concern. She gave him a weak smile, reached over and gave his hand a squeeze. He flipped it over, threaded his fingers through hers, then directed his eyes back to the road. As he pulled away from the curb, she closed her eyes again.
They didn’t speak during the drive to Mary Margaret’s apartment. Emma appreciated the fact that Killian seemed to sense her need for silence after a day of chaos and didn’t try to fill it with unnecessary chatter.
When they arrived, Emma fumbled to unbuckle her seat belt, feeling like her hands were leaden and clumsy. Before she could reach for the door handle, Killian was opening it for her and offering his hand to help her out.
“What about our stuff?” she asked, as they started up the sidewalk.
“I’ll come back out and get it in a bit. Let’s get you inside and settled first.”
She leaned into him and once again, he wrapped his arm around her shoulders, adjusting his stride to match hers. They went inside the building and trudged up the flight of stairs. Killian was just getting ready to knock on the door, when it swung open and both dogs ran out, happily bounding around them.
“I saw you pull up out front,” Mary Margaret explained. “When I mentioned that Mommy and Daddy were here, they got all excited.”
Emma glanced at Killian to see him smiling about being referred to as ‘Daddy’. He ushered her inside, guiding her to the couch. After she was seated, he grabbed the leashes from where they were draped over the back of a kitchen stool. “I’ll take the kids outside and get our bag from the car,” he said, kneeling down to clip the leashes on their collars.
She watched him go, then turned her attention to her friend, who had taken a seat beside her on the couch.
“He’s a good guy,” Mary Margaret said.
“Yeah, he really is.”
Mary Margaret reached over and patted her hand. “I put some clean sheets on the bed in the spare room. Would you like to take a shower before you go to bed? Or maybe a nice, warm bath?”
Emma considered the offer for a moment before answering, “A soak in the tub would be nice. I don’t know if I have the energy to stand up long enough to take a shower.”
Mary Margaret nodded in understanding. “First though, you and Killian need to eat something. I made some chicken and noodles with mashed potatoes and glazed carrots. I thought comfort food might be the ticket after such a trying day.”
“That sounds amazing,” Emma sighed. “Thank you.”
“Come sit at the counter and I’ll fix a plate for you.” Mary Margaret patted her hand one more time, then stood and went into the kitchen to begin dishing up the food. Just as she was setting a full plate in front of Emma, Killian and the dogs came back in.
“We were just about to eat, Killian,” Mary Margaret said. “Have a seat.”
“Have the kids had their dinner?” he asked, dropping the duffle bag beside the sofa.
Mary Margaret shook her head. “No, they haven’t. I wasn’t sure how much to give them.”
“Let me feed them and wash my hands first.” He picked up their food bowls, while Mary Margaret turned back to her own task.
The three friends ate in relative silence, except for an occasional compliment of the meal or admonishment to the dogs when they begged for food. Emma expected to have little appetite, but found that she was famished once she began to eat. Now all she needed to finally put this day behind her was a hot bath and a good night’s sleep.
*********
After dinner, Emma went to start running the bath water. Killian removed his items from the duffle and dropped it outside the bathroom before helping Mary Margaret clean up the kitchen.
“It’s been quite the day,” she commented.
“Aye, that it has,” Killian agreed with a heavy sigh.
“David said you were the one who called 9-1-1. I hate to think what would have happened if you hadn’t.” Killian didn’t answer, trying not to imagine that scenario. Suddenly, Mary Margaret turned to face him. “How are you handling all of this? I’ve been concerned about David and Emma, but I haven’t asked about you.”
He put down the dish towel and ran a hand through his hair. “I’m fine, now that I know Emma is safe. When Cassidy pointed that gun at her…” He stopped speaking, a lump forming in his throat.
“You went in the house to save her,” she praised.
“It was the right thing to do,” he said, trying to brush off her admiration. Mary Margaret laid a soft hand on his arm. “I had to protect her, Mary Margaret,” he choked out. “If anything happened to her, it…it would kill me.”
