Finally some good god-honoring Christian erotica #Amen
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Finally some good god-honoring Christian erotica #Amen

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Ascend to the 31st floor, where gargoyles meet stunning replicas of the iconic 1929 Chrysler radiator caps. Finally, witness the majestic 61st floor, crowned with eagles in proud homage to America's national bird.Â
https://whatyoulookingatnow.blogspot.com/2025/09/art-deco-eagle-heads-of-chrysler.html
thinking about the ending of Yesteryear and it is sooo fascinating to me that the closest thing we get to true tenderness between Natalie and Caleb, true honesty and vulnerability between husband and wife, is when they finally admit they fucking hate each other.
The way the Yesteryear audiobook made "Hello Ladies" a cringe worthy phrase needs to be studied in a lab somewhere.
But the book has me thinking a lot today about internalized misogyny (of course) and how much feminine energy is required to maintain a substandard quality of life for all women.
Like I have never hated a protagonist faster than I hated Natalie Heller-Mills. Yet i cant help but notice what an incredibly smart choice on Burk's part to make her as hateable as she is. You, a member of the audience, are supposed to be enjoying this woman as she gets her comeuppance throughout the novel.
And if Burke were not a feminist author, that's what the story would be about. Don't get me wrong, on one level it totally is a story of a person who built themselves a coffin.
But on another? We read about a 20 year old girl who had a complicated and (averagely) medically compromising delivery, and her mother, the person who is supposed to care most about her wellbeing, who tells her to jog around the hospital "to get the endorphins moving" against medical advice.
And we can all point at this and say "oh, there's the fundamentalist Christian love we all know and despise", but i find, having sat with this novel for a hot minute, that the book isnt necessarily throwing trapped fundy housewives under the bus as much as it's...
Calling out this weird culture we're all currently trapped in, where women aren't just competing for male attention, but other women's respect and understanding, and the result is this very callous and dismissive "well, your life your choices" message. Perhaps I'm not being arriculate...
I love my life. I physically cant get pregnant, havent chosen to adopt, I am decidedly not Christian, and I'm as far away from traditional social media as I can possibly get. Those things might be related, I dont know.
But I can't imagine I would love my life as much as I do if other women (older women) hadn't reached over to me while I was steering a sinking ship into a craggy, rock lined sea wall and said "Hey! Watch out!" Or "What are your options, sweety?"
Equally, I remember the toxic friendships of a my early twenties, the constant feeling of judgment, and the impact of our collective divestment of the harmful beliefs we grew up exposed to, and how those things didnt fall away until we all worked on ourselves (or didn't), and while we were all trying to figure out how to navigate this weird late stage capitalistic hellscape we're stuck in.
And I guess I'm really getting old now (at the ripe age of 37), because I worry about how much harder it is for young women to have the same freedoms today that I had in my youth. I see policy pushing women out of academic and profesional opportunities, and the shuttering of childcare centers, and the general lack of education all young people are getting in my country right now.
And I think...
Wow.
Natalie Heller Mills is the logical conclusion to being socialized (in a vaccum) to believe that a glass cage is the outcome to shoot for.
Yesteryear thoughts: the ending was fantastic. Natalie’s still convinced that she’s better than everyone else, still so obsessed with Reena that even though she’s doing hard time for child abuse, she still thinks she can make everything good for herself again if she can get one-up over the mythical version of Reena, the final boss of Angry Women, she’s created in her head. She thinks one interview lets her wrest control of the narrative and rewrite reality.
Except Reena is plainly completely indifferent to her, beyond perhaps some mild concern over Natalie’s mental competency and ability to consent to an interview. Natalie’s convinced herself that Reena must be struggling in life, that Reena needs her, but both of these things are plainly not true. Natalie is still the same parasitic troll that she ever was, desperate for outrage to feed on. She’ll be obsessed with Reena for the rest of her life, and Reena will likely never think about her again after this interview is over.
And the way the book ends on the excerpt from Mary’s memoir and Mary’s first time leaving the ranch? Perfect. Natalie doesn’t get to control the narrative anymore. That’s the province of her parentified daughter-mom, now.

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