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art blog(derogatory)

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JBB: An Artblog!

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@doctornerdington
ty ian mckellen

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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a new reality tv show called So you think you can write Doctor Who
twelve episodes, twelve contestants - a mix of annoying middle aged sci fi authors, fan fic authors and random people off the street
a variety of against the clock writing tasks, big finish scripts, ability to interact with actors without shouting at them and challenges where you have no budget or doctor for an episode
judged by solely by christopher eccleston
this is how you find the new doctor who showrunner
My youngest just told me he doesn’t think Spielberg is the right choice to direct The Mandela Catalogue because he is “famously an old man.”
He cracks me up so much, but also 😱😱😱
Common Words & Phrases from AAVE
Gullah & Early AAVE
Gumbo – From Bantu kingombo (okra), brought by enslaved Africans and became the name of the Creole stew thickened with okra.
Goober – From Kikongo nguba, the Bantu word for peanut that entered American English via enslaved Africans.
Yam – From West African languages (e.g., Wolof nyami, "to eat"), brought over during the slave trade and adopted into Southern cuisine.
Banjo – From a Bantu root (mbanza), the instrument was crafted by enslaved Africans based on West African string instruments.
Bogus – Likely from Hausa boko-boko (deceitful, fraudulent), entering American English through African American speech in the 19th century.
Juke (box/joint) – From Gullah juke (rowdy, disorderly), derived from Wolof dzug (to live wickedly), later attached to roadside bars.
Tote (to carry) – From West African languages (e.g., Kikongo tota, "to pick up"), recorded in Gullah before spreading to mainstream English.
Dig (to understand) – From Wolof degg (to understand), popularized by jazz musicians in the 1930s after entering English through AAVE.
Jazz – Possibly from West African or Creole slang for energy/sex, first documented in AAVE in Chicago around 1912.
Okay (OK) – Though its origin is debated, strong evidence traces it to West African languages (e.g., Wolof waw kay) via enslaved Gullah speakers.
Hip/Hep – From Wolof hipi (to open one's eyes, to be aware), entering jazz slang in the early 1900s before going mainstream.
Hepcat – A compound of "hep" + "cat" (jazz slang for a person), literally meaning "one who has his eyes open" in West African-influenced jazz culture.
Jazz, Blues & 1940s–60s Era
Cool (as in fashionable/calm) – Originated in jazz circles, likely from saxophonist Lester Young, and entered mainstream via West African aesthetic concepts of composure.
Cat – A jazz-era term for a skilled musician or cool person, derived from West African-influenced jive talk.
Crib – Jazz slang for a house or apartment, popularized in the 1940s before becoming mainstream in the 1990s.
Hokum – AAVE slang for nonsense or BS, used in blues and jazz before being adopted more widely.
Diss – Short for "disrespect," coined in AAVE and popularized through hip-hop in the 1980s and 1990s.
Bad (meaning good) – From AAVE, where inversion of meaning creates emphasis (something so "bad" it's actually good), used since early jazz era.
Jive – AAVE slang for deceptive talk or a style of jazz dancing, used by Cab Calloway in his 1930s Hepster Dictionary.
1970s–90s (Hip-Hop & Pre-Internet Era)
Homeboy/Homegirl – AAVE for a close friend from one's neighborhood, popularized in hip-hop and later shortened to "homes" in casual speech.
Dope (meaning great) – Shifted from "stupid" in standard English to "excellent" in AAVE during the 1980s hip-hop era.
Props – Short for "proper respects" in AAVE, used in hip-hop to acknowledge skill or achievement before entering mainstream slang.
Word (as in "I agree") – AAVE interjection ("Word!" or "Word is bond") meaning "I'm telling the truth," derived from Nation of Islam teachings.
Phat (meaning cool/great) – AAVE acronym believed to stand for "Pretty Hot And Tempting," though likely an invented backronym; popularized in 90s hip-hop.
The Bomb – AAVE phrase for something excellent or top-quality, widely used in hip-hop lyrics before mainstream adoption.
Def – AAVE slang for "excellent," popularized by Run-DMC's "King of Rock" and 80s hip-hop culture.
Fresh – AAVE for stylish or excellent, used in early hip-hop and 80s pop culture before spreading globally.
Wack – AAVE for "bad, inferior, uncool," popularized in hip-hop and later mainstream youth speech as the opposite of "cool."
Hella – AAVE intensifier meaning "very" or "a lot of," originating in Oakland/Bay Area AAVE in the 1970s-80s.
Cap / No Cap – AAVE meaning "lie" and "no lie," popularized by Bay Area rap in the 2010s, derived from "capping" (exaggerating).
1990s–2000s (Internet Adoption & Ballroom Culture)
Slay – From AAVE and Black ballroom culture (Paris is Burning, 1990), meaning to do something extremely well, now mainstream via social media.
Spill the Tea – From AAVE (originally "spill the T," with "T" meaning truth), popularized by drag culture and Black queer communities.
Shade (as in insult) – From Black ballroom culture (documented in Paris is Burning), meaning a subtle insult, now used broadly in pop culture.
Reading (as in insulting) – From ballroom culture ("reading" someone), meaning to publicly insult with wit, immortalized in Paris is Burning.
Kiki – AAVE from ballroom culture meaning a casual gathering for gossip or chatting, later mainstreamed through pop music (e.g., Kesha).
Fierce – AAVE and ballroom term meaning exceptionally good or intense, applied to fashion, performance, or attitude.
Woke – From AAVE meaning socially and politically aware, first used in 1940s Black activism before resurging with Black Lives Matter.
Shook – AAVE meaning startled or upset, used in 1990s New York hip-hop (e.g., Mobb Deep) before mainstream adoption in the 2010s.
On Fleek – AAVE phrase meaning perfectly executed, coined in a 2014 Vine by Peaches Monroee, one of the last pre-AI viral AAVE innovations.
Finna – From AAVE contraction of "fixing to" (preparing to), documented in Southern AAVE for decades before wider use and dictionary recognition.
Chile – A phonetic spelling of "child" in Southern AAVE, used as a term of endearment or exclamation since at least the 1970s (The Wiz, 1978).
2010s–Present (Social Media & Gen Z Slang Pipeline)
Lit – AAVE meaning exciting or excellent (originally "intoxicated" or "on fire"), popularized in hip-hop before becoming a Gen Z staple.
Bae – AAVE term of endearment meaning "before anyone else" or just a shortened form of "babe/baby," mainstreamed in the 2010s.
Ratchet – AAVE originally meaning a rowdy, aggressive woman (from "wretched"), later used to describe anything wild or out of control.
Turnt – AAVE meaning excited or intoxicated, from "turned up" in hip-hop lyrics, mainstreamed in early 2010s party slang.
Clap Back – AAVE for a sharp, witty comeback or retaliation, popularized in hip-hop (e.g., Ja Rule's 2003 song "Clap Back") before internet slang.
Bussin' – AAVE meaning delicious or excellent, applied to food or anything great, popularized on TikTok in the 2020s.
Sus – AAVE shortening of "suspicious" or "shady," used for decades before Among Us made it a global meme in 2020.
Snatched – AAVE originally describing flawless hair/makeup or a tight waist, now used to praise anything perfectly executed.
Periodt – AAVE emphatic form of "period" (meaning "end of discussion"), with a hard "t" for emphasis, popularized on Black Twitter before global use.
Bonus: My personal favorite AAVE term that I see used online religiously is receipts! AAVE meaning the proof shown to back up an accustation
Have you seen Twitch City (1998-2000)?
Yes
Partially
No, but I've heard of it
Never heard of it
After a crash course in Kids in the Hall, I just successfully got my oldest kid hooked on this! (The full run is free on YouTube btw.) He binged it in two days, I'm so proud. We've now moved on to Made in Canada. His education in 90s Canadian comedy is coming along well.