She studied his face. “You care for her more than just as a friend, don’t you?”
“I…I didn’t realize how much she meant to me until I looked through that window and saw him hit her. I wanted to throttle him so badly for daring to treat her like that. Just the thought of her being hurt…it…I guess it made me aware of my feelings for her.”
“You’re in love with her.”
His eyes met hers, then his head dipped in a nod. “Aye.”
A huge smile stretched across her face, her eyes sparkling. “When are you going to tell her?”
He blew out a breath, his hand rubbing at the back of his neck. “With everything going on, hearing that I’m in love with her is not what she needs right now.”
“Or maybe it’s exactly what she needs right now.”
Before he could answer, he heard the tune from Disney’s Snow White, Someday My Prince Will Come. “That’s David’s ringtone,” Mary Margaret said, picking up her phone from the counter.
“I’ll take the kids outside so you can have some privacy,” Killian said, struggling to keep the bemused smirk off his face as he collected the leashes.
She nodded her thanks as she answered the call.
As Killian followed the dogs down the sidewalk, he thought about what Mary Margaret had said. Was it the right time to tell Emma he loved her? What if she didn’t feel the same? That would definitely make things awkward. But if she did reciprocate his feelings, they could pursue a romantic relationship, one in which he could show her how a lady should be treated.
His mind was still swirling with these thoughts as he led the dogs back inside. Mary Margaret was on her way down the steps. “David just got done giving his statement and he needs me,” she explained. “I left a key to the apartment on the table. Will you and Emma be alright?”
“I’m sure we will.”
She halted on the step above the landing where he stood. “I don’t know how much you know about Emma’s background, but she’s been abandoned many times by people who were supposed to love her. First, her birth parents soon after she was born, then numerous foster parents and prospective adoptive parents. And there were more men she dated before Neal who let her down. She has walls a mile high around her heart, Killian. It may take you a while to dismantle them.”
“Well,” he said, a small smile on his face, “I do love a challenge.”
“Have you thought about what will happen when your job here is finished and you go back to England?”
“Aye,” he sighed. “That’s another obstacle to consider.”
“Think about it, but don’t give up on her,” Mary Margaret urged him. “Emma is worth it. Love is worth it.” She leaned forward and brushed a kiss across his cheek. “I have to go. I’ll call Emma in the morning.”
“Tell Dave he’s in our prayers.”
“I will, and the two of you are in ours,” Mary Margaret said, before going out the door.
Killian watched her go, then continued up the stairs with Oscar and Sophie. Emma was still in the bathroom, so he finished drying the dishes and found where they belonged in the cupboards. Then he took the dogs’ beds upstairs to Emma’s room and called his closest co-worker to explain why he wouldn’t be at work the next day. When she finally emerged ten minutes later, he was sitting in the living room, checking emails on his phone.
“Sorry I took so long,” she apologized. “A hot bath felt really good, but now I’m all pruney.” She held up her hands to show him her water-wrinkled fingers.
“There’s no reason to apologize, Swan. I hope it was relaxing for you.”
“It was, but I’m sure you want to take a shower.”
“There’s still plenty of time for that,” he assured her. “Mary Margaret went to David’s for the night. She left a key on the table and said she would call you in the morning. I took the kids out, so they should be good for the night.”
“Okay, thanks,” she said, putting her hand over her mouth to stifle a yawn. “I think I’m going to bed.”
“Sounds good, Love. I put the dog beds upstairs so they can be close to you.”
He was trying to decide if he should give her a hug, but she made the decision for him by moving into his arms. He wrapped her up firmly, kissing the crown of her head.
“I will never be able to thank you and David enough for saving my life today,” she whispered.
“No thanks are necessary, Emma,” he murmured. “I’m just glad we were there in time.”
She clung to him for a few more moments before finally pulling away. Looking up at him, she said, “Goodnight, Killian.”
