Linear writing of the All the Hope sequel has officially started ! Statistics say I'm probably older than you. Random things, stuff I like, ramblings, AND SCIENCE. Occasional original drawings and photography. Art blog : dr-fancy-pants.tumblr.com (before: pigeoncop). Pikkulef on AO3.
We've had multiple scares over the years, so I'm just going with the flow here, but considering the times...
I really don't want to lose the friends I have made here, but I am in a bad enough place mentally to feel very bad about asking people personally, so this is more like an offer to anyone who would like to keep sharing silly stuff, chatting or just existing in the same orbit, you know :
I can be found on Discord (Pikkulef), Cara (inactive right now but if Tumblr kicks the bucket...), and of course AO3 as Pikkulef.
I'm welcoming people following me in Instagram, but I'm not sharing the link directly because it has my face on it. Feel free to ask me if we're mutuals, and if you want to see horses and reenactment stuff (the rest is pretty on par with what I post on here).
I'm considering going back to Mastodon, or BlueSky, don't know which I should chose, so if you're in either and have tips I'm all ears.
Peace, cheers, and may this post be for nothing 🤷🏻♀️
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I try not to fall into the "I never liked their work anyway" ditch when an artist/creator reveals themself to be a terrible person
BUT
a feeling I do have and will stand by is "While I enjoyed their work overall I did have some gripes that I overlooked out of affection and whimsy, but now that my loyalty is gone and my affection tainted there is nothing holding me back from enumerating my many grievances, to which the revelations of the creator's shittiness may or may not provide a new and infuriating context."
maybe this is not my place to say because I am monolingual, and I'm sure it's part of a larger, more nuanced discussion about visibility and accessibility on the internet, but I think it'd be cool if people posted in their native languages more instead of in english. I see people do it way more on other platforms than on tumblr which is almost exclusively in english
El problema es, como bien has dicho, la accesibilidad y la visibilidad.
Tumblr en concreto es muy anglocentrista y un gran número de los usuarios no habla más que inglés. Si quieres que tus cosas lleguen a gente con gustos u opiniones similares, escribirlo en inglés asegura que la gente por lo menos lo pueda leer. Suma a esto el hecho de que bastantes series y tal son originalmente de habla inglesa (y a veces ni se traducen a tu lengua madre), lo que crea un fandom principalmente angloparlante.
Más allá de eso, también hay que tener en cuenta las diferencias culturales que surgen entre fandoms de distintos idiomas. Por ejemplo, durante mucho tiempo el fandom de Vocaloid angloparlante y el hispanohablante han chocado con respecto a temas como la piratería. En ocasiones es complicado manejar estas expectativas, y si sabes varios idiomas, peor incluso.
A mí me gustaría subir cositas en español y encontrar a gente que comparta mis gustos, pero en Tumblr en concreto es casi imposible. Tumblr ya es de por sí mucho más «nicho» en espacios hispanohablantes que otras RRSS como TikTok o Instagram, y si tus intereses no son muy populares, despídete.
La lingüística de los espacios de fans también está hipercentrada en el inglés. No es una pareja, es un ship; no es un universo alternativo, es un AU; no es destripar, es hacer spoiler, etc. Incluso las siglas: en español es LGTB, pero lo que sueles ver es LGBT. Parece una tontería, pero esta disonancia cognitiva hace que resulte muchísimo más complicado hablar en tu propio idioma en un fandom. Por no hablar de las innumerables referencias a posts o a memes... en inglés todo, por supuesto. Como te atrevas a hacer cualquier referencia cultural no inglesa, no te entiende nadie. Pierde la gracia.
Casi todo esto se puede achacar al imperialismo cultural estadounidense. El inglés es útil para comunicarse con gente de todo el mundo, pero su omnipresencia sirve de barrera para todos los demás idiomas. Quizás habría que reflexionar un poco sobre por qué coño el resto del mundo tiene que tragarse años de clases de inglés para hablar del juego que le gusta en una red social mientras muchos angloparlantes no se dignan ni a meter un texto en un traductor automático y prefieren pasar de largo.