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Do you think your favorite Star Trek character would like you?
Yes
No
Nuance
I don’t think he’d give a shit either way. We could chat about Jane Austen, I suppose.
I feel all the Starfleet characters would struggle to relate to me because unlike them, I’m not hyper competent at anything. They would regard me as an unfortunate product of my time but would find me harmless.
Data would like me because I’d always want to hear his stories that Picard would so rudely shut down.
Liking and disliking is illogical. I hope he'd find me tolerable.
do y’all remember before direct messages tumblr had a dumbass ask limit of 10 per hour and communication was impossible until they introduced dumbass fan mail and we were basically sending telegraphs back in forth trying to communicate those were…dark times
Do y'all remember when they finally gave us direct messages and instead of doing it normally, they gave it to a few people at a time and we had to infect each other with it like a virus
remember when any post with more than like 6 people talking was unreadably smushed except for the last few additions remember when any post of over 500 characters became a link back to op’s blog readmore style remember when video and audio posts had about a 10% chance of working when you click play
As a recent user I love finding out shit like this from older users. What the fuck guys???? Why were you USING IT AT ALL?!??
believe it or not, we liked that more
its worth noting that immediately after these updates that made everything better, we were all angry about it
Some one correct me if I’m wrong, but wasn’t there a time where if you wanted to give people the ability to comment on your post, you had to end your post with a ?
Oh, I think I do remember that!
Does anyone else remember that asks weren’t publishable either? Like, you could send one that would never be published, and have a whole conversation with someone, like a DM, but they looked like mail. They even had a lined paper graphic for it.
Holy shit, I forgot about that…
Oh boy, can't stop thinking about a Leviticus fic in which, 20 years on, either Naim or Ryan start seeing the entity as someone else while the other doesn't, and it's a whole big puddle of angst and grown-up relationship renegotiation and heartbreak and (maybe?) poly learning curves for all. Alternately, a fic from the entity's POV exploring that verrrry interesting hand-on-the-cheek moment of calm from the film.
“On Our Backs” filled a void by authentically documenting—and celebrating—lesbian sexuality
On Our Backs magazine put lesbian desires front and centre. Launched in San Francisco in 1984 by members of the lesbian feminist BDSM collective Samois, the magazine aimed to provide “entertainment for the adventurous lesbian,” a tagline that riffed on Playboy’s own “Entertainment for Men.” On Our Backs was the first glossy magazine in the U.S. to celebrate lesbian sexuality and pleasure—and it did so explicitly. Its name served as a middle finger to off our backs, a radical feminist journal with anti-pornography messaging during the height of the feminist sex wars of the 1980s.
If you haven’t seen the meme, it’s three photos of me showing my flapjacks to the judges and then a quote, I don’t remember saying this but apparently it’s how I talk, says “Started making it, had a breakdown, bon appétit”
James Acaster on his Bake Off experience - Cold Lasagne Hate Myself 1999
The Man The Myth The Legend