He couldn’t keep himself from caressing her cheek as he gazed into her jade eyes. “Goodnight. Sleep well.”
He watched her drag herself up the stairs, exhaustion evident in every step. When she reached the landing, she called Sophie and Oscar, who bounded up the steps. The room she slept in was an open loft, so Killian was able to see when she turned off the bedside lamp. Once she did, he headed off to the shower.
*********
Killian had just drifted off to sleep on the sofa when he felt a cold nose pressed against his cheek. Annoyed and half asleep, he batted at the offending dog, but when he heard an insistent whine, his eyes popped open and he sat up quickly.
“What’s wrong, Oscar?” he asked. The dog ran toward the stairs, looking back to see if Killian was following him, which he did with his heart pounding. He hadn’t seen the dog act so agitated before.
He took the stairs two at a time and turned the corner into the bedroom. Sophie was lying on the bed beside Emma, who was tossing restlessly. The whimpers coming from her broke Killian’s heart and as he got closer, he saw her face was wet with tears.
He was unsure what action to take, afraid that if he tried to wake her up, it would frighten her. Instead, he lay down on the bed and gently pulled her into his arms. “Shh, Swan,” he crooned. “It’s alright. You’re safe, Love.”
He continued to murmur comforting words and stroke his hands up and down her back, until he felt her rigid body begin to relax. He thought she was asleep, but then realized she was sobbing into his chest, causing tears to gather in his own eyes.
After several minutes, he heard her say in a voice thick with emotion, “I’m sorry. It seems like all I’ve done today is cry.”
“I would be worried about you if you didn’t cry after what you’ve been through today, Love.”
She didn’t respond, but he felt her wrap her arms around his waist and snuggle more deeply into his chest. He was content simply holding her and dropping occasional kisses to the crown of her head.
“Killian?”
He jolted, unaware he had started to fall asleep. “Hmm?” he hummed.
“Can I…will you do me a favor?” she asked hesitantly.
“Anything,” he affirmed.
“Stay with me tonight? I mean here, in my bed,” she clarified. “I just…I don’t want to be alone.”
“Of course I’ll stay with you, if that’s what you want. Truth be told, I’ll feel better being here with you, in case you have another nightmare.”
“Thank you,” she yawned. “You’re such a good friend.”
Her words hit him like a bucket of ice water. Long after she went back to sleep in his arms, he lay awake, her words echoing in his mind. Would she ever think of him as anything more than a friend?
Bob Ross did not give you an entire free library of tutorials on how to paint for you to use AI. You're better than this. Go make happy little accidents.
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Every part of Vegas feels like it's pulled out of fiction and is Incredibly off-putting. It's a major city in the middle of one of the world's most inhospitable deserts
Its famous for recreating other world landmarks on a small scale. It uses this as a trap to bait people into making life ruining decisions. It's motto is essentially "never speak of what happened here". Fucked up
So she actually said that she does not see the appeal in Senshi at all and that the panty shots weren't intended to be horny - she just has a neighbor who looks kind of like him and does laundry in his underwear. Which she finds kind of weird and offputting, and put into his character to be funny.
But that's the thing. She doesn't exaggerate or grotesqueify or alter people's bodies to fit some standard. (Except insofar as she draws different species differently, and those are exquisitely practiced to ensure they have the same diversity of appearances that humans do.) She just presents people exactly as they are, complexities and oddities and all.
It just so happens that when you present people exactly as they are, what you present will be beautiful and alluring to many. Even the things you yourself might find weird and offputting. Honestly I think it's a touching example of how you don't have to see the beauty in everyone for the beauty to be there, simple honesty is enough to let the wonder of people's humanity shine through.
#i think we should put this post next to the interview where she said she doesn't want to eat the food in the series cuz she's a picky eater#and file them both under 'you don't know an artist from their work'#and maybe you don't need to!#maybe all you need to know is that ryoko kui is Good At What She Does#idk I don't like the implication that artists (and women especially?) can only create from personal life and feelings#some people have imagination and craft#kind of a tangent but. there you go.