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physicists: think they know enough to be an authority in other fields
chemists: don't think they know enough to be an authority in other fields
biologists: aren't even sure they know enough to be an authority in their own firld
mathematicians: don't understand why you seem to think they'd ever want to leave the beautiful and pure realm of numbers and have anything to do with any other field
- Pantyhose, tights, leggings, and stockings are each different.
- Waxing hurts and leaves red skin for a while afterwards while shaving leaves stubble
- Most can’t run in heels unless they have been VERY worn
- Insecurity in appearance doesn’t mean “buy me a drink”
- EVERYONE HAS DIFFERENT TASTES IN EVERYTHING
-Having large breasts sucks. It sucks beyond belief. If a garment happens to fit your large chest, odds are it won’t fit the rest of you. Underboob sweat is real and terrible. Bending over for extended periods of time will tweak your back out. Running can be painful due to boob turbulence. Bras are hella expensive. Big breasts are not fun.
Putting a tampon in isnt a quick bend-poke-done kinda deal. It involves cubicle yoga, messy hands, numerous curse words as you realise it isnt in correctly and have to take it out and start again with a new one.
If her hair is in an updo, one does not simply remove a hairpin to send her hair cascading down her back. No. If her hair is an updo, it will take at least an hour and an extra set of hands to remove the 137 bobby pins that are holding her hair in place. Furthermore, there’s probably a can’s worth of hairspray in there, intended to withstand category 2 hurricane winds. There’s no cascading happening here - the best you can hope for is a misshapen nest of hair to clump and poof unattractively in the back while it still remains flat against her scalp.
This is one of the funniest posts I’ve seen in a while (especially if you read all the comments), but also really depressing because at 42 I still judge myself as having failed for not matching up to all these mythical stereotypes despite knowing they’re impossible
The odds of a woman having smoothly shaved legs and armpits are directly proportional to the amount of skin her clothing bares and/or the amount of fucks she gives at that particular moment.
GLASSES ARE NOT COSMETIC. If we whip them off, we do not become gorgeous fashion models. We become squinty.
-most women wear bras. Yes, even when they are trying to dress sexy. Because bras make boobs look perkier and rounder, which is something men apparently find sexy, so being a seductress or femme fatale is not an automatic reason for a female character to not be wearing a bra.
-a good bra will hide headlights, or at the very least drastically reduce their noticeability. A women with enough pointy nipple issues will opt for a padded or molded bra to hide them.
-women’s nipples do not automatically become hard pyramids visible through any and all layers of clothing the second they become even slightly aroused. They are not the female equivalent of boners. And even if their nipples do get hard, the bras they are almost certainly wearing (because even a goddamn succubus with big, honkin’ knockers for seducing men is gonna have those painful puppies in some kind of boob sling) should keep those pointy nipples from being visible to every other character in the scene, JIM BUTCHER. YES, EVEN LARA RAITH WOULD WEAR A BRA ONCE IN A GODDAMN WHILE.
if you’re being tied up and tortured in a freezing underground dungeon, then you probably have more important things to pay attention to than how hard somebody’s nipples are, jim butcher
- Wearing a bra that doesn’t fit HURTS. It’s not sexy to wear a bra that’s “two sizes too small”, it’d make your clothes hang oddly and you’d have a weird, uncomfortable “quad-boob” effect and your back would hurt, BEN AARONOVITCH.
Also, after removing a too small bra, there’s gonne be angry red lines on the boobs and ribs and the lady is not going to want them to be touched by anyone for a good long while
-Lips aren’t just naturally red “as if she’d been drinking wine but they were just like that without makeup cause she’s so perfect,” my dear little Kvothe from ‘Name of the Wind’. Also, girls do not naturally smell like fruit or flowers, it’s either perfume or something she’d been eating recently.
