Kiana Khansmith
wallacepolsom
roma★
JVL
Misplaced Lens Cap
I'd rather be in outer space 🛸
Product Placement
ojovivo
Jules of Nature
Stranger Things
$LAYYYTER
sheepfilms
Keni
Claire Keane
#extradirty
blake kathryn
🪼
Cosmic Funnies
seen from United States
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@doctornerdington
Oh boy, can't stop thinking about a Leviticus fic in which, 20 years on, either Naim or Ryan start seeing the entity as someone else while the other doesn't, and it's a whole big puddle of angst and grown-up relationship renegotiation and heartbreak and (maybe?) poly learning curves for all. Alternately, a fic from the entity's POV exploring that verrrry interesting hand-on-the-cheek moment of calm from the film.
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“On Our Backs” filled a void by authentically documenting—and celebrating—lesbian sexuality
On Our Backs magazine put lesbian desires front and centre. Launched in San Francisco in 1984 by members of the lesbian feminist BDSM collective Samois, the magazine aimed to provide “entertainment for the adventurous lesbian,” a tagline that riffed on Playboy’s own “Entertainment for Men.” On Our Backs was the first glossy magazine in the U.S. to celebrate lesbian sexuality and pleasure—and it did so explicitly. Its name served as a middle finger to off our backs, a radical feminist journal with anti-pornography messaging during the height of the feminist sex wars of the 1980s.
If you haven’t seen the meme, it’s three photos of me showing my flapjacks to the judges and then a quote, I don’t remember saying this but apparently it’s how I talk, says “Started making it, had a breakdown, bon appétit”
James Acaster on his Bake Off experience - Cold Lasagne Hate Myself 1999
The Man The Myth The Legend
i'd like to believe that the entity will stop attacking ryan and naim bc it seems like when they show it love rather than fear, it stops. even if it's just for a brief moment.
Ooohhhh this is a good take.
"A Week of Kindness", Max Ernst, 1934
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Can’t remember who recommended this — someone in my writing group, maybe? It was fine. A perfectly serviceable novel. 3.5/5.
Guys... I have something to say...
Why don't we take THIS David Rose
and THIS Patrick Brewer
and just...
MAKE IT A THING...
God I've been thinking about leviticus nonstop since I saw it and the main thing I just cannot let go of is naim's mom picking the olives off of his pizza !!!!! Like just days ago so sat there while he screamed for her because she hated a part of him and wanted to make it go away. And now she's picking the olives off of his pizza because that is her son and she knows he doesn't like olives and she's his MOM. and those things can and do coexist. that fucked me up more than any of the gore or jump scares. that was the horror for me
It really is a masterclass in “that’s true, too.” She loves him and she profoundly, deliberately harms him. Church offers community and destruction. Queer joy and love coexist with fear and shame. We transcend it and we can’t escape it. So rare to see a film that holds all the contradictions without offering facile resolution, even in horror. It’s so well done.
Stacy Clausen & Joe Bird behind the scenes of Leviticus
Leviticus really said yes life will be harder because I choose to be with you but I choose to be with you despite it all
Loved that the film lets love and fear exist together, without easy resolution.
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JOE BIRD and STACY CLAUSEN as NAIM and RYAN LEVITICUS (2026) written and directed by Adrian Chiarella
i cant. i love them so bad.
Happy Pride! JSTOR Daily has a round up of LGBTQ+ articles happening this month - check them out: https://daily.jstor.org/lgbtq-pride-month-editors-picks/
These remind me of this drawing by Franz Kafka from the 1900s. We've been feeling this way for a long time.
prev, i'm sure you mean my guy Leonid Pasternak
Captain Picard tries out his new trampoline on the bridge
Yiddish advertisement for Professor Abraham Hochman’s Clairvoyancy services. Reprinted in ‘Der shlisl tsu der nevu’e’, 1909. YIVO Institute for Jewish Research.
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One of my favorite interpretations of the Garashir Lunch Debates is that Bashir knows full well that he’s flirting with Garak. Garak, on the other hand, thinks that he’s really lucky that Bashir definitely doesn’t know that he’s been flirting with him. This obviously leads to a situation where Bashir thinks they have a will-they-won’t-they romcom-type thing going, and Garak thinks he’s in a devastating tale of unrequited love and he’s the tragic heroine who will suffer for his beloved.
when your erotica ends with a bibliography of works cited