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“...A lone woman could, if she spun in almost every spare minute of her day, on her own keep a small family clothed in minimum comfort (and we know they did that). Adding a second spinner – even if they were less efficient (like a young girl just learning the craft or an older woman who has lost some dexterity in her hands) could push the household further into the ‘comfort’ margin, and we have to imagine that most of that added textile production would be consumed by the family (because people like having nice clothes!).
At the same time, that rate of production is high enough that a household which found itself bereft of (male) farmers (for instance due to a draft or military mortality) might well be able to patch the temporary hole in the family finances by dropping its textile consumption down to that minimum and selling or trading away the excess, for which there seems to have always been demand. ...Consequently, the line between women spinning for their own household and women spinning for the market often must have been merely a function of the financial situation of the family and the balance of clothing requirements to spinners in the household unit (much the same way agricultural surplus functioned).
Moreover, spinning absolutely dominates production time (again, around 85% of all of the labor-time, a ratio that the spinning wheel and the horizontal loom together don’t really change). This is actually quite handy, in a way, as we’ll see, because spinning (at least with a distaff) could be a mobile activity; a spinner could carry their spindle and distaff with them and set up almost anywhere, making use of small scraps of time here or there.
On the flip side, the labor demands here are high enough prior to the advent of better spinning and weaving technology in the Late Middle Ages (read: the spinning wheel, which is the truly revolutionary labor-saving device here) that most women would be spinning functionally all of the time, a constant background activity begun and carried out whenever they weren’t required to be actively moving around in order to fulfill a very real subsistence need for clothing in climates that humans are not particularly well adapted to naturally. The work of the spinner was every bit as important for maintaining the household as the work of the farmer and frankly students of history ought to see the two jobs as necessary and equal mirrors of each other.
At the same time, just as all farmers were not free, so all spinners were not free. It is abundantly clear that among the many tasks assigned to enslaved women within ancient households. Xenophon lists training the enslaved women of the household in wool-working as one of the duties of a good wife (Xen. Oik. 7.41). ...Columella also emphasizes that the vilica ought to be continually rotating between the spinners, weavers, cooks, cowsheds, pens and sickrooms, making use of the mobility that the distaff offered while her enslaved husband was out in the fields supervising the agricultural labor (of course, as with the bit of Xenophon above, the same sort of behavior would have been expected of the free wife as mistress of her own household).
...Consequently spinning and weaving were tasks that might be shared between both relatively elite women and far poorer and even enslaved women, though we should be sure not to take this too far. Doubtless it was a rather more pleasant experience to be the wealthy woman supervising enslaved or hired hands working wool in a large household than it was to be one of those enslaved women, or the wife of a very poor farmer desperately spinning to keep the farm afloat and the family fed. The poor woman spinner – who spins because she lacks a male wage-earner to support her – is a fixture of late medieval and early modern European society and (as J.S. Lee’s wage data makes clear; spinners were not paid well) must have also had quite a rough time of things.
It is difficult to overstate the importance of household textile production in the shaping of pre-modern gender roles. It infiltrates our language even today; a matrilineal line in a family is sometimes called a ‘distaff line,’ the female half of a male-female gendered pair is sometimes the ‘distaff counterpart’ for the same reason. Women who do not marry are sometimes still called ‘spinsters’ on the assumption that an unmarried woman would have to support herself by spinning and selling yarn (I’m not endorsing these usages, merely noting they exist).