I’ve been appreciating this post but now it’s back very specifically calling out my problematic faves and I don’t think those male authors realize how much it totally takes me out of the story for a moment when they commit these errors. It does nothing useful for the plot and is annoying for half of the audience
(Most) Women do not look at themselves in the mirror and compare their breasts to fruit. Any sort of fruit. Especially melons. Please save us from the melons.
Also we are not aware of our breasts at all times. I do not walk down a flight of stairs and think “oh golly my breasts are bouncing so much right now”. They are as much as natural part of our bodies as arms. Do you constantly think about how your arms are moving? Sure you may be aware of them, but paying full attention? Doubtful.
Also: women working out are almost never sexy. They’re not glowing or glistening or (kill me) *sparkling*. They are red and sweaty and gross just like all the dudebros doing their time with the dumbbells. Stop ogling fictional women at the gym, TOM WOLFE.
I never understood why men feel the need to address all this telltale “feminine” awareness when writing women. Like once in grad school one of my male colleagues wrote from a female character’s POV and was like sure to notice how her feet felt in high heels and all the women’s lifestyle magazines on the coffee table and also that like, her breasts were “heavy” or some shit. I write male characters all the time. Not once have I ever stopped to make sure they notice the weight of their own balls or been hyper aware of their chest hair or some bullshit like that. ????? why????????
Love this. I’ve been cackling to myself for good 20 mins reading all the comments as well but the last reblog had me dying like can you imagine!!
“Chad was late. He had an important meeting to get to and was mad at himself for oversleeping.
He quickly washed and brushed his teeth and then ran downstairs, his balls bouncing playfully in his pants.
Do I have time to make a coffee? he thought. He decided he did so went into the kitchen and switched the kettle on. As he was waiting, he noticed his thick, curly chest hair was poking through the button gaps of his shirt. He giggled to himself and tucked his manly fuzz back in, hoping it wouldn’t happen during the meeting.”
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Peeling off the broken breastplate of a stoic knight who only fights and never speaks, just to realize there’s nothing in there. Not metaphorically—the armor is literally empty. It doesn’t appear to affect him. If the armor stays mostly in the shape of a knight, he just gets back up to keep fighting. But with the chest plate off he just sits there, equally impervious to curiosity as I reach up into the cavity where his body might’ve gone. Stubbornly, no answers are found anywhere in there.
So I forge him a new breastplate and on the inside, because I know he has plenty of room, I put a little pocket. Not big enough to hold anything functional of course. Just a little extra piece to see what he’ll do with it.
He comes back next time with some grievous injury to his nothing, presumably from the massive shredded gash across his thigh plates. He sits and waits. I fix it for him. He is still nothing in there. I decide to add a drawing on the inside, of the type of beast I imagine could rend metal into scraps with a single blow. He puts it back on. He no longer moves as if he is injured.
Over time the interior of the knight becomes decorated with whatever odds and ends I could think to attach to the inside of a guy who’s got room to carry it. What really gets me is that he never removes any of it. Never requests a change. Not even when I installed a curtain rod for a small tapestry, or a bud vase to carry roses for his beloved, or an accordion folder for letters. He didn’t say a word for any of the many, many drawings of mythical beasts that now fight forever inside of his shell.
There are plenty of other forges. I’m not entirely sure why he keeps coming back here anyway. We’re pretty popular, but he could get his armor fixed a lot quicker (and with fewer ridiculous modifications) literally anywhere else. I asked him if I could get a look at his nothing again. He flipped up his visor and nodded his head so I could take a look. It was the same as it had been, filled with drawings and trinkets and weird little fixtures I’d put in there. I asked if he was annoyed by it, or liked it, or felt anything at all, but he literally only ever says nothing, so I’m not sure why I asked.
