Henry Winslow, Wood Monsters, n.d., etching, 9 3â4 x 9 3â4 in. (24.8 x 24.8 cm), Smithsonian American Art Museum, Gift of Chicago Society of Etchers, 1935.13.392
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Henry Winslow, Wood Monsters, n.d., etching, 9 3â4 x 9 3â4 in. (24.8 x 24.8 cm), Smithsonian American Art Museum, Gift of Chicago Society of Etchers, 1935.13.392

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Photo by Haarkon
Fernando Cidoncha (b. 1991, Spanish) ~ She is Leaving, 2020
[Source: fernandocidoncha.com]
Fernando Cidoncha, Detention, oil on canvas, 35x20â, 2022.

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đš Book of monsters Washington, National Geographic Society, 1914. Original source Image description: Black and white historical illustration from the 1914 âBook of monsters,â depicting a large, detailed ant with exaggerated features. The antâs body is segmented with a prominent head, thorax, and abdomen. Notable details include fine hairs on its legs and rear, a curved, segmented antenna, and large mandibles. The image highlights the antâs intricate texture and form, emphasizing its unusual, monster-like appearance as perceived in early 20th-century entomological art. The figure is shown in profile against a plain background, focusing attention solely on the insectâs anatomy.
Richard Avedon. London girl in New York Swinging Sixties Icon Jean Shrimpton. Vogue Us February 1, 1969.
Stanko Abadzic.
Ătude pour Mademoiselle Rose - Ferdinand-Victor-Eugène Delacroix (1798-1863)
Sergey Sovkov.

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JosĂŠ Manuel Belmonte,b. 1964, CĂłrdoba, Spain, Mercurial 'Bird man'
The Milky Way over Monument Valley
Credits: Tom Masterson
The Day After - Edvard Munch, 1894-95
Man Ray âGlass Tearsâ, 1932.Â
Images Š the artist, courtesy Sir Elton John Collection / Tate Modern.

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Daniel 323
by Dylan Rosser, 2021
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