E.W. Barber (Women’s Work, 29-41) suggests that this division of labor, which holds across a wide variety of societies was a product of the demands of the one necessarily gendered task in pre-modern societies: child-rearing. Barber notes that tasks compatible with the demands of keeping track of small children are those which do not require total attention (at least when full proficiency is reached; spinning is not exactly an easy task, but a skilled spinner can very easily spin while watching someone else and talking to a third person), can easily be interrupted, is not dangerous, can be easily moved, but do not require travel far from home; as Barber is quick to note, producing textiles (and spinning in particular) fill all of these requirements perfectly and that “the only other occupation that fits the criteria even half so well is that of preparing the daily food” which of course was also a female-gendered activity in most ancient societies. Barber thus essentially argues that it was the close coincidence of the demands of textile-production and child-rearing which led to the dominant paradigm where this work was ‘women’s work’ as per her title.
(There is some irony that while the men of patriarchal societies of antiquity – which is to say effectively all of the societies of antiquity – tended to see the gendered division of labor as a consequence of male superiority, it is in fact male incapability, particularly the male inability to nurse an infant, which structured the gendered division of labor in pre-modern societies, until the steady march of technology rendered the division itself obsolete. Also, and Barber points this out, citing Judith Brown, we should see this is a question about ability rather than reliance, just as some men did spin, weave and sew (again, often in a commercial capacity), so too did some women farm, gather or hunt. It is only the very rare and quite stupid person who will starve or freeze merely to adhere to gender roles and even then gender roles were often much more plastic in practice than stereotypes make them seem.)
Spinning became a central motif in many societies for ideal womanhood. Of course one foot of the fundament of Greek literature stands on the Odyssey, where Penelope’s defining act of arete is the clever weaving and unweaving of a burial shroud to deceive the suitors, but examples do not stop there. Lucretia, one of the key figures in the Roman legends concerning the foundation of the Republic, is marked out as outstanding among women because, when a group of aristocrats sneak home to try to settle a bet over who has the best wife, she is patiently spinning late into the night (with the enslaved women of her house working around her; often they get translated as ‘maids’ in a bit of bowdlerization. Any time you see ‘maids’ in the translation of a Greek or Roman text referring to household workers, it is usually quite safe to assume they are enslaved women) while the other women are out drinking (Liv. 1.57). This display of virtue causes the prince Sextus Tarquinius to form designs on Lucretia (which, being virtuous, she refuses), setting in motion the chain of crime and vengeance which will overthrow Rome’s monarchy. The purpose of Lucretia’s wool-working in the story is to establish her supreme virtue as the perfect aristocratic wife.
...For myself, I find that students can fairly readily understand the centrality of farming in everyday life in the pre-modern world, but are slower to grasp spinning and weaving (often tacitly assuming that women were effectively idle, or generically ‘homemaking’ in ways that precluded production). And students cannot be faulted for this – they generally aren’t confronted with this reality in classes or in popular culture. ...Even more than farming or blacksmithing, this is an economic and household activity that is rendered invisible in the popular imagination of the past, even as (as you can see from the artwork in this post) it was a dominant visual motif for representing the work of women for centuries.”
- Bret Devereaux, “Clothing, How Did They Make It? Part III: Spin Me Right Round…”
If I may tag onto this: it's really astonishing how much spinning you can get done when you do it in tiny increments. When I'm at a medieval market or music festival (back when that was... a thing), I carry my spindle everywhere and just spin a tiny little bit, constantly. Waiting in line for food. Sitting somewhere waiting for the next band to play, in the early morning when nobody's up yet. I can get through 100 gr of fibre in a day like this without consciously dedicating any extended time periods to it (and I'm not the best with a drop spindle). I would imagine that is roughly the way it worked in pre-modern cultures, too, which means that yes, it was possible to supply the fabric for an entire household this way, if the fabric was also taken care of properly (mended, re-used, recycled ...) and the spinner didn't suffer from illness or had any disabilities (!). It wouldn't be easy, but it also wouldn't be terrifying back-breaking labour.
I would like to amend the above: spinning all day every day in order to keep your family afloat must absolutely have been terrifying back-breaking labour eventually. Or wrist-breaking.
In unrelated news, last year I got a repetitive strain injury from too much spinning, and had never been so grateful in my life that I can simply stop spinning and suffer no financial hardship from it.