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i'd like to believe that the entity will stop attacking ryan and naim bc it seems like when they show it love rather than fear, it stops. even if it's just for a brief moment.
Ooohhhh this is a good take.
"A Week of Kindness", Max Ernst, 1934
Can’t remember who recommended this — someone in my writing group, maybe? It was fine. A perfectly serviceable novel. 3.5/5.
Guys... I have something to say...
Why don't we take THIS David Rose
and THIS Patrick Brewer
and just...
MAKE IT A THING...
God I've been thinking about leviticus nonstop since I saw it and the main thing I just cannot let go of is naim's mom picking the olives off of his pizza !!!!! Like just days ago so sat there while he screamed for her because she hated a part of him and wanted to make it go away. And now she's picking the olives off of his pizza because that is her son and she knows he doesn't like olives and she's his MOM. and those things can and do coexist. that fucked me up more than any of the gore or jump scares. that was the horror for me
It really is a masterclass in “that’s true, too.” She loves him and she profoundly, deliberately harms him. Church offers community and destruction. Queer joy and love coexist with fear and shame. We transcend it and we can’t escape it. So rare to see a film that holds all the contradictions without offering facile resolution, even in horror. It’s so well done.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
Stacy Clausen & Joe Bird behind the scenes of Leviticus
Leviticus really said yes life will be harder because I choose to be with you but I choose to be with you despite it all
Loved that the film lets love and fear exist together, without easy resolution.