There’s not much room left in his nothing now. When he comes back for repairs I’ve had to fix my own foolish additions. Some of these pieces are intricate and irritating to repair, but I fix them anyway. It feels wrong to take any of it away from him now, even though I’ve been rudely encroaching on his nothingness to the point where it’s barely even there. How he squeezes his nothing back into a body so full, I’ll never understand. But it’s a game to me now, finding a spot not yet filled and putting something there. A dark part of me wonders if he ever gets filled up completely, if whatever sorcery holds the nothing-knight together may break, and it will all clatter unceremoniously to the floor.
When he hands me his breastplate yet again, it is so shockingly disfigured that I wonder if being made of nothing has somehow kept him alive. No ordinary knight could sustain such injuries. So I fix it. And he waits, unmoving, in a quiet corner of the forge. It’s like he’s watching, even though I know the reading glasses I put inside his helmet were just for fun. I’m careful to put it all back exactly the way it was when he last left. There’s no room to add more this time.
He examines the breastplate, and pauses before putting it back on, like he’s looking for something. Is he worried about the fit? But it suits him just as it always did. He calmly points to a little space, about an inch, between a miniature shelf and one of many pockets. There’s nothing there. I ask him what’s wrong, and again he points. It’s the most emotion I’ve ever seen from him, and it’s barely anything at all. I take it to mean he wants something there.
I spend some time engraving a little snail in the gap. He watches, as much as nothing can watch. When I’m finished he holds the breastplate, but he doesn’t put it on right away. I ask him if something’s still wrong. He says nothing, and puts it on. I tell him I can’t add anything else. Even if he could ask, there’s no room left.
Next time he comes back, there’s nothing wrong with his armor—he lets me check to make sure. I ask him what he’s doing here. Out from one of many pockets, he retrieves a tiny rusted knife. It’s in miserable condition, barely worth saving. I tell him I could make him a nice new one, but I’ll fix it if he likes. He puts it away and reaches around to find something else, a needle and thread. Better condition, but I’m not a sewist and I tell him as much. He puts them away. He then retrieves a little twisted piece of wax paper. I open it. It’s candy. I ask if I can eat it. He says nothing. I eat it. It’s flavored with cinnamon. I’m surprised he let me take it.
He keeps bringing me candy now. His armor is the most laborious to repair out of every client my forge serves, but it’s my own fault so I can’t complain. Sometimes he keeps me company while I work. I wonder if he is trying to tell me something when he hands me mints. I wonder again at the lemon lozenges. He stares at me when I eat, as much as nothing can stare.
One day he brings me a little jar of honey. I thank him, I tell him I’ll save it for dinner. He watches me work, he puts his repaired armor back on, and he stays. My shift passes slowly, and when I finally pack up to leave it’s dark outside. He follows me out of the forge. I ask him where he’s going. He points to the jar in my hand. I ask him if he wants to watch me eat it. He says nothing, but the nothing-knight clearly wants something, so I open the lid and dunk my finger in the honey. I try not to get any on my chin. He stands there, inches away, watching me try to consume this jar of honey without a utensil. It tastes like clovers. About half the jar is left when I’ve finally had enough of pretending to be a bear, but he doesn’t move to leave.
I ask if he’s going to follow me home. He says nothing. I tell him he can if he wants to. Again, nothing. I start walking, and he follows at my side. I know he’s not going to say anything ever, so I fill the silence. I tell him I’m grateful for the sweets, I tell him about how his various components are made, I tell him I’ve never met anyone made of nothing before. I tell him it’s a rare opportunity for a smith to work so much on the inside of something. He says nothing. I tell him again how much I like the candy.
It occurs to me that maybe filling me with sugar is as close as he can get to filling someone else’s empty armor with trinkets. I’m not sure if that’s really why he does it. I tell him I don’t have room to be filled with anything on the inside, not like him. I’m not a container for much besides food. He offers me another piece of candy. Maybe he likes containing something, the way I like to feel full. Maybe it’s nothing at all.
—
I didn’t edit this even a little bit. Thanks for reading!
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