It's also interesting how much spinning remained a symbol of idealized femininity and even in societies where it was highly professionalized, later on in history
In the lead up to the American Revolution, you see newspapers talking about women – many if not most of whom had never spun a day in their lives, either because they were wealthy and didn't have to or because they were poor but didn't have time to among all of the other things they had to do for their families or their jobs, and professional spinster's existed, so why would they? -Getting together "spinning bees" to try and make homespun thread for homespun fabric so they could boycott textiles coming from England. These women were hailed as paragons of patriotic womanhood (never mind the fact that we have no evidence they ever produced scalable amounts of textiles, or even like… High-quality anything. Most of these bees seem to have been one-off events that were almost more about performing femininity and patriotism than actually producing threads/fabric)
And moving into the 19th century, the image of the spinning wheel became ubiquitous here in the US when talking about women in earlier American history. Longfellow's poem about his Mayflower ancestors features the female protagonist at her spinning wheel, even though textile production wasn't really a thing in the new colony at the time when the events he wrote about took place. Popular illustrations showed colonial women spinning at home. In the early 20th century, an art photographer named Wallace Nutting and his wife Mariet Griswold staged images of imaginary colonial interiors that almost always involved some type of antique spinning wheel as set dressing (to the great annoyance of later museum workers, who are forever having to debunk his photos in various ways)
And within those societies, there's been an idea that "women these days" are so lazy for not spinning and/or weaving their own cloth and instead of having it done by professionals. Making textiles from scratch remained a marker of idealized femininity long after it was the norm for most households in many places
you wanna see some badass shit from the early 20th century?? The Lumière brothers created the first full color photograph… in fucking 1903! So these dudes dyed potatoes (in red, blue, and green), mashed them down into just pure fuckin’ starch, and used these dyed potato starches as filters to block out/let in certain wavelengths of light. They coated one side of a glass plate with the starches and sensitized the other side with a mixture of gelatin and light sensitive materials (silver nitrate) and loaded these plates in their cameras.. This is a really simple explanation of the process and I may have missed some things
A few of my favorite autochrome photos:
but lets not forget sergei prokudin-gorskiy, who developed a similar process in 1902, published in 1903 and then toured russia to take hundreds of color photographs:
AND the guy developed color slide processing as well. as a person fairly familiar with modern b/w processing at home, but never EVER stepping into color (negatives or slides) territory, i’d say, BAMF to the highest degree.
Here are a few more Prokudin-Gorskiy / Gorskii shots, and a reminder once again that these aren’t recently colourised BW images but original colour photos taken about 120 years ago. Many colourised pics don’t look this good. Some modern colour pics don’t look this good (as I know all too well. “Delete image Y/N? Y!”)
This is Leo Tolstoy, author of “War and Peace” and “Anna Karenina”.
Alim Khan, Emir of Bukhara…
…and his Minister of the Interior.
A Type B-15 steam locomotive…
Another of those peasant girls with guest-gifts of berries…
The Church of St John the Baptist at Staraya Ladoga…
…and a Sergei Prokudin-Gorskiy self-portrait.
Unlike some current selfies ;-> he’s not dominating the image, so here’s a closer shot.
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on another note, watched The Mummy (1999) the other day and I couldn’t help feel like the O’Connells and the Addams (Addams Family Values (1993) would get on really well ya know? The O’Connells are basically the pastel adventure version of the Addams, surely they would just be vibin’ over tea and crumpets in an extremely haunted mansion having a ball of a time
*Rick and Gomez, still frantically sword fighting*
Rick: Have I mentioned how wonderful my wife is yet, I really feel like I haven’t really expanded enough on how wonderful she is
Gomez: do go on, I would be delighted to hear about how wonderful your wife is, I strongly encourge all men to extoll the virtues of their wives with rapturous praise, however I should perhaps mention my wife is in fact better
*sword fighting intensifies as both men rapturously extoll the virtues of their